Charlot

The Mexican Mural Renaissance 1920-1925

1967réf. 88023New Haven and London: Yale University Press 1967. Second Printing. Octavo 24cm; red cloth-covered boards with titling stamped in gilt on spine; dustjacket; xviii328pp; black-and-white illustrations throughout with concluding 40pp of black-and-white photographic halftone illustrations. Modest shelf-wear with soil to spine tail and pastedowns; Good. Dustwrapper unclipped priced $15.00 spine-faded with modest shelf-wear and -soil and tiny tears and chips to extremities; Very Good. Charlot explores the first five years of the Mexican Mural Movement with focus including Diego Rivera Josè Clemente Orozco and David Alfaro Siqueiros. 88023. Yale University Press unknown books

Lorne Bair Rare Books · États-Unis65,00 $US≈ 57,96 €

CHARLOT, JeanABAA

PICTURE BOOK II. Original Lithographs and Captions

1973réf. 021284Los Angeles: Zeitlin & Ver Brugge 1973. First Edition. wraps. Mostly unopened; minor wear to spine. Near Fine lacking the slipcase. Jean Charlot. Quarto 8-3/4" x 11" in illustrated wrappers. Illustrated with 32 ORIGINAL COLOR LITHOGRAPHS. Copy #240 of 1000 copies SIGNED on the colophon page by the artist and the printer Lynton R. Kistler. Zeitlin & Ver Brugge paperback books

Charles Agvent, ABAA · États-Unis1 000,00 $US≈ 891,66 €

CHARLOT, JeanABAA

PICTURE BOOK

1933réf. 021285New York: John Becker 1933. First Edition. wraps. About Fine in a Good example of the uncommon dustwrapper with wear along the spine and edgewear. Jean Charlot. Quarto 8-3/4" x 11" in printed wrappers with dustwrapper. Inscriptions by Paul Claudel translated onto English by Elise Cavanna. Illustrated with 32 ORIGINAL COLOR LITHOGRAPHS drawn directly onto the plates by Jean Charlot and printed under the technical supervision of Will A. Kistler. Copy #359 of 500 SIGNED on the colophon page by the artist typesetter Lynton R. Kistler and designer Merle Armitage. THE ARTIST & THE BOOK 54: "The beautiful illustrations in this book typical of Charlot's Mexican figure style are these lithographs drawn by the artist on zinc plates rather than stones." John Becker paperback books

Charles Agvent, ABAA · États-Unis2 500,00 $US≈ 2 229,16 €

WILDER, Thornton (Jean CHARLOT)ABAA

THE BRIDGE OF SAN LUIS REY

1962réf. 016751New York: Limited Editions Club 1962. Hardcover. Fine in glassine and a close to Fine slipcase with some soiling. Jean Charlot. Tall octavo 6-3/4" x 10-7/8" bound in natural buckram with a silhouette frieze of the Bridge's doomed pedestrians stamped in black on both covers backed in fine imported black morocco leather. Introduction by Granville Hicks. Illustrated with 16 full-color lithographs drawn directly on the plates by Jean Charlot and printed in seven colors. Copy #457 of 1500 SIGNED by the artist on the colophon page. Monthly Letter laid in. Limited Editions Club hardcover books

Charles Agvent, ABAA · États-Unis85,00 $US≈ 75,79 €

CHARLOT, JeanABAA

CHARLOT MURALS IN GEORGIA

1945réf. 002153Atlanta: University of Georgia Press 1945. First Edition. Hardcover. Near Fine in a Near Fine dustwrapper. Jean Charlot. Quarto 7-3/4" x 10-1/4". The total printing consisted of 2500 copies. Introduction by Lamar Dodd. Illustrated with photographs of Charlot's murals by Eugene Payor. University of Georgia Press hardcover books

Charles Agvent, ABAA · États-Unis100,00 $US≈ 89,17 €

WILDER, Thornton (Jean CHARLOT)ABAA

THE BRIDGE OF SAN LUIS REY

1962réf. 000765New York: The Heritage Press 1962. Hardcover. Fine in a close to Fine slipcase. Jean Charlot. Tall octavo 6-5/8" x 10-3/4" bound in blue and gray cloth with a silhouette frieze of the Bridge's doomed pedestrians stamped in black on both covers. Introduction by Granville Hicks. Illustrated with 16 color plates by Jean Charlot. A lovely reproduction of the Limited Editions Club version of this Pulitzer Prize winning book. The Heritage Press hardcover books

Charles Agvent, ABAA · États-Unis15,00 $US≈ 13,37 €

CHARLOT, JeanABAA

PICTURE BOOK: 10 LITHOGRAPHS & SIGNED COLOPHON PAGE

1933réf. 005079New York: John Becker 1933. First Edition. Disbound. Occasional marginal tears. Near Fine. Jean Charlot. Included are 10 of the 32 ORIGINAL LITHOGRAPHS from PICTURE BOOK printed in 6 or 7 colors on zinc signed in the plate by Charlot with a colophon page SIGNED by the artist the printer Lynton Kistler and the designer Merle Armitage. They are laid into a folder made of the same paper as that on which the lithographs are printed. [John Becker] unknown books

Charles Agvent, ABAA · États-Unis1 250,00 $US≈ 1 114,58 €

WILDER, Thornton (Jean CHARLOT)ABAA

THE BRIDGE OF SAN LUIS REY

1962réf. 014467New York: Limited Editions Club 1962. Hardcover. Small stain on the front pastedown from a previous bookplate. About Fine in a lightly soiled Near Fine slipcase. Jean Charlot. Tall octavo 6-3/4" x 10-7/8" bound in natural buckram with a silhouette frieze of the Bridge's doomed pedestrians stamped in black on both covers backed in fine imported black morocco leather. Introduction by Granville Hicks. Illustrated with 16 full-color lithographs drawn directly on the plates by Jean Charlot and printed in seven colors. Copy #355 of 1500 SIGNED by the artist on the colophon page. Limited Editions Club hardcover books

Charles Agvent, ABAA · États-Unis75,00 $US≈ 66,87 €

Charlie ChaplinABAA

My Trip Abroad

1922réf. 12482New York: Harper & Brothers 1922. Hardcover. Very Good/Very Good -. The 1922 probable 1st edition with the Harper & Brothers "B-W" code on the copyright page denoting February 1922 publication date IN THE UNCOMMON PICTORIAL DUSTJACKET. Tight and VG/VG with light offsetting at the front gutter in a bright price-clipped VG- dustjacket with soiling to the rear cover as well as a tape ghost and a 2" chip along its bottom-edge. Still though presentable and attractive. Octavo 155 pgs. including black-and-white photos thruout. Harper & Brothers hardcover books

Appledore Books, ABAA · États-Unis500,00 $US≈ 445,83 €

CHARLOT, JeanABAA

Charlot Murals in Georgia

1945réf. 517827Atlanta: University of Georgia Press 1945. Hardcover. Very Good/Very Good. First edition. Introduction by Lamar Dodd. Photographs by Eugene Payor. Small quarto. Heavily illustrated in black and white with several color plates. Owner name and address on rear pastedown see below. Textblock edges lightly foxed verso of Inscribed leaf and first two leaves foxed as well as a bit of light scattered foxing throughout thus very good or better in moderately worn about very good dust jacket with the spine rubbed and the lettering dulled and shallow loss at the folds and spine ends. One of 2500 copies printed. Inscribed and with an ink sketch by Charlot on a front blank: "For Sister Roberta A restless model and an excellent helper. Jean Charlot Notre Dame Summer 1955." The sketch measures approximately 2" x 3" and features a peg-legged pirate holding a large saw and seated beneath the Jolly Roger. The recipient's owner information on the rear pastedown identifies her as Roberta R. Allen of Prairie Village Kansas. A nice inscription. University of Georgia Press hardcover books

Between the Covers- Rare Books, Inc. ABAA · États-Unis600,00 $US≈ 535,00 €

CHARLOT, JeanABAA

Charlot Murals in Georgia

1945réf. 512278Atlanta: University of Georgia Press 1945. Hardcover. Near Fine/Very Good. First edition. Introduction by Lamar Dodd. Photographs by Eugene Payor. Small quarto. Heavily illustrated in black and white with several color plates. Owner name on front fly else near fine in about very good dust jacket with a toned and worn spine shallow loss at the spine ends two short tears and a bit of staining on the cover. Signed by Charlot on a front blank. One of 2500 copies printed. University of Georgia Press hardcover books

Between the Covers- Rare Books, Inc. ABAA · États-Unis300,00 $US≈ 267,50 €

Merimee, Prosper Bercovic, Konrad (intro). Charlot, Jean (illustrator)ABAA

Carmen

1941réf. 1248371941. New York: The Limited Editions Club 1941. 4to. 143 pp. Color lithographs throughout. Quarter cloth and colorful patterned cloth boards backstrip and upper board with slight sunning lacking slipcase internally a fine copy. § Copy #1290 of 1500 copies signed by the illustrator. Introduction by Konrad Bercovic. Illustrated with lithographs in color by Jean Charlot. The translation by Lady Mary Lloyd. "Due to the exigencies of that bastard musical form known as opera and the lack of respect librettists the world over have shown for their 'inspirers' Mérimée's tale will be a great surprise to those who know Carmen only from this side of the opera's footlights." Introduction. unknown books

John Windle Antiquarian Bookseller · États-Unis250,00 $US≈ 222,92 €

Charlie Chaplin, Oona O'Neil (subjects); Joseph Jasgur (photographer)ABAA

Original photograph of Charlie Chaplin and his wife Oona O'Neil circa mid 1940s

1940réf. 161224Hollywood: Joseph Jaasgur Photography 1940. Vintage photograph of Charlie Chaplin and his fourth and final wife Oona O'Neil circa mid-1940s. Photograph taken by noted photographer Joseph Jasgur with Jasgur's photography stamp on the verso along with an annotation in what appears to be Jasgur's hand noting "Charles 'Charlie Chaplain' sic and wife Oona O'Neil at L.A. Tennis Club / 1945-'47." In 1943 Chaplin then 54 married 18-year old Oona O'Neil daughter of playwright Eugene O'Neil only two weeks after a highly-publicized and speculative paternity suit was filed against Chaplin by aspiring actress Joan Barry. The overwhelmingly negative press regarding the suit aided by an aggressively hostile J. Edgar Hoover was only further compounded by the marriage and his career would never fully recover. Chaplin and O'Neil had eight children during their 18-year marriage and remained married until Chaplin's death in 1977 Joseph Jasgur was a celebrity photographer during Hollywood's Golden Age and is best remembered today for his 1946 photographs of a 19-year-old Marilyn Monroe then known as Norma Jean Dougherty. 9.25 x 7 inches. Near Fine. Joseph Jaasgur Photography unknown books

Royal Books · États-Unis175,00 $US≈ 156,04 €

Charlot, JeanABAA

Pictures and Picture Making: A Series of Lectures: by Jean Charlot for DIsney Studios Frank Nastasi's Copy

1938réf. 47856Los Angeles: NP 1938. First edition. Ring_bound. vg. Quarto. 183 individual single-sided mimeographed leaves 22 additional leaves of photographic negative prints. Scarce mimeographed document printed from typescript with all leaves and negatives three-hole punched along the left side housed in modern black three-ring binder 11.5x 11". The pagination throughout is only on a per lecture basis and is non-continuous. Printed pages with occasional manuscript corrections. The versos of most of the leaves throughout contain mounted small cutouts from b/w photographic prints either reproducing relevant images from art history or being original technical hand-drawings by Charlot serving as relevant illustrated figures on the rectos for the corresponding text pages opposite 275 in total. An additional thirteen of these images have been directly mimeographed onto the rectos. The 22 leaves of compiled photographic negatives found at the rear of the binder contain most of the same images seen throughout and are organized according to lecture. In 1938 Walt Disney invited the French-born Mexican-American artist Jean Charlot 1898-1979 to deliver a series of eight lectures on art history and technique to the staff of the Disney Animation Studios over the course of two months from April 12th - May 31st of that year. Though Charlot was adamant against having any kind of lecture plan as he states in his opening remarks each of the lectures were still always themed Natural vision composition two-dimensional composition color and subject planes and space etc. Each was accompanied by a series of slides reproduced and mounted here both of Charlot's original impromptu drawings and reproductions of historic works of art. Fortunately a stenographer or recording device was present and took down each lecture including the questions and answers posed by his audience. This extremely scarce mimeographed binder serves as a complete and systematic documentation of those important and significant lectures. At the time of these lectures the company had just come off the massive and groundbreaking success of Snow White and the Seven Dwarfs 1937 and was at work on the shorts "Mickey's Toothache" and the ultimately scrapped "Pluto's Robot Twin". Although there does not seem to be direct evidence or documentation pointing to the affect these lectures ultimately had on the future work of the studio its diffuse influence can be surmised. At the very least these in depth lectures provided a continued boost to the morale and confidence of the Disney staff in placing the relatively new and sometimes belittled art form of animated films on the vast continuum of the fine arts from prehistoric times through classical antiquity and until the present. This reassured the staff of their visual storytelling abilities and the relevance of their chosen work. These assertions have since been reinforced by the the fact that in the wake of these lectures a number of these animators stayed in contact with Charlot and over the years since have asserted the personal impact these lectures had on their outlook. Although the discussions here range widely from all historical periods of art incorporate examples from the relevant work of many of the most famous international figures and touch upon countless technical and specific qualities of the fine arts arguably the most significant and unique aspect the text is Charlot's discussions of art in Mexico where he lived most of the time beginning in 1921. Specifically the art of Mexican murals and the work of Jose Guadeloupe Posada nearly forgotten during this period who had just recently died in 1913 were of interest to Charlot. It is known that he began buying Posada prints and the original printing blocks from Posada's print shop reviving interest which has never abated. Though we could find no specific reference to Posada in any of his lectures the speaker does incorporate Rivera's murals noting in passing that "a man like Rivera has absolutely to shun all textural qualities all brush stroke qualities because all things appear at a distance" Lecture V p. 12. Going further into the influence of Mexico's divergent populations and its effect on art Charlot describes in his following lecture "This static rectangle to me became assimilated to the Indian for a number of reasons and one of them is that the true verticals and true horizontals are admirably fitted to the Indian character; the Indian is always in close contact with the ground which is a true horizontal and the man in squatting takes a very different shape and different proportions from the White man. If you have a white man sitting on a chair you have those two little tooth picks under him and he has no correct relation with the so-called Mother Earth" Lecture VI p. 7. Only in the final lecture does Charlot finally speak on animation humbly noting "I told you the other time I would talk on animation tonight and I felt silly the whole week long because after all you are the people who know most about it; but it will be a good result to me by clearing my mind about it and I hope you won't hiss" Lecture VIII p. 1. The lecturer then goes on to sympathetically compare a close-up of Grumpy's face to a portrait by Raphael. According to Ruel Denny in "A Tale of Two Studios: Artist Jeans Charlot in Walt Disney's Atelier" taken from Feast of Strangers: Selected Prose and Poetry 1999 these lectures although never published "are provocative because they provide a partial but unique record of five concurrent artistic encounters in the twentieth-century: first the intellectual collaboration in artistic research by Disney and Charlot; second the encounter between the fine artist Charlot and a group of craftsmen in popular art; third the connections and disconnections between the visual arts of the pre-cinematic period and those of the cinematic age; four the marriage between cinematic animation techniques of storytelling and our inherited and folkloristic narrative of the oral and print traditions; and five the migration into modern media from primordial sources and picturizations of anthropomorphized animal figures". Some leaves throughout with minor age toning along edges as well as some occasional light stains or adhesive residue from the images pasted on the rectos. Some of the pasted on plates are loosening from the original drying adhesive and it is clear that in a very few instances images have come loose or are missing. Binder and interior in very good condition overall. Extremely scarce. Provinence: It is not known how many of these scarce mimeographed copies were printed but there is another known copy held in the collections of the University of Hawaii the state where Charlot spent his final years. It is known that the content of these lectures was never formally published. This copy bears the name of American television actor comedian and Soupy Sales sidekick Frank Nastasi 1923 - 2004 at the top of the title leaf. There is no evidence of Nastasi's connection to Disney or that he had ever attended these lectures he would have been 15 years old at the time so it is not known how he came to be in possesion of the piece. NP unknown books

Eric Chaim Kline - Bookseller · États-Unis4 750,00 $US≈ 4 235,40 €

[Charlie Chaplin]ABAA

Original photograph of the funeral of Charlie Chaplin 1977

1977réf. 170766N.p.: Gamma 1977. Vintage satin-finish press photograph of the funeral of Charlie Chaplin which took place on December 27 1977 two days after the actor's death. Mimeo snipe in French and English on the verso. Chaplin was interred in the Corsier-sur-Vevey cemetery following a private Anglican ceremony. 10 x 8 inches. About Fine. Gamma unknown books

Royal Books · États-Unis350,00 $US≈ 312,08 €

Byj, CharlotABAA

CHRISTMAS ON STAGE

1950réf. 01926CHRISTMAS ON STAGE Polygraphic Company of America Inc. 1950 first edition fine in spiral bound full color pictorial stiff wraps. The interior is also in full color with all 3D scenes in fine working order. Polygraphic Company of America paperback books

THE FINE BOOKS COMPANY · États-Unis44,80 $US≈ 39,95 €

CHARLOT, MonicaABAA

Victoria

1991réf. 187455England: Blackwell 1991. Hardcover. Very Good/Very Good. First edition. Very good in very good dust jacket. Illustrated. Ripped bottom of dust jacket. Blackwell hardcover books

Between the Covers- Rare Books, Inc. ABAA · États-Unis19,50 $US≈ 17,39 €

Charlot, JeanABAA

The Mexican Mural Renaissance 1920-1925

1967réf. 201976Massachusetts: Yale University Press 1967. Hardcover. VG: A book in great condition. There is a small tear in the dust jacket at the top of the spine. There is a plate from a previous owner on the front free end page. Pencil marks in the body of the book. Solid binding. A red hardback book with the title gilted on a black square on the spine. There is a yellow dust jacket with two illustrations on the front cover. Pages: 8 vii-xv 1-328 40. Contains at least fifty black-and-white illustrations and photographs. This is the first book-length study of the Early Colonial manuscript painting of Mexico - a fusion of the arts of Pre-Conquest America and fifteenth-century Spain. Former studies mainly in the hands of anthropologists and historians have been limited by their disciplines. This book says in effect that the paintings are works of art worthy to stand beside the jades and terra cottas now so sought after by collectors. The definitions of the styles of the various Colonial schools are demonstrations of survival of Pre-Conquest schools and artistic attitudes and thus suggest directions that investigations may take into the Pre-Conquest styles of other arts. Yale University Press hardcover books

Mullen Books, Inc. ABAA / ILAB · États-Unis35,00 $US≈ 31,21 €

Haight, Anne Lyon (editor); Monroe Wheeler (foreword) and Jean Charlot (introduction)ABAA

Portrait of Latin America as Seen by Her Print Makers / Retrato de la America Latina Hecho por sus Artistas Graficos

1946réf. 182882New York: Hastings House 1946. Hardcover. VG-/Good light shelfwear to boards and block pages are otherwise clean. Dust jacket has moderate shelfwear. Tan cloth boards with red spine lettering; black and white illustrated dust jacket; 2 preliminary leaves viii 180 pages; profusely illustrated in bw. Text in English and Spanish n parallel columns. "As varied as the land itself is this collection of etchings lithographs engravings drypoints monotypes aquatings and woodcuts depicting the many facets of life in eighteen Latin-American countries. The artists represented include: Acuna Audivert Bonta C. Lesansky Mendez Orozco Portinari Rivera Sabogal Segall Alfara Siqueiros Spilimbergo Urruchua and Zalce. " -dust jacket. Hastings House hardcover books

Mullen Books, Inc. ABAA / ILAB · États-Unis20,00 $US≈ 17,83 €

Charlot, Jean and Diego RiveraABAA

Viva Posada: L'Oeuvre Grave de Jose Guadalupe Posada

2006réf. 140305Montreuil France: L'Insomniaque 2006. Hardcover. VG. Red & illus. boards 224 pp. 447 BW illus. Text is in French. Serves as a catalog of political and cultural engravings rendered by Mexican printmaker and engraver Jose Guadalupe Posada 1852-1913. With a preface by Diego Rivera an essay by Jean Charlot a chronology a bibliography and 447 individual examples of Posada's work. Nice! L'Insomniaque hardcover books

Mullen Books, Inc. ABAA / ILAB · États-Unis70,00 $US≈ 62,42 €

CHARLOT, MonicaABAA

Victoria: The Young Queen

réf. 107665hardcover. near fine/near fine. b/w illus. 492pp. 8vo cloth d.w. Oxford 1991. Near fine. unknown books

Argosy Book Store · États-Unis13,13 $US≈ 11,71 €

CHARLOT, JeanABAA

Art from the Mayans to Disney

1939réf. 345606New York: Sheed & Ward 1939. Hardcover. Very Good. First edition. Small octavo. Small paper remnant on the front board small label on the spine a near very good copy without dustwrapper. From the library of the artists Ben Shahn and Bernarda Bryson Shahn with an estate label designed by their son Jonathan Shahn. Overview of art history including a chapter and illustration on Shahn: "To Ben Shahn a future Old Master. Jean Charlot. N.Y. 1941. Sheed & Ward hardcover books

Between the Covers- Rare Books, Inc. ABAA · États-Unis950,00 $US≈ 847,08 €

Norton, June; Illustrated By Charlot ByiABAA

Sunflower Song Book Inscribed By Author

1956réf. 004276New York: John Day Company 1956 Pictorial boards with shelf wear; matching dust jacket with edge wear and small losses. A selection of favorite songs from June Norton's Song Book as well as new songs by her with musical notation and charming artwork in 2-color and b&w by Charlot Byi. Inscribed by author in the year of publication. Signed by Author. First Edition. Very Good/Very Good. 4to. John Day Company hardcover books

E M Maurice Books, LLC, ABAA · États-Unis45,00 $US≈ 40,12 €

Krumgold, Joseph; Charlot, JeanABAA

.and now Miguel

1953réf. 202316Thomas Y. Crowell Company 1953. First Edition. Hardcover. Very Good/Very Good. Grey cloth boards under illustrated dust jacket price-clipped illustrated endpapers first printing stated. Minor toning to spine moderate edgewear to DJ which has the Newbery Medal sticker. Thomas Y. Crowell Company hardcover books

Crooked House Books & Paper · États-Unis70,00 $US≈ 62,42 €

Charlot

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