Theophile-Alexandre Pierre SteinlenBiblio.com
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Best.-Nr. 87053Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century February 1891. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 87052Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century February 1891. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 87051Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century February 1891. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1902Best.-Nr. 16859AB1902. Paris Schwarz 1902. 305 : 24 cm. 14 pages with coloured illustrations by Steinlen. Coloured illustrated original wrappers. With double-page coloured lithographs by Steinlen. - Front wrapper a bit loosened. unknown
Best.-Nr. 02-1114E. Sansot 1907. Lithograph. 253 x 430 mm. Signed in the stone. First state of 2 before becoming the cover to Les Gueules Noires by E. Morel. Crauzat 269. Tape mark extending 5 cm. into the image. Waterstain in margin. E. Sansot, 1907. unknown
Best.-Nr. 84260Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century February 1896. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 84261Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century February 1896. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 84263Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century February 1896. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 84262Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century February 1896. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 118388Épinal Pellerin & Cie. Imp. Édit.1900. 8 feuillets. 32 x 25 Cm. Broché couvertures illustrées d'origine. Dos acassé. Coins émoussés. Tous les ingrédients sont réunis ici pour amuser les enfants. Les dessins de Steinlen apportent à ces personnages de comédie tout le mouvement d'un spectacle vivant. Quelques taches et rousseurs. Petits accrocs sur les bords. Épinal, Pellerin & Cie. Imp. Édit.(1900) unknown
Best.-Nr. 02-1113E. Sansot 1907. Lithograph. 168 x 122 mm. Signed in the stone. One of the 25 impressions on Japan for the deluxe edition of Les Gueules Noires by E. Morel. Crauzat 277. E. Sansot, 1907. unknown
1916Best.-Nr. 66844Paris: Georges Crès & Cie 1916. Fine. Georges Crès & Cie Paris 1916 12 x 19 cm broché First edition on ordinary paper. Frontispiece by Théphile Alexandre Steinlen. Beautiful autograph inscription signed by Colette to her lover Valentine Feydeau : ""A Valentine Feydeau 1 / 1 Elle n'aura le reste de la dedication que si elle revient."" Georges Crès & Cie unknown
Best.-Nr. 02-11931903. Lithograph. 39 x 49 cm. Signed and titled in the stone. Crauzat 252. 1903. unknown
1918Best.-Nr. 181449France` 1918. Paperback. G age wear throughout.Cover has some tears. interior pages shwo some staining. French language edition. Brown paper wrap with B&W illustration with clera mylar cover. 52 pgs heavily illustrated. paperback books
1919Librairie Schwarz & cie, Paris, 1919. 3 forts volumes in folio reliures (Engel) demi-basane havane, dos et plats ornés, nombreuses illustrations cartes in et hors-texte, nombreuses photos noir & blanc des illustrations couleur contrecollées et noir et blanc in et hors-texte de Willette, Steinlen, Fouqueray, Levy-Dhurmer, Laborde, Gervex, Lucien Jonas, Mahut, Joron, Cappiello, etc ; Manquezs les médailles sur les plats.
1918Best.-Nr. 181449France` 1918. Paperback. G age wear throughout.Cover has some tears. interior pages shwo some staining. French language edition. Brown paper wrap with B&W illustration with clera mylar cover. 52 pgs heavily illustrated. paperback
1833Best.-Nr. 316700Lausanne: Spengler & Cie 1833. extensive panoramic scroll of this once-in-a-generation wine festival original hand-coloured lithograph on 30 plates conjoined. each plate aprox. 185 x 500 mm. 7 1/4 x 19 3/4 in. The first 15 plates mounted on the back of the latter 15 some minor spotting and light creasing folding concertina-style into modern marbled boards. Bound without wrappers. extensive panoramic scroll of this once-in-a-generation wine festival original hand-coloured lithograph on 30 plates conjoined. each plate aprox. 185 x 500 mm. 7 1/4 x 19 3/4 in. An impressively large panorama running over 14 meters in total. The fête of 1833 was held over two days in August involving nearly 800 participants pulling numerous floats and was organized by David Constantin and Steinlen. In the present day the Swiss fête is organized by the Confrérie des Vignerons Brotherhood of Winegrowers and while they are free to choose how often the festival takes place it can only happen five times each century. The next Fête des Vignerons was held in July 2019. There were two showings with tickets costing between one and three francs each. The vignerons Jean-Louis Blanchoud and the Lécheyres brothers were crowned. A further thirty-two vignerons also received awards. This scroll depicts the actual participants in the procession wearing costumes also designed by Steinlen. Many of the floats are symbolic and represent the seasons or Bacchus but many of them show the actual tools of the trade such as a display of barrel making various crop management tools and even a large wine press. The final image is that of Noah's ark as Noah is considered to be the first vigneron. This publication is one a number of illustrative depictions of the 1833 Fête Simon lists three alone in Bibliotheca Gastronomica. Andre Simon Bibliotheca Gastronomica no.1558; Reed p. 87; Bobins 1313. OCLC locates copies at California State University Fresno the Getty and Bibliotheque d'Art et d'Archaelogie Switzerland Spengler & Cie unknown
1833Best.-Nr. 316700Lausanne: Spengler & Cie 1833. extensive panoramic scroll of this once-in-a-generation wine festival original hand-coloured lithograph on 30 plates conjoined. each plate aprox. 185 x 500 mm. 7 1/4 x 19 3/4 in. The first 15 plates mounted on the back of the latter 15 some minor spotting and light creasing folding concertina-style into modern marbled boards. Bound without wrappers. extensive panoramic scroll of this once-in-a-generation wine festival original hand-coloured lithograph on 30 plates conjoined. each plate aprox. 185 x 500 mm. 7 1/4 x 19 3/4 in. An impressively large panorama running over 14 meters in total. The fête of 1833 was held over two days in August involving nearly 800 participants pulling numerous floats and was organized by David Constantin and Steinlen. In the present day the Swiss fête is organized by the Confrérie des Vignerons Brotherhood of Winegrowers and while they are free to choose how often the festival takes place it can only happen five times each century. The next Fête des Vignerons was held in July 2019. There were two showings with tickets costing between one and three francs each. The vignerons Jean-Louis Blanchoud and the Lécheyres brothers were crowned. A further thirty-two vignerons also received awards. This scroll depicts the actual participants in the procession wearing costumes also designed by Steinlen. Many of the floats are symbolic and represent the seasons or Bacchus but many of them show the actual tools of the trade such as a display of barrel making various crop management tools and even a large wine press. The final image is that of Noah's ark as Noah is considered to be the first vigneron. This publication is one a number of illustrative depictions of the 1833 Fête Simon lists three alone in Bibliotheca Gastronomica. Andre Simon Bibliotheca Gastronomica no.1558; Reed p. 87; Bobins 1313. OCLC locates copies at California State University Fresno the Getty and Bibliotheque d'Art et d'Archaelogie Switzerland Spengler & Cie unknown books
Best.-Nr. 97716Paris bureaux de l'Illustration 1897-99. 44 x 32 cm Papierbedingt gebräunt teilweise randrissig teilweise hinterlegt. - Théophile-Alexandre Steinlen 10. November 1859 in Lausanne; † 14. Dezember 1923 in Paris war ein französischer Maler Zeichner Grafiker und Illustrator schweizerischer Herkunft. Er wurde vor allem für seine Plakat-Entwürfe insbesondere für das Kabarett Le Chat Noir im Stil der französischen Kunstrichtung Art Nouveau bekannt. - Alphonse Gallaud de la Pérouse nach einigen Quellen Alphonse Galland genannt Zo d’Axa 24. Mai 1864 in Paris; † 30. August 1930 in Marseille war ein Anarchist Antimilitarist Autor und satirischer Journalist. Er war Gründer der Zeitschriften „L'Endehors“ und „La Feuille“. Bis 1899 veröffentlichte Zo d'Axa in La Feuille verschiedene antimilitaristische und antikapitalistische Artikel. Er lancierte eine Kampagne gegen Kindergefängnisse. Bei den Wahlen kürte La Feuille einen Esel zum offiziellen Kandidaten; während dieser durch Paris spazierengeführt wurde erregte er einen Skandal. Am Tag des Wahlganges ließ sich Zo von einem durch den weißen Esel gezogenen Panzer durch die Stadt ziehen dem eine zahlreiche lachende Menge folgte. Die Polizei erschien und wollte der Demonstration ein Ende setzen und den Esel ins Tierheim bringen woraufhin sich ein Krawall entzündete und Zo d'Axa den Esel mit den Worten „Das ist nicht mehr wichtig dies ist nun ein offizieller Kandidat!“ freiließ. 010 Paris, bureaux de l'Illustration, 1897-99 unknown
Best.-Nr. 02-1103ca. 1915. Lithograph. 29 x 47 cm. Marginal tear. Signed in the stone. ca. 1915. unknown
1984Best.-Nr. 79271984. Pierre de Tartas éditeur 1984. In/4 reliure plein cuir gaufré avec plat à décor de cerf sous étui bordé de cuir dos à nerfs et titres dorés doré trois tranches lithographies de Steinlen monochromes et en couleur 168 p. Exemplaire numéroté sur grand bouffant des papeteries Buhn. Excellent état. Préface de Genevoix. Les agents de la chasse animaux nuisibles gibier à poil chasse au chien darrêt chasse au marais sur les étangs et dans les rivières. unknown
1904Best.-Nr. 121055Paris : Editions d’Art Ed.ouard Pelletan 1904. broché. CHRISTIAN Arthur. - STEINLEN illustrations de.La Chanson des gueux au Palais. Avec 10 illustrations de Steinlen. Paris Editions d’Art Ed.ouard Pelletan1904 200x135mm 37 pages broché. Couverture rempliée. Envoi amical de Steinlen à Jean Richepin précieuse plaquette avec 10 compositions de Steinlen en prémices à la future edition intégrale de “La Chanson des gueux” qui devait paraître chez le même éditeur illustrée de 250 lithographies originales par le même artiste. Edition originale sur papier vergé numérotée n° 0. Petites déchirures aux coiffes en tête et en queue du dos et quelques discrètes rousseurs sur la première couverture. Intérieur propre exemplaire non rogné. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Editions d’Art Ed.ouard Pelletan unknown
1895Best.-Nr. 84795Paris: Librairie Gueteville 1895. Fine. Librairie Gueteville Paris 1895 12.50 x 19.50 cm broché First edition illustrated with a cover and drawings by Théophile Alexandre Steinlen. Spine cracked at head and foot. Autograph inscription dated and signed by Paul Chambot with the additional signature of Ambroise Girier to A. Patay. Librairie Gueteville unknown
1895Best.-Nr. 77940Paris: Librairie Gueteville 1895. Fine. Librairie Gueteville Paris 1895 12.50 x 19.50 cm relié First edition illustrated with a cover and drawings by Théophile Alexandre Steinlen. Bradel binding in half red shagreen smooth spine date in gilt at foot pebbled paper boards covers illustrated by Théophile Alexandre Steinlen and spine preserved in one piece. Handsome copy despite a small restoration to the upper corner of page 93 a slight lack at foot of the second cover of the illustrated wrapper. Librairie Gueteville hardcover
1910Best.-Nr. 1720Paris: Edouard Pelletan 1910. Limited Edition. Near fine. Théophile Steinlen. 4to; 10 1/8 x7 3/4 inches 258 x 197 mm; half-title limitation title with publisher's device 366 pp including a glossary of slang Glossaire argotique 1 8 advertisements printed in black and red with additional colors for title page. 252 illustrations from works by Théophile Steinlen engraved by Ducourtioux. Full red morocco binding by Vautrin gilt stamped in dentelle; gilt fillets on covers raised bands with gilt titles and decorations in compartments wide gilt dentelles marbled endpapers t.e.g.; original paper boards bound in; minimal rubbing on bottom corners and edges internally clean and bright with a very faint water mark on bottom right corner not affecting texts or images firmly bound. Copy 218 of 340 numbered and signed by E. Pelletan on limitation page one of 267 copies on Marais Mills hand-made paper. Carteret IV 341; Crauzat 643. A very beautiful work by Jean Richepin 1849 - 1926 superbly illustrated by Théophile Alexandre Steinlen 1859-1923 in an elegant contemporary binding. Richepin was virtually unknown until the publication in 1876 of this volume of verse entitled La Chanson des Gueux a declaration of war against the bourgeoisie. Richepin's outspokenness resulted in his being imprisoned and fined for "outrage to morals." The collection was republished without the contentious pieces which were published separately in Brussels in 1881. The book is divided into several parts: 1°/ Beggars of the Fields; 2°/ Beggars of Paris; 3°/ We Other Beggars; Epilogue: The End of the Beggars. A slang glossary concludes the work. For this 1910 edition the illustrations were entrusted to the Swiss-born Steinlen who was politically engaged and often collaborated with anarchist and socialist press. "You will find Steinlen at the entrance to the construction site at the workshop door at the factory exit; he is everywhere where people gather on days of celebration riot or strike. . He succeeds in establishing the link which unites simple hearts in showing the intimate cohesion of the group of the theory of the collection; no one possesses to the same degree as Steinlen the gift and the power to make the shiver of a common anguish run through an assembly Roger Marx preface to "L'Oeuvre gravé et lithographié de Steinlen" Paris Société de Propagation des Livres d'Art 1913. Edouard Pelletan unknown
