11.045 risultati
1998rif. 143688Los Angeles: Freyda Rothstein Productions 1998. Draft script for the 1998 television film originally aired July 19 1998 on Lifetime Television. Elaine Marshall Jean Smart catches her husband John Terry with his male lover in a hotel room. Their idyllic family life is turned upside down as they are forced to confront his long kept secret. Shot on location in Portland Oregon. Green titled self-wrappers dated 3/21/98 with credits for screen writers Aaron Mendelsohn Ken Carter and Annette Haywood-Carter. 124 leaves with last page of text numbered 102. Xerographic duplication with green blue and pink revision pages throughout dated variously between 3/16/98 and 3/21/98. Pages Near Fine wrapper Very Good plus bound with three gold brads. Freyda Rothstein Productions unknown
1998rif. 143688Los Angeles: Freyda Rothstein Productions 1998. Draft script for the 1998 television film originally aired July 19 1998 on Lifetime Television. Elaine Marshall Jean Smart catches her husband John Terry with his male lover in a hotel room. Their idyllic family life is turned upside down as they are forced to confront his long kept secret. Shot on location in Portland Oregon. Green titled self-wrappers dated 3/21/98 with credits for screen writers Aaron Mendelsohn Ken Carter and Annette Haywood-Carter. 124 leaves with last page of text numbered 102. Xerographic duplication with green blue and pink revision pages throughout dated variously between 3/16/98 and 3/21/98. Pages Near Fine wrapper Very Good plus bound with three gold brads. Freyda Rothstein Productions unknown books
1970rif. 161892N.p.: Cinetron 1970. Vintage studio still photograph from the 1970 film. Provenance stamp on the verso. A white slavery ship travels through Asian waters searching for clients and captors. Shot on location in Miami Florida. 8 x 10 inches. Light edgewear and a red wax pencil annotation to the bottom right margin else Near Fine. Cinetron unknown
1970rif. 161892N.p.: Cinetron 1970. Vintage studio still photograph from the 1970 film. Provenance stamp on the verso. A white slavery ship travels through Asian waters searching for clients and captors. Shot on location in Miami Florida. 8 x 10 inches. Light edgewear and a red wax pencil annotation to the bottom right margin else Near Fine. Cinetron unknown books
rif. 141931N.p.: N.p. Draft script for an unproduced film. After her father loses his grip on reality and murders his wife Annie is picked up and taken in by her aunt and soon falls for a pony rider in the local fair. Set in the American Southeast. Brown titled wrappers. Title page present with credits for screenwriter Barry Schneider. 119 leaves with last page of text numbered 116. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown
rif. 141931N.p.: N.p. Draft script for an unproduced film. After her father loses his grip on reality and murders his wife Annie is picked up and taken in by her aunt and soon falls for a pony rider in the local fair. Set in the American Southeast. Brown titled wrappers. Title page present with credits for screenwriter Barry Schneider. 119 leaves with last page of text numbered 116. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown books
1984rif. 149779Munich: Bavaria Atelier 1984. Draft script for the first episode Episode 1 of the four-episode television miniseries "Vater und Sohne: Eine deutsche Tragodie" Father and Son: A German Tragedy which first aired November 12 1986 on Radiotelevisione Italiana here under the working title "Joint Venture." Text in English. The story of two wealthy German families-one family Jewish bankers the other founders of a chemical corporation-before during and after World War II. Although initially filmed in English the miniseries was first broadcast in its full eight hours on Italian and German television in 1986 and 1987 before being drastically edited to four hours for its 1988 debut on American television. Set and shot on location in Germany. Tall clear untitled plastic front wrapper and purple rear wrapper i.e. generic report folder. Title page present dated March 14 1984 with credits for director Bernhard Sinkel. 158 leaves with last page of text numbered 157. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus with a white prong binding. Bavaria Atelier unknown
1984rif. 149779Munich: Bavaria Atelier 1984. Draft script for the first episode Episode 1 of the four-episode television miniseries "Vater und Sohne: Eine deutsche Tragodie" Father and Son: A German Tragedy which first aired November 12 1986 on Radiotelevisione Italiana here under the working title "Joint Venture." Text in English. The story of two wealthy German families-one family Jewish bankers the other founders of a chemical corporation-before during and after World War II. Although initially filmed in English the miniseries was first broadcast in its full eight hours on Italian and German television in 1986 and 1987 before being drastically edited to four hours for its 1988 debut on American television. Set and shot on location in Germany. Tall clear untitled plastic front wrapper and purple rear wrapper i.e. generic report folder. Title page present dated March 14 1984 with credits for director Bernhard Sinkel. 158 leaves with last page of text numbered 157. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus with a white prong binding. Bavaria Atelier unknown books
1970rif. 147135N.p.: N.p. 1970. Draft script for an unproduced film. Set in the US in the early 1910s the film follows the disparate lives of two women starting on the day of their college graduation. Blue titled wrappers. Title page present with credits for screenwriter Beth Keele. 102 leaves with last page of text numbered 101. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with three gold brads. N.p. unknown
1970rif. 147135N.p.: N.p. 1970. Draft script for an unproduced film. Set in the US in the early 1910s the film follows the disparate lives of two women starting on the day of their college graduation. Blue titled wrappers. Title page present with credits for screenwriter Beth Keele. 102 leaves with last page of text numbered 101. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with three gold brads. N.p. unknown books
1978rif. 141772Munich: Bavaria Atelier 1978. Press kit for the 1978 film. Full-color illustrated folder with six black-and-white borderless reference photographs and 15 gatherings of promotional reading material housed all together in a white envelope. Based on the novella by Thomas Tryon from his 1976 collection "Crowned Heads." A struggling Hollywood producer attempts to revive his career by luring a retired and reclusive actress back into the spotlight. Told in flashback beginning with her suicide-by-train. The fifth and final pairing of director Billy Wilder and actor William Holden who began their association in 1950 with the classic "Sunset Blvd." "Fedora" has been seen as a companion piece to that film. Set in Hollywood shot on location in France Germany and Greece. Folder and contents Near Fine. Envelope Very Good plus lightly toned on the edges. Bavaria Atelier unknown
1978rif. 141772Munich: Bavaria Atelier 1978. Press kit for the 1978 film. Full-color illustrated folder with six black-and-white borderless reference photographs and 15 gatherings of promotional reading material housed all together in a white envelope. Based on the novella by Thomas Tryon from his 1976 collection "Crowned Heads." A struggling Hollywood producer attempts to revive his career by luring a retired and reclusive actress back into the spotlight. Told in flashback beginning with her suicide-by-train. The fifth and final pairing of director Billy Wilder and actor William Holden who began their association in 1950 with the classic "Sunset Blvd." "Fedora" has been seen as a companion piece to that film. Set in Hollywood shot on location in France Germany and Greece. Folder and contents Near Fine. Envelope Very Good plus lightly toned on the edges. Bavaria Atelier unknown books
1970rif. 141401N.p.: N.p. 1970. Revised Draft script for an unproduced film. Single annotation in manuscript ink on page 106. Searching for deeper meaning in her life a single mother with three daughters decides to research and write a book on sex much to the chagrin of her friends and family. Set in Big Sur. Blue titled wrappers. Title page present noted as Revised with credit for screenwriter Blanche Hanalis. 164 leaves with last page of text numbered 161. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown
1970rif. 141401N.p.: N.p. 1970. Revised Draft script for an unproduced film. Single annotation in manuscript ink on page 106. Searching for deeper meaning in her life a single mother with three daughters decides to research and write a book on sex much to the chagrin of her friends and family. Set in Big Sur. Blue titled wrappers. Title page present noted as Revised with credit for screenwriter Blanche Hanalis. 164 leaves with last page of text numbered 161. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown books
1981rif. 151952N.p.: Filmways 1981. Vintage reference photograph of Brian De Palma on the set of the 1981 film. Based on Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 1980s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. Shot on location in Philadelphia. 8 x 10 inches. Near Fine. Clover Men Women and Chainsaws. Criterion Collection 562. Grant US. Spicer Neo-Noir. Filmways unknown
1981rif. 151952N.p.: Filmways 1981. Vintage reference photograph of Brian De Palma on the set of the 1981 film. Based on Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 1980s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. Shot on location in Philadelphia. 8 x 10 inches. Near Fine. Clover Men Women and Chainsaws. Criterion Collection 562. Grant US. Spicer Neo-Noir. Filmways unknown books
rif. 140830N.p.: N.p. Draft script for an unproduced film. With a single notation in manuscript ink. Pete is a freeloader who makes a little money at the swap meet but has a keen propensity for getting laid off and living off his current wife. When wife number two tells him he has to keep his job for six months so that she won't run out on him with their child he gets fired in a matter of weeks for insulting a receptionist and being a bad bowler. Rather than go home he hitches to Las Vegas and is picked up by a smut dealer who robs him before he gets to his destination. After getting fired from a restaurant he ends up at Caesar's Palace looking for his ex-wife who is getting too old to be a showgirl and wants nothing to do with Pete. Set in California and Nevada. White titled self wrapper lacking rear wrapper with credits for screenwriter Brian Mori. 147 leaves with last page of text numbered 145. Xerographic duplication. Pages Near Fine wrapper Near Fine bound with a comb binding. N.p. unknown
rif. 140830N.p.: N.p. Draft script for an unproduced film. With a single notation in manuscript ink. Pete is a freeloader who makes a little money at the swap meet but has a keen propensity for getting laid off and living off his current wife. When wife number two tells him he has to keep his job for six months so that she won't run out on him with their child he gets fired in a matter of weeks for insulting a receptionist and being a bad bowler. Rather than go home he hitches to Las Vegas and is picked up by a smut dealer who robs him before he gets to his destination. After getting fired from a restaurant he ends up at Caesar's Palace looking for his ex-wife who is getting too old to be a showgirl and wants nothing to do with Pete. Set in California and Nevada. White titled self wrapper lacking rear wrapper with credits for screenwriter Brian Mori. 147 leaves with last page of text numbered 145. Xerographic duplication. Pages Near Fine wrapper Near Fine bound with a comb binding. N.p. unknown books
1970rif. 141824Los Angeles: Mohawk Film Company 1970. Draft script for an unproduced film. A British shipping clerk is laid off from his position in Los Angeles but is shortly thereafter offered a job as a bodyguard. Set in Los Angeles. Gray untitled wrappers. Title page present with credit for screenwriter C. Arthur Rivers. 126 leaves with last page of text numbered 125. Xerographic duplication rectos only. Pages Near Fine wrappers Good with front wrapper detached bound with three silver brads. Mohawk Film Company unknown
1970rif. 141824Los Angeles: Mohawk Film Company 1970. Draft script for an unproduced film. A British shipping clerk is laid off from his position in Los Angeles but is shortly thereafter offered a job as a bodyguard. Set in Los Angeles. Gray untitled wrappers. Title page present with credit for screenwriter C. Arthur Rivers. 126 leaves with last page of text numbered 125. Xerographic duplication rectos only. Pages Near Fine wrappers Good with front wrapper detached bound with three silver brads. Mohawk Film Company unknown books
rif. 146424Los Angeles: Mohawk Film Company Unknown. Draft script for an unproduced film. A British martial arts master is hired to protect a young woman after her wealthy father's death not knowing that the girl herself is involved in the scheme. Set in California. White generic studio wrappers. Title page present with credit for screenwriter C. Arthur Rivers. 126 leaves with last page of text numbered 125. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Mohawk Film Company unknown
rif. 146424Los Angeles: Mohawk Film Company Unknown. Draft script for an unproduced film. A British martial arts master is hired to protect a young woman after her wealthy father's death not knowing that the girl herself is involved in the scheme. Set in California. White generic studio wrappers. Title page present with credit for screenwriter C. Arthur Rivers. 126 leaves with last page of text numbered 125. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Mohawk Film Company unknown books
1966rif. 161784New York: CIP 1966. Vintage still photograph from the 1966 film. Two labels on the verso. Joyana Frederics stars as Poontang Plenty a secret agent dedicted to defeating evil and cracking the secret of invisibility. Set in and shot on location in New York City. 8 x 10 inches. Very Good plus with faint creasing. CIP unknown
1966rif. 161784New York: CIP 1966. Vintage still photograph from the 1966 film. Two labels on the verso. Joyana Frederics stars as Poontang Plenty a secret agent dedicted to defeating evil and cracking the secret of invisibility. Set in and shot on location in New York City. 8 x 10 inches. Very Good plus with faint creasing. CIP unknown books
1956rif. 141754France: Illria Film 1956. Draft script for the 1956 film. Based on the 1876 oft-produced novel by Jules Verne of the same title. Michael Strogoff is the courier of the Tsar tasked to deliver a very important message to the Tsar's brother who is in Siberia cut off from the main army due to the Tatar Army during the Crimean War. Set in the Russian Empire shot on location in Serbia. 203 leaves with last page of text numbered 203. Mechanical duplication. Pages Very Good plus lacking front wrapper bound with a silver prong binding. Illria Film unknown
