80 resultados
1937ref. 150439N.p.: N.p. 1937. Vintage double weight photograph from the 1938 film. A candid on-the-set photograph by the film's credited still photographer Roger Corbeau capturing a scene in the town square between the town priest Robert Vattier and schoolteacher Robert Bassac with the camera crew just to the left director Marcel Pagnol looking on in the center background and several members of the cast waiting just outside the frame to the far right. With Roger Corbeau's photo credit "PHOTO ROGER CORBEAU" at the bottom left of the frame. With a stamp for the Cinemonde Archives on the verso. An extraordinary "fourth wall" shot demonstrating at once the method and the magic of Pagnol's filmmaking as well as his relentless interest in provincial life in France. Loosely based on Jean Giono's 1932 novel "Blue Boy" the film follows a small-town baker's wife who runs away with a handsome younger shepherd leaving the baker heartbroken and unable to work. The villagers who initially laugh at his cuckoldry soon take the matter very seriously and organize a plan to find the wife and to bring her back to her husband. 9.25 x 7 inches. About Fine. N.p. unknown books
1932ref. 149934N.p.: N.p. 1932. Vintage oversize double weight reference photograph from the 1932 film showing the fish stand in the Marseille harbor. With a manuscript pencil annotation on the verso noting the number 8. A young fishmonger's daughter discovers she's pregnant with little chance of marriage to the father who has departed overseas for a sailor's life. The second film in director Marc Allegret's delicate lyrical Marseillaise trilogy preceded by "Marius" 1931 and followed by "Cesar" 1936. Set and shot on location in Marseille. 9 x 11.25 inches. Very Good plus slightly wavy at the bottom edge with some soil on the bottom half of the recto only. Criterion Collection 883. Godard Histoires du cinema. N.p. unknown books
1931Paris, La Petite Illustration, 1931. N°537, Théâtre, N°280. Un fascicule de format in 4° de 42 pp., illustré de reproductions photographiques. Parfait état. Avec Raimu, Charpin… Edition Originale.
1931Paris, L'Illustration, 1931. N° 528 de "La Petite Illustration"; Théâtre, N° 277. Une revue de format in 4° de 44 pp.; nombreuses photographies avec Charpin, Raimu, Fresnay, Orane Damazis. Bon état.
fort volume in-8°, 476 pp., illustrations en noir et blanc h.t., broche, couverture illustree.- 9782840985686 Tres bel exemplaire. [CA30-5]
in-8°, 284 p, broche avec jaquette illustree. Bel exemplaire. [CA32-3]
1932ref. 149934N.p.: N.p. 1932. Vintage oversize double weight reference photograph from the 1932 film showing the fish stand in the Marseille harbor. With a manuscript pencil annotation on the verso noting the number 8. A young fishmonger's daughter discovers she's pregnant with little chance of marriage to the father who has departed overseas for a sailor's life. The second film in director Marc Allegret's delicate lyrical Marseillaise trilogy preceded by "Marius" 1931 and followed by "Cesar" 1936. Set and shot on location in Marseille. 9 x 11.25 inches. Very Good plus slightly wavy at the bottom edge with some soil on the bottom half of the recto only. Criterion Collection 883. Godard Histoires du cinema. N.p. unknown
1938ref. 83036Paris 1938. Fine. Paris 5 avril 1938 20.50 x 26.50 cm une feuille Autograph letter signed by Raimu addressed from his Parisian home to Carlo Rim 25 lines in black ink assuring him of his support and providing his epistolary testimony being unable to be physically present at a legal appointment concerning the film Hercule for which Carlo Rim claims authorship: ""Je regrette de ne pouvoir me rendre en tant que témoin à l'arbitrage que tu as solliciter sic de la société des auteurs. Mais ce que je puis te rappeler c'est que je connais Hercule depuis que je te connais toi même. Que tu m'as toujours parlé de ce film que tu me destinais d'ailleurs et que les évènements ne m'ont pas permis de tourner. Et surtout que tu m'as donné lecture de ton scénario sur ma demande à Jacques Feyder et à Loureau . qui voulaient faire un film avec moi il y a 4 ans."" ""I regret not being able to appear as a witness at the arbitration you have requested from the society of authors. But what I can remind you is that I have known Hercule since I have known you yourself. That you have always spoken to me about this film that you intended for me and that events did not allow me to shoot. And above all that you read me your screenplay at my request to Jacques Feyder and Loureau. who wanted to make a film with me 4 years ago."" Carlo Rim appears to have won his case against director Jacques Feyder certainly thanks to this letter from Raimu who had initially been chosen by Carlo Rim to create the eponymous role of Hercule. The film a satire of the Parisian press would finally be released on March 5 1938 and was jointly directed by Alexandre Esway and Carlo Rim with Fernandel as Hercule and Gaby Morlay Jules Berry and Pierre Brasseur in the main roles. Central folds inherent to postal folding. Carlo Rim was a Provençal writer author notably of ""Ma belle Marseille"" a caricaturist a filmmaker: ""Justin de Marseille"" ""L'armoire volante"" ""La maison Bonnadieu"" and was notably the friend of Fernandel Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary. unknown
1941ref. 83134Paris: S. n. 1941. Fine. S. n. Paris 13 juin 1941 14 x 19.50 cm trois feuilles recto-verso Autograph letter dated June 13th Carlo Rim having specified in pencil at the head of the first leaf 1941 and signed by Raimu addressed to his great friend Carlo Rim 98 lines in black ink on three leaves recto-verso. Folds inherent to mailing. Raimu rails against the incapacity and indecision of those responsible for a film project entitled l'Arlésienne quite a symbol! of which Carlo Rim was part: ""L'arlésienne ne pourra pas se faire parce que monsieur gendre Prouvost et cie sont des couillons. Et des gens sans aucune descisions. Donc affaire morte."" ""l'Arlésienne cannot be made because monsieur son-in-law Prouvost and company are fools. And people without any decisions. So the matter is dead."" "". tous les mois il change d'idées et dieu sait s'il en a mais tout cela se termine par des idées. jamais il ne tournera pas plus le tien que celui des autres il a peut-être de l'argent mais il ne veut pas le sortir. Genre Prouvost."" "". every month he changes his mind and God knows he has ideas but all this ends with ideas. he will never shoot yours any more than those of others he may have money but he doesn't want to spend it. That's Prouvost for you."" Raimu ever so irascible does not calm down and drowns his friend's last hopes about the forthcoming realization of l'Arlésienne: ""Mon vieux Carlo à l'heure actuelle les deux pauvres studios de Nice sont pris jusqu'à fin septembre par des gens qui eux prennent les descisions et qui verse de l'argent. donc tu vois mon pauvre vieux ce sont tous des bonimenteurs Honnebelle - Prouvost. des gens plein aux as mais ils ne veulent pas les sortir."" ""My dear Carlo at present the two poor studios in Nice are booked until the end of September by people who do make decisions and who put up money. so you see my poor friend they are all smooth talkers Honnebelle - Prouvost. people loaded with money but they don't want to spend it."" "". il trouvera 100 excuses pour ne pas tourner et elles lui seront faciles."" "". he will find 100 excuses not to shoot and they will come easily to him.""and ends his epistolary diatribe with this glacial criticism:""Mon Carlo il n'y a plus rien à faire en province que de la barraque et à écarter les marchands de boniments. because que depuis la fille du puisatier je n'ai entendu que des bobards. En plus il faudrait faire des films à la noix."" ""My Carlo there is nothing left to do in the provinces but fairground shows and to ward off the peddlers of smooth talk. because since la fille du puisatier I have heard nothing but tall tales. Plus we would have to make trashy films."" Carlo Rim was a Provençal writer author notably of ""Ma belle Marseille"" a caricaturist a filmmaker: ""Justin de Marseille"" ""L'armoire volante"" ""La maison Bonnadieu"" and was notably the friend of Fernandel Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary. S. n. unknown
1937ref. 150439N.p.: N.p. 1937. Vintage double weight photograph from the 1938 film. A candid on-the-set photograph by the film's credited still photographer Roger Corbeau capturing a scene in the town square between the town priest Robert Vattier and schoolteacher Robert Bassac with the camera crew just to the left director Marcel Pagnol looking on in the center background and several members of the cast waiting just outside the frame to the far right. With Roger Corbeau's photo credit "PHOTO ROGER CORBEAU" at the bottom left of the frame. With a stamp for the Cinemonde Archives on the verso. An extraordinary "fourth wall" shot demonstrating at once the method and the magic of Pagnol's filmmaking as well as his relentless interest in provincial life in France. Loosely based on Jean Giono's 1932 novel "Blue Boy" the film follows a small-town baker's wife who runs away with a handsome younger shepherd leaving the baker heartbroken and unable to work. The villagers who initially laugh at his cuckoldry soon take the matter very seriously and organize a plan to find the wife and to bring her back to her husband. 9.25 x 7 inches. About Fine. N.p. unknown
1942ref. 39272Marseille 1942. A sheet of wove paper 10 x 12 cm SIGNED on one side by actress Renée Saint Cyr Marseille July 5 1942 and on the other side SIGNED by actor Raimu and by chanteur Maurice Chevalier Marseille May 21 1942. From the exemplary collection of maître d'hôtel Maurice Guérin who worked from the 1930s to the 1960s at top restaurants in the South of France and aboard the S.S. Normandie. Adhesive remains at sides else in very good condition. A UNIQUE AND FASCINATING ITEM. unknown
1981ref. 2110502150413941Shueisha 1981. Soft Cover. Fine. Volume: 1 Shueisha paperback
1953ref. 8366Edifi 1953 215 pages in8. 1953. broché. 215 pages. Le Comédien est une pièce de théâtre en quatre actes de Sacha Guitry qui explore la nature et la condition du comédien. À travers des esquisses vives et précises l'auteur lui-même acteur célèbre dépeint non seulement ce qu'est un comédien mais aussi ce qu'il pourrait être mêlant humour vivacité et une profonde connaissance de l'âme humaine
1947ref. 250111947 Paris, Fournier-Valdès, 1947, in 12 broché, 241 pages.
1977ref. 599121977 P., France-Empire, 1977, grand in 8° broché, 286 pages ; index des noms cités in-fine ; illustrations ; couverture illustrée.
ref. 35940Paris : Comité d'Organisation de l'Industrie Cinématographique / Oeuvres sociales du Cinéma, 1944 (premier semestre)- un volume à spirales 18,4x21,5cm sous couverture gaufrée illustrée d'après un dessin de Gilberte Vigée, (150) pages illustrées de 5 lithographies en couleurs par Jean Colin, Grau Sala, Touchagues, Ray Bret Koch et Jean Effel - portraits d'acteurs en hors texte, en deux tons et en noir, par Sacha Guitry, Jean Cocteau, Jean Mara, André Rigal, J. D. Van Caulaert, Charles Kiffer, G. Pavis, Georges Bastia - 22 pages sur papier couché de reproductions de photogrammes de films français - Nombreuses pages de publicités notamment des grandes compagnies de cinéma (Gaumont, Pathé Cinéma, France-Actualités, Minerva, Tobis, ACE, Consortium du Film, Continental Films, UFA, Continental Films, Francinex, Films Roger Richebé, Regina, Scalera Film, Sirius, Eclair, Les Films Raoul Ploquin and Les Productions Camille Tramichel). Annonces des films : Les Visiteurs du Soir, L'Eternel Retour, Le Ciel est à Vous, La Nuit Fantastique, Les Anges du Péché, Goupi Mains Rouges, Le Corbeau, etc. - exemplaire en bon état -
1942ref. 33058Films Roger Richebé 1942. Grande feuille rempliée pour former une plaquette de 8 pages au format 31 x 24 cm. Couverture illustrée. Plats et intérieur frais malgré des renforcements au scotch aux coins. Présentation du film avec scénario, fiche technique et superbes photographies en noir, tirées en héliogravure. Superbe affiche originale du film obtenue quand la plaquette est dépliée et complète des deux timbres avec cachet cinématographique, collées au coin supérieur gauche. Ce film français fut réalisé par Georges Lacombe en 1942 d’après le roman éponyme publié en 1938 par Georges Simenon. Adaptation et dialogue de Marcel Achard. On trouve dans les rôles principaux : Raimu, Aimé Clariond, Bergeron, Paul Amiot, Pierre Jourdan, Melrac, Jo Dervo, Micheline Francey, Marie Carlot. Très bel état de fraicheur. Rarissime édition originale en tirage limité réservé aux journalistes, diffuseurs et salles de cinéma.
1988ref. 32643Ramsay 1988 1 vol. in-8 broché. 283 p.-[8] p. de pl. : couv. ill. Filmogr. p. Bibliogr. p. Index.283 pp. Bon état.
1977ref. 32644France-Empire 1977 1 vol. in-8 broché. Etat correct.
1976ref. 32645Solar 1976 1 vol. in-8 broché. 111 p. : ill., couv. ill. en coul. Filmogr. p. 111. Bon état.
1996ref. 46814Plein sud 1996 In-4 Cartonnage éditeur sous jaquette, 281 pp.
1982ref. 85197Nice, Alain Lefeuvre 1982 In-4. Broché, couverture illustrée, 219 pp., illustrations en noir & blanc.
ref. c4628Paris, Columbia, Disque 33 tours, 25 cm , N° 33 FH 501 ; sous pochette bleue illustrée de photos en noir.
ref. 500318499Gaumont 13 6x17 2x1 2cm. Sans date. blu_ray.
2025ref. 500329265Koba 2025 13 6x17x1 2cm. 2025. blu_ray.
