351 résultats
2005réf. 1246294Köln ; London ; Los Angeles ; Madrid ; Paris ; Tokyo : Taschen Verlag, 2005. [104] S. : zahlr. Illustr. ; 25 cm; fadengeh. Orig.-Pappband mit illustr. OUmschlag.
2005réf. 61599Köln ; London ; Los Angeles ; Madrid ; Paris ; Tokyo : Taschen 2005. [104] S. : zahlr. Ill. ; 25 cm Originalverschweißt, Top Zustand, Pp., gebundene Ausgabe, Hardcover/Pappeinband
1988réf. q12b2775amazEdition Nathan, Paris, 1988. Vorwort von Daniele Laufer. 172 S., 160 ganzseitige s/w Fotos von u.a. Juliette Greco, Yves Montand, Georges Simenon, Orson Welles, Alain Delon, Edith Piaf, Grock, Jean Gabin, Fernandel, Edith Piaf. 31,5 x 25,5 cm. Sehr gutes, sauberes Exemplar mit orig. SU 4° Erstausgabe Pappband
1992réf. q6b3468Gina Kehayoff Verlag, München, 1992. Vorwort von Roger Therond. Walter Carone, 1920-1982, war einer der Pioniere von Paris-Match. In dieser Funktion fotografierte er wichtige Personen der Zeitgeschichte aus Film, Sport, Politik, Musik usw. Das Buch zeigt einen mehr als repräsentativen Querschnitt seines Schaffens: Fotografien von Brigitte Bqardot, Audrey Hepburn, Jean Gabin, Francois Mitterand, Louis Armstrong, J.F.Kennedy, Hassan II. Abbe Pierre, Fernandel, Kim NovakGary Cooper, Alain Delon, Yves Montand, Catherine Deneuve, Henri Matisse, Edith Piaf u.v.a.m. 25 Textseite mit 154 s/w Abb. davon 130 s/w Tafeln. Ca. 155 S. 24,5x31, 5 cm. Umschlag sehr gut und sauber, Einband und Rücken sauber, Seiten minimal lichtrandig, sauber, Gesamtzustand sehr gut. 4° Pappband
1948réf. 92534Marseille 1948. Fine. ""It is true that if he could replace me he would be an artist and that is not a gift given to everyone"" Marseille 7 avril 1948 21 x 28.7 cm Une feuille Typed letter dated and signed in blue ink by Fernandel addressed to his close friend Carlo Rim the Provençal writer caricaturist and filmmaker who was also his biographer concerning their joint film L'Armoire volante. One page on Fernandel's letterhead. Some light soiling and folds from mailing. A document that sheds light through the exchange between an actor and his director on the inner workings of French film production in the late 1940s. On 7 April 1948 Fernandel was working on his role as Alfred Puc in L'Armoire volante a black comedy written and directed by Carlo Rim which was released in cinemas on 29 October of the same year. It was the third film in which Carlo Rim directed Fernandel. Although shooting had begun in March the actor was still in April at the stage of reflection: in this letter he proposes to the director ""to shoot this film with a moustache for a change from the characters of his recent productions"". The letter also reveals how scant the material at his disposal was: in the absence of a screenplay Carlo Rim had sent him a synopsis supplemented by the shooting script a document setting out the staging of the film shot by shot. Fernandel is on the other hand delighted to have Antonin Berval as his partner with whom he had just made Si ça peut vous faire plaisir and whom he describes as ""a thoroughly decent fellow and what is more a talented artist"". Finally he returns to the difficulties encountered with his stand-in who ""for all his goodwill was unable to pull it off"" leaving him no choice but to reshoot his scenes himself. On this subject the actor displays a delightful self-satisfaction: ""It is true that if he could replace me he would be an artist and that is not a gift given to everyone"". Between these remarks on the production Fernandel slips in a more allusive paragraph on what in his eyes was at stake in the success of L'Armoire volante at a time of crisis for French cinema: ""This film must succeed; first for our own sake then for the others. They are waiting for you to slip up and I want the film-world menagerie to acknowledge that it is possible in friendship -and with talent- to succeed in France despite the growing number of detractors in making a production worthy of this country; which remains in spite of everything and against all comers one of the foremost in the film industry."" Fernandel is here echoing a topical issue: the decline of French cinema in the face of the influx of American films. In May 1946 the Blum-Byrnes agreements signed in Washington had opened French screens wide to Hollywood productions reserving only four weeks of screen time out of every thirteen for domestic films. Between 1946 and 1948 American films thus accounted for more than half of all films released in France provoking a vigorous response from the profession. Founded in December 1947 on the initiative of Claude Autant-Lara among others with the backing of the Communist Party and the CGT trade union the Comité de défense du cinéma français Committee for the Defence of French Cinema organised a demonstration on the grands boulevards of Paris on 4 January 1948. Thousands of film workers technicians filmmakers and filmgoers marched alongside stars such as Jean Marais and Simone Signoret. In referring to the ""detractors"" of French cinema Fernandel may have had in mind certain members of the profession itself. Many distributors and exhibitors had indeed taken advantage of the new import regime to programme American films on a massive scale as these were available in large numbers and often on more favourable terms than French films a practice regularly denounced by the Defence Committee. The profession's mobilisation met with partial success: in September 1948 the agreements were revised unknown
1962réf. 88206Paris: Studio André Nisak 1962. Fine. Studio André Nisak Paris 1962 18 x 24 cm une feuille Original photograph by Studio André Nisak showing Fernandel smiling with a cigarette in his right hand. Some minor creasing marks to the margins of the photograph. Photographer's printed stamp on verso of the print. Autograph inscription signed by Fernandel in the right margin of the photograph to Claude Armand. Provenance: from the collection of the great autograph collector Claude Armand. Studio André Nisak unknown
réf. 63-8757Paris France: Fernandel 1933. B&W post card 12 x 17 cm. Good removed from album with remains on verso. Provenance: from the collection of Madeleine Sintes. Many of the photos from the collection have dedications to her. Sintes resided in the South of France. Paris, France: Fernandel, 1933. unknown
1948réf. 158749N.p.: Continental Distributing 1948. Vintage pressbook for the US release of the 1948 French film. A meek Parisian tax collector sets off on a madcap hunt for his aunt's lost corpse in order to claim his inheritance leading to his inadvertent involvement in the French criminal underground. 10 x 14 inches. Bi-fold with a second horizontal fold and a single laid-in leaf as issued. Near Fine. Continental Distributing unknown
1960réf. 171668Los Angeles: Paul Kohner 1960. Vintage press kit produced by Paul Kohner Agency advertising his clients to the American motion picture industry. Features a number of prominent actors including Richard Attenborough Richard Attenborough Romy Schneider Ingrid Thulin Fernandel and others. 10 x 12 inches folded twice and measuring 28 x 12 inches unfolded. Very Good plus. Paul Kohner unknown
1956réf. 143289Paris: Cite Films 1956. Collection of 24 vintage reference photographs from the 1956 French film here under the French title "Le couturier de ces dames." 13 photographs with numeric annotations on the versos in pencil and one with "Le couturier de ces dames" in mimeograph duplication to same. A tailor needs to create a lasting fashion line to save his business. He does but he also cavorts a little with the models only for his wife to discover his infidelity. A send-up of the new haute couture popular at the time with notable designers Yves Saint Laurent Pierre Cardin who worked on the film and Japanese native Hanae Mori representing the "new look." Shot on location in Val-de-Marne France. One photo 3.25 x 4.25 inches the balance 5 x 7 inches. Generally Near Fine. Cite Films unknown
1957réf. 138492Paris: Cocinor 1957. Vintage French Moyenne or Affiche Moyenne poster for the 1957 French-Italian film "The Man in the Raincoat" here under the French title "l'homme a l'impermeable." Printed in brilliant color by the French illustration company Bobigny with artwork by the prolific Jean Mascii. Notation in manuscript ink on the verso. Based on James Hadley Chase's 1954 novel "Tiger by the Tail." In a case of mistaken identity a lonely clarinet player named Albert Fernandel is appointed to see a call girl Magre. While he waits in her living room the girl is murdered and someone is seen leaving the scene of the crime in a raincoat. Albert is then followed by blackmail and professional killers. 23.5 x 31 folded. Very Good with tears and chips. Cocinor unknown
réf. 9786559100965MARTIN CLARET. new. Tristo e Isolda conta a hist�ria de amor entre o cavaleiro Tristo origin�rio da Cornualha e a princesa irlandesa Isolda ou Iseu protagonistas de uma hist�ria medieval de amor baseada numa lenda celta. Seu amor imposs�vel inspirou poetas escritores pintores e msicos da Idade M�dia e dos tempos modernos. Tornou-se por exemplo tema de uma das mais famosas �peras de Wagner e deu origem a diversos filmes. As inmeras verses que imortalizaram e divulgaram essa hist�ria em outros pa�ses so o testemunho do fasc�nio e do encantamento que ela causa at� hoje. Misturando magia traio e sofrimento a lenda provoca comove e inspira. MARTIN CLARET unknown
Filmsonor, 1952. In-4 broché (agrafé), non paginé. Nombreuses photos. Dossier de presse du flim de Julien Duvivier avec Fernandel. Bon état
Filmsonor, 1953. In-4 broché (agrafé), non paginé. Nombreuses photos. Dossier de presse du flim de Julien Duvivier avec Fernandel. Joint : Manuel de publicité : Le retour de Don Camillo. 8 pagesavec photos. Bon état
in-12, 335 pp, photos N&B, broche, couverture illustree. Bel exemplaire. [CA33-7] Simone Weil, Cocteau, Romy Schneider, Jean Genet, Fernandel, Virenque, David Cronenberg, Amiel, etc.
fort volume in-8°, 476 pp., illustrations en noir et blanc h.t., broche, couverture illustree.- 9782840985686 Tres bel exemplaire. [CA30-5]
in-8°, 284 p, broche avec jaquette illustree. Bel exemplaire. [CA32-3]
Fotografia originale con brindisi di Erminio Macario (Torino, 27 maggio 1902 – Torino, 26 marzo 1980) con il comico francese Fernandel (Marsiglia, 8 maggio 1903 – Parigi, 26 febbraio 1971). Al retro timbro del reporter CH. Baulard - Paris
In-4, brossura, in buono stato di conservazione. In questo numero: .
1956réf. 143289Paris: Cite Films 1956. Collection of 22 original still photographs and portrait photographs from the 1956 French film here under the French title "Le couturier de ces dames." Starring actors Fernandel and Françoise Fabian are present in most of the images including four high contrast portraits of Fabian and a tense scene featuring Fernandel Fabian and Delair. In nearly all photos Fernandel is seen posing models dancing and generally being forthcoming while a in smaller photo two men are tailoring a woman's costume one of them smoking a cigarette. Eleven photos with numerical annotations on the versos in pencil one with "Le couturier de ces dames" in ditto mimeograph duplication. Fernand Vignard Fernandel is a tailor who needs to create a lasting fashion line to save his business. He does but he also cavorts a little with the models Fabian and his wife Delair discovers his infidelity. The film spoofed the new haute couture that was thriving at the time with notable designers Yves Saint Laurent Pierre Cardin who worked on this film and Japanese native Hanae Mori yet to represent the "new look." Fernandel was France's leading funny man for decades and Fabian has over 80 film credits including Louis Malle's "The Thief of Paris" 1967 and Luis Buñuel's "Belle de jour" 1967. Shot on location in Val-de-Marne France. 5 x 7 inches small white borders one photo 3.25 x 4.25 inches. Light curling else Near Fine. Cite Films unknown books
1958réf. 143252N.p.: N.p. 1958. Vintage photograph featuring French filmmaker Christian-Jaque and his longtime collaborating actor Fernandel circa 1958 seen commiserating presumably on the set "The Law is the Law" 1958. The two share nine film credits most released before 1940 notably "Ça colle" 1933 "Ernest the Rebel" 1938 "Raphaël le tatoué" 1939. 5 x 7 inches. Near Fine. N.p. unknown books
1957réf. 142883Paris: Cinedis 1957. Collection of 14 vintage photographs and color transparencies from the 1957 French-Italian film. Nearly all photographs are contact sheets with 34 color transparencies 24 are medium-format and 5 are mounted. Starring actors Fernandel and Gray comprise most of the collection and the contact sheets consist of candid images of Fernandel director Boyer noted director Christian-Jacques and Fernandel in various accouterments surrounded by female members of the cast. Only a few contact sheets have less than 12 numbered frames amounted to 146 images. Striking images of both Gray and Patrick are scattered throughout the transparencies. Fernandel stars as a talentless actor who fails to find work and turns to imitating people he sees on the street a stunt that lands him in court where he finally has a chance to showcase his acting ability. Fernandel was France's leading funny man for decades and Gray would go on to her best-known role in Federico Fellini's masterpiece "La Dolce Vita" 1960. Liliane Patrick's debut film later credits include "Maxime" 1958 "Julie the Redhead" 1959 and "A fleur de peau" 1962. Transparencies housed in original glassine and paper envelopes four with annotations in holograph ink. Two slips of paper one on Cinedis parchment noting various photo sizes and quantities in holograph ink and in French are included. Brief notation in holograph pencil on the verso of the 5 x 7 photograph. All housed in original French Kodak photo box French title label affixed to the lid with annotations in holograph ink. Sizes range from 2.25 x 4.75 to 7 x 9.25 inches. Very Good plus overall photos with light curling some with faint creases several contact sheets with bruises to one edge and light staining and wrinkling to mounted transparencies. Box Very Good overall. Complete collation upon request. Cinedis unknown books
1961réf. 138989Paris: Affiches Gaillard / Cineriz 1961. Original French grande poster for the 1961 Italian-French film. Based on Giovanni Guareschi's infamous Italian character. Don Camillo Fernandel heads to rome after a fight with Peppone Cervi where he becomes monsignor but his spirit eventually leads him back home. A local mayor tries to deceive Camillo during the wedding of Peppone's son. The fourth "Camillo" installment starring Fernandel the others being "The Little World of Don Camillo" 1952 "The Return of Don Camillo" 1953 "Don Camillo's Last Round" 1955 and "Don Camillo in Moscow: 1965. 47 x 63 inches folded as issued. Good with tears and chips and light toning. Affiches Gaillard / Cineriz unknown books
1957réf. 138492Paris: Cocinor 1957. Vintage French Moyenne or Affiche Moyenne poster for the 1957 French-Italian film "The Man in the Raincoat" here under the French title "l'homme a l'impermeable." Printed in brilliant color by the French illustration company Bobigny with artwork by the prolific Jean Mascii. Notation in holograph ink on the verso. Based on James Hadley Chase's 1954 novel "Tiger by the Tail." In a case of mistaken identity a lonely clarinet player named Albert Fernandel is appointed to see a call girl Magre. While he waits in her living room the girl is murdered and someone is seen leaving the scene of the crime in a raincoat. Albert is then followed by blackmail and professional killers. 23.5 x 31 folded. Very Good with tears and chips. Cocinor unknown books
1953réf. 132292Germany: P. R. Wilk Ffm 1953. Original German A1 poster circa 1953 for the 1951 French film. From the collection of noted film historian Amos Vogel. Full provenance available. Released in France as "L'auberge rouge" and based on the famous 1831 French serial murder case the film centers around a monk Fernandel and a group of travelers who take refuge at inn in the mountains. The inn's host confesses to the monk that he serves poisoned soup to his guests in order to rob their possessions and later dig their graves. The monk tries to save the guest's lives without violating the holy secrecy of the confession. An uncommon poster designed by Hans Hillmann widely acknowledged as one Germany's top graphic designers whose work consists of over 130 film posters and book designs. Hillmann was awarded in 1992 by the Art Director's Club in New York for illustration. Shipping billed at cost. Item can only be shipped within the US. 23 x 32.75 inches non-archivally mounted on board and framed. Very Good or better overall. P. R. Wilk, Ffm unknown books
