Ezra Bowen (screenwriter)Biblio.com
11 045 résultats
1970réf. 140743N.p.: N.p. 1970. Treatment script for an unproduced television series. Beans is the chauffeur secret agent Jedediah Norris a beautiful young woman who is in graduate school and adopted from Vietnam during the war by her father a black man named Tom Callahan. She is also a gourmet chef and is in desperate love with her boss but he only seems to notice her when she goofs. All the while she is an aspiring television star hoping to work in show business one day. Set in San Francisco. Yellow untitled wrappers. Title page present with credits for screenwriter Ezra Bowen. 26 leaves with last page of text numbered 25. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with three silver brads. N.p. unknown
1970réf. 140743N.p.: N.p. 1970. Treatment script for an unproduced television series. Beans is the chauffeur secret agent Jedediah Norris a beautiful young woman who is in graduate school and adopted from Vietnam during the war by her father a black man named Tom Callahan. She is also a gourmet chef and is in desperate love with her boss but he only seems to notice her when she goofs. All the while she is an aspiring television star hoping to work in show business one day. Set in San Francisco. Yellow untitled wrappers. Title page present with credits for screenwriter Ezra Bowen. 26 leaves with last page of text numbered 25. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with three silver brads. N.p. unknown books
1972réf. 150813Beverly Hills CA: United Artists 1972. Vintage reference photograph of Federico Fellini on the set of the 1972 film. A semi-autobiographical impressionistic portrait of Rome featuring two contrasting sections one based on Fellini's first journey to the city as a young man under Mussolini the other featuring scenes of contemporary city life. Set and shot on location in Rome. 8 x 10 inches. Near Fine. Criterion Collection 848. Eureka! 86. Rosenbaum 1000. Vogel Film as a Subversive Art. United Artists unknown
1972réf. 150813Beverly Hills CA: United Artists 1972. Vintage reference photograph of Federico Fellini on the set of the 1972 film. A semi-autobiographical impressionistic portrait of Rome featuring two contrasting sections one based on Fellini's first journey to the city as a young man under Mussolini the other featuring scenes of contemporary city life. Set and shot on location in Rome. 8 x 10 inches. Near Fine. Criterion Collection 848. Eureka! 86. Rosenbaum 1000. Vogel Film as a Subversive Art. United Artists unknown books
1940réf. 129720N.p.: N.p. 1940. Treatment script for an unproduced film. Two brothers with a patchy relationship both end up becoming competent jockeys and one who had previously slighted the other throws the important race so the other can win. Self wrappers with integral title page present showing credits for screenwriter Pinkham. 9 leaves original typescript. Pages Very Good plus bound with three gold brads. N.p. unknown
1940réf. 129720N.p.: N.p. 1940. Treatment script for an unproduced film. Two brothers with a patchy relationship both end up becoming competent jockeys and one who had previously slighted the other throws the important race so the other can win. Self wrappers with integral title page present showing credits for screenwriter Pinkham. 9 leaves original typescript. Pages Very Good plus bound with three gold brads. N.p. unknown books
1957réf. 168227Beverly Hills CA: United Artists 1957. Vintage studio still photograph from the 1957 film. A major in the US Air Force is asked to join a team working on an experimental Boeing B-47 Stratojet bomber although the first experiments with human test subjects prove dangerous. Based on a 1955 episode of the "Climax" anthology television series directed by John Frankenheimer and starring Charlton Heston. 10 x 8 inches. Lightly toned on the margins else Near Fine. United Artists unknown
1957réf. 168227Beverly Hills CA: United Artists 1957. Vintage studio still photograph from the 1957 film. A major in the US Air Force is asked to join a team working on an experimental Boeing B-47 Stratojet bomber although the first experiments with human test subjects prove dangerous. Based on a 1955 episode of the "Climax" anthology television series directed by John Frankenheimer and starring Charlton Heston. 10 x 8 inches. Lightly toned on the margins else Near Fine. United Artists unknown books
1931réf. 135170Los Angeles: Fox Film Corporation 1931. Post-production Screen Continuity script for the 1931 film. Based on the 1908 play "Father and the Boys" by George Ade. A comedy of errors in which a wealthy meatpacking company owner in Chicago has two sons both who treat their father's company as a means to their own extravagant ends. When he turns the tables evading his work responsibilities and traveling around with a French singer they fear that the singer is out to blackmail him. Pale blue studio wrappers dated April 27 1931 noting footage of 7000 feet. Mimeograph duplication. Very Good plus condition. Fox Film Corporation unknown
1931réf. 135170Los Angeles: Fox Film Corporation 1931. Post-production Screen Continuity script for the 1931 film. Based on the 1908 play "Father and the Boys" by George Ade. A comedy of errors in which a wealthy meatpacking company owner in Chicago has two sons both who treat their father's company as a means to their own extravagant ends. When he turns the tables evading his work responsibilities and traveling around with a French singer they fear that the singer is out to blackmail him. Pale blue studio wrappers dated April 27 1931 noting footage of 7000 feet. Mimeograph duplication. Very Good plus condition. Fox Film Corporation unknown books
réf. 146547N.p.: N.p. Unknown. Draft script for an unproduced film. With a few small manuscript ink annotations to the title page. After a dissatisfying experience with a prostitute a man begins to have a number of hallucinatory experiences while sitting in a bar. Blue untitled card wrappers. Title page present with credits for screenwriter Frank Flannery. 110 leaves with last page of text numbered 109. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good with light dampstaining on the front wrapper bound with a silver clasp. N.p. unknown
réf. 146547N.p.: N.p. Unknown. Draft script for an unproduced film. With a few small manuscript ink annotations to the title page. After a dissatisfying experience with a prostitute a man begins to have a number of hallucinatory experiences while sitting in a bar. Blue untitled card wrappers. Title page present with credits for screenwriter Frank Flannery. 110 leaves with last page of text numbered 109. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good with light dampstaining on the front wrapper bound with a silver clasp. N.p. unknown books
1965réf. 167883N.p.: N.p. 1965. Three vintage single-photo assemblages of publicity and reference images from the 1965 British film musical. A musical comedy about a love triangle between a pub owner's daughter a popular model and an aspiring Australian singer. The film debut of Suzy Kendall. Shot on location in London. 8 x 10 inches. Stapled at the top left corner. Good only with dampstaining on the bottom corners. N.p. unknown
1965réf. 167883N.p.: N.p. 1965. Three vintage single-photo assemblages of publicity and reference images from the 1965 British film musical. A musical comedy about a love triangle between a pub owner's daughter a popular model and an aspiring Australian singer. The film debut of Suzy Kendall. Shot on location in London. 8 x 10 inches. Stapled at the top left corner. Good only with dampstaining on the bottom corners. N.p. unknown books
1966réf. 146399Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1966. Draft script for an unproduced film. With a single small manuscript ink annotation to page 123 changing "who" to "whom." Not to be confused with the 1943 1948 1999 or 2020 produced films with the same title. Based on Richard Martin Stern's 1963 mystery thriller by Fred Coe who was also initially slated to direct. A private investigator moves back to his hometown to bury his late father but finds himself quickly entangled in a criminal case involving the sexual assault of a local woman. Screenwriter Fred Coe was best known for directing "A Thousand Clowns" 1965 which was nominated for an Academy Award for Best Picture. Blue titled wrappers rubber-stamped copy No. 48 dated October 1 1966 and dated as copied October 17 1966 with credits for screenwriter Fred Coe and novelist Richard Martin Stern. Title page integral with the front wrapper as issued. 194 leaves with last page of text numbered 192. Mimeograph duplication rectos only with white revision pages throughout dated 10-13-66. Pages Very Good wrapper Very Good with light toning to the extremities and tearing at the rear wrapper's binding bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown
1966réf. 146399Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1966. Draft script for an unproduced film. With a single small manuscript ink annotation to page 123 changing "who" to "whom." Not to be confused with the 1943 1948 1999 or 2020 produced films with the same title. Based on Richard Martin Stern's 1963 mystery thriller by Fred Coe who was also initially slated to direct. A private investigator moves back to his hometown to bury his late father but finds himself quickly entangled in a criminal case involving the sexual assault of a local woman. Screenwriter Fred Coe was best known for directing "A Thousand Clowns" 1965 which was nominated for an Academy Award for Best Picture. Blue titled wrappers rubber-stamped copy No. 48 dated October 1 1966 and dated as copied October 17 1966 with credits for screenwriter Fred Coe and novelist Richard Martin Stern. Title page integral with the front wrapper as issued. 194 leaves with last page of text numbered 192. Mimeograph duplication rectos only with white revision pages throughout dated 10-13-66. Pages Very Good wrapper Very Good with light toning to the extremities and tearing at the rear wrapper's binding bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown books
1956réf. 145504Los Angeles: Bert E. Friedlob Productions 1956. Vintage press photograph of actors Dana Andrews and Sidney Blackmer on the set of the 1956 film. With a rubber stamp on the verso. A newspaper publisher conspires with his to be son-in-law to expose the ineptitude of the district attorney who has wrongly sentenced multiple people to death. Shot on location in Chicago. 10 x 8 inches. Near Fine. Grant Worldwide. Selby US Canon. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Bert E. Friedlob Productions unknown
1956réf. 145504Los Angeles: Bert E. Friedlob Productions 1956. Vintage press photograph of actors Dana Andrews and Sidney Blackmer on the set of the 1956 film. With a rubber stamp on the verso. A newspaper publisher conspires with his to be son-in-law to expose the ineptitude of the district attorney who has wrongly sentenced multiple people to death. Shot on location in Chicago. 10 x 8 inches. Near Fine. Grant Worldwide. Selby US Canon. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Bert E. Friedlob Productions unknown books
1970réf. 141703N.p.: N.p. 1970. Draft script for an unproduced film. Manuscript note laid in. In 1926 a sex worker decides to strike out on her own and form a bordello finding women who are brave and courageous enough to do what they want. Set in San Francisco. Lacking wrappers. Title page present with credit for screenwriter Garrie Bateson. 113 leaves pages not numbered. Xerographic duplication rectos only. Pages Near Fine housed in a three ring binder. N.p. unknown
1970réf. 141703N.p.: N.p. 1970. Draft script for an unproduced film. Manuscript note laid in. In 1926 a sex worker decides to strike out on her own and form a bordello finding women who are brave and courageous enough to do what they want. Set in San Francisco. Lacking wrappers. Title page present with credit for screenwriter Garrie Bateson. 113 leaves pages not numbered. Xerographic duplication rectos only. Pages Near Fine housed in a three ring binder. N.p. unknown books
1950réf. 142329N.p.: N.p. 1950. Draft script for an unproduced film. Ribbon copy typescript. A gentleman pays the bail of a recently-jailed political activist who is then invited to a meeting of the League of Free Men. When the activist turns up murdered a few days later with a mysterious note found on his body the police begin investigating exactly what this organization is all about. Set in London. Brown titled wrappers with typescript title label affixed to the front wrapper. Title page present noted as First Version with credits for G.E. Moore. 98 leaves with last page of text numbered 94. Ribbon copy typescript with type in black and red. Pages Very Good plus wrapper Very Good plus bound with a string binding. N.p. unknown
1950réf. 142332N.p.: N.p. 1950. Treatment script for an unproduced film. Ribbon copy typescript. A violent gang of men chaos all over the outskirts of London by beating up the daughter of an older woman they are sheltering and abducting people throughout the London countryside. Set in London. Brown titled wrappers with typescript title label affixed to the front wrapper. Title page present with credits for screenwriter G.E. Moore. 34 leaves with last leaf of text numbered 31. Ribbon copy typescript. Pages Near Fine wrapper Near Fine with string binding. N.p. unknown
1950réf. 142329N.p.: N.p. 1950. Draft script for an unproduced film. Ribbon copy typescript. A gentleman pays the bail of a recently-jailed political activist who is then invited to a meeting of the League of Free Men. When the activist turns up murdered a few days later with a mysterious note found on his body the police begin investigating exactly what this organization is all about. Set in London. Brown titled wrappers with typescript title label affixed to the front wrapper. Title page present noted as First Version with credits for G.E. Moore. 98 leaves with last page of text numbered 94. Ribbon copy typescript with type in black and red. Pages Very Good plus wrapper Very Good plus bound with a string binding. N.p. unknown books
1950réf. 142332N.p.: N.p. 1950. Treatment script for an unproduced film. Ribbon copy typescript. A violent gang of men chaos all over the outskirts of London by beating up the daughter of an older woman they are sheltering and abducting people throughout the London countryside. Set in London. Brown titled wrappers with typescript title label affixed to the front wrapper. Title page present with credits for screenwriter G.E. Moore. 34 leaves with last leaf of text numbered 31. Ribbon copy typescript. Pages Near Fine wrapper Near Fine with string binding. N.p. unknown books
1970réf. 153160N.p.: N.p. 1970. Draft script for an unproduced film. In order to force their brother's release from prison two dimwitted men decide to steal the Liberty Bell. Set in Philadelphia. Brown wrappers with a printed title label affixed to the bottom right corner of the front wrapper. Title page present undated with credits for screenwriter Gene Fiskin. 105 leaves with last page of text numbered 104. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with a black Velo binding. N.p. unknown
