2 054 résultats
Linoleum originale a colori su carta riso Firma e numerazione a matita. Esemplare 26/120. cm 54x42. pp.. . Perfetto (Mint). . Tiratura 120. .
Litografia originale a colori Firma e numerazione a matita. Esemplare 101/120. cm 48x38,5 (Foglio 65x53). . . Molto buono (Very Good). Bordi del foglio sciupati con tracce di colla da nastro adesivo . Tiratura 120. .
Litografia Firma e numerazione a matita. Esemplare p.d.s III/X. cm 47x36 (Foglio 65x50). pp.. . Molto buono (Very Good). Bordi del foglio sciupati con tracce di colla da nastro adesivo. . .
1978Otto litografie originali in nero, firmate e numerate, di Silvano Maggi (cm 25x25). Con uno scritto di Guido Ballo (16 dicembre '78) Edizione stampata con torchio a mano dalle Grafiche Mariano su carta Acquerello. 4to. pp. 12. Dedica e firma autografe dell'Autore (Inscribed and signed by the Author). Ottimo (Fine). . Prima edizione di 321 + 6 p.d.a. firmate dall'Autore. .
1949Litografia originale, numerata e firmata a matita dall'Artista Opera allegata al n. 11 (gennaio 1949) della rivista L'Immagine, diretta da Cesare Brandi, pubblicata a Roma dal maggio 1947 al dicembre 1950. L'edizione speciale di ogni numero della rivista conteneva sciolta una o più incisioni originali in tiratura di 50 esemplari di cui 30 in numerazione araba dedicate ad personam e XX in numerazione romana. La presente incisione reca il numero 15/30 ed era allegata alla copia della rivista dedicata a Riccardo Gualino. Cm 24,8x17,4. . . Ottimo (Fine). . Edizione originale di 50 es. numerati e firmati . .
Acquaforte Carta Pescia. Firma a matita. Esemplare 4/90. Cm 29 x 24 (Foglio 50 x 35). . . Ottimo (Fine). . Tiratura 90 + X. .
Acquaforte e vernice molle Carta Pescia. Firma a matita. Esemplare 4/90. Cm 29x22 (Foglio 50x35). . . Ottimo (Fine). . Tiratura 90 + X. .
1792In 8°, una storia d’Inghilterra raccontata attraverso 64 immagini, vivaci incisioni su rame a piena pagina. Legatura in pelle.
Litografia e serigrafia. Opera appartenente alla cartella ''Venezia 73'' , pubblicata dall'Unesco e contenente 31 opere grafiche di maestri italiani ed un saggio di Piero Chiara Firma a matita. Il foglio reca il timbro a secco del Museo di Castelvecchio di Verona e quello della Stamperia del Cappello. Esemplare 96/100. Cm 70 x 50. pp.. . Ottimo (Fine). . Tiratura 100 + XI f.c.. .
1978Cartella con 6 incisioni su lastra di rame eseguite con la tecnica della puntasecca, stampate a mano con torchietto olandese, su carta stracciata a mano di Viviano Viviani. Firma, numerazione e titolo a matita su ogni incisione (cm 11x22, foglio 25x42). Presentazione di Manrico Bani Esemplare n. 25/47. Cm 11x22 (Foglio 35x50). pp. 8. . Ottimo (Fine). . Edizione originale di 47 es. numerati. .
1925This is a very good set of 3 volumes:the basic 2 volume set plus 1(of the 2) Complements volumes. The 2 volume basic set is bound in red cloth with spine titles and cover devices of print racks, printed in white. The brown cloth spines have titles in white. The Complement 1 volume is softcover. All volumes are very clean inside and with just light soil to the covers. Text in French. The 2 volume set is 634 text pages illustrated with 158 monochrome plates. The Complements volume has 352 plates, (no text). All volumes are 4tos, 10" high X 7" wide. A very nice set in the original bindings. These books will be securely wrapped and packed in a sturdy box and shipped with tracking.
1961This is a very good hardcover copy in a very good heavy clear mylar wrapper and a very good hardshell slipcase. Completely clean inside and out. This is Volume 1: Early Religious Prints, only of the 8 volume series, 'The Art of the Japanese Print'. Text in Japanese with 2 pages of notes in English at the end. This volume reproduces nearly all existing examples of prints from the Nara to Momoyama Periods (8th through 17th centuries). 304 illustrations including 32 tipped-in color plates. 14" high X 11" wide, 207 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
180 x 111mm, single sheet printed on one side only. List 14 prints offered for sale by Mr. R. Richards which "representing the History of our Saviour". Not listed on ESTC, OCLC or Copac.
1900Paris, s.e., s.d. (vers 1900); 310/460 mm, 1 pp., une feuille. Vue coloriée d'époque et encadrée. Bon état.
1900S.l., s.e., s.d. (vers 1900); 107/240 mm, 1 pp., une feuille. Tirage du 18ème siècle. Encadrée.
1940S.l., s.e., s.d. (vers 1940); 500/655 mm, 1 pp., une feuille. Signé et numéroté à la main, tire à 50 exemplaires. Portrait d'un garçon, avec un chapeau entouré d'étoiles. Bon état.
1898Twenty Volumes. Illustrated with Etchings, proofs-before-letters on Japan Vellum, and impressions of the Historical Portraits on India Paper. Offsetting from tissue guards marring a few illustrations. Title pages printed in red and black. Uncut. Top edges gold. 8vo. Original full blue cloth bindings, some wear. Original spine paper labels. Spines faded. Victorian Edition. Limited Edition. Number 996 of only 1000 copies. Nice set. Impressive. SET/W49
1862Fifty parts (some bound two in one). pp. 648; 652. Highly illustrated. Original paper wraps. 4to. In our set the issue with parts 41 & 42 is missing, as id the paper cover to partt one. This is a set almost never found complete (if at all). The true first edition of this famous history of the Civil War illustrated with numerous steel engraved plates. . Sabin 17349; Dornbusch III:181; Nicholson, 172-73. RARE. A truly remarkable survivor. OVERSIZE 6 / YORK HS
1728Two volumes in one. pp. (62), 583, (16); 335 + Handsome engraved frontis. Engraved head and tail pieces, Foxed. 4to. Original full leather binding, boards detached. Wonderful collection of classical Latin poems on hunting and the bucolic life. Scarce. **PRICE JUST REDUCED! W112
1812pp. xii, [13]-214 + Frontis, and one unusual engraved plate. Small 12mo. 14 cm. Slight marginal damp stain. Well foxed and browned. Disbound. Very mildly XLib. Rare American edition of Ovid. **PRICE JUST REDUCED! SMALL BOX 7.
1854310 p. + 32 Plates: steel-engraved frontispiece, title-page, and 30 steel-engraved plates. Plates considerably foxed. Elaborate publisher's red morocco leather gift binding, tooled in blind; With a diamond shaped inset blue leather title piece, elaborately tooled and lettered in gold gilt. Binding worn at the extremities, but still attractive. Inked manuscript ownership of: Mrs. Laura W. Fells, Carlisle, Cumberland County, PA. April 21, 1859. This work was also published under the title, 'The Romance of American Landscape.' Sabin 70958; Wright, II, 2030. "During the first half of the nineteenth century artists fanned out across the northeastern United States to find aesthetic inspiration in nature (and historic architecture). Thomas Addison Richards (1820-1900) was one of the few who traveled extensively in the South. Through his paintings, illustrated magazine articles, and guidebooks, Richards introduced the natural beauty and distinct characteristics of this region to a national audience. Born in London, his family immigrated to America in 1831, moving first to Hudson, New York, and then to Charleston, South Carolina. Around 1837 they settled in the small town of Penfield, Georgia, the original site of Mercer University, where Richards's father, a Baptist minister, served as a charter trustee. In 1838 the young Richards left for Augusta, where for the next two years he offered lessons in painting and drawing and contributed travelogues about his rambles around Georgia to the Augusta Mirror, a local literary magazine. In 1841, sketchbook in hand, he left Augusta to travel around the South in search of picturesque scenes. In 1844 he settled permanently in New York City, where he gave art lessons from his studio and began taking classes at the National Academy of Design. He subsequently became a full academician and served as the institution's corresponding secretary from 1852 to 1892. Many of the paintings he regularly contributed to academy exhibitions were romantic landscapes of the South. Throughout the 1850s Richards penned numerous articles and books. He supplied illustrated articles based on his travels around the Northeast to Graham's Magazine (Philadelphia) and the Knickerbocker (New York). For the weekly Southern Literary Gazette, published by his brother out of Athens, Georgia, and Harper's New Monthly Magazine (New York), he submitted essays on his travels through the South. Richards enlivened his travelogues with personal anecdotes, legendary stories, tips on lodging, and engravings after his on-site drawings. In1854 a series of engravings after Richards's southern sketches appeared in Romance of American Landscape / American Scenery. In 1857 Richards married Mary E. Anthony, an author of children's stories. Thereafter, Richards concentrated on teaching and painting. He served as the first director of the Cooper Union School of Design for Women in New York, a position he held from 1858 to 1860, and taught at New York University from 1867 to 1887. At the National Academy and Brooklyn Art Association he exhibited still lifes and landscapes, often of tranquil southern scenes. **PRICE JUST REDUCED! NW 45 BINDINGS
1773Two volumes in one. pp. xxxvi, 224; 203, [2](Errata). Five wonderful engraved plates by a remarkable group of graphic artists; with title vignette; head-pieces, etc. Plates: Frontis by Jean-Baptiste Le Prince (1734-1781), engraved by Augustin de Saint-Aubin (1736-1807); "Spring" by Le Prince, without name of engraver; "Autumn" by Benoit Louis Prevost (1747-1804), engraved by Jean Francois Rousseau; "Winter" by Gravelot [Hubert Francois Bourguignon danville](1699-1773), engraved by Nicolas de Launay (1739-1792). Vignettes and headpieces by Pierre Philippe Choffard (1731-1809). The plates are dated mainly 1767-1769. 8vo. 210 mm. Plates slightly foxed. Text very clean. Marbled edges and endpapers. Original French full leather binding with marbled decoration. Spine tooled in gold gilt. Binding somewhat worn at extremities, but still attractive. Large printed French bookplate with the text: De la Douce Lumiere / De L'Ombre / De La Flamme / Et des Livres Amis [Soft light / the shadow / flame / and friends books] . Saint-Lambert (1716-1803) began writing poetry in his adolescence and belonged to the circle around Francoise de Graffigny in Luneville. In 1733 he had already begun work on The Seasons, his major poetical work, but it did not appear completed in print until 1769. Cohen 926; Reynaud 481. **PRICE JUST REDUCED! SAFE ADD 1
1916pp. 16 + Plus Thirty-seven high quality photo engravings. Wide margins. Uncut. Folio. Original full gold stamped green cloth binding, very slightly worn. Widener family copy of an important catalogue of French and Dutch Masters. 38 works catalogued; most illustrated in lovely black and white plates. Among the artists represented: Akkeringa, Jules Dupre. Bosboom, Corot, Daubigny, Jozef Israels, Jean Francois Millet, Albert Neuhuys and Troyon. Scarce. **PRICE JUST REDUCED! ART 3
Acquaforte con interventi manuali (matite colorate) Firma a matita. Esemplare 6/17. Cm 23,5x15 (Foglio 56 x 38). . . Ottimo (Fine). . 17. .
2005Exhibition publication, published in conjunction with a show held at the publisher's gallery. A very large compendium @ 519 pages, profusely illustrated, almost all in color save the dated photos. Each essay is dedicated to a particular region in the title and corresponds with a set of plates in the last 1/2 of the book. Four appendices: "Dada films, chronology, Artists' biographies, etc. A great deal of work not often published, by Arp, Baader, Baargeld, Hugo Ball, Breton, John Covert, Jean Crotti, Celene Arnauld, Pauld Dermee, Otto Dix, Duchamp, heo van Doesburg, Suzanne Duchamp, Paul Eluard, Ernst, Elsa von Freytag-Loringhoven, Grosz, Raoul Hausmann, John Heartfield, Emmy Hennings, Wieland Herzfelde, Hannah Hoch, Angelika Hoerle, Heinrich Hoerle, etc.
