Jean CharlotBiblio.com
950 résultats
réf. B9781639196234Hardback. New. hardcover
1922réf. 64478Harper and Brothers 1922. Probable First edition early printing. Hardcover. near fine/very good. Octavo. 21cm x 15cm 255pp. Pictorial boards. In scarce dust jacket. Code of B-W on copyright page. February 1922 Previous owner's name at bottom of front free endpaper. Light wear to edges of jacket. Harper and Brothers hardcover
réf. 76382Zürich Genossenschaftsbuchhandlung 1932. 8° 315 S. Brosch. Kanten etw. berieben Schnitte etw. stockfl. innen tadellos. EA. Mit Widmung des Autors an Robert Faesi Professor für neuere deutsche und Schweizer Literatur an der Universität Zürich auf Vakatseite. 010 Zürich, Genossenschaftsbuchhandlung, (1932 unknown
réf. 78869Zürich Polygraphischer Vlg. 1927. Gr.8° 264 S. OLwd. m. Goldpräg. Rücken etw. aufgehellt u. fleckig Einband etw. gebrauchsspurig Stempel a. Vs. innen sonst tadellos. EA. - «Charlot Strasser geboren 11.5.1884 Karl Ludwig Freiburg i.Br. gestorben 4.2.1950 Zürich ref. von Wangen an der Aare. . 1903-09 Medizinstud. in Bern Berlin Leipzig München und Paris 1909 Staatsexamen in Bern 1913 Dr. med. in Zürich. Assistenzarzt an der psychiatr. Klinik Waldau bei Bern 1911-12 an der Zürcher Klinik Burghölzli unter Eugen Bleuler. Ab 1913 als Psychiater in Zürich tätig 1935-44 ärztl. Leiter des Männerheims zur Weid in Rossau Gem. Mettmenstetten. S. stand ab 1910 in Kontakt mit Alfred Adler und gab ab 1914 mit Adler und Carl Furtmüller die "Zeitschrift für Individualpsychologie" heraus. Mit seiner Frau verfasste er psychoanalysekrit. Arbeiten und publizierte zudem zu Psychiatrie und Strafrecht Kurpfuscherei sowie Schwangerschaftsabbruch. Sein literar. Frühwerk stand unter dem Einfluss von Josef Viktor Widmann. Während des 1. Weltkriegs schrieb er expressionist. Novellen u.a. "In Völker zerrissen" 1916 und publizierte 1933 "Geschmeiss um die Blendlaterne" einen Schlüsselroman über die Zürcher Dada-Szene. Der engagierte Sozialist und Antifaschist S. der mit dem Zürcher Arbeiterarzt Fritz Brupbacher befreundet war setzte sich als Mitglied der Literaturkomm. der Stadt Zürich für noch nicht etablierte Schriftsteller ein und gehörte 1933 zu den Gründungsmitgliedern der Büchergilde Gutenberg» HLS. 010 Zürich, Polygraphischer Vlg., 1927 unknown
réf. 43196o. Angaben 1908. Gr.8° 41 S. 3 Taf. Brosch. Vorderdeckel lose u. m. Verlusten Rückenverlust am Kopf Blattränder min gebräunt. = Schriften der Berner Freistudentenschaft Heft 2. «Separatabdruck aus Wissen und Leben.» Mit Widmung des Autors a. Titelblatt. 010 o. Angaben, (1908) unknown
1933réf. 033796New York: John Becker / Merle Armitage / Will And Lynton R. Kistler 1933. 1st Edition 1st Printing. No Binding. Near Fine. The Rare Prospectus Single Sheet Folded Into Four Large Pages 10 7/8" X 10 1/2" With Original Full Page Color Lithograph On Zinc A Technique Charlot Learned From Ben Shahn Of A Child #25 In The Book But With A Completely Different Color Scheme From That In The Book; One Page Descriptive Text By Kistler. Signed By Charlot. Near Fine Tiny Detached Chip At Bottom Of Fold Laid In Loosely. Very Scarce No Example On An Institutional Holding Shown In Worldcat. John Becker / Merle Armitage / Will And Lynton R. Kistler unknown
1933réf. 028506New York: John Becker / Merle Armitage / Will And Lynton R. Kistler 1933. 1st Edition 1st Printing. Soft cover. Fine/Very Good Dust Jacket. #243 Of 500 Copies Signed By Armitage Kistler And Charlot With 32 Original Lithographs By Charlot Signed In Color On The Plates And A Dj By Charlot. True Lithographs Drawn By Charlot Directly On 34" X 44" Zinc Plates In A Color Separation Process That Charlot Had Learned From Ben Shahn. Text Hand-Set By Kistler In Castellon Old Style With Heads In Bodoni Ultra-Bold. A Fine As New Example No Wear Or Damage No Browning Or Fraying. With The Original Light Brown Dust Jacket Lettered And Illustrated In Red On Front And Rear Covers And On Spine With Unprinted Upper And Lower Flaps On Front Panel Side Flap On Rear Panel; The Dust Jacket Has Light Edge Wear And Spine Wear With Very Short Tears At Corners And A 1/8" X 1/16" And Another 1/8" X 1/4" Light Brown Stain Or Mark At Lower Front Spine Corner Otherwise Very Clean And Unfaded. An Exceptional Example. With The Four Page Prospectus For The Book With Another Original Zinc Lithograph By Charlot Signed In Pencil #25 In The Book But With A Completely Different Color Scheme From That In The Book; The Prospectus Had A Small Printing For Circulation Amongst Printers In Los Angeles And Is Rare No Institutional Holdings Identified In Worldcat. John Becker / Merle Armitage / Will And Lynton R. Kistler paperback
réf. DADAX3822820059New unknown
2014réf. BN439313DARGAUD 2014. 2014. Softcover. KARMA SALSA T3 KARMA SALSA T3 Philippe CALLEDE CHARLOT et Fred CAMPOY DARGAUD paperback
2013réf. BN456250DARGAUD 2013. 2013. Softcover. KARMA SALSA KARMA SALSA Fred Campoy Joël Callède Philippe Charlot et Véronique Sutter DARGAUD paperback
2010réf. BN737790Uitgeverij Boekenbent 2010. 2010. Gebroken ogen Gebroken ogen Magdalena Charlot Uitgeverij Boekenbent unknown
réf. 41390184like new. unknown
réf. 5399195-nnew. unknown
1930réf. L101New Haven: Yale University Press 1930. Hardcover. First Edition. Limited Printing of 250 copies. 8vo. 57pp. Bound in the original publisher decorative cloth. Patterned endpapers. Signed by Claudel and Charlot on the limitation page and frontispiece respectively. VERY GOOD in Very Good dust jacket protected in a removable mylar cover. The book itself shows minor rubbing of the topmost and bottommost of the spine and the corners very small light rubbing mark on the front board otherwise the binding is strong and tight the text and illustrations are clean and unmarked and the boards are bright and colorful. The dust jacket shows some edge wear with some very small chips and closed tears some light rubbing marks otherwise is bright colorful and distinct. As pictured. Yale University Press hardcover
réf. 41328081-nnew. unknown
réf. 41328081like new. unknown
1941réf. 131146The Limited Editions Club 1941. Book. Very Good. Hard Cover with Slipcase. Signed by Illustrators. Limited Edition. 4to - over 9¾ - 12" tall. Hardcover with pale-green cloth spine; boards covered in cloth patterned with columns of colorful marbling patterns; top edge speckled with paint; color illustrations; limited edition 651/1500; signed by Charlot. Book in very good plus condition: spine sunned to tan; inner hinges mildly toned from manufacturer's glue; otherwise like new. Slipcase in good condition: a little toning; splitting along some edges. The Limited Editions Club Hardcover
réf. 41390184-nnew. unknown
réf. 021284Los Angeles: Zeitlin & Ver Brugge 1973. First Edition. wraps. Mostly unopened; minor wear to spine. Near Fine lacking the slipcase. Jean Charlot. Quarto 8-3/4" x 11" in illustrated wrappers. Illustrated with 32 ORIGINAL COLOR LITHOGRAPHS. Copy #240 of 1000 copies SIGNED on the colophon page by the artist and the printer Lynton R. Kistler. Zeitlin & Ver Brugge paperback
1933réf. 021285New York: John Becker 1933. First Edition. wraps. About Fine in a Good example of the uncommon dustwrapper with wear along the spine and edgewear. Jean Charlot. Quarto 8-3/4" x 11" in printed wrappers with dustwrapper. Inscriptions by Paul Claudel translated onto English by Elise Cavanna. Illustrated with 32 ORIGINAL COLOR LITHOGRAPHS drawn directly onto the plates by Jean Charlot and printed under the technical supervision of Will A. Kistler. Copy #359 of 500 SIGNED on the colophon page by the artist typesetter Lynton R. Kistler and designer Merle Armitage. THE ARTIST & THE BOOK 54: "The beautiful illustrations in this book typical of Charlot's Mexican figure style are these lithographs drawn by the artist on zinc plates rather than stones." John Becker paperback
1974réf. 052181Los Angeles: Dawson's Book Shop 1974. 1st Edition 1st Printing. Soft cover. Fine/As New. A Very Tiny New Edition Of The 1933 First Edition Including The Dj Stating "Inscriptions By Paul Claudel" But With The Claudel Text Replaced With The Verses By Charlot Originally Intended For The 1933 Edition. #229 Of 300 Copies Signed By Charlot And Initialed By Lynton R Kistler With 32 Original Lithographs By Charlot Signed In Color In The Plates And A Dj By Charlot. A Fine As New Example No Wear Or Damage No Browning Or Fraying In Fine Dj And Slipcase. Dawson's Book Shop paperback
1933réf. 69813Paris: Gallimard 1933. Fine. Gallimard Paris 1933 22.50 x 28.50 cm relié sous étui First edition one of 55 numbered copies on Japon impérial deluxe copy. Half blue morocco binding smooth spine blue morocco frame with gilt fillet on vellum-style box calf boards blue morocco title vignette stamped at center of front board blue paper endpapers and pastedowns original wrappers and spine preserved top edge gilt slipcase with blue morocco edges blue paper boards very elegant binding signed Pierre-Lucien Martin executed in 1954. One small stain of no consequence at foot of front board of slipcase. Work illustrated with numerous drawings in text and hors-texte printed in three colors by Jean Charlot. Fine copy perfectly executed by Pierre-Lucien Martin. Gallimard hardcover
1964réf. 002757New York: Pratt Graphic Art Center 1964. Paperback. Very Good. Eichenberg Fritz. 8vo. 12 pp. 4 pages of plates. Bound in stapled dark pink wrappers with cover illustration in white and title in black. One wood engraving by Fritz Eichenberg on title page signed by him in pencil and four relief engravings by José Guadalupe Posada. Printed in an edition of 500 numbered copies signed by Charlot on colophon this is No. 67. Very Good internally clean and sound rubbing and wear to extremities - heaviest at spine 1/2" tear to head of spine 1" dark smudge to lower front cover. Pratt Graphic Art Center paperback
1962réf. 016751New York: Limited Editions Club 1962. Hardcover. Fine in glassine and a close to Fine slipcase with some soiling. Jean Charlot. Tall octavo 6-3/4" x 10-7/8" bound in natural buckram with a silhouette frieze of the Bridge's doomed pedestrians stamped in black on both covers backed in fine imported black morocco leather. Introduction by Granville Hicks. Illustrated with 16 full-color lithographs drawn directly on the plates by Jean Charlot and printed in seven colors. Copy #457 of 1500 SIGNED by the artist on the colophon page. Monthly Letter laid in. Limited Editions Club hardcover
