52.817 risultati
rif. DADAX0719078296New unknown
rif. DADAX0791445143New unknown
rif. DADAX0802084443New unknown
rif. DADAX0859898016New unknown
rif. DADAX0857287958New unknown
rif. SONG0415238102Used: Good unknown
rif. SONG1403997950Used: Good unknown
rif. SONG1933330120Used: Good unknown
rif. SONG0195336763Used: Good unknown
rif. SONG0230210414Used: Good unknown
rif. SONG1859735703Used: Good unknown
rif. 307840Teatro - Brochure operetta in due tempi di Garinei e Giovannini: La Granduchessa e i Camerieri con Wanda Osiris e Riccardo Billi - 1956 - Pag. 40 ca. con illustrazioni. - Copertina morbida - Lingua italiana. - Dimensioni: 24 x 33 cm ca. - Condizioni generali molto buone. unknown
1936rif. 63389London: Ivor Nicholson and Watson Ltd. 1936. Thick 8vo. vii 1 330 pp. Colour frontisp. numerous photo plates. Green cloth printed paper spine label extra label inserted at rear pastedown minor bumping to couple corners shelfwear light foxing to fore-edges slightly cocked w/ d.j. portrait of Madame Glyn minor shelfwear toning to spine still VG/VG copy. First edition 2nd printing July 1936 1 month after June 1st printing of this outspoken frank and often humorous author whose shocking “Three Weeks” 1907 bestseller titillated and attracted readers with her heroine seducing a younger man to conceive a child on a tiger skin rug; or her flapper era screenplay “It” which offered up Clara Bow as the quintessential sexually powerful Jazz Age heroine in 1927. She writes of defying her family as a young woman spurning suitors who were too old too fat or just didn’t appeal to her before they forced her exiled to Jersey where she would write columns on fashion and design clothing with her sister Lucy Duff-Gordon. The original British editions are surprisingly scarce and even more so in the original dustjacket predating the 1937 Dutton American edition. See: Erin Blakemore Before There Was ‘50 Shades’ . . . There Was Elinor Glyn’s ‘It” JSTOR Daily Feb. 20 2015; Denise Cummings & Annette Kuhn Elinor Glyn Women Film Pioneers Project 2013. Ivor Nicholson and Watson, Ltd,. hardcover
1920rif. 63408Los Angeles CA: Palmer Photoplay Corporation 1920. 4to. 165 1 pp. Half-burgundy simulated calf over black cloth post-binder gilt lettering & lozenge stamped on front cover punch sewn at gutter margin w/ black braid as issued minor shelfwear rubbing slight scuffing still a VG copy w/ pencil manuscript at rear endpapers with extended quote from famed Hollywood screenplay writer Charles Gardner Sullivan 1884-1965. Revised and expanded edition of one of the most successful correspondence cars promising to prepare women and men for jobs in the ever-expanding and flourishing new movie industry Hollywood “Film Capital of the World.” This revised edition is significantly expanded by over 40 pages from the others issued before World War I and intended to offer the aspiring screenwriter not only a path to self-expression but a way to experience and appreciate this new art form. Palmer 1881-1961 himself had written silent film scripts for several movies released from 1911-1913 but proved to be far more successful in establishing his screenplay writer’s school whose advisory council included Cecil B. DeMille Lois Weber Thomas Ince and guest lectures by Sullivan himself. See: Anne Morey: ‘Have You the Power’ The Palmer Photoplay Corporation and the Film Viewer/Author in the 1920s Film History Vol. 9 No. 3 1997 pp. 300-319. Palmer Photoplay Corporation, hardcover
1913rif. 76725Boston: Wright & Potter Printing Co. 1913. First edition Narrow octavo. 40 pp. plus a large folding plan of a properly constructed projection booth. Of those 40 pages seven are views of movie theater and nickelodeon plans that incorporate the new laws. Publisher's printed and stapled brown wrappers. Near fine condition. OCLC locates only two copies.Projection booths and the nitrate film stock led to a great many fires in the early days of the motion picture industry. Likely more harm was dome to the public buy the stampeding than the fire itself. In the diagram of a properly constructed projection both we can see that asbestos was liberally used. Wright & Potter Printing Co. unknown
1988rif. 63474Arlington Heights IL: Dark Harvest 1988. 8vo. 369 3 pp. Numerous illustrations. Burgundy-coloured textured publisher’s boards silver lettering on spine w/ d.j. cover art by Kevin Davies NF/NF copy. First trade edition of this anthology collecting 19 modern horror stories set against the backdrop of bizarre lives and deaths of men and women working in TV and film including such authors as F. Paul Wilson Robert Bloch Karl Edward Wagner Clive Barker Robert McCammon Richard Matheson and others. Dark Harvest, hardcover
1953rif. 63840New York NY: Grosset & Dunlap 1953. 8vo. 4 197 1 pp. With 4 photo plates. Red tweed publisher’s boards black lettering on spine w/ d.j. cover art of Joe Louis fight couple minor closed tears slight edgewear and w/ wraparound photo-illustrated band for the United Artists film starring Coley Wallace Paul Stewart & Hilda Simms w/ photo stills of the movie NF/VG/NF copy w/ former ownership markings on ffep. First photoplay edition of this stirring autobiography of the famed Heavyweight Champion who held the title for 12 years longer than any other boxer as he battled both fighters and racism. Louis acknowledges in the dedication the editorial and writing aid from longtime friend Chester L. Washington longtime editor of the Los Angeles Sentinel L.A.’s largest Black newspaper and famed Jewish-American sportswriter & publicist Haskell Cohen 1914-2000 who began his career with the prominent Black newspaper Pittsburgh Courier and covered the Negro leagues and strongly advocated for Black athletes in professional sports. Wallace 1927-2005 also appeared in both the films Raging Bull 1980 and Marciano in 1979. Grosset & Dunlap, hardcover
1915rif. 63112New York: Grosset & Dunlap ca. 1915. 8vo. 8 374 pp. Photo frontisp. 7 photo illust. Red cloth white lettering minor shelfwear faint tidemark wicked into fore-edges of plates at the very fore-edge w/ d.j. cover art with KKK rider on horseback next to heroine minor chipping head & foot of spine minor closed tears edgewear still G/VG- copy. First Photoplay edition of the notorious movie starring Lilian Gish Henry B. Walthall Mae Marsh Miriam Cooper Ralph Lewis George Siemann and others which steeped in the Confederacy’s Lost Cause mythos which had heavily influenced the misguided Dunning School’s interpretation of Reconstruction and significantly influenced Dixon and Woodrow Wilson. Directed by D.W. Griffith the movie was very successful but the racist overtones and blatant support of the Ku Klux Klan triggered widespread protests and it was banned in several cities. Very much like 21st-Century media Birth of a Nation’s portrayal of African-Americans created a justification for prejudice and discrimination which undermined Civil Rights for decades and reactivated the largely quiescent Ku Klux Klan movement and was the first film ever screened at the White House for President Wilson. See: Petaja Photoplay Edition p. 53; The Influence of “The Birth of a Nation” Facing History & Ourselves March 14 2016. Grosset & Dunlap, hardcover
1966rif. 62331Hollywood CA: Cine/Grafic Publications Designed prepared and produced by Radstone Publications 1966. 4to. 251 1 pp. Title in red & black. With 100’s of photo illustrations text illustrations diagrams throughout. Pictorial red cloth slight shelfwear w/ d.j. cover art of the Five C’s and on back cover of Joseph Mascelli slight rubbing still NF/NF copy from the library of Charles H. “Brig” Belvin IV b. 1937 w/ ownership markings on ffep. Second printing 1 of 5000 copies printed of what is considered to be one of the best classic texts on cinematography and one of the three most important books on cinematic technique ever published still in print after 50 years. Mascelli 1917-1981 launched his career with newsreels stunt aerial films during World War II and was the director and cinematographer for the US Air Force’s “Operation Crossroads” filming from a specially outfitted B-17 the first Bikini Atoll A-Bomb tests. He later was the cinematographer for John Craig’s Danger is My Business Television Series also cinematographer for a number of B horror and thriller movies. Cine/Grafic Publications, [Designed, prepared and produced by Radstone Publications], hardcover
1966rif. 62730Boston: Houghton Mifflin Co. 1966. 8vo. 10 239 1 pp. Gray boards pink lettering slight shelfwear w/ d.j. cover art by Dale Hennesy minor scuffing to upper front cover shelfwear scuffing at foot of spine from removed label still a NF/G copy. Early Houghton edition $ 3.95 price front flap of this Nebula nominee science fiction adventure and movie tie-in released six months before the movie opened August 16 1966 and starred Stephen Boyd Raquel Welch Edmond O’Brien Donald Pleasence and others. Contracted to write the novelization of the script Asimov rewrote a number of plot holes and due to his speed was published prior to the film and won Academy Awards for Best Visual Effects and Best Art Direction in Color. Houghton Mifflin Co., hardcover
1959rif. 61384Hollywood CA: United Artists Corporation 1959. Oblong folio. 11 x 14 in. 8 leaves. Colour-lithograph lobby cards on thick paper stock some dustsoiling thumbing to fore-edges minor bumping to couple corners still a VG set. First edition of this complete set of movie theatre lobby cards for this 1959 Film Noir Las Vegas heist movie featuring the sultry Mamie Van Doren as the femme fatale gangster’s mole juxtaposed with the resentment and violence between Gerald Mohr and Lee Van Cleef over Van Doren’s affections. No copies in Worldcat. United Artists Corporation, unknown
1928rif. 61470New York: Grosset & Dunlap 1928. 8vo. 8 271 1 pp. plus 8 pp. publ. ads. Photo frontisp. 12 photo plates. Gray cloth blue lettering w/ d.j. great cover art of World War I aviator Gary Cooper and love interest Colleen Moore very slight shelfwear 1 tiny chip at lower right corner still NF/VG bright copy. First photoplay edition of this excellent photoplay adapted from the 1928 synchronized sound World War I film directed by George Fitzmaurice and featuring Gary Cooper in one of his earliest starring roles opposite Colleen Moore and adapted from Jane Murfin & Jane Cowl’s 1917 Broadway play. Although without dialogue the film premiered to great success in Los Angeles’s Cathay Circle Theatre with a sound-on-disc Vitaphone process for the musical score and featured the wreackage of one of the RAF biplanes crashed during production. Two years later Guy Fowler would novelie Howard Hawks famed “Dawn Patrol.” Grosset & Dunlap, hardcover
1944rif. 61476Chicago IL: Rand McNally & Co. 1944. Folio. 9 x 13 in. 16 pp unpaginated. Four colour plates containing 80 images to be cut-out and pasted double-page photo spreads in black & white from the film; self-printed colour-illustrated and photo-illustrated softcovers photo spreads on versos minor age toning some minor shelfwear very slight closed tear at foot of spine still a VG copy. First edition of this activity book promotion distributed to moviegoers attending the 1944 Universal Pictures film Ali Baba and the Forty Thieves starring Maria Montez Jon Hall and Turhan Bey one of several “Exotic” tales released by Universal during World War II along with Cobra Woman Arabian Nights and White Savage. The colour comic strips were to each be cut out and then carefully pasted into the provided blank squares allowing the viewer to read as a continuous strip. Rand McNally & Co., paperback
1931rif. 61600Hollywood CA & Portland OR: Metro-Goldwyn-Mayer Studios; Egyptian Theater 1931. Double atlas folio. 28 x 44 in. One hand-painted & lettered lobby poster vivid Art Deco lettering in red white green & blue three windows cut for mounting 3 separate 8 x 10 in. original studio silver gelatin photographs from verso bordered in yellow minor edgewear scuffing faint tidemark to very upper left fore-edge tear not affecting lettering or design to right fore-edge margin still a VG- exemplar. An exceptional hand-painted Jazz Age Art Deco lobby poster for the pre-code 1931 MGM comedy film “The Bachelor Father” directed by Robert Z. Leonard and screenplay by Edward Childs Carpenter & Laurence E. Johnson based on the 1928 Broadway play. Set against the backdrop of a plot featuring an aging Sir Basil Algernon Winterton played by C. Aubrey Smith in both Broadway Play and film who is urged to reacquaint himself with his three illegitimate children from three different liaisons in his youth. Marion Davies stars as Antoinette “Tony” Flagg initially believes she is one of the lost daughters but discovers the original daughter had died and chooses to leave England only to crash in her friends plane and survive to reunite and marry Sir Basil’s assistant John Ashley. Many of the plot lines and dialogue could not have been produced after the imposition of the 1934 Motion Picture Production Code including several casual references to Sir Basil’s affairs casual approach to his bastard children and even keeping a ledger of all his lover’s names and dates of the affairs. Graeper 1875-1970 had taken over the management and ownership of the Union Ave. Theater at 539 Union Ave. in Portland before 1914 expanded its seating capacity in 1916-17 just prior to the US entrance into World War I. The Egyptian Theater was opened in 1924 adorned with exotic decorations such as Egyptian revival pillars pyramids and ornamental urns with lotus flower motifs. The architect was Edward A. Miller and featured 866 seats on the main floor and 344 in the balcony closing after 1963 to become a warehouse. The musical accompaniment for the silent films and Vaudeville acts in the Egyptican were from a Wurlitzer Style F opus #855 pipe organ shipped by the Wurlitzer factory in July 1924 later moved to the Scottish Rite Temple in 1936. Metro-Goldwyn-Mayer Studios; Egyptian Theater, unknown
rif. SONG113740356XUsed: Good unknown
