[Poster - Hans Neumann].MareMagnum
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1925Colour print, measuring 125:93 cm. Folded. Large-format advertising poster by the Viennese studio Hans Neumann for the renowned fashion dealer Zwieback on the Fleischmarkt in central Vienna. Hans Neumann (1888-1960) studied at the Viennese Academy of Arts and then was mainly active in Berlin until WWI. After the war, he established one of Austria's largest advertising studios with numerous employees (cf. Bernhard Denscher, Österreichische Plakatkunst 1898-1938, Vienna 1992, p. 200). In 1938, emigrated to London and later to Australia, where he founded a very successful Atelier for Graphic Design in Melbourne.
Cartella con 6 acqueforti originali, numerate e firmate (da cm 12,5x18,5 a 23,5x29,5), tirate a braccia con torchio a stella nella stamperia del lanzello. Una poesia di Angelo Mistrangelo. Presentazione di Pierluigi Sacco Botto . Folio (cm 54x39). . . Ottimo (Fine). . Edizione originale di 30 es. numerati. .
1870COMPLETE THREE VOLUME SET. RARE second edition of 'Voigt and Günther's Orbis pictus' - the classic illustrated textbook for children in the tradition of Comenius' 'Orbis Pictus'. Contains 90 full-page colored plates. [ALL VOLUMES]: 260x195mm. [148] + [138] + [VI+204] pages & 90 plates. Hardcover rebound with original boards (without the original spine). Gilt volume numbers on spine. Original boards and spine worn and stained. Cover corners and edges, and spine edges bumped and peeling. Few pages/plates slightly dirty. Some pages/plates age-stained. Few pages somewhat worn at corners and/or edges - no damage to text or plates. Pages yellowing and rough-cut. [VOL.I]: Ink inscription on front inner cover. Text page 45/46 edges worn, upper edge taped - NO damage to text. Plates XIII and XVIII mispaginated as nos.VI and VII. [VOL.3]: Puncture-marks on rear cover (not penetrating into inner cover). [SUMMARY]: This extremely rare and beautifully illustrated three volume classic children's textbook is otherwise in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
19262 vols., 8vo., First Edition thus, with fine wood-engraved illustrations throughout; Facsimile in ivory cloth, gilt back, a fine copy in unclipped dustwrapper; Essay 4pp; the whole housed in publisher's custom-made blue board solander case lettered in gilt with mounted illustration (repeated from text). EDITION LIMITED TO 750 NUMBERED COPIES (THIS COPY NO. 96). Splendid facsimile reissue of the renowned Golden Cockrel Press edition of 1926.
1764Fourteen (14) Rare French Literary Pamphlets in two volumes. All 8vo. 205 mm. Leather backed marbled boards, very slightly worn. Hardbound. Text in fine condition; some offsetting from the engravings. Contents include: Vol. I - 1). LETTRE AMOUREUSE D'HELOISE A ABAILARD. Translation of: Eloisa to Abelard, by Alexander Pope. New Edition corrected by the autor. Chez la veuve Duchesne, Paris: 1766. 30 p. + large engraving by Eisen; Engraved headpiece by Colardeau. 2). LETTRE DE DON CARLOS A ELISABETH, SUIVIE DUN PASSAGE DE L'AMINTE DU TASSE, TRADUIT EN VERS, & Du Poeme De La Nuit, imite de Gesner. Panckoucke, Paris & Duchesne, Lille: 1768. pp. VIII, 29 + Gravelot engraved plate. 3). LETTRE DE JULIE, FILLE D'AUGUSTE, A OVIDE. By Claude Dorat. A Geneve, Et se trouve a Paris: Chez Bauche: 1766. 23p. With Engraved head and tail pieces by Eisen and Massard. 4). LETTRE D'OVIDE A JULIE, PRECEDEE DUNE LETTRE EN PROSE A M. DIDEROT. [By the Marquis de Pezay]. [Geneva]: 1767. 32p. + Full page engraved plate and vignettes after Eisen. 5). LETTRE DE SAPHO A PHAON, Precedee d'une Epitre a Rosine, D'une vie de Sapho, & suivie d'une Traduction en Vers des Ouvrages de ce Poete. By Blin de Sainmore. Sebastien Jorry, Paris: 1766. 32 p. + Engraved plate by Aliamet after Gravelot; Vignettes by Ghendt after Eisen, another by Choffard. 6). LETTRE DE CATON D'UTIQUE A CESAR. By Abbe Parmentier. Lambert, Paris: 1766. 34 p. + Engraved plate after Gravelot. 7). LETTRE D'ALCIBIADE A GLICERE: Bouquetiere d'Athenes, suivie d'une Lettre de Venus a Paris, et d'une Epitre a la Maitresse que J'Aurai. By Marquis de Pezay. S. Jorry, Geneva & Paris: 1764. 36 p. Large engraved plate and vignettes by Eisen. Vol. II - 1). LETTRE DU COMTE DE COMMINGES A SA MERE: Suivie d'une Lettre de Philomele a Progne. By Claude-Joseph Dorat. S. Jorry, Paris: 1764. 68 p. Two full page engravings + vignettes by Eisen & Massard. 2). L'HEUREUX JOUR, EPITRE A MON AMI. By le Parquis de Pezay. (Duchene, Paris): 1768. pp. 29, (1). + Engraved title, full page engraving, & vignettes by Eisen & Massard. Cohen p. 797. 3). LISLE MERVEILLEUSE. Poeme en Trois Chants, Traduit du Grec, Suivi d'Alphonse ou de l'Alcide Espagnol, Conte tres Moral. By C. J. Dorat. Geneva: 1768. 85 p. Engraved plate after Eisen. 4). L'HOPITAL DES FOUS [Aesculapius - or, The Hospital of Fools] by William Walsh. [A Play translated by De La Flotte]. Jorry, Paris: 1765. Large plate, head-piece and tail-piece engraved by Delafosse after Eisen. Two lines of French manuscript about Fools. 5). EXTRAIT DE QUELQUES PIECES PRESENTEES A L'ACADEMIE FRANCOISE, Pour concourir au Prix de poesie de L'Annee 1766. Regnard, Paris: 1766. 27 p. 6). EPITRE AUX MALHEUREUX, Piece qui a Eu L'Accessit du Prix de l'Academie Francois 1766. par M*** [G.-H. Gaillard]. Paris, Regnard: 1766. 10p. 7). EPITRE A UN AMI SUR LA RECHERCHE DU BONHEUR. Cette Piece a concouru au Price de l'Academie Francois 1766. par M.D.*** Avocat au Parlement, Cuissart & Regnard, Paris: 1766. 19p. Small circular stain on first 10 pages. ** This collection is sometimes found with the texts in a different order and with different pagings and signatures and/or with one or more pieces omitted. There are often different printers and publishers where identified. The artists and engravers were among the best of this great era in illustration: Charles-Dominique-Joseph Eisen (1720-1778); Charles-Pierre Colardeau (1732-1776); Hubert Francois Gravelot (1699-1773); Jacques Aliamet 1726-1788); Jean Francois Rousseau; Emmanuel Jean Nepomucene de Ghendt (1738-1815); Joseph de Longueil (1730-1792); Jean Massard (1740-1822); Pierre-Philippe Choffard (1730-1809). A classic of 18th century French book illustration. CHEST 2/1
1831pp. 34, (4) [Publisher's catalogue] + Twelve charming full page engravings and a folding engraved map. Map soiled at folds with insect damage on bottom margin. Offsetting from plates. Light age stain. Wide margins. 250 mm. Full plain cloth binding, worn. Front board detached and faded. Corners rubbed with loss. Edward Francis Finden (1791-1857) was considered one of the greatest engravers of his era. This original edition of illustrations drawn in the (French) Canton of Vaud, Switzerland is quite scarce. **PRICE JUST REDUCED! VERIA 3
The monumental catalogue raisonne of all prints by and after Moreau le jeune. XII, 4, 752 pp. plus frontispiece engraved portrait of Moreau, by St Aubin after Cochin. Edition limited to 525 numbered copies, of which this is one of 500 printed on fine laid paper. Over 2,000 items exhaustively described. Thick folio. Elegantly bound in quarter vellum and marbled boards. Original wraps preserved. ENTIRELY UNCUT. FINE AND BRIGHT. A scarce and important book, extremely rare in such fine condition.
1875Two of Bocher's outstanding catalogues raisonnÈs bound in one volume: the catalogue raisonnÈ of prints after Baudouin and the catalogue raisonnÈ of prints after Chardin. Also included are extensive catalogues of the paintings of each artist. Both limited to 475 numbered copies: the Baudouin catalogue is one of only 25 copies beautifully printed on fine Whatman wove paper; the Chardin catalogue is one of 450 beautifully printed on fine Dutch laid paper. Folio, quarter morocco over marbled boards. Uncut. Light wear to extremities, else fine.
The original edition, with all the color plates, of this essential guide to identifying botanical prints. From a total edition of 2500 copies, this is one of 750 copies with the additional color folding plate with the list of subscribers. Folio, publisher's cloth with large leather label on front cover. Binding sunned and lightly worn, with leather spine label gone. Top edge gilt. Internally clean.
Acquaforte acquatinta litografia e pochoir Firma e numerazione a matita. Timbro a secco dello stampatore. Tirata a mano sui torchi di Giorgio Upiglio su carta Magnani. Esemplare p.d.a.. cm 90x63. . . Perfetto (Mint). . Tiratura 75. .
Second Edition, with additions, 4to, vi,151,[1]pp., with the armorial bookplate of Lady Frances Scott, engraved frontis., light water stain to lower outer corner of first 15 pages, cont. calf, hinges cracked, label chipped. First published in 1745 and Dedicated to the Duchess of Portland, from whose most extensive collection it was compiled. Vertue derived much of the information for the life of Hollar from the younger Faithorne and Mr. F. Place, both of them engravers, who were very conversant with Hollar during his residence in London.
2005Signed upon title page by author. 180 pages. Index. References. Biographical overview. List of works. Colour illustrated endpapers. "E.J. Hughes is famous for his unforgettably rich and accomplished landscapes, primarily depicting the British Columbia coast. His works now command the highest auction prices ever paid for a living Canadian artist, confirmation of his emergence as a major figure on the international art scene... The passionate collector has always been central to the emergence of important artists. In this extraordinarily personal account, the world of a collector comes alive. Here are 76 Hughes sketches, paintings and prints, in colour and black and white - only a handful previously published in book form - accompanied by a text rich with anecdotes about the joys, frustrations and satisfactions of the chase. This is a very human story of art as master - one which sheds important new light on Hughes and his work." - from dust jacket. "Hughes is the chronicler of a landscape almost too beautiful and too alive with spirit to be believed." - Globe and Mail. Clean, bright and unmarked with negliglble wear. Dust jacket now preserved in glossy new archival-grade Brodart cover. Gift quality. Book
1800Gestochene Kupferplatte (120:166 mm). Unsigniertes Portraitkupfer des Papstes Pius VII. (Graf Luigi Barnabà Niccolò Maria Chiaramonti; 1742-1823), wohl anläßlich seiner Papstkür am 21. März 1800 gestochen. Unter dem ovalen Brustbild das Wappen des Papstes.
Litografia originale dalla cartella ''El circulo de piedra'' Firma e numerazione a matita. Timbro a secco dell'Editore Giorgio Upiglio. Stampata su carta delle Cartiere Filicarta. cm 45x55. . . . . Tiratura 125 + XXV. .
Litografia originale a colori Firma e numerazione a matita. Tirata sui torchi dello stampatore Giorgio Upiglio. Esemplare p.d.a.. cm 70x50. . . Ottimo (Fine). . . .
19705 acqueforti originali firmate a matita di Renzo Biasion, Domenico Cantatore, Enrico Paulucci, Walter Piacesi, Orfeo Tamburi (cm 12x15 - 26,5x16,5, foglio cm 49,5x35). Presentazione di Giorgio Trentin. Senza data ma circa 1970 Esemplare n. 85/125. Cm 51x36,5. pp. n.n.. . Molto buono (Very Good). . Edizione originale di 125 es. numerati. .
Acquaforte. Opera appartenente al portfolio pubblicato in occasione del 500° anniversario della nascita di Michelangelo Firma e numerazione a matita. Stampata su carta Zerkalbutten da 250 gr da Schneider, Berlino. Esemplare 173/200. Cm 34x50 (Foglio 60x80). . . Perfetto (Mint). . Tiratura 200 + XX p.d.a.. .
Gestochene Kupferplatte (117:174 mm). Hübsches Bildnis der Madonna in Andacht, mit über die Brust gelegten Händen, nach einem Gemälde von Carlo Maratti (1625-1713). Signiert vom Pariser Kupferstecher Louis Gomier, der 1713-30 in Rom tätig war und auch nach Pietro da Cortona, Ciro Ferri und An. Carracci stach. "Zu seinen Hauptblättern gehören eine Ansicht der Bernini-Fontände und des Obelisken auf der Piazza Navona [...] Auch war er Mitarbeiter an Mich. Mercati's Metallotheca [...] und stach einige Porträts nach eigener Zeichnung, darunter die der Königin Marie Eleonore Jos. von Polen und des Fürsten Lubomirski" (Thieme/B. 14, 364). Die Platte trägt noch den Verlegervermerk "typis Salmoni" (wohl ein Hinweis auf den römischen Drucker Giovanni Generoso Salmoni?).
1947Litografia originale numerata e firmata a matita dall'Artista. Una delle prime litografie di Guttuso (n. 5 del catalogo Renato Guttuso, Opera Grafica a cura di Paolo Bellini, Club Amici dell'Arte Editore, Milano 1978) Opera allegata al n. 11 (gennaio 1949) della rivista L'Immagine, diretta da Cesare Brandi, pubblicata a Roma dal maggio 1947 al dicembre 1950. L'edizione speciale di ogni numero della rivista conteneva sciolta una o più incisioni originali in tiratura di 50 esemplari di cui 30 in numerazione araba dedicate ad personam e XX in numerazione romana. La presente incisione reca il numero 15/30 ed era allegata alla copia della rivista dedicata a Riccardo Gualino. Cm 21x15 (Foglio 24,8x17,2). . . Ottimo (Fine). . Prima ed. di 1000 es. numerati e firmati dall'A.. .
Litografia originale in bianco e nero Firma e numerazione a matita. Carta delle Cartiere Filicarta. Timbro a secco dello stampatore Giorgio Upiglio. Esemplare 22/40. Cm 70x50. . . Ottimo (Fine). . Tiratura 40. .
1949Litografia originale, numerata e firmata a matita dall'Artista. [Riferimento: Ciranna, Alfonso. Manzù. Catalogo dell'opera grafica1929-1968. Ciranna, 1968, Catalogata con il n. 149 alla pag. 187] Opera allegata al n. 13 (maggio-giugno 1949) della rivista L'Immagine, diretta da Cesare Brandi, pubblicata a Roma dal maggio 1947 al dicembre 1950. L'edizione speciale di ogni numero della rivista conteneva sciolta una o più incisioni originali in tiratura di 50 esemplari di cui 30 in numerazione araba dedicate ad personam e XX in numerazione romana. La presente incisione reca il numero 15/30 ed era allegata alla copia della rivista dedicata a Riccardo Gualino. Cm 25x17. . . Ottimo (Fine). . Edizione originale di 50 es. numerati e firmati . .
1949Litografia originale, numerata e firmata a matita dall'Artista. [Riferimento: Ciranna, Alfonso. Manzù. Catalogo dell'opera grafica1929-1968. Ciranna, 1968, Catalogata con il n. 147 alla pag. 185] Opera allegata al n. 12 (marzo-aprile 1949) della rivista L'Immagine, diretta da Cesare Brandi, pubblicata a Roma dal maggio 1947 al dicembre 1950. L'edizione speciale di ogni numero della rivista conteneva sciolta una o più incisioni originali in tiratura di 50 esemplari di cui 30 in numerazione araba dedicate ad personam e XX in numerazione romana. La presente incisione reca il numero 15/30 ed era allegata alla copia della rivista dedicata a Riccardo Gualino. Cm 25x17. . . Ottimo (Fine). . Edizione originale di 50 es. numerati e firmati . . Prima litografia eseguita dall'Artista
Litografia originale Tiratura 15o esemplari. Firma a matita dell'Artsta. Timbro a secco dello stampatore Il Torcoliere, Roma. Cm 34,5x43,5 (Foglio 50x70). . . Ottimo (Fine). . Tiratura: 150. .
Litografia originale Firma, data e numerazione a matita. Esemplare: 84/100. cm 56x76. pp.. . Ottimo (Fine). . Tiratura: 150. .
Litografia originale a colori Firma e numerazione a matita. Esemplare: 1/100. cm 45x60. pp.. . Ottimo (Fine). . Tiratura: 100. .
