1188 risultati
1905rif. 10427Cover only. Cover is worn with modest soiling. Rare. .; Prints . 1905. unknown
1936rif. 10414Cover only. Cover is worn at extremities and soiled. 10.5" x 14".; Prints . 1936. unknown
rif. 282202Reeves and Turner 1886. TWO VOL SET super octavo brown buckram boards gilt lettering to spine gilt lettering & motif of Newgate Prison to front boards frontispieces with tissue guards vol 1- xii 592pp vol 2- viii 636pp illus/engravings with tissue guards- not counted but presumed all present VG-/scruffy very heavy chipping to spine extrems with considerable loss to each volume spine moderate to heavy chafing to boards moderate to heavy tanning to page edges moderate tanning & foxing to prelims moderate cracking to gutters throughout 9cm closed tear to top of pg vii of vol 2 light foxing to illus & tissue guards but unobtrusive pencil inscription to verso of fep of vol 1 Reeves and Turner 1886 hardcover
rif. 69703Societe des bibliophiles et iconophiles de Belgique 1939. Losbladige uitgave met 48 facsimile platen van Spirituale Pomerium 1447-1452 en 72 paginas uitleg in het Frans 34 x 26 cm FR. goede staat. Spirituale pomerium Bibliotheque Royale de Belgique. Manuscript 12070 Societe des bibliophiles et iconophiles de Belgique 1939 unknown
rif. SONG1468307487Used: Good unknown
1920rif. 000012714Leipzig / Wien = Vienna: Bibliographisches Institut 1920. Paperback. Near Fine. Oblong 8vo. 14 cm x 16.5 cm. Unpaginated. Brown paper wrappers printed in red and black. Illustrated with 22 black and white images of towns and landmarks from the state of Saxony. Minor wear to the extremities. Bibliographisches Institut paperback
1992rif. 8104Providence RI: Printed by the Stone House Press for the John Carter Brown Library 1992. Hard Cover. Near Fine binding. Octavo. 85 1 pp. frontis illus. Limited edition number 42 of 200 copies signed by De Pol Smith and the printer M. A. Gelfand. In original cloth with title on the front cover and spine. An extremely nice copy with the top corner of the rear board a trifle bumped else fine. This is the regular issue of a translation of Bertin's French-language three-act play "Christophe Colomb" here limited to 200 copies with "illustrations printed in black . . . from works in the John Carter Brown Library selected by Norman Fiering. . . . the original wood engravings printed in colors other than blank are by John De Pol" colophon. There was also a deluxe edition limited to 20 copies bound by Deborah Evetts design binder and conservator at the Pierpont Morgan Library. Printed by the Stone House Press for the John Carter Brown Library unknown
1986rif. 6176Council Bluff IA: Yellow Barn Press 1986. Hard Cover. Near Fine binding. 12mo. 4 blank 4 15 1 6 blank pp. frontis illus. Limited edition number 109 of 200 copies with signed note by the printer Neil Shaver on a Yellow Barn Press note card. As issued in blue cloth with printed paper label on the spine and the front cover. A bright clean copy in nearly Fine condition. Originally issued in 1921 by the St. Dominic's Press Shaver uses the line engravings originally employed in the first edition. One might comment on the contents but Gill's subtitle lets you know what you in for! Evan Gill 7. Yellow Barn Press unknown
rif. Coosje van Bruggen, essayIn Pristine Condition. unknown
1821rif. 17863Sherwood Needly & Jones. Very Good. This 1821 hand colored print is heavily toned in the margins but clean and in very good condition. 9" x 6".; Prints . 1821. Sherwood, Needly & Jones unknown
1920rif. 98240Paris : Claude Barbin 1920. broché. SCUDERI Madeleine de. - MAHIAS Robert estampes.La promenade de Versailles dédiée au Roi. Embellie d’estampes par Robert Mahias. Paris Claude Barbin1920 235x190mm frontispice 60 pages broché. Couverture rempliée. Exemplaire numéroté sur papier vélin van Gelder n.° 106 / 500. Petites déchirures sur le haut et le bas du dos autrement bel exemplaire. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Claude Barbin unknown
1879rif. 21538Good. Antique engraving is toned with very modest foxing and a couple of small damp stains along the outer margins that can be cropped out for framing. Overall size: 12" x 10".; Prints . c. 1879. unknown
1870rif. 21536Good. Antique woodcut lithograph plate is toned with modest foxing. Overall size: 16" x 12".; Prints . 1870. unknown
1870rif. 21526Good. Antique woodcut lithograph plate is toned with light foxing. Overall size: 16" x 12".; Prints . 1870. unknown
1870rif. 21525Good. Antique woodcut lithograph plate is toned with light foxing. Overall size: 16" x 12".; Prints . 1870. unknown
1940rif. 890195New York: Macmillan. Very Good in Good dust jacket. Hardcover. Jacket has light soiling one 1/2" edge-tear and clipped corners.; Small 4to 9" - 11" tall; 236 pages . 1940. Macmillan hardcover
rif. 15560Very Good. Very good book in good jacket. Good clean copy with a tight binding. Dust jacket edge wear unknown
1902rif. 127907Boston / London: James H. Stark Publisher 1902. Hardcover. Very Good. 12mo 6.75 - 7.75'' tall. Hardcover. Book Condition: Very Good. James H. Stark Publisher Boston / London 1902. Ads 158 pages. Nice Firm Clean copy ! Light general wear. With a lovely folding map! Size: 12mo 6.75 - 7.75'' tall. Travel::Antique History::Localities Maps 6272 6272 James H. Stark Publisher hardcover
1972rif. T1903690Collegium Graphicum Portland 1972. 1st Edition Thus. SOFTCOVER. 3 matching volumes all 8vo in patterned stiff card covers variously paginated housed in a matching card slipcase. There is some offsetting from the woodblock prints to the facing pages - presumably reproduced from the original copy used to make the facsimile __CONDITION : Spines moderately sunned else all FINE very clean and tight unmarked and unread copies all still close to new in a slightly faded but otherwise FINE slipcase. . __We always ship in PROTECTIVE CARD PARCELS Collegium Graphicum, Portland paperback
1944rif. 100New York: Gemor Press 1944. First edition 1 of 300. Cloth covered boards. Good. Quarto 23 x 15.6 cm; 2 blank 8 58 6 6 blank pp. Inscribed by the author on the half-title page. Comes with a prospectus which is also inscribed by the author. Pages are crisp and clean with some spotting on the end papers. Boards are faded stained and spotted. Shows wear on the edges particularly on the spine corners. Prospectus has some bent corners plus a horizontal crease. C. L. "Lanny" Baldwin was having an affair with Anais Nin when she published this book of poetry through her own press which operated from 1942-1947. Baldwin was on the receiving end of a well known scathing breakup letter which shows why she is remembered in the literary world and he is not. The engravings were done by Nin's husband. Gemor Press unknown
1936rif. 375753The Studio London Undated c.1936. First Edition. Hardcover. Very Good Condition. One of Holme's four classic Studio Publications on Japanese print culture presenting a finely curated suite of kacho-ga plates that helped shape early Western appreciation of ukiyo-e. A handsome volume and still one of the most approachable gateways into the field. 8 large colour plates images measuring 15 x 22 cms approx each with tissue guards and 6 pages of explanatory text. Some foxing to the paper throughout but not to the printed images though their surrounds are foxed. Printed boards covered in Japanese style paper. The spine is firm and without loss. Printed paper label to front board and spine as issued. A pleasing example on the shelf. Size: 25 x 31.5 cms. Category: Antiquarian & Rare; New Arrivals; This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. The Studio hardcover
1870rif. 364596London Printing & Publ. Co London 1870. Unframed Print. Very Good Condition. Hogarth's drawings and satirical scenes blend bold narrative invention with sharp social commentary capturing 18th century life through lively characters moral drama and brilliantly observed comic detail. Original steel engravings. Note; These are true Victorian impressions now 156 years old showing the fine incisive line characteristic of steel engraving. A photocopy of the explanatory text by Trussler & Roberts is included with the print. THERE IS MORE THAN ONE PICTURE OF THIS ITEM TO SHOW YOU MORE DETAILS. Size: 22 x 30 cms. Category: Prints by William Hogarth; PRINTS : Antiquarian Interest; William Hogarth; PRINTS : Historic Interest; This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. London Printing & Publ. Co unknown
1987rif. MARDERST014771James L. Weil New Rochelle New York. 1987. First separate edition. Quarto. 12 pages. Sewn wrappers. A poem of friendship from the earliest extant letter of Keats which was dated November 1815.One of fifty keepsake copies printed by Martino Mardersteig at the Officino Bodoni in a variant of the Dante type on Magnani handmade paper.Slight creasing to covers. Very good indeed. James L. Weil, New Rochelle, New York. unknown
1991rif. RAMPANTL000801The Gruffyground Press Sidcot. 1991. First edition. Narrow octavo. pp 8. Sewn wrappers. Publisher's catalogue describing thirteen illustrated poetry books these being by Thomas Hardy Edward Thomas Thom Gunn Elizabeth Jennings Robert Graves James Reeves Peter Scupham et al.450 copies printed. On the title-page is the engraving of a polecat used for the publisher Anthony Baker's bookplate printed from the original block. Signed by Anthony Baker at the colophon most copies were not signed.Loosely inserted is a Typed Letter Signed by Anthony Baker and dated February 19th 1973: about 600 chatty words to the poet Ted Walker mostly discussing the possibility of publishing an illustrated verse bestiary.Fine. The Gruffyground Press, Sidcot. unknown
1970rif. STEADMAN001332Steam Press London. 1970. First edition. Sheet folded twice. Broadsheet number 2. A nine line poem. Designed and printed by Ralph Steadman on Swedish paper at Steam Press.Number 24 of fifty numbered copies signed by Stephen Spender.Fine. Steam Press, London. unknown