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1 145 résultats
1830réf. 19014Good. This original 19th century color lithograph has light foxing with some small abrasions to the large leaf and 2 tears on the left side but in good condition. 19.5" x 12"; Prints . c. 1830. unknown
1920réf. 19018Good. Collection of 5 antique lithographs. Lithos are toned with folds as issued and tears and chips in the margins as shown but clean and in good condition. Lithos of totems masks and effigies are 17.25" x 11". The tool lithos are 14" x 10.5".; Prints . c. 1920. unknown
1870réf. 19015Very Good. Hardcover. This antique lithograph is of a processional for perhaps a church head of state festival commemorative or something else. It is toned with several folds as issued and 2 tears in the margins but clean and in very good condition. 23.5" x 11.5". . c. 1870. hardcover
1860réf. 19017Good. This antique lithograph by Simonau & Toovey is toned with heavier toning along the folds folds as issued with a 1" tear on the right side along a fold line and one in the upper margin but in good condition. 14.5" x 13.5".; Prints . c. 1860. unknown
1830réf. 19020Good. This original 19th century color lithograph has light foxing with some small abrasions to the large leaf and 2 tears on the left side but in good condition. 14" x 8.5"; Prints . c. 1830. unknown
1900réf. 17858Very Good. This antique color print is toned but clean and very good. Overall size: 10" x 7". Gravure size: 7.75" x 5.25".; Prints . 1900. unknown
1900réf. 17857Very Good. This antique color print is toned but clean and very good. Overall size: 10" x 7". Gravure size: 7.75" x 5.25".; Prints . 1900. unknown
1875réf. 17607Bencke & Scott Litho. New York. Very Good. Hardcover. Antique lithograph is toned but clean and in very good condition. 18.25" x 12". . c. 1875. Bencke & Scott Litho. New York hardcover
1784réf. 0007884London: Hooper & Wigstead ca. 1784. New edition. Hardcover. Poor. copperplates. Folio contemporary full calf extra-gilt spines some intermittent foxing; lacks one cover. Note: oversize volume will require additional shipping fee. One of 8 vols: this covers Derbyshire Devonshire Dorsetshire Durham Essex Gloucestershire Herefordshire Hertfordshire. 79 copperplates plus 5 plans 2 of 9 maps. There is also an engraved frontispiece and vignette title-page. Hooper & Wigstead hardcover
1979réf. 2092902141000212Bijutsu shubbansha 1979. Soft Cover. Fine. Size: B4 Bijutsu shubbansha paperback
1847réf. 146851847. Firmin Didot. Three steel engravings published in L'Univers Pittoresque in 1847 depicting the Sultan of Lahij's palace a greeting between two Arab men and a saddled camel prepared for travel. The group belongs to the illustrated French literature through which nineteenth-century European readers encountered the Arabian Peninsula combining architectural views with scenes of customary greeting and travel. The Lahij image is especially useful for documenting how the residence of the sultanate near Aden was visually presented to European audiences before the major political changes that reshaped southern Arabia later in the century. Firmin Didot. Chateau Du Saltan d'Aden a Lahadj; Salut des Arabes; Chameau scelle pour le Voyage. Paris: Firmin Didot 1847. Three original steel engravings each approximately 5 x 8.2 inches. Chateau Du Saltan d'Aden a Lahadj shows the Sultan of Lahij's castle set within a cultivated and mountainous landscape with palm trees and surrounding countryside. Salut des Arabes depicts two Arab men greeting one another with a handshake. Chameau scelle pour le Voyage shows a saddled camel in a desert setting emphasizing the animal's role in overland travel. Comparable examples of these subjects are attributed to the engraver Lemaitre in the contemporary print market. The three prints preserve a French illustrated view of southern Arabia that moves between political architecture social custom and transportation. Their publication in 1847 places them within the period when Aden had already come under British control while neighboring Lahij retained its own sultanate giving the palace view a specific political geography distinct from the port colony itself. Some age-related toning and pinholes in the upper margins; the first engraving has remnants of a sticker at the upper right corner. The third engraving shows former staple marks and an approximately 4 cm loss along the upper edge not affecting the image. Overall very good condition. unknown
réf. 71-2085Kensington CA.: John Wolf Prints 1991. 8vo. 12 pp. Soft Cover. Stapled Wraps. Black and white plates throughout. Tipped in is a 12-page typed listing of works offered and the prices. Very Good. Kensington, CA.: John Wolf Prints, 1991. paperback
réf. 107718039X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1733réf. biblio312Amsterdam: Chatelain 1733. Gravure sur cuivre La feuille = 310 X 460 mm la cuvette = 255 x 352 mm quelques rousseurs en marge image propre Chatelain unknown
1906réf. 17847Good. This antique magazine illustration or book illustration is toned with some tears in the right margin that are repaired on the reverse side but clean and in very good framable condition. Size: 11" x 7.75".; Prints . c. 1906. unknown
1896réf. 17005Very Good. This original antique magazine print ad is toned but in very good condition. Page size 9" x 5.5". Reverse side has ad for michell & Kimbel Foreign Forwarders by A Allmann. .; Prints . 1896. unknown
1896réf. 17004Very Good. This original antique magazine print ad is toned but in very good condition. Page size 9" x 5.5". Reverse side has ad for P. M. Grunwaldt Russian Furs by Edward Cucuel. .; Prints . 1896. unknown
1896réf. 17003Very Good. This original antique magazine print ad is toned but in very good condition. Page size 9" x 5.5" .; Prints . 1896. unknown
1900réf. D9232c. 1900. Hardcover. Very Good. Mottled cloth; oblong 170 x 140 mm; contains 50 photographs mounted direct to the recto and verso of black leaves. Most are silver prints plus a platinum a large image of breaking waves and a cyanotype; average size about 4 x 2.75 inches with some a bit smaller or larger. Backstrip torn; a few leaves detached. Taken by or related to an artist who appears to have specialized in architectural ornamentation. Includes snapshots depicting figures and buildings from different vantage points views of the studio including a close-up of drawings pinned to the wall a besmocked artist in front of an easel scenes of family a besmocked artist in front of an easel. And kittens! Plus a cyanotype of a classroom. hardcover
1733réf. biblio318Amsterdam: Chatelain 1733. Gravure sur cuivre La feuille = 310 X 460 mm la cuvette = 255 x 352 mm quelques rousseurs en marge image propre Chatelain unknown
1970réf. B52349Mount Pleasant PA: The Laurel Group Press 1970. Paperback. Near Fine. RARE! Inscribed by Little! Printed paper wrap oblong octavo 68pp. illustrated in color and b&w. Book has mild rubbing to wrap binding tight text clean and unmarked. No DJ. The Laurel Group Press paperback
1956réf. 29076illustrated with prints by John Woodhouse Audubon and others. HBDJ 1956. 1st edition 8vo; VG/VG- Beautiful pictorial green 7& Black cloth covered boards; hardcover; 210 pages; B/W illustrations; illustrated with prints by John James Audubon John Woodhouse Audubon and others. Supplemented with drawings by Paul Galdone; a very good clean tight copy in a rubbed pictorial dust jacket WITH Much Rub to Back of DJ. TRAVELED AROUND WITH THEIR Father meeting Hunters trappers & Voyageurs Often spe nding a Nite with INDIANS They shuttled Back & Forth Across Atlantic Ocean To LONDON TO SUPERVISE PLATE-MAKING & to Paris. NY: Lothrop. Lee & Shepard Co INC hardcover
réf. 18-5659New York NY: Pillsbury Fine Prints 1990. . 8vo. 50 pp. Very Good. Stiff salmon wraps with paste-in color plate. As new. Color and B&W plates. Scarce. Printed in France. Price list present. Scarce. New York, NY: Pillsbury Fine Prints, 1990. paperback
réf. 18-0332New York: Pillsbury Fine Prints 1990. 8vo. ca 50 pp. Very Good. Soft back. Pages fine. Color and B&W plates. Scarce. Price list present. From the library of Pasquale Iannetti as indicated by stamp and lending card on front pages. New York: Pillsbury Fine Prints, [1990]. unknown
réf. 28182A valuable reference collection of images and articles that shaped perceptions of Australia to the wider world in the 19th century. This is a collection of over 800 woodcut illustrations and articles from the 19th century from the Illustrated London News The Graphic and The Illustrated Times & other less successful periodicals. The images of the ILN and Graphic are a comprehensive and systematic collection of Australian related images and articles from 1842 ILN and 1870 Graphic through the end of 1899. This collection was started in London in the late 1970s. It was our intention to create a comprehensive reference of every woodcut image of Australian interest in the two major British periodicals from their start date to 1900. We were living in North London not too far from Omniphil Limited a company based in Chesham Bucks. They were the preeminent dealers in woodcut images from British periodicals in the 1970s and 80s. We visited their premises repeatedly and sat and turned the pages of every single volume of their reference set noting the images related to Australia and purchasing a copy of those images. Another component of the collection is an assemblage of Australian images from lesser-known periodicals such as the Illustrated Times the Pictorial Times The Illustrated News of the World Gleason's Pictorial Drawing Room Companion Harper's Weekly Canadian Illustrated News and a few singletons from the Illustrated Family Paper l'Opinion Publique and the Australasian Sketcher. An important component of this collection is the associated Excel listing of the prints & text. These are indexed by year month & day image title print size associated text and folder number. The total collection is housed in nine A3 folders with fixed sleeves. Early years have 2 sheets per sleeve; later years are sometimes grouped together to fit into the available room in the album. The folders are approx. 12 ½" x 17" x 1". They were manufactured in England by Rexel Nyrex with the following label in the back inside cover "Rexel / Nyrex / PFV / A3 / 24 Made in Gt. Britain." The company still manufactures plastic products. We have not been able to ascertain if these are archival but the prints have been in the folders for at least 43 years and there has been no degradation. The only exception to the completeness of the collection is ship prints which were quite expensive at the time we assembled the collection. The collection is organized in three parts: Part I - The Illustrated London News 1842-1899; Part II - The Graphic 1870-1899; Part III - The Illustrated Times the Pictorial Times and other British & North American periodicals 1845-1883. Combined these original woodblock prints and articles are a valuable reference collection that shaped perceptions of Australia to the wider world in the 19th century a collection which would now be all but impossible to assemble. Part I Australian images from The Illustrated London News British periodical from its start in 1842 thru 1899. A comprehensive collection of Australian related images & articles from this groundbreaking periodical - the world's first illustrated weekly news magazine; the first periodical to employ special war correspondents and illustrators; the first to publish color supplements. The Australian material begins in the first publication on May 14 1842 and runs through the last article in the century in June 1899 and has approximately 467 images and 29 substantial articles. Australia is mentioned in the text of the first issue with an article "Sheep Farming in Australia" on p.15 about 4 column inches from the Inverness Courier. On the verso is an amusing illustration of a publicity stunt of the publishers. The founder Herbert Ingram paid hundreds of men to carry large sign boards in the streets reading "The Illustrated London News 30 Engravings Price 6D." The highly exaggerated drawing shows the sign bearers stretching as far as the eye can see on London footpaths. The caption reads "The 'Illustrated London News' Published Every Saturday. Thirty Engravings. Price Sixpence. The above engraving represents the public announcement of this paper on Friday last. Two hundred men paraded the streets of London to proclaim the advent of this important publication." Below the rule is printed "London: Printed by R. Palmer at the Office of Palmer & Clayton 10 Crane-court; and published by J. Clayton at 320 Strand. - Saturday May 14 1842." The first image of an Australian subject is in the December 23 1843 issue "New Government House Sydney" with text. The revenue stamp appears at the bottom left of the page. The discovery of gold in Australia is announced in a long article on the cover on Sept. 6 1851 entitled "Another El Dorado" in an article 15 column inches long. The last image is from June 1899 the Australian cricketeers in London- "The Australian Cricket Team / The Team up-river: leaving Boulter's Lock / The Test match at Lords Between England and Australia: Trumper and Hill at the Wickets". The ILN collection is housed in six A3 folders with fixed sleeves. Early years have 2 sheets per sleeve; later years are sometimes grouped together to fit into the available room in the album. Folder 1 - 1842-1852; 68 images & 12 articles Folder 2 - 1852-1854; 70 images & 13 articles Folder 3 - 1855-1861; 50 images & 1 article Folder 4 - 1862-1864; 55 images & 1 article Folder 5 - 1865-1884; 90 images & 2 articles Folder 6 - 1886-1899; 135 images Although Gale subscription service has a digitized resource titled the "Illustrated London News Historical Archive 1842-2003" this collection is invaluable as it is composed of the actual period woodblock prints and articles accessible in six A 3 folders. Part II Australian images from The Graphic British periodical from its start in 1869 thru 1899. Australian related images from The Graphic the British weekly illustrated newspaper first published on 4 Dec 1869 which was set up as a rival to the Illustrated London News. The Australian images begin in March 1870 and runs through 1899 approximately 242 images. There are 13 double page images 2 full weekly issues for the Sydney & Melbourne Exhibitions with the continuing supplements; 1 color Christmas issue; 74 full page and 39 half page illustrations. Highlights include images of bush and settlers' lives Tichborne case cricket Victorian gold the Kelly gang black trackers wool shipping ostriches a shearing dispute. The first Australian related image in The Graphic was published on the cover of the March 12th 1870 edition "Picnic in Australia To the Officers of the Flying Squadron." The last image for the 19th century is dated July 1899. The Graphic is housed in two folders are A3 approx. 12 ½" x 17" x 1". Part III Australian images from The Illustrated Times the Pictorial Times and other British periodicals as well as North American periodicals including Gleason's Pictorial Drawing Room Companion Harper's Weekly and others. London; New York; Boston; Canada: Various publishers 1845-1883. A collection of some of the scarcer woodcut images of Australian related images from various shorter-lived illustrated periodicals published in England and North America. These include The Pictorial Times The Illustrated Times The Illustrated News of the World Gleason's Pictorial Drawing Room Companion Harper's Weekly Canadian Illustrated News and a few singletons from the Illustrated Family Paper l'Opinion Publique and the Australasian Sketcher. These are scarcer publications than the market-dominating Illustrated London News & The Graphic. The collection starts in March 1870 and runs through 1899 approximately 107 images. Of particular interest is a series in the Illustrated Times entitled "England Versus Australia" illustrated by Florence Claxton. Claxton was an English artist who spent part of her adolescence in Sydney NSW in the 1850s. Throughout 1863 and early 1864 Miss Claxton drew imagined comparisons between the two environments not uniformly biased towards either country. In the first "Daughters Here" has a group of gentlewomen sitting in a lovely drawing room making lace playing piano or gazing in the mirror. "Sons There" shows the men doing the laundry mending and cooking. "Governesses Here" shows a gaggle of governesses seemingly subject to the whims of a butler; "Want of Governesses There" shows a home with the mother distraught the children causing absolute pandemonium & the father sitting and reading the paper. In another "Needlewomen Here" the seamstresses work themselves to exhaustion in a dark room with one light; "A Modiste There" shows a prosperous woman with many customers. We did not have access to a reference set for these smaller publications so these images are an assemblage not a comprehensive and consistent collection. The Pictorial Times. 1843-1848 Opened by Henry Vizetelly his brother and Andrew Spottiswoode. Eventually it was purchased by Ingram owner of the ILN and merged with The Lady's Newspaper. Unfortunately this newspaper did not date their issues but sometimes dates are to be found in text. The Illustrated Times. 1855-1862. A rival to the ILN edited by Henry Vizetelly who had left the ILN to open it. Vizetelly campaigned in the 1850s for the repeal of the Stamp Act. Its eventual repeal was a great boon allowing the new paper to be published at the low price of two pence. The Illustrated News of the World 1858-1864. This was published by John Tallis famed for his atlases with maps adorned with views. According to OCLC: 7091980 It started in Feb. 1858 and ceased in Aug. 1864 . Gleason's Pictorial Drawing-Room Companion was a 19th-century illustrated periodical published in Boston Massachusetts. The magazine was founded by Frederick Gleason in 1851. According to OCLC: 10261386 it ran from 1851 - 1854. The publication name was changed to Ballou's Pictorial Drawing-Room Companion in 1855 after managing editor Maturin Murray Ballou bought out the interest of Gleason. Unfortunately this newspaper did not date their issues but sometimes dates are to be found in text. Harper's Weekly A Journal of Civilization was an American political magazine based in New York City. Published by Harper & Brothers from 1857 until 1916 it featured foreign and domestic news fiction essays on many subjects and humor alongside illustrations. It carried extensive coverage of the American Civil War including many illustrations of events from the war. During its most influential period it was the forum of the political cartoonist Thomas Nast. This collection is housed in one A3 folder approx. 12 ½ x 17" x 1" with fixed sleeves. The prints & text are indexed by newspaper and thence by year month & day image title print size & associated text including some artists and folder number. A collection of primary source documents revealing the perceptions and attitudes towards Australia in the 19th century. hardcover
