309 résultats
1847réf. 2912Paris, Rio-Janeiro, Garnier Frères, 1847 ; in-4, demi-chagrin chocolat, dos à quatre nerfs entre deux doubles filets dorés, titre doré ; (3) ff. (bl., faux-titre , titre), 583 pp. (1) f. (bl.) ; 10 planches hors-texte d'illustrations en noir dont une en frontispice.
1925réf. 85732Bln / Lpz: de Gruyter 1925. 12,426 / 6,235 S. m. zahlr. Abb. u. 123 (1 gefalt.) Taf. Reg. 4° Ln. *schönes Expl.*.
réf. 13974264[paris: 1976] in-4, 250 pages, 75 illustrations hors texte, 6 cartes, dessins dans le texte. Broché, dos toile, couv. défr, autrement bon état. Thèse tirée à petit nombre.
réf. 13978648Paris: Galerie Flak, 2007 in-8 carré, 116 pages, illustrations. Bibliographie. Rel. d'éd., très bon état.
réf. 13980320Paris: Librairies des Arts Décoratifs, A. Calavas, Editeur, [1931] pet. in-4, 12 pages, 24 planches en héliogravure de masques africains provenant des collections de Tristan Tzara, Charles Ratton, Louis Carré, André Derain, Georges Braque et d'autres, portefeuille cartonné et illustré de l'éditeur, se fermant par un ruban, portefeuille avec lég. usures, très bon état intérieur. EDITION ORIGINALE.
1922réf. 899931922. MASKS DARUMAYA publisher. MEN TO MASUKU Jô Ge. Ôsaka Darumaya Taishô 11 1922. 2 vols. complete orihon folding albums. 28.1 x 20.4 cm. A wonderful selection of masks from cultures all over the world reproduced in color woodblock prints. Good printing very good condition. Unusual with the publisher's clasped chitsu case. unknown books
1922réf. 899931922. MASKS DARUMAYA publisher. MEN TO MASUKU Jô Ge. Ôsaka Darumaya Taishô 11 1922. 2 vols. complete orihon folding albums. 28.1 x 20.4 cm. A wonderful selection of masks from cultures all over the world reproduced in color woodblock prints. Good printing very good condition. Unusual with the publisher's clasped chitsu case. unknown
réf. 53661Osaka: Darumaya Shoten Taisho 11 1922. Two vols. 30; 32 pp. With 48 hand-coloured woodblock plates each showing 5 or more coloured masks most w/ identifying numbers and occasional text. Uniformly bound leporello accordion-style in bright orange covers w/ printed title labels in red & black on front covers illustrated endpapers slight shelfwear very slight rubbing to fore-edges w/ original green silk folding case woodblock printed label on front cover preserving 1 of 2 original bone clasps at side some soiling edgewear rubbing to fore-edges NF/VG- set. First edition of this remarkably scarce and stunning catalogue of Japanese Noh theatre masks many offering the titles and origins of the masks. Noh performers carefully choose their masks because traditionally it has been believed that they are more spiritual than merely a prop to change the actor’s appearance. The types of masks represented in these beautifully printed colour woodblock plates -- many highlighted in hand colouring -- encompass the Okina Old man masks the oldest of these types of masks; Jo Elders masks used when the actor is portraying a spirit; Onna-men woman masks which tend to be the most popular and varied with beautiful young woman masks mature and middle-aged women masks and those representing the very old; Otoko-men Men masks; along with the fantastical Kishin Demons and Onryo Ghosts & Spirits masks. The Kishin masks represented here are distinguishable as the long-nosed Tengu goblins as well as the Tobide portraying demons and savages. Noh masks are often considered to be very valuable heirlooms and many have been handed down from generation to generation within the same family or school of performers. Worldcat locates 4 copies 3 complete copies at Cornell National Library of Australia & Waseda Univ. Library; National Diet copy has only vol. I. Darumaya Shoten, unknown
réf. 13981479Paris: Ecole du Louvre, 1980 2 forts vol. in-4 (30 x 21,5 cm), Volume I (4 ff)-245 ff-(6 ff), 3 planches dont 2 photographies en couleurs (planches I à III), 10 cartes, 15 planches de figures, 14 planches non numérotées de masques, bibliographie. Volume II Documents pagination multiple, frontispice (planche IV) et planches V à XXIV, carte dépliante dans in portefeuille à la fin du volume. Broché, bon état, mémoire tiré à très petit nombre.
