Crane, Hart; Baskin, LeonardBiblio.com
1.154 Ergebnisse
1957Best.-Nr. 003740New York: Museum of Modern Art 1957. Paperback. Near Fine. 28 p. 2 leaves of tissue plates: six wood engravings and one woodcut; 26 x 29 cm. Stitched blue-grey wrappers with label printed in red and black. Within original portfolio covered in the same glue-grey paper with matching printed label on the front and a spine label printed in red. Designed illustrated and printed by Leonard Baskin at the Gehenna Press Nov. 1957. Handprinted in Perpetua type. "The illustrations have been printed from six original boxwood engravings and one cherry woodcut on Amalfi Italian hand-made paper and on Moriki and Mending Tissue both hand-made in Japan." This is no. 635 of a limited edition of 975 copies from an edition of 1000; signed by Leonard Baskin. It was honored as one of the "Fifty Books of the Year 1957" by the American Institute of Graphic Arts. Book is in Near Fine Condition: front wrapper lightly creased from upper corner along fore-edge; clean and crisp. Portfolio is in Good Condition: both front sections are starting to separate along the front joints from the tail; color is faded; lacking small part of spine label; front label is complete and bright. Museum of Modern Art paperback
Best.-Nr. BN316199Editions Opéra. Softcover. L'héraldique & ses arcanes L'héraldique & ses arcanes Claude René d' Estampes Editions Opéra paperback
1892Best.-Nr. 17619Raphael Tuck & Sons. Very Good. Original antique color chromolithograph from the rare and highly sought "The Voyage of Columbus." The print is lightly toned with soiling in the margins but illustration is clean and overall in very good condition. Current overall size including margins: 15.75" x 12" trimmed down slightly from original size to clean up edges. Chromolitho size: 13" x 9.5".; Prints . 1892. Raphael Tuck & Sons unknown
1892Best.-Nr. 17621Raphael Tuck & Sons. Very Good. Original antique color chromolithograph from the rare and highly sought "The Voyage of Columbus." The print is lightly toned with soiling in the margins and has a small trim out of the ship's front window but illustration is clean and overall in very good condition. Current overall size including margins: 15.75" x 12" trimmed down slightly from original size to clean up edges. Chromolitho size: 13" x 9.5".; Prints . 1892. Raphael Tuck & Sons unknown
Best.-Nr. 7545All five prints 'Publish'd by Robt. Sayer No. 53 Fleet Street London as the Act directs 1st. Septr. 1772.'. Each of the five on a piece of good laid paper roughly 15 cm square. Wide margins with indentation of plate 9.5 x 8 cm. All five good with occasional light creasing to margins. The second and third items more aged that the others but all good and suitable for framing. Delicately engraved and skillfully coloured. Item One: 'Mr. Bellecour. 3 Comed. Franc. Le Joueur. dans la Comédie du même nom.' Item Two: '19 Comed. Franc. Michau et Henri. dans la Partie de Chasse d'Henri IV. Qu'êtes-vous allons qu'êtes-vous' Item Three: 'Made. Favart. 22 Coméd. Ital. La Vieille. dans la Fée Urgele Acte III.' Item Four: 'Mrs. Trial & Clerval. 29 Coméd. Ital. Bertrand et Monteauciel dans le Déferteur. Voulez-vous bien chanter quand on vous en prie' Item Five: 'Mr. Laurette 30 Coméd. Ital. Jean Louis. dans le Déserteur.' Presumably from Whirsker's "The Metamorphoses of Melpomene and Thalia or Dramatic Characters of the French and Italian Comedies." London: Robert Sayer n.d. but circa 1770. 30 plates. Cohen 1066. Lewine 356 copy on with 19 of the 30 plates at $3000: Micahel Hollander. See Image. All five prints 'Publish'd by Robt. Sayer, No. 53 Fleet Street London, as the Act directs, 1st. Septr. 1772.' unknown
Best.-Nr. 52098Hamburg B. S. Berendsohn ca. 1845. . Hafentor u. Hafendamm links im Bild Segelschiffe u. Dampfer mit Kutsche u. figürlicher Staffage im Vordergrund. - Zu dem Maler Lithographen u. Radierer James Gray Mitte des 19. Jhdts. in Hamburg tätig siehe Der Neue Rump S. 150. Hamburg, B. S. Berendsohn, [ca. 1845]. unknown
Best.-Nr. 52095Hamburg B. S. Berendsohn ca. 1845. . Schräge Frontal-Ansicht aus Richtung Hamburger Berg mit Kutsche u. figürlicher Staffage im Vordergrund des von dem jüdischen Bankier Salomon Heine 1767-1844 zum Andenken an seine verstorbene Frau Betty gestifteten u. 1841-1843 in St. Pauli errichteten Krankenhauses Simon-von-Utrecht-Straße. Heine war bekannt als Wohltäter Hamburgs u. als Mäzen seines Neffen Heinrich Heine. - Zu dem Zeichner Lithographen u. Radierer James Gray Mitte des 19. Jhdts. in Hamburg tätig siehe Der Neue Rump S. 150. Hamburg, B. S. Berendsohn, [ca. 1845]. unknown
Best.-Nr. 52105Hamburg B. S. Berendsohn ca. 1855. . Frontal-Ansicht des 1854 "auf dem Käthnerkamp vor Barmbek" eingeweihten neuen Werk- u. Armenhauses mit figürlicher Staffage im Vordergrund. Heute befindet sich hier das Pflegezentrum "Die Oberaltenallee". - Zu dem Maler Julius Gottheil 1850-1864 in Hamburg siehe Der Neue Rump S. 148. Hamburg, B. S. Berendsohn, [ca. 1855]. unknown
Best.-Nr. 52094Hamburg B. S. Berendsohn ca. 1845. . Panorama des Großneumarkts in der Hamburger Neustadt mit Markthalle sowie Verkaufsständen u. figürlicher Staffage im Vordergrund. - Zu dem Maler Julius Gottheil 1850-1864 in Hamburg siehe Der Neue Rump S. 148. Hamburg, B. S. Berendsohn, [ca. 1845]. unknown
Best.-Nr. 52140Darmstadt G. G. Lange ca. 1850. . Blick über die Alsterbrücke die Winterhude mit Eppendorf verbindet heutige Meenk-Brücke auf das idyllische Dörfchen mit dem Turm der St. Johanniskirche; im Vordergrund Schwäne u. Boote auf der Alster Hunde u. Passanten auf der Brücke. - Zu dem Zeichner u. Lithographen Friedrich Carl Alexander Lill 1807-1879 siehe Der Neue Rump S. 261; zu dem Stahlstecher H. Huber der u.a. für G. G. Lange arbeitete siehe Thieme/Becker 18 S. 7. Darmstadt, G. G. Lange, [ca. 1850]. unknown
Best.-Nr. 51716Hamburg B. S. Behrendsohn 1855. . Im lackierten Mahagoni-Plattenrahmen 338 x 398 Hamburg, B. S. Behrendsohn, ( 1855). unknown
2014Best.-Nr. 9791Burke VT: Plowboy Press 2014. Hard Cover. Fine binding. Octavo. 8 52 4 pp. illus. Limited edition one of 100 numbered copies. Signed by Shipley Simpson and the printer Andrew Miller-Brown. As issued in linen over boards printed in black and red with an illustration by Miller-Brown. A fine copy. A beautiful collection by Shipley whose prose and poetry attempt to reconcile the farming life with the writing life. This book was selected as a Boston Globe Best New England Book of 2014. Tom Slayton editor-emeritus of Vermont Life Magazine writes: "Words and work are melded in a series of essays that are brief captivating and profound with references that range from Japanese Haiku to Seamus Heaney and from summertime haying to mid-winter manure piles." And he calls Shipley "one of Vermont's very best emerging writers. Plowboy Press unknown
Best.-Nr. 449Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown
Best.-Nr. 446Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown
Best.-Nr. 444Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown
Best.-Nr. 442Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown
Best.-Nr. 440Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown
Best.-Nr. 441Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown
Best.-Nr. 443Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown
Best.-Nr. 447Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown
Best.-Nr. 448Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown
Best.-Nr. 445Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown
Best.-Nr. 439Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown
1729Best.-Nr. 44168London: Printed for J. Tonson 1729. First edition. Hardcover. vg. Duodecimo. 1 plate 24pp. 1 plate 348pp. 11 plates with tissue guards. 19th century three-quarter calf with gilt lettering on black label of spine over marbled boards with guilt ruling; raised bands protected by modern mylar. Gilt top edge. Marbled endpapers. Frontispiece engraving. Historiated and decorative head and endpieces. Decorative initials. Content: Sapho to Phaon; The Fame wholly translated by Mr. Pope; Canace to Macareus Edward Poley; The same by Ed. Floyd; Hypermnestra to Linus; Ariadne to Theseus; Hermione to Orestes; Leander to Hero; Hero to Leander; Laodamia to Protesilaus; O Enone to Paris; A Paraphrase on O Enone to Paris; Paris to Helen; Helen to Paris; Penelope to Ulysses; The Fame by Mrs. Wharton; Hypsipyle to Jason; Medea to Jason; Phaedra to Hippolytus; Dido to Aeneas; The fame by another hand; Briseis to Achilles; Dejanira to Herculus; The fame by another hand; Acontius to Cydippe; Cydippe to Acontius; Ulysses to Penelope; Demophoon to Phillis; Paris to E Enone; Ovid's Amours. In Three Books. Illustrated with thirteen steel plate engravings with tissue guards. Binding with some scuffing along edges. Block somewhat age toned. Binding and interior in overall very good condition. Printed for J. Tonson hardcover
1936Best.-Nr. 131332Printed at The Golden Cockerel Press London for The Limited Editions Club 1936. Book. Very Good. Hard Cover with Slipcase. Signed by Illustrators. Limited Edition. Folio - over 12 - 15" tall. Three oversized hardcovers with blue cloth spines with gilt lettering; boards covered in blue and cream-patterned paper; limited edition 1393/1500; signed by Robert Gibbings. Books in very good plus condition: spines are slightly sunned with a little scuffing and slight soiling; no wear to books; straight; hinges strong; clean and unmarked; pages slightly toned. Slipcase is only in good minus condition with some wear soiling and scuffing. Will require extra for shipping. Printed at The Golden Cockerel Press, London, for The Limited Editions Club Hardcover
