115 résultats
1932réf. 041869London: George Harrap 1932. First Edition. Softcover. Very Good Condition. Arthur Rackham. Stiff wraps - light soiling to rear cover generally quite bright and attractive. First Illustrated Edition or first by this illustrator and in this format. Size: Octavo 8vo. Illustrator: Arthur Rackham. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Myths Legends & Folklore; Inventory No: 041869. George Harrap paperback books
Paris, Collection nouvelle Calmann-Lévy, 1931. In-12, broché, 534 pp plus 1 f table des matières. Quatrième édition. Bon exemplaire.
In-8 (cm. 24), cartonato editoriale, titolo oro al dorso, sovracoperta (lievi segni d’uso), pp. 183, con illustrazioni in bianco e nero e a colori. In buono stato di conservazione (good copy).
1892réf. 013988London: Kelmscott Press Hammersmith 1892. Limited to 500 copies. Book measures 21x15.cm. iv11271pp With one elaborately decorated border two Kelmscott woodcut devices printed in two places at the end of the table of contents and on the colophon numerous woodcut initials and several architectural woodcut figures in-text. Bound in original publishers full vellum with gilt lettering and date. Vellum dust marked spot marking boards slightly sprung lacking ties. Binding in good firm conmdition. Internally previous owners bookplate. Pages in very good clean condition. A nice copy. . Limited Edition. Vellum. Near Very Good. 8vo. Kelmscott Press, Hammersmith Hardcover
1886réf. 096727Sunnyside Orpington: George Allen 1886. Books measure 9 1/2 x 6 1/4 inches. Collation vii 1 432pp 442pp viii182vi171pp with 3 plates including frontispieces. Volume1 published 1886 volume 2 published 1887 volume 3 published 1900 with Two Plates. Consists of the Four Chapters published by Mr. Ruskin in 1888-9 together with the two of "Dilecta" hitherto unpublished but set up in type and revised by Mr. Ruskin is now added together with a full index to all three volumes and the plate "The Castle of Annency" originally included only in the large paper edition. Uniformly bound in full vellum with leather title labels top gilt edges marble endpapers. Vellum dust maked labels rubbed with some minor loss very slight lean on spines very slightly bumped. All 3 bindings in very good clean firm condition. Internally previous owners bookplate. Pages in very good clean condition. A very nice set with the additional later volume. . Vellum. Very Good Plus. 8vo. George Allen Hardcover
1862réf. 003116LONDON: SMITH ELDER 1862. ASSUMED FIRST. . Hardcover. Near Fine/NoNE. 3/4 LEATHER BOUND BY A FINE BINDER END PAPERS MATCH THE FRONT AND BACK COVERS PORTRAIT OF RUSKIN WITH FACIMILE SIGNATURE TISSUE IN PLACE ROMAN NUMERALS M.DCCC.LX11 FIVE BANDS AND DECORATED SPINE TINY SCRAPE LOWER MIDDLE FRONT COVER SMITH ELDER hardcover
1855réf. 013827London: Smith Elder & Co 1855. 2nd Edition . Hardcover. Very Good. 8vo - over 7¾ - 9¾" tall. Bumped corners name to ffep some foxing to plates in rear Smith Elder & Co hardcover
réf. 133011902 GEORGE ALLEN LONDON. BEAUTIFUL COPY IN VELUM BINDING. HANDMADE PAPER WITH UNCUT PAGES. LIMITED TO 310 COPIES.TIES COMPLETE. 1902 GEORGE ALLEN, LONDON unknown
réf. 133021902 GEORGE ALLEN LONDON. BEAUTIFUL COPY IN VELUM BINDING. HAND-MADE PAPER WITH UNCUT PAGES. LIMITED TO 310 COPIES. TIES COMPLETE. 1902 GEORGE ALLEN, LONDON unknown
1888réf. 1302991888. RUSKIN John. Modern Painters. London: George Allen 1888. Six volumes. Quarto 20th-century three-quarter dark maroon morocco gilt raised bands marbled endpapers top edges gilt uncut and partly unopened. $3500.1888 edition profusely illustrated with over 90 full-page steel- and wood-engraved plates and numerous in-text illustrations after drawings by Ruskin Leonardo Raphael the Missal-Painters J.M.W. Turner R. Allen and others very handsomely bound.Ruskin writer critic and artist was a chief influence upon public taste in Victorian England. Modern Painters first published in 1843 presents ""a spiritual history of Europe with comments on every phase of morals and taste"" Magnusson 1275. ""Taken in the mass these volumes contain the most valuable contributions to art-literature the language can show they contain worlds of thought imagination and knowledge such as no other art-writer can educe It is impossible but that Art should be the better for them"" Allibone 1895. ""Clouds mountains landscapes towers churches trees flowers and herbs were drawn with wonderful precision minuteness of detail and delicacy of hand solely to recall some specific aspect of nature or art of which he wished to retain a record. In his gift for recording the most subtle characters of architectural carvings and details Ruskin has hardly been surpassed by the most distinguished painters"" Harrison 860. Fine condition. hardcover
1851réf. 1270471851. First Edition. RUSKIN John. The Stones of Venice. London: Smith Elder 1851-53. Three volumes. Royal octavo contemporary three-quarter tan calf raised bands brown and red morocco spine labels elaborately gilt-decorated spines. $3600.First edition of Ruskins famous survey of the Gothic architectural style illustrated with 53 full-page mezzotints and lithographs many hand-colored and numerous in-text wood-engraved diagrams and architectural details.""A strange unexpected and I believe most true and excellent sermon in Stonesas well as the best piece of schoolmastery in architectonics"" Carlyle. With its insistence upon a functional architecture Ruskin's survey of the Southern Gothic style solidified his position as one of the most influential aesthetes of the Victorian era. ""The Stones of Venice along with Ruskin's Seven Lamps of Architecture 1849 had immediate effects on the Gothic Revival of the High Victorian period and on the Arts and Crafts movement that followed in England. His influence during his lifetime is evident in contemporary buildings throughout Britain and beyond from India to the United States. His work later helped form the views of among others Henry van de Velde Frank Lloyd Wright and Walter Gropius"" and contains what is ""perhaps Ruskin's most potent writing his celebrated chapter on 'The Nature of Gothic' in which he praises the craftsman as designer"" Avery 265. Bound without publisher's advertisements. Grolier 100 English 92. Ray The Illustrator and the Book in England 31. Houfe 286. Small bookseller tickets. Bookplates. Old dealer descriptions tipped in.Interiors fine joints and extremities of handsome contemporary calf expertly repaired. hardcover
1906réf. 49934Dent 1906. 5 vols. 8vo. First Edition thus with 84 plates; original series binding of terracotta ribbed cloth upper boards blocked in blind gilt backs dark tops pictorial endpapers a near fine copy. Includes local index index of painters and pictures and topical index. sEXTREMELY SCARCE IN THIS CONDITION. EL 208 209 210 211 212; Seymour 852.0 853.0 854.0 855.0 856.0. Dent, hardcover
1857réf. 41997Smith Elder 1857. 8vo. First Edition with 48 illustrations 3 full-page in the text; original dark-green pebble-grain cloth BY WESTLEYS boards elaborately blocked in blind gilt back primrose endpapers uncut small repair at headband else a very good bright crisp copy in HANDSOME CUSTOM-MADE DARK GREEN CRUSHED MOROCCO SOLANDER CASE WITH MARBLED LINERS. Complete with 16pp publisher's catalogue dated June 1857 bound in at end and Westleys' binder's ticket on rear paste-down. First edition of Ruskin's drawing lessons for children. Intended for those without recourse to a drawing-master it provides a series of eminently practical exercises supported by illustrations. Ruskin was always greatly interested in the teaching of art; perhaps his most famous pupil was Alice Liddell Carroll's 'Alice' to whom he taught drawing and painting as a result of which he appears in 'Alice in Wonderland' as the 'Drawing Master' an 'old Conger Eel' who attended 'once a week' and 'taught us Drawling Stretching and Fainting in Coils'. Ruskin's lifelong love of the English Lakes began when he sat by Coniston at the age of eighteen but it was not until his early fifties that he finally purchased Brantwood one of the most splendid houses in the Lake District. Although he had not seen the interior he reasoned that any house opposite Coniston 'must be beautiful' and in 1871 secured the freehold from William Linton for the sum of £1500. He moved in a year later and the house became not merely a blissfully happy home but a renowned centre of artistic and literary endeavour for Ruskin and his circle. Brantwood remains today a place of pilgrimage for admirers and scholars of one of the greatest Victorian polymaths. THIS COPY HAS A BOOKPLATE READING 'EX LIBRIS JOHN RUSKIN BRANTWOOD' ON FRONT PASTE-DOWN. THIS BOOKPLATE HAS BEEN SHOWN BY J.S. DEARDEN 'Facets of Ruskin 1970 TO BE FRAUDULENT. WHILST THIS COPY IN UNQUESTIONABLY A FIRST ISSUE OF THE WORK THERE IS NO EVIDENCE TO SHOW THAT ITS PROVENANCE INCLUDES EITHER RUSKIN OR BRANTWOOD. Smith, Elder, hardcover
1890réf. 33358George Allen Orpington 1890. 8vo. with 21 plates a number tinted; all original tissue guards present signature on front free endpaper; original green cloth sides framed in blind gilt back cream endpapers a very good bright crisp copy. With the crest of Cheltenham School of Art blocked in gilt on upper board and prize bookplate on front paste-down. George Allen, Orpington, hardcover
1890réf. 33357George Allen Orpington 1890. 8vo. Sixth Edition signature on front paste-down; original green cloth sides framed in blind gilt back uncut cream endpapers a very good bright crisp copy. With the trade tickets of John Banks of Cheltenham and J A H Smith of Tufnell Park on front paste-down. George Allen, Orpington, hardcover
1904réf. 33356George Allen 1904. 8vo. Tenth Thousand signatures on front paste-down neat inscription on front free endpaper; original green cloth sides framed in blind gilt back gilt top uncut cream endpapers a very good bright crisp copy. George Allen, hardcover
1887réf. 33534Reeves c.1887. 8vo. original printed wrappers wire-stitched as issued a near fine copy. A remarkably crisp clean copy. VERY SCARCE. Reeves, unknown
1898réf. 003691London: George Allen 1898 seventh edition in small form cloth lightly rubbed to joints top edge gilt light foxing and soiling to the prelims light foxing throughout but mainly to the margins xix 444pp all 14 plates present with their tissue guards intact. reprint. Cloth. Very Good/No Jacket. Illus. by John Ruskin. 12mo - over 6 - 7 tall. George Allen hardcover
réf. 67044H. Laurens Paris 1906 In-8 xxxii-223pp. illustr. hors-texte sous serpentes legendees exemplaire non lu pages non coupees Nb-0399 unknown
réf. 37021Hachette - 7e edition In-16 x-104pp. illustr. 13 figures reliure demi-toile de l'editeur coins frottes Nb-0239 unknown
réf. Z1-C-013-02105Obscure Pr. Used - Like New. Used - Like New. This is a reproduction of an out of print title. This book may have occasional imperfections such as missing or blurred pages poor pictures errant marks etc. that were either part of the original artifact or were introduced by the scanning process. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Obscure Pr unknown
1891réf. 43851Kent: Allen 1891. In-8 p. tela editoriale pp. VI263 con oltre 10 tavole fuori testo e alcuni disegni nel testo. Ben conservato. Allen, hardcover
1886réf. 154985London: George Allen 1886. Tre volumi di cm. 295 pp. xv 1 403; xiv 2 397 1; 8 352 135 1 di "general index" con autonomo frontespizio. Con illustrazioni nel testo e 53 belle tavole f.t. in nero ed a colori protette da velina. Solida e perfetta legatura editoriale in piena percallina verde con titoli in oro ai dorsi. Esemplare particolarmente fresco genuino e ben conservato a fogli chiusi. Bell'edizione della celebre opera più volte ristampata nel corso dei successivi 100 anni. George Allen unknown
1916réf. 52757Paris: Renouard 1916. Cm. 25 pp. viii 1 358 2. Con 16 tavole f.t. Bella legatura coeva in piena pergamena con titoli in oro su tassello al dorso. Esemplare con qualche traccia d'uso ma complessivamente genuino ed in buono stato di conservazione. Renouard unknown
1921réf. 52756Paris: Renouard 1921. Cm. 25 pp. xxvii 1 322. Ritratto di Ruskin all'antiporta e 23 tavole f.t. Bella legatura coeva in piena pergamena con titoli in oro su tassello al dorso. Esemplare con qualche traccia d'uso ma complessivamente genuino ed in buono stato di conservazione. Classico della storiografia artistica veneziana. Renouard unknown
