[Cahiers du Cinema] [French cinema]Biblio.com
51.282 risultati
rif. 170333Paris: Cahiers du Cinéma 2006. Collection of 393 issues Nos. 226 through 619 of the French film journal "Cahiers du Cinéma" representing the years 1971-2006. Text and titles in French. "Cahiers du Cinéma" was founded in 1951 by André Bazin Jacques Doniol-Valcroze and Joseph-Marie Lo Duca with writers including Jacques Rivette Jean-Luc Godard Claude Chabrol and François Truffaut. In the mid-1950s dissent started to develop between the journal's editors and its writers the latter group led by Truffaut who published an inflammatory article in January of 1954 denouncing the lack of creativity in French filmmaking and advocating for the "policy of the authors"-the origins of auteur theory. Founders Bazin and Lo Duca subsequently yielded editorial control of the journal to Doniol-Valcroze and Éric Rohmer resulting in a significantly changed format with a focus on directors deemed "auteurs." Rohmer would assume position as the journal's head editor in 1958 but by 1963 would be forced out by Godard Chabrol Rivette and others largely due to Rohmer's refusal to shift the journal's focus from Hollywood to the films of the French New Wave i.e. their own films. Now led by Rivette "Cahiers" tied its flag more openly to the political left and increasingly ignored Hollywood films in favor of avant-garde and experimental filmmakers. By the mid-1970s a review of "Jaws" 1975 marked the journal's return to more mainstream film criticism. In 1998 the journal would be acquired by press group Le Monde and was heavily redesigned the following year with significantly broadened focus on all visual arts. The journal remains in operation today under private ownership and continues to gain renown for its annual "top ten" film lists. Generally Near Fine or better. Housed in 33 custom maroon cloth clamshell boxes. Shipping billed at cost due to quantity and weight. Cahiers du Cinéma unknown
1915rif. 171083Philadelphia: Philadelphia Department of Public Safety 1915. Vintage Philadelphia Department of Public Safety Operator's License "regulating the Operations of Moving Picture Machines" issued February 27 1915. License issued to a Frank C. Jobson with his passport-style photograph affixed to the upper right corner of the recto. Seal of the Philadelphia Department of Public Safety blindstamp at bottom left corner of the photograph. Signatory for the Director of the Department of Public Safety still visible below the date. 10.75 x 8.25 inches. Very Good plus with two previous vertical creases two tiny chips one to each of the right corners even toning and light overall soiling and two tiny pieces of cello tape one to the upper left and one to the bottom right of the recto. Philadelphia Department of Public Safety unknown
1968rif. 161841N.p.: Charles Abrams Productions 1968. Vintage studio still photograph from the 1968 film here under the working title "How to . with Girls." Photograph with two provenance stamps on the verso. Obscure 1968 exploitation film released by Abrams and Parisi. We have been unable to identify either the filmmakers or actors involved in the production. Public relations man Bob hires call girls to help close a deal but signals get crossed and the girls aren't sure who to service. 8 x 10 inches. Very Good plus. Charles Abrams Productions unknown
1999rif. x-0851707475British Film Inst 1999. Hardcover. New. 188 pages. 9.75x6.50x1.00 inches. British Film Inst hardcover
rif. 4c5791Kino Verlag GmbH Hamburg 1994. Insgesamt ca. 1826 S. mit vielen Abbildungen kartonierte Einbände quart Heft Nr. 9 fehlt. - sonst gute Exemplare - unknown
1995rif. 1420Santafe de Bogotá D.C.: Escuela Internacional de cine y TV San Antonio de los Baños / Voluntad Interes General 1995. NAP. Hardcover. Very Good/Very Good-. 5 1/2 x 8 1/2. Laminated boards in dustjacket. Text in Spanish. Other contributors are Hector Garcia Mesa Harry Belafonte Fernando Ezequiel Solanas Paco Rabal Octavio Gettino Alejandro Doria and Julio Garcia Espinosa. A nice copy with tight binding and square spine. No marks. Some smudging at page-edges. Unclipped dustjacket has surface abrasion with some edgewear but no major chips or tears. Escuela Internacional de cine y TV San Antonio de los Baños / Voluntad Interes General hardcover
1951rif. 160480N.p.: N.p. 1951. Vintage promotional theater flyer for the Carver Theater in Alexandria Virginia circa 1951. Films promoted in this flyer include other films from 1951 including "The Frogmen" "Teresa" "Bad Men of Nevada" "The Golden Gloves Story" and the film noir "Fourteen Hours.". The flyer also includes advertisements for local businesses in Alexandria such as Rosenberg's Department Store and Thrift Auto & Appliance Store. 4.5 x 6 inches folded as issued. Near Fine. N.p. unknown
1950rif. 160474N.p.: N.p. 1950. Vintage promotional flyer for screenings of the film noir "No Way Out" at the Carver Theater in Alexandria Virginia circa 1950. Films promoted in this flyer include "No Way Out" 1950 "The House Across the Street" 1949 and "If You Knew Susie" 1948. This flyer also includes advertisements for local business in Alexandria such as Rosenberg's Department Store and Cohen Bros a credit jewelry store. 4.5 x 6 inches folded as issued. Near Fine. Grant US. Selby US. Spicer US. N.p. unknown
1934rif. 155050Madrid: Cronica 1934. First Edition. First Edition. Issue VI No. 218 of the Spanish film periodical. Featuring a cover story on actress Grace Bradley. Text and titles in Spanish. 11 x 15 inches. 36 leaves side stapled. Very Good with moderate wear on the last leaf. Cronica unknown
1935rif. 155053Various cities: Swiatowid 1935. First Edition. First Edition. Issue XI No. 45 of the Polish weekly film magazine. Text and titles in Polish. 11.5 x 15.75 inches. 23 pages. Very Good plus with moderate edgewear and toning. Swiatowid unknown
1937rif. 155051Various cities: Swiatowid 1937. First Edition. First Edition. Issue XIV No. 12 of the Polish weekly film magazine. Text and titles in Polish. 11.5 x 15.75 inches. 23 pages. Very Good plus with moderate edgewear and toning. Swiatowid unknown
1936rif. 155049Warsaw: Kino International 1936. First Edition. First Edition. Five issues of the long-running Polish film periodical including Issue III No. 7 Issue V No. 3 Issue VI No. 48 and Issue VII Nos. 19 and 41 Featuring cover stories on actress Pat Paterson and actor Fredric March. Text and titles in Polish. 9.75 x 14.75 inches. Approximately 15 pages. Issues Very Good plus to Very Good overall. Kino International unknown
rif. 149497Mexico: Various 1975. Collection of 19 vintage Mexican posters for films released between 1961-1975. The posters feature full-color illustrations in a variety of styles as the films represented include Westerns comedies thrillers horror and action films. Directors whose films are represented in the collection include Rene Cardona Miguel M. Delgado and Roberto Rodriguez while actors featured include Julissa Antonio Aguilar Fernando Casanova Lucha Villa Sara Garcia and Sylvia Pinal. Most posters approximately 27 x 36 inches with minor variations in size. Posters generally Very Good with expected toning chipping and starting to folds. Folded as issued. For details please inquire. Various unknown
1911rif. BK0144Ogden Utah 1911. Gelatin silver photograph 7 ¾ x 5 ½ inches. Removed from a scrapbook with mounting residue on verso; some creasing and wear at edges and corners. Very good. An exterior view of the Joie Theatre at 2410 Washington Avenue in downtown Ogden with a group of men and women posed beneath the theater's three arched entrances. Large signs advertise "Moving Pictures" and "Pictured Songs" while strings of exposed bulbs outline the façade. Film posters freestanding advertising boards projecting lamps and neighboring storefront signs give a detailed view of the visual culture of an early western movie house. The Joie was one of Ogden's first generation of nickelodeons. The building had earlier housed the Pastime Theatre and was operating as the Joie by 1908; the theater closed in December 1911. The photograph can probably be dated near the end of that brief period. The Royal Dancing Academy sign visible immediately to the left is documented at 2408 Washington Avenue in Ogden's 1911 city directory directly adjoining the theater at 2410. The enormous "PICTURED SONGS" shows a specific era of early film exhibition. Illustrated or "pictured" songs combined a live vocalist with projected lantern slides depicting the lyrics often appearing on programs alongside short motion pictures. Ogden's 1910 directory specifically identifies M. Lulu Thatcher as a "singer Joie Theatre."1 The photograph dates to an important moment in the development of the American motion picture business in Ogden specifically. William W. Hodkinson later the first president of Paramount Pictures entered the film industry as an exhibitor in Ogden in 1907. Within a few years Hodkinson bought out his competitors expanded further into Utah and became a major west coast distributor. 1 R.L. Polk & Co's Ogden City Directory 1910 504. . unknown
2008rif. DADAX0714845833Phaidon Press 2008-01-01. Illustrated. hardcover. New. 9.25x1.25x11.50. Buy with confidence. Excellent Customer Service & Return policy. Phaidon Press hardcover
1926rif. 42279Paris.: Établissements Pathé-Cinéma. 1926. Original morocco-backed marbled boards. 8vo. In the early years of the twentieth century the largest film production company was the Société Pathé Frères Pathé Brothers Company. Founded in 1897 the company was at its height in 1920s when it unveiled the first home movie projector the Pathé Baby. This book is one of the company’s first publications explaining the secrets of processing “virgin” film. Illustrations in the text offer incredible images of the scale of mass production of thousands of silent movies including the first newsreels sports films and animation.The book remains the first major technical publication regarding the processing and development of film illustrated throughout with numerous black-and-white illustrations and diagrams and most fascinatingly containing six fold-out leaves of hand-constructed film negatives bound in at the rear providing 107 examples of different techniques available at the time including colour tinting and various exposures.This copy with a loosely inserted letter from Pathe's commercial director typed on the company's headed paper letter dated 28 July 1926 presenting this copy of the book. Établissements Pathé-Cinéma. hardcover
rif. 22049236-nnew. unknown
rif. 23958291-nnew. unknown
rif. 23958291like new. unknown
rif. ria9780367140052_inpPaperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This book walks readers step-by-step through the foundations of color grading for projects of any size from music videos and commercials to full-length features. paperback
1993rif. CINEMA005854Faber and Faber London. 1993. First edition. Introduction and notes by Philip French. Octavo. pp vi 458.Presentation copy from the editors inscribed on the title-page: ''Deac for a great film enthusiast from longterm friend - Ken Wlaschin. Deac - a great person a valuable association as ever Philip'. In addition inscribed by Philip French's wife: ''And love from the lady who supplies the tea etc. And gets the permissions. xx Kersti''. The recipient is the writer and film historian Deac Rossell who was at the time Head of Programme Planning at the National film Theatre. He had co-edited a book with Philip French The Press: Observed and Projected for the BFI in 1991.Fine in near-fine slightly nicked dustwrapper. Faber and Faber, London. unknown
1970rif. CINEMA005860Praeger New York. 1970. First U.S. edition. Wrappers issue. Square octavo. 143 pages. Illustrated in black and white.Inscribed by Arthur Penn on the half-title page: ''To Deac - In gratitude for several penetrating and meaningful conversations. May they continue - my thanks - Arthur''. The recipient is a writer and film historian; he had reviewed Penn's film Alice's Restaurant for Boston After Dark.Spine creased and rubbed. Very good. Praeger, New York. unknown
1970rif. CINEMA005861Praeger New York. 1970. First U.S. edition. Wrappers issue. Square octavo. 144 pages. Illustrated in black and white.Inscribed by Sam Fuller on the half-title page: ''To Deac and Mickey - with thanks - Sam Fuller 1986''. The recipients are Deac Rossell and his first wife; Rossell and Sam Fuller had been among the contributors to the first issue of American Film October 1975. In the 70's Rossell was Film Coordinator at the Museum of Fine Arts Boston and Fuller had appeared as one of the featured directors. There is a story about Rossell helping Fuller to repack his suitcase with cigars in Miami.Rossell's bookplate is inside the front cover. Spine creased and rubbed. Very good. Praeger, New York. unknown
2003rif. SONG84450747922003-11-18. 1. paperback. Used: Good. 9.00x0.50x12.25. Buy with confidence. Excellent Customer Service & Return policy. paperback
1969rif. 214751969. Archive of film and television press photographs circa 1950s-1990s documenting African American actors and performers across multiple decades of American cinema and broadcast media. The archive includes images of prominent figures such as James Earl Jones Whoopi Goldberg Yaphet Kotto Sammy Davis Jr. Paul Winfield Marlon Riggs and John Witherspoon alongside performers associated with Amos & Andy one of the earliest nationally syndicated television programs featuring a Black cast. The photographs collectively provide visual evidence of shifting roles genres and narrative frameworks in which Black actors appeared from the mid-twentieth century through the end of the twentieth century. Archive comprises 28 black-and-white silver gelatin press photographs each approximately 8 x 10 inches. Images include film stills promotional portraits and behind-the-scenes moments. Identifiable scenes include Sammy Davis Jr. in Anna Lucasta 1958 a production featuring an all-Black cast; a still from Take a Giant Step 1959 with Johnny Nash addressing race and adolescence; and Carl Anderson in Jesus Christ Superstar 1973 portraying Judas Iscariot. Additional photographs include Whoopi Goldberg in Fatal Beauty 1987 John Witherspoon in Ratboy 1986 and a still from Brubaker 1980 addressing prison conditions. One image shows Marlon Riggs with collaborators associated with Tongues Untied an experimental work engaging Black queer identity during the AIDS crisis. Other photographs include Evaristo Márquez with Marlon Brando in Burn! 1969 a film centered on colonial revolt as well as an image of dancers Mikhail Baryshnikov and Gregory Hines documenting interracial collaboration in performance. The archive also contains images of Alvin Childress Spencer Williams and Tim Moore from Amos & Andy situating the collection within earlier television history. These photographs document the expanding presence of Black performers across genres including drama musical experimental film and television reflecting both constraints and opportunities within the entertainment industry over several decades. The inclusion of works addressing racial identity colonialism incarceration and sexuality demonstrates the increasing complexity of narratives involving Black actors while earlier material highlights the limited but significant visibility achieved in mid-century productions. The presence of experimental work such as Tongues Untied further situates the archive within late twentieth-century cultural and political discourse surrounding race and sexuality. Light wear with minor surface marks and edge wear; overall very good condition. A broad visual record of African American performance and representation across four decades of American media. unknown
