53,132 results
ref. SONG3034318227Used: Good unknown
ref. DADAX0415733766Routledge 2014-03-13. 1. hardcover. New. 6.00x0.72x9.00. Buy with confidence. Excellent Customer Service & Return policy. Routledge hardcover
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ref. DADAX081359734XRutgers University Press 2019-03-01. None. hardcover. New. 4.50x0.60x7.00. Buy with confidence. Excellent Customer Service & Return policy. Rutgers University Press hardcover
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ref. ria9780231180863_inpHardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The advent of new screening practices and viewing habits in the twenty-first century has spurred debate over what it means to be a “cinephile.” Sarah Keller places these competing visions in historical and theoretical perspective traci hardcover
ref. ria9780367140052_inpPaperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This book walks readers step-by-step through the foundations of color grading for projects of any size from music videos and commercials to full-length features. paperback
1931ref. 77130New York:: Amateur Cinema League January - December 1931. First edition. Later cloth gilt-lettered on the spine; original wrappers illustrated in colors bound in except for the December issue. . Slight use to the binding; contents fine. Folio. Illustated. The wrappers to the December issue only are not bound in. Heavy volume: additional postage applicable. Amateur Cinema League, hardcover
1930ref. 77131New York:: Amateur Cinema League February - December 1930. First edition. Later cloth gilt-lettered on the spine; original wrappers illustrated in colors bound in except for the December issue. . Slight use to the binding; contents fine. Folio. Illustated. The January issue not present. Heavy volume: additional postage applicable. Amateur Cinema League, hardcover
ref. SONG0520290992Used: Good unknown
1951ref. 160480N.p.: N.p. 1951. Vintage promotional theater flyer for the Carver Theater in Alexandria Virginia circa 1951. Films promoted in this flyer include other films from 1951 including "The Frogmen" "Teresa" "Bad Men of Nevada" "The Golden Gloves Story" and the film noir "Fourteen Hours.". The flyer also includes advertisements for local businesses in Alexandria such as Rosenberg's Department Store and Thrift Auto & Appliance Store. 4.5 x 6 inches folded as issued. Near Fine. N.p. unknown
1950ref. 160474N.p.: N.p. 1950. Vintage promotional flyer for screenings of the film noir "No Way Out" at the Carver Theater in Alexandria Virginia circa 1950. Films promoted in this flyer include "No Way Out" 1950 "The House Across the Street" 1949 and "If You Knew Susie" 1948. This flyer also includes advertisements for local business in Alexandria such as Rosenberg's Department Store and Cohen Bros a credit jewelry store. 4.5 x 6 inches folded as issued. Near Fine. Grant US. Selby US. Spicer US. N.p. unknown
1940ref. 157337Berlin: Universum Film UFA 1940. Vintage oversize photograph of Swedish singer and actress Zarah Leander. SIGNED by Leander near the bottom margin of the recto. Small mimeo snipe in French on the verso noting the photograph's production in Germany. Born Sara Stina Hedberg in Karlstad Sweden Leander began performing onstage at a young age joining an amateur touring cabaret and eventually making her first record in 1930. In 1936 after appearing in several Scandinavian films she signed a contract with UFA quickly becoming a leading film star in Germany. With UFA Leander made several films that are now associated with the Nazi propaganda machine although she never officially declared a political stance and did not affiliate with Nazi party officials. Leander returned to Sweden in 1943 hoping to revive her career in her home country but European audiences linked her with the Nazi regime and she never again managed to reach the same degree of popularity as a result. 8.75 x 11 inches. Near Fine. Universum Film [UFA] unknown
1920ref. 157265N.p.: N.p. 1920. Vintage reference photograph from the 1926 film. Photograph shot at high film speed showing a roadster jumping a train crossing with the train approaching seconds before possible impact. The astute viewer will note that the guard rail has not yet been broken. With a lengthy annotation in manuscript pencil on the verso regarding guerilla production techniques taken by Poverty Row studios during the 1920s. An stunning photograph capturing a split-second moment from a common trope of early action cinema - motorists escaping capture by deftly crossing train tracks narrowly avoiding collision with an oncoming train. The production number in the bottom left of the photograph "4296" matches known photographs from the lost 1925 action serial film "The Scarlet Streak" directed by Henry MacRae and starring Jack Dougherty and Lola Todd. Just as fascinating is the extensive annotation on the verso: "Poverty Row crews were accustomed to film stories in the 1920s streets. The city of Los Angeles becoming inured to the novelty a license costing $400 was required for shooting on public thoroughfares. Camera crews were trained to set up fast complete the street scenes quickly and vanish before the police arrived to check for a license. So grab shots were common. "The favorite action sequence was the transfer of an actor from an automobile to a moving train or crossing the road in front of the train and breaking the guard rails at the last moment. "The best place to film this was in Pasadena where the Santa Fe Railroad passed along the blocks of paved streets. A director or camera man boarded the train there carrying their heavy luggage to the observation car. As soon as the train moved out of the station they hauled a camera and tripod out of the bags. The motorcycle or automobile appeared at the designated spot where another cameraman was set up. As the actor made the daring transfer or split second crossing the camera cranked out the action. The conductor generally came along to toss the film makers off the train at the next stop but it was a marvel of economy for the novelty of early film making." 10.25 x 8 inches. Very Good plus with a small chip to the top left margin chipping to the bottom right margin with a minutae of image loss to the bottom right corner and edgewear and creasing to the right margin. N.p. unknown
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