1 188 résultats
réf. 52140Darmstadt G. G. Lange ca. 1850. . Blick über die Alsterbrücke die Winterhude mit Eppendorf verbindet heutige Meenk-Brücke auf das idyllische Dörfchen mit dem Turm der St. Johanniskirche; im Vordergrund Schwäne u. Boote auf der Alster Hunde u. Passanten auf der Brücke. - Zu dem Zeichner u. Lithographen Friedrich Carl Alexander Lill 1807-1879 siehe Der Neue Rump S. 261; zu dem Stahlstecher H. Huber der u.a. für G. G. Lange arbeitete siehe Thieme/Becker 18 S. 7. Darmstadt, G. G. Lange, [ca. 1850]. unknown
réf. 52093Hamburg B. S. Berendsohn ca. 1845. . Frontal-Ansicht des von dem dänischen Arzt Otto Martin Emil Langgaard geb. 1815 1844 am Rothenbaum No. 57 errichteten Orthopädischen Instituts das er bis 1860 leitete. - Zu dem Maler Julius Gottheil 1850-1864 in Hamburg siehe Der Neue Rump S. 148. Hamburg, B. S. Berendsohn, [ca. 1845]. unknown
réf. 52102Hamburg B. S. Berendsohn ca. 1850. . Schrägansicht des Gebäudes mit figürlicher Staffage im Vordergrund. - 1824 gründete der Hamburger Weinhändler Georg Andreas Knauer 1759-1828 in Eppendorf einen Brunnenbetrieb künstlicher Mineralwässer der sich bald schon zu einem "mondänen" Gesellschaftstreffpunkt entwickelte. Den Mittelpunkt des Betriebes bildete das hier dargestellte 1828 Ecke Eppendorfer Landstr./Loogestieg errichtete "Konversationshaus" nach Knauer "Andreasbrunnen" genannt. Nach 1850 verlor der Kurbetrieb an Bedeutung u. wurde eingestellt; an seine Stelle trat ein Gartenrestaurant. Im Zuge der Industrialisierung wurde dann das alte Konversationshaus zum "ersten Reihenhaus" Eppendorfs umgebaut u. 1910 abgerissen. - Zu dem Maler Julius Gottheil 1850-1864 in Hamburg siehe Der Neue Rump S. 148. Hamburg, B. S. Berendsohn, [ca. 1850]. unknown
réf. 52107Hamburg B. S. Berendsohn ca. 1850. . Frontal-Ansicht des evangelischen Damenstifts Kloster St. Johannis am heutigen Klosterwall/Johanniswall vom Hühnerposten aus gesehen mit Kutschen figürlicher Staffage Alster mit Ruderboot u. Schwänen auf dem ehemal. Stadtgraben im Vordergrund. - Zu dem Maler Julius Gottheil 1850-1864 in Hamburg siehe Der Neue Rump S. 148. Hamburg, B. S. Berendsohn, [ca. 1850]. unknown
réf. 52097Hamburg B. S. Berendsohn ca. 1840. . Schräge Frontal-Ansicht des alten Rathauses mit den Statuen deutscher Kaiser mit Kutschen u. figürlicher Staffage im Vordergrund. - Zu dem Hamburger Maler u. Lithographen Carl Martin Laeisz 1803-1864 siehe Der Neue Rump S. 212; zu dem Zeichner u. Radierer James Gray Mitte des 19. Jhdts. in Hamburg tätig siehe ebda. S. 150. Hamburg, B. S. Berendsohn, [ca. 1840]. unknown
réf. 52138Hamburg B. S. Berendsohn ca. 1845. . Blick auf die Gebäude des "Rauhen Hauses" mit Teich u. figürlicher Staffage im Vordergrund. - 1832 gelang es dem Hamburger Theologen u. Sonntagsschullehrer Johann Hinrich Wichern 1808-1881 mit seinen Berichten über die erschütternde Armut die er bei verwaisten Kindern in St. Georg erlebte einflußreiche Hamburger zur Gründung einer "Rettungsanstalt für verwahrloste Kinder" zu bewegen. Er gewann u.a. den Senatssyndikus Karl Sieveking dafür der in Horn damals ein kleines Dorf im Osten Hamburgs ein Grundstück mit einem Bauernhaus besaß das im Volksmund schon lange Rauhes Haus genannt wurde. Am 31. Oktober 1833 zog Wichern hier ein Ende des Jahres lebten dort bereits zwölf Jungen. Die Zahl der Zöglinge stieg ständig neue Gebäude wurden errichtet bald war das Rauhe Haus ein eigenes kleines Dorf. - Zu dem Maler Julius Gottheil 1850-1864 in Hamburg tätig siehe Der Neue Rump S. 148. Hamburg, B. S. Berendsohn, [ca. 1845]. unknown
réf. 52105Hamburg B. S. Berendsohn ca. 1855. . Frontal-Ansicht des 1854 "auf dem Käthnerkamp vor Barmbek" eingeweihten neuen Werk- u. Armenhauses mit figürlicher Staffage im Vordergrund. Heute befindet sich hier das Pflegezentrum "Die Oberaltenallee". - Zu dem Maler Julius Gottheil 1850-1864 in Hamburg siehe Der Neue Rump S. 148. Hamburg, B. S. Berendsohn, [ca. 1855]. unknown
1829réf. 8060London: Jones 1829. Hardcover. Fine. Rebound in maroon cloth with black paper spine labels stamped in gilt. Fine condition. Minor foxing otherwise fine condition. 70 pages of text and 38 pages of steel engravings two illustrations per page in the first title. 52 pages of descriptive text and 40 pages of steel engravings two illustrations per page in the second title. Altogether 156 steel engravings on 78 pages. Jones hardcover
1987réf. 2327Llandogo Gwent UK: The Old Stile Press 1987. First Limited Edition. Fine in a near-fine slipcase. 12mo 7 x 5 inches 175 x 124 mm; 54 pp. Illustrated with 23 wood-engravings by Alyson MacNeill. Quarter grey cloth over marbled paper boards by Woolnought Fine Bindings using handmade paper by Frances McDowall and marbling by Nicolas McDowall. Housed in the original green cloth slipcase embossed with a decorative frame incorporating one of the wood engravings printed in grey. Slipcase edges lightly rubbed; binding and interior in pristine condition. Copy 106 of 160 as per limitation page SIGNED BY THE ARTIST in pencil. A meticulously produced imprint of The Old Stile Press the first after the press's relocation to Llandogo South Wales. The 23 finely executed wood-engravings accompany selected passages from Colin Mackay's novel evoking "the leather-hard lives of these long-ago villages and the power of the forest that overshadows their year's story" Preface. The Old Stile Press unknown
1932réf. 2396Waltham Saint Lawrence Berkshire: Golden Cockerel Press 1932. First Limited Edition. Near fine. Lynton Lamb. 8vo 9 1/2x 6 3/8 inches 240 x 160 mm; 4 74 1 pp. printed on Batchelor paper. Quarter bound in red morocco with yellow cloth printed in red pattern with initial letters; top edge gilt rest deckled; very minor rubbing to spine tail and bottom corners; Binding and interiors pristine. Limited edition of 500 with this being hand numbered 118 SIGNED in pencil by the author on the dedication page. Pictorial bookplate of Margaret & John Streeter loosely inserted and T. M. Ramsay blind stamp on first flyleaf. Chanticleer 88. A pleasing Golden Cockerel Press production combining Hugh Walpole's reflective prose with Lynton Lamb's distinctive engravings. The four reminiscences evoke personal and literary memories characteristic of Walpole's gift for atmosphere and narrative ease. The press's elegant design-rich red morocco contrasting with the patterned cloth boards-creates a visually striking yet harmonious volume while the fine printing and illustration underscore the craftsmanship associated with the Golden Cockerel Press at its height. A refined example of early twentieth-century private press work appealing to collectors of illustrated literature and fine bindings. Sir Hugh Seymour Walpole 1884-1941 was a prolific English novelist and man of letters. The son of an Anglican clergyman he initially considered a religious vocation before turning to writing encouraged by figures such as Henry James and Arnold Bennett. Walpole achieved considerable popularity in the 1920s and 1930s known for his vivid storytelling strong sense of place and engaging characterizations. Though his reputation has diminished since his lifetime his work remains an important part of early twentieth-century English literary culture. Golden Cockerel Press unknown
1985réf. 2415Andoversford: The Whittington Press 1985. First Limited Edition. Fine. Miriam Macgregor. Oblong 8vo; 7 1/2 x 10 1/2 inches 190 x 265 mm; 39 unnumbered pages. 41 wood-engravings by Miriam Macgregor. Machine-set in 12-point Bell roman and 14-point Bell italic; printed in black and olive-green on Zerkall cream smooth wove paper. Quarter-bound in brown buckram by Woolnough title-label in a blind panel on the spine Zerkall Silurian patterned paper-covered boards with a repeat pattern of three engravings printed in olive-green and dark green. Headbands top edge red-brown. Zerkall Silurian endpapers. Colorplan Bagdad Brown paper-covered slipcase title-label. Copy 81 of 335 numbered copies signed by R. P. Lister and Miriam Macgregor. Butcher 81. A finely illustrated account of English allotment life combining the understated observant gently humorous prose of R. P. Lister with an extensive series of wood engravings by Miriam Macgregor. The text considers allotment gardening as both practical activity and social practice noting its rituals routines characters and seasonal patterns. Macgregor's 41 engravings depict tools plots and gardeners with clarity economy and wit closely aligned with the tone of the text. Together text and image create a portrait of allotment culture that is both documentary and affectionate preserving a distinctly British way of life undergoing gradual change in the later twentieth century. The Whittington Press unknown
1929réf. 518Paris: Éditions du Scarabée 1929. First Edition. Near fine. Large 8vo 11 7/8 x 9 3/4 inches 302 x 250 mm; 45 pp. with 4 etchings by Gio Colucci. Edition limited to 115 numbered copies on white Arches paper with Jenson type of which this is copy no. 50 as printed on the limitation page. Loose as issued in portfolio with original paper cover with flaps printed in red and black with beautiful typography and with its original glassine wrapper. There is some toning and slight wear to the glassine and cover and offset to pages facing the etchings but the portfolio is in excellent condition and the impressions strong and powerful. Inscribed and dated in pencil by artist on the half title. BNF31506565. This play by François Turpin was created on the stage of the Atelier in Paris by the Athéna theater on February 1 1928 Gio COLUCCI 1892-1974 Painter sculptor ceramist was born in Florence. Éditions du Scarabée unknown
réf. 027280Chicago: Dunlap School of Finger Prints. Stapled. Good. Eight pamphlet collection. Publisher dates noted on two books: 1921 & 1922. With pencil notation top right corner of title page. Pamphlets in good or better condition half missing covers 8-64 pages most under 10. Lecture Nine has 7 lines of ink writing on title page. Secret Service: Lecture One Two Nine Ten. The Science of Finger Prints: Lesson Three Four Five and Lecture Five. Dunlap School of Finger Prints unknown
réf. DADAX0932325769New unknown
1846réf. 157997London: William S. Orr 1846. Nice copy. large octavo. cloth binding xxxii 602 568 488 132pp. engravings text ills. glossary With hundreds of engravings & text illustrations. Some light foxing mainly to prelims o/w a very nice set which has been very nicely rebound with new end papers in green buckram with raised bands at spine & red title-labels. All edges marbled. Quite a handsome set William S. Orr hardcover
1989réf. 157079London: Folio Society 1989. reprint. As New. octavo. hardbacks in decorated cloth c.2200pp. illusts. Sense and Sensibility Pride and Prejudice Mansfield Park Emma Northanger Abbey Persuasion & Shorter Works. Bound in red quarter cloth over patterned boards. In a nice red cloth slip-case as issued Folio Society hardcover
2001réf. 154417London: Folio Society 2001. 1st edition. As New. tall octavo. hardback in original cloth xix 472pp. engravings Leather spine over decorated boards. In sturdy card slip-case as issued Folio Society hardcover
2001réf. 152920London: Folio Society 2001. 1st edition. As New. tall octavo. 1/4 leather xix 472pp. illusts. notes index Bound with an emerald green leather spine over decorated green boards. In nice slip-case as issued Folio Society hardcover
1995réf. 20053005London: Frances Lincoln Publishers 1995. First Thus 1st Printing. Hardcover. New/New. Hardcover with Dust Jacket. Published by Frances Lincoln Publishers. First printing thus. About 10 x 8 inches bound in green cloth with title information to spine in gold. With beautifully rendered and printed wood engravings throughout. NEW. Not read. Binding firm and square. All corners pointed. Without bumps or creases. Not marked in any way and very clean and bright. Dust jacket same. All items carefully wrapped and sent boxed. Frances Lincoln Publishers hardcover
1883réf. 56228Paris: P. Roquette Librairie 55 Passage Choiseul 55 1883. 4to. 9.25 x 12.5 in. 4 vii 1 34 pp unpaginated. Engraved frontisp. w/ tissue guard including 16 engravings. Original printed softcovers preserved in contemporary three-quarter morocco over marbled boards binding by Enry - Jose Pierson t.e.g. minor scuffing edgewear light wear to corners still VG copy w/ interior in NF condition. First edition thus of this beautiful series of engravings wonderfully executing Scarron’s picaresque novel relating the occasionally ribald adventures of a company of strolling players. Tiburce de Mare was a noted French portrait painter and engraver and son of Johannes de Mare who frequently contributed to the Gazette des Beaux Arts. P. Roquette Librairie, 55, Passage Choiseul, 55, paperback
1960réf. 018241New York : Philadelphia Museum of Art. American Federation of Arts 1960. Soft cover. Near Fine. 1960 B00K: Near Fine/ . B00K: Near Fine/ $100.98 Reduced From. MAURICO LASANSKY ZIGROSSER Carl Vice~Director and Curator Prints and Drawings. Philadelphia Museum of Art. American Federation of Arts New York 1960 UnStated 1sT Edition Small Square S/c Sun Browning On A Tan Spine With Title In Black Letters Soft Cover B00K: Near Fine/ Slight Shelf Edge And Corner Wear. Pages Appear To Be Lightly Read Clean And Tight To The Spine Printed On 0ff~White Paper In Fine/ Condition. Right Side Of Pages Have Spotting From Aging. D/j: None. This Item Will Be Sent Wrapped In Plastic Taped Shut And In A = Padded Mailing Envelope Prevent Shipping Damage So That It Will Arrive In The Description Described Which Applies To This B00K Only. = No Odors No Writing No Names No Rippling Not Stuck Together No Book Plate Not X~Library No Other Marks. = Will Make It An Excellent Addition To Your Own Personal Library Collection Or As A Gift For The Discriminating Reader / Collector. = WORLD WIDE SHIPPING AVAILABLE Philadelphia Museum of Art. American Federation of Arts paperback
1984réf. 130358Clarendon: Granrott Press 1984. 1st edition. Nice copy. folio. softback with stiff wrappers 63pp. col. & b/w pls. bibliog. Presentation copy signed by Noela Hjorth on title-page. Light creasing to wrappers o/w nice copy Granrott Press unknown
réf. DADAX143512488XNew unknown
réf. DADAX0946590893New unknown
réf. SONG0500284806Used: Good unknown