Frank Flannery (screenwriter)Biblio.com
11.072 Ergebnisse
Best.-Nr. 146547N.p.: N.p. Unknown. Draft script for an unproduced film. With a few small manuscript ink annotations to the title page. After a dissatisfying experience with a prostitute a man begins to have a number of hallucinatory experiences while sitting in a bar. Blue untitled card wrappers. Title page present with credits for screenwriter Frank Flannery. 110 leaves with last page of text numbered 109. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good with light dampstaining on the front wrapper bound with a silver clasp. N.p. unknown
Best.-Nr. 146547N.p.: N.p. Unknown. Draft script for an unproduced film. With a few small manuscript ink annotations to the title page. After a dissatisfying experience with a prostitute a man begins to have a number of hallucinatory experiences while sitting in a bar. Blue untitled card wrappers. Title page present with credits for screenwriter Frank Flannery. 110 leaves with last page of text numbered 109. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good with light dampstaining on the front wrapper bound with a silver clasp. N.p. unknown books
1965Best.-Nr. 167883N.p.: N.p. 1965. Three vintage single-photo assemblages of publicity and reference images from the 1965 British film musical. A musical comedy about a love triangle between a pub owner's daughter a popular model and an aspiring Australian singer. The film debut of Suzy Kendall. Shot on location in London. 8 x 10 inches. Stapled at the top left corner. Good only with dampstaining on the bottom corners. N.p. unknown
1965Best.-Nr. 167883N.p.: N.p. 1965. Three vintage single-photo assemblages of publicity and reference images from the 1965 British film musical. A musical comedy about a love triangle between a pub owner's daughter a popular model and an aspiring Australian singer. The film debut of Suzy Kendall. Shot on location in London. 8 x 10 inches. Stapled at the top left corner. Good only with dampstaining on the bottom corners. N.p. unknown books
1966Best.-Nr. 146399Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1966. Draft script for an unproduced film. With a single small manuscript ink annotation to page 123 changing "who" to "whom." Not to be confused with the 1943 1948 1999 or 2020 produced films with the same title. Based on Richard Martin Stern's 1963 mystery thriller by Fred Coe who was also initially slated to direct. A private investigator moves back to his hometown to bury his late father but finds himself quickly entangled in a criminal case involving the sexual assault of a local woman. Screenwriter Fred Coe was best known for directing "A Thousand Clowns" 1965 which was nominated for an Academy Award for Best Picture. Blue titled wrappers rubber-stamped copy No. 48 dated October 1 1966 and dated as copied October 17 1966 with credits for screenwriter Fred Coe and novelist Richard Martin Stern. Title page integral with the front wrapper as issued. 194 leaves with last page of text numbered 192. Mimeograph duplication rectos only with white revision pages throughout dated 10-13-66. Pages Very Good wrapper Very Good with light toning to the extremities and tearing at the rear wrapper's binding bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown
1966Best.-Nr. 146399Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1966. Draft script for an unproduced film. With a single small manuscript ink annotation to page 123 changing "who" to "whom." Not to be confused with the 1943 1948 1999 or 2020 produced films with the same title. Based on Richard Martin Stern's 1963 mystery thriller by Fred Coe who was also initially slated to direct. A private investigator moves back to his hometown to bury his late father but finds himself quickly entangled in a criminal case involving the sexual assault of a local woman. Screenwriter Fred Coe was best known for directing "A Thousand Clowns" 1965 which was nominated for an Academy Award for Best Picture. Blue titled wrappers rubber-stamped copy No. 48 dated October 1 1966 and dated as copied October 17 1966 with credits for screenwriter Fred Coe and novelist Richard Martin Stern. Title page integral with the front wrapper as issued. 194 leaves with last page of text numbered 192. Mimeograph duplication rectos only with white revision pages throughout dated 10-13-66. Pages Very Good wrapper Very Good with light toning to the extremities and tearing at the rear wrapper's binding bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown books
1956Best.-Nr. 145504Los Angeles: Bert E. Friedlob Productions 1956. Vintage press photograph of actors Dana Andrews and Sidney Blackmer on the set of the 1956 film. With a rubber stamp on the verso. A newspaper publisher conspires with his to be son-in-law to expose the ineptitude of the district attorney who has wrongly sentenced multiple people to death. Shot on location in Chicago. 10 x 8 inches. Near Fine. Grant Worldwide. Selby US Canon. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Bert E. Friedlob Productions unknown
1956Best.-Nr. 145504Los Angeles: Bert E. Friedlob Productions 1956. Vintage press photograph of actors Dana Andrews and Sidney Blackmer on the set of the 1956 film. With a rubber stamp on the verso. A newspaper publisher conspires with his to be son-in-law to expose the ineptitude of the district attorney who has wrongly sentenced multiple people to death. Shot on location in Chicago. 10 x 8 inches. Near Fine. Grant Worldwide. Selby US Canon. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Bert E. Friedlob Productions unknown books
1970Best.-Nr. 141703N.p.: N.p. 1970. Draft script for an unproduced film. Manuscript note laid in. In 1926 a sex worker decides to strike out on her own and form a bordello finding women who are brave and courageous enough to do what they want. Set in San Francisco. Lacking wrappers. Title page present with credit for screenwriter Garrie Bateson. 113 leaves pages not numbered. Xerographic duplication rectos only. Pages Near Fine housed in a three ring binder. N.p. unknown
1970Best.-Nr. 141703N.p.: N.p. 1970. Draft script for an unproduced film. Manuscript note laid in. In 1926 a sex worker decides to strike out on her own and form a bordello finding women who are brave and courageous enough to do what they want. Set in San Francisco. Lacking wrappers. Title page present with credit for screenwriter Garrie Bateson. 113 leaves pages not numbered. Xerographic duplication rectos only. Pages Near Fine housed in a three ring binder. N.p. unknown books
1950Best.-Nr. 142329N.p.: N.p. 1950. Draft script for an unproduced film. Ribbon copy typescript. A gentleman pays the bail of a recently-jailed political activist who is then invited to a meeting of the League of Free Men. When the activist turns up murdered a few days later with a mysterious note found on his body the police begin investigating exactly what this organization is all about. Set in London. Brown titled wrappers with typescript title label affixed to the front wrapper. Title page present noted as First Version with credits for G.E. Moore. 98 leaves with last page of text numbered 94. Ribbon copy typescript with type in black and red. Pages Very Good plus wrapper Very Good plus bound with a string binding. N.p. unknown
1950Best.-Nr. 142332N.p.: N.p. 1950. Treatment script for an unproduced film. Ribbon copy typescript. A violent gang of men chaos all over the outskirts of London by beating up the daughter of an older woman they are sheltering and abducting people throughout the London countryside. Set in London. Brown titled wrappers with typescript title label affixed to the front wrapper. Title page present with credits for screenwriter G.E. Moore. 34 leaves with last leaf of text numbered 31. Ribbon copy typescript. Pages Near Fine wrapper Near Fine with string binding. N.p. unknown
1950Best.-Nr. 142329N.p.: N.p. 1950. Draft script for an unproduced film. Ribbon copy typescript. A gentleman pays the bail of a recently-jailed political activist who is then invited to a meeting of the League of Free Men. When the activist turns up murdered a few days later with a mysterious note found on his body the police begin investigating exactly what this organization is all about. Set in London. Brown titled wrappers with typescript title label affixed to the front wrapper. Title page present noted as First Version with credits for G.E. Moore. 98 leaves with last page of text numbered 94. Ribbon copy typescript with type in black and red. Pages Very Good plus wrapper Very Good plus bound with a string binding. N.p. unknown books
1950Best.-Nr. 142332N.p.: N.p. 1950. Treatment script for an unproduced film. Ribbon copy typescript. A violent gang of men chaos all over the outskirts of London by beating up the daughter of an older woman they are sheltering and abducting people throughout the London countryside. Set in London. Brown titled wrappers with typescript title label affixed to the front wrapper. Title page present with credits for screenwriter G.E. Moore. 34 leaves with last leaf of text numbered 31. Ribbon copy typescript. Pages Near Fine wrapper Near Fine with string binding. N.p. unknown books
1970Best.-Nr. 153160N.p.: N.p. 1970. Draft script for an unproduced film. In order to force their brother's release from prison two dimwitted men decide to steal the Liberty Bell. Set in Philadelphia. Brown wrappers with a printed title label affixed to the bottom right corner of the front wrapper. Title page present undated with credits for screenwriter Gene Fiskin. 105 leaves with last page of text numbered 104. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with a black Velo binding. N.p. unknown
1970Best.-Nr. 153160N.p.: N.p. 1970. Draft script for an unproduced film. In order to force their brother's release from prison two dimwitted men decide to steal the Liberty Bell. Set in Philadelphia. Brown wrappers with a printed title label affixed to the bottom right corner of the front wrapper. Title page present undated with credits for screenwriter Gene Fiskin. 105 leaves with last page of text numbered 104. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with a black Velo binding. N.p. unknown books
1974Best.-Nr. 146534Los Angeles: Selznick/Glickman Productions 1974. Treatment script for an unproduced film. Laid in with the script is a typed letter on Selznick/Glickman Productions letterhead introducing the screenplay addressed to an agent at the Paul Kohner casting agency and signed by film producer Daniel Selznick. Based on the 1972 novel. An American physician is the only doctor who can perform a surgery that will save a Soviet scientist's life-but the scientist is on the verge of an atomic breakthrough that could kill millions. Set in Russia and Paris. Yellow untitled card wrappers. Title page present noted as Screen Treatment with credits for screenwriter Gene R. Kearney and novelist Marshall Goldberg. 29 leaves with last page of text numbered 28. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with three silver brads. Selznick/Glickman Productions unknown
1974Best.-Nr. 146534Los Angeles: Selznick/Glickman Productions 1974. Treatment script for an unproduced film. Laid in with the script is a typed letter on Selznick/Glickman Productions letterhead introducing the screenplay addressed to an agent at the Paul Kohner casting agency and signed by film producer Daniel Selznick. Based on the 1972 novel. An American physician is the only doctor who can perform a surgery that will save a Soviet scientist's life-but the scientist is on the verge of an atomic breakthrough that could kill millions. Set in Russia and Paris. Yellow untitled card wrappers. Title page present noted as Screen Treatment with credits for screenwriter Gene R. Kearney and novelist Marshall Goldberg. 29 leaves with last page of text numbered 28. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with three silver brads. Selznick/Glickman Productions unknown books
1983Best.-Nr. 141716Los Angeles: Sasha and the Greystones 1983. Treatment script for an unproduced film. The son of a Bulgarian oligarch has just completed his postgraduate degree at Oxford and been promoted in the Navy when he announces to his father that he wishes to marry his English sweetheart. His father tries desperately to change his son's mind and not to throw away his career for romance. Pink untitled wrappers dated June 30 1983. Title page present dated May 25 1983 noted as First Draft with credit for screenwriter George Ganchev. 17 leaves with last leaf of text numbered 16. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Sasha and the Greystones unknown
1983Best.-Nr. 141726Los Angeles: Sasha and the Greystones 1983. Treatment script for an unproduced film. An unlikely quartet of international spies begins operating in Europe under the control of no particular government in order to thwart a terrorist plan. Blue untitled wrappers dated May 13 1983. Title page present dated March 1983 noted as Revised with credit for screenwriter George Ganchev. Eleven leaves with last page of text numbered ten. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Sasha and the Greystones unknown
1983Best.-Nr. 141716Los Angeles: Sasha and the Greystones 1983. Treatment script for an unproduced film. The son of a Bulgarian oligarch has just completed his postgraduate degree at Oxford and been promoted in the Navy when he announces to his father that he wishes to marry his English sweetheart. His father tries desperately to change his son's mind and not to throw away his career for romance. Pink untitled wrappers dated June 30 1983. Title page present dated May 25 1983 noted as First Draft with credit for screenwriter George Ganchev. 17 leaves with last leaf of text numbered 16. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Sasha and the Greystones unknown books
1983Best.-Nr. 141726Los Angeles: Sasha and the Greystones 1983. Treatment script for an unproduced film. An unlikely quartet of international spies begins operating in Europe under the control of no particular government in order to thwart a terrorist plan. Blue untitled wrappers dated May 13 1983. Title page present dated March 1983 noted as Revised with credit for screenwriter George Ganchev. Eleven leaves with last page of text numbered ten. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Sasha and the Greystones unknown books
1961Best.-Nr. 162066N.p.: Trans-Lux 1961. Vintage studio still photograph from the US release of the 1961 French film. Provenance stamp on the verso. Based on the 1952 novel "La Mort de Belle" by Georges Simenon. Jean Desaily plays everyman Stéphane Blanchon a professor living a quiet life with his wife Christine in Geneva until a beautiful American student Belle living next door is found strangled to death. Shot on location in Geneva Switzerland and Val-de-Marne France. 8 x 10 inches. Near Fine. Selby France. Trans-Lux unknown
1961Best.-Nr. 162066N.p.: Trans-Lux 1961. Vintage studio still photograph from the US release of the 1961 French film. Provenance stamp on the verso. Based on the 1952 novel "La Mort de Belle" by Georges Simenon. Jean Desaily plays everyman Stéphane Blanchon a professor living a quiet life with his wife Christine in Geneva until a beautiful American student Belle living next door is found strangled to death. Shot on location in Geneva Switzerland and Val-de-Marne France. 8 x 10 inches. Near Fine. Selby France. Trans-Lux unknown books
Best.-Nr. 141934London: Carter De Haven. Draft script for an unproduced film. With a single notation in manuscript ink. Gerald Vaughan-Hughes is a British screenwriter best known for his work on "The Duellists" 1977 "To the Devil a Daughter" 1976 and "Sebastian" 1968. Damon is a young jazz singer in England performing on the night club circuit and dealing with the daily drama of drunk drummers and art school love interests. Set in England. Blue blank wrappers with die cut title window in the British style. Title page present with credits for screenwriter Gerald Vaughan-Hughes. 99 leaves with last page of text numbered 98. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with two silver brads. Carter De Haven unknown
