11 045 résultats
1967réf. 146864N.p.: N.p. 1967. Treatment script for the 1967 film seen here under its French title "Peau d'Espion." With a few small annotations in manuscript ink throughout. Incomplete as issued. Text in English. Based on screenwriter Jacques Robert's 1967 novel "Peau d'Espion" wherein an playboy writer becomes involved in a communist plot. Housed in a titled manila folder. Title page present with credits for director Edouard Molinaro and screenwriter Jacques Robert. 12 leaves with last page of text numbered 11. Typescript on onionskin stock rectos only. Pages Very Good plus lightly creased bound with a staple and a paperclip at the top left corner. N.p. unknown
1967réf. 146864N.p.: N.p. 1967. Treatment script for the 1967 film seen here under its French title "Peau d'Espion." With a few small annotations in manuscript ink throughout. Incomplete as issued. Text in English. Based on screenwriter Jacques Robert's 1967 novel "Peau d'Espion" wherein an playboy writer becomes involved in a communist plot. Housed in a titled manila folder. Title page present with credits for director Edouard Molinaro and screenwriter Jacques Robert. 12 leaves with last page of text numbered 11. Typescript on onionskin stock rectos only. Pages Very Good plus lightly creased bound with a staple and a paperclip at the top left corner. N.p. unknown books
1965réf. 132638Hollywood: National Screen Service / Paramount Pictures 1965. Collection of 6 vintage British front-of-house cards from the 1965 UK release of the 1964 US film. Another steamy drama based on a Harold Robbins novel 1962 about the murder of one man's ex-wife's new lover at the hand of his teenage daughter with obvious parallels between this film and the actual murder of Johnny Stompanato Lana Turner's ex-lover and victim of stabbing by her daughter Cheryl Crane. 8 x 10 inches. Faint creases overall else Near Fine. National Screen Service / Paramount Pictures unknown
1965réf. 132638Hollywood: National Screen Service / Paramount Pictures 1965. Collection of 6 vintage British front-of-house cards from the 1965 UK release of the 1964 US film. Another steamy drama based on a Harold Robbins novel 1962 about the murder of one man's ex-wife's new lover at the hand of his teenage daughter with obvious parallels between this film and the actual murder of Johnny Stompanato Lana Turner's ex-lover and victim of stabbing by her daughter Cheryl Crane. 8 x 10 inches. Faint creases overall else Near Fine. National Screen Service / Paramount Pictures unknown books
1972réf. 150703Los Angeles: Cinerama Releasing 1972. Six vintage studio still photographs from the 1972 film. Three stamped production No. 72-327 on the bottom right corner of the recto. An Austrian aristocrat and war hero secretly murders his wives when he tires of them and hides their bodies in his castle vault. Shot on location in Budapest Hungary and Rome Italy. 10 x 8 inches. Near Fine. Cinerama Releasing unknown
1965réf. 144993Universal City: Universal Pictures 1965. Two vintage studio still photographs from the set of the 1965 neo-noir one of director Edward Dmytryk and actors Gregory Peck and Walter Matthau and the other of Dmytryk Peck and Robert H. Harris. Mimeo snipe on verso of both photographs. Based on the 1952 novel "Fallen Angel" by Howard Fast. David Stillwell Gregory Peck is an accountant who comes to realize he has no memory as he is pursued by a number of unknown people trying to kill him bringing him to question his own identity. Shot on location in New York City. 10 x 8 inches. Very Good plus to Near Fine one with faint creasing. Grant Worldwide. Spicer US. Universal Pictures unknown
1965réf. 144993Universal City: Universal Pictures 1965. Two vintage studio still photographs from the set of the 1965 neo-noir one of director Edward Dmytryk and actors Gregory Peck and Walter Matthau and the other of Dmytryk Peck and Robert H. Harris. Mimeo snipe on verso of both photographs. Based on the 1952 novel "Fallen Angel" by Howard Fast. David Stillwell Gregory Peck is an accountant who comes to realize he has no memory as he is pursued by a number of unknown people trying to kill him bringing him to question his own identity. Shot on location in New York City. 10 x 8 inches. Very Good plus to Near Fine one with faint creasing. Grant Worldwide. Spicer US. Universal Pictures unknown books
1972réf. 150703Los Angeles: Cinerama Releasing 1972. Six vintage studio still photographs from the 1972 film. Three stamped production No. 72-327 on the bottom right corner of the recto. An Austrian aristocrat and war hero secretly murders his wives when he tires of them and hides their bodies in his castle vault. Shot on location in Budapest Hungary and Rome Italy. 10 x 8 inches. Near Fine. Cinerama Releasing unknown books
1970réf. 144010Beverly Hills CA: N.p. 1970. Draft script for an unproduced film. Paper clipped on the front wrapper is a typed note initialed by Edwin Blum in blue manuscript ink. Two women repeatedly arrange to be the beneficiaries on the life insurance policies of numerous dead men. In the course of their activities a romance is struck up with an insurance executive. Beige titled wrappers with credits for screenwriter Edwin Blum. Title page present with credits for screenwriter Edwin Blum. 119 leaves with last page of text numbered 120. Xerographically reproduced. Pages Fine wrapper Fine bound with three gold brads. N.p. unknown
1970réf. 144010Beverly Hills CA: N.p. 1970. Draft script for an unproduced film. Paper clipped on the front wrapper is a typed note initialed by Edwin Blum in blue manuscript ink. Two women repeatedly arrange to be the beneficiaries on the life insurance policies of numerous dead men. In the course of their activities a romance is struck up with an insurance executive. Beige titled wrappers with credits for screenwriter Edwin Blum. Title page present with credits for screenwriter Edwin Blum. 119 leaves with last page of text numbered 120. Xerographically reproduced. Pages Fine wrapper Fine bound with three gold brads. N.p. unknown books
1978réf. 141418Burbank CA: Marcia Nasatir 1978. Draft script for an unproduced film. With a single annotation in manuscript ink on page five. A Swedish woman living in New York pursues a relationship with a mover after he attempts to steal her television set. Set in New York. Yellow titled wrappers with credit for screenwriter Elaine Mueller. Title page present dated December 1978 with credit for screenwriter Elaine Mueller. 116 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Marcia Nasatir unknown
1978réf. 141418Burbank CA: Marcia Nasatir 1978. Draft script for an unproduced film. With a single annotation in manuscript ink on page five. A Swedish woman living in New York pursues a relationship with a mover after he attempts to steal her television set. Set in New York. Yellow titled wrappers with credit for screenwriter Elaine Mueller. Title page present dated December 1978 with credit for screenwriter Elaine Mueller. 116 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Marcia Nasatir unknown books
2000réf. 146395N.p.: N.p. 2000. Draft script for an unproduced film. A group of kids from Anaheim come of age in the counterculture of the swinging sixties leaving behind the gang violence of their hometown in favor of becoming drug-smuggling hippies. Set in California. White lacking wrappers. Title page present with credits for screenwriter Elias Cecil. 134 leaves with last page of text numbered 133. Typescript rectos only. Pages Very Good plus bound with three gold brads. N.p. unknown
2000réf. 146395N.p.: N.p. 2000. Draft script for an unproduced film. A group of kids from Anaheim come of age in the counterculture of the swinging sixties leaving behind the gang violence of their hometown in favor of becoming drug-smuggling hippies. Set in California. White lacking wrappers. Title page present with credits for screenwriter Elias Cecil. 134 leaves with last page of text numbered 133. Typescript rectos only. Pages Very Good plus bound with three gold brads. N.p. unknown books
1970réf. 141057N.p.: N.p. 1970. Draft script for an unproduced film. An ambitious young man heads to Hollywood to make his fortune. There he falls in love with a prostitute and begins hustling in order to get her off the streets. Blue titled wrappers. Title page present with credits for screenwriter Ellis St. Joseph. 118 leaves with last page of text numbered 116. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with a black Velo binding. N.p. unknown
1970réf. 141057N.p.: N.p. 1970. Draft script for an unproduced film. An ambitious young man heads to Hollywood to make his fortune. There he falls in love with a prostitute and begins hustling in order to get her off the streets. Blue titled wrappers. Title page present with credits for screenwriter Ellis St. Joseph. 118 leaves with last page of text numbered 116. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with a black Velo binding. N.p. unknown books
réf. 141676Pretoria South Africa: Emil Nofal Films N.D. Treatment script for an unproduced television series. A half-hour television series focusing on the unique cultures of Africa and how different groups interact with each other especially in the modern age. Written for South African television by Nofal an acclaimed South African director producer and screenwriter. Set in South Africa. White titled wrappers with credits for screenwriter Emil Nofal. 5 leaves with last leaf of text numbered 5. Mechanical duplication. Pages Very Good plus wrapper Very Good plus perfect-bound. Emil Nofal Films unknown
réf. 141676Pretoria South Africa: Emil Nofal Films N.D. Treatment script for an unproduced television series. A half-hour television series focusing on the unique cultures of Africa and how different groups interact with each other especially in the modern age. Written for South African television by Nofal an acclaimed South African director producer and screenwriter. Set in South Africa. White titled wrappers with credits for screenwriter Emil Nofal. 5 leaves with last leaf of text numbered 5. Mechanical duplication. Pages Very Good plus wrapper Very Good plus perfect-bound. Emil Nofal Films unknown books
1970réf. 141943N.p.: N.p. 1970. Draft script for an unproduced film. Text in French. Green untitled wrappers. Title page present with credit for screenwriter Eric Ferro. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two silver binder clips. Pagination available upon request. N.p. unknown
1970réf. 141943N.p.: N.p. 1970. Draft script for an unproduced film. Text in French. Green untitled wrappers. Title page present with credit for screenwriter Eric Ferro. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two silver binder clips. Pagination available upon request. N.p. unknown books
1982réf. 142224Ottawa: Canadian Broadcast Corporation 1982. Treatment script for an unproduced film. W.O. Mitchell one of Canada's best-loved writers originally wrote the play "Back to Beulah" which was produced as a television film in 1974 and for the stage in 1976. In 1978 the play won the Chalmers Award. It is the story of three patients moved out of the mental hospital and into a halfway house. This treatment was for an intended American adaptation retitled as "Listen to Me" and released in 1982 but since remains unmade. Clear untitled wrappers. Title page present dated September 29 1982 with credits for screenwriter and playwright W.O. Mitchell and screenwriter Eric Till. Ten leaves. Xerographically reproduced. Pages Near Fine wrapper Very Good plus unbound. Canadian Broadcast Corporation unknown
1982réf. 142224Ottawa: Canadian Broadcast Corporation 1982. Treatment script for an unproduced film. W.O. Mitchell one of Canada's best-loved writers originally wrote the play "Back to Beulah" which was produced as a television film in 1974 and for the stage in 1976. In 1978 the play won the Chalmers Award. It is the story of three patients moved out of the mental hospital and into a halfway house. This treatment was for an intended American adaptation retitled as "Listen to Me" and released in 1982 but since remains unmade. Clear untitled wrappers. Title page present dated September 29 1982 with credits for screenwriter and playwright W.O. Mitchell and screenwriter Eric Till. Ten leaves. Xerographically reproduced. Pages Near Fine wrapper Very Good plus unbound. Canadian Broadcast Corporation unknown books
1970réf. 141411N.p.: N.p. 1970. Treatment script for an unproduced film. A successful doctor suffers a mental breakdown due to her survivor's guilt after being the only member of her family to survive the Holocaust. She becomes obsessed with a man four years older than her whom she met previously in a refugee camp in France. Set in New York. Red untitled wrappers. Title page present with credit for screenwriter Ethel Tyne. 28 leaves with last leaf of text numbered 27. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with a silver prong. N.p. unknown
1970réf. 141411N.p.: N.p. 1970. Treatment script for an unproduced film. A successful doctor suffers a mental breakdown due to her survivor's guilt after being the only member of her family to survive the Holocaust. She becomes obsessed with a man four years older than her whom she met previously in a refugee camp in France. Set in New York. Red untitled wrappers. Title page present with credit for screenwriter Ethel Tyne. 28 leaves with last leaf of text numbered 27. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with a silver prong. N.p. unknown books
1970réf. 140743N.p.: N.p. 1970. Treatment script for an unproduced television series. Beans is the chauffeur secret agent Jedediah Norris a beautiful young woman who is in graduate school and adopted from Vietnam during the war by her father a black man named Tom Callahan. She is also a gourmet chef and is in desperate love with her boss but he only seems to notice her when she goofs. All the while she is an aspiring television star hoping to work in show business one day. Set in San Francisco. Yellow untitled wrappers. Title page present with credits for screenwriter Ezra Bowen. 26 leaves with last page of text numbered 25. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with three silver brads. N.p. unknown
