11 045 résultats
1984réf. 149381Burbank CA: Warner Brothers 1984. Vintage borderless black-and-white reference photograph of director Bob Fosse on the set of the 1983 film. With a mimeo snipe on the verso dated 20/1/84 along with the stamp of Universal Pictorial Press. Based on Teresa Carpenter's Pulitzer Prize-winning Village Voice article "Death of a Playmate" which traced the unusual circumstances of Playboy model Dorothy Stratten's death at the hands of her narcissistic husband and manager Paul Snider in 1980. Fosse's final film released a few years before his death in 1987. Set and shot on location in Vancouver B.C. New York and Los Angeles. 6 x 8 inches. Fine. Warner Brothers unknown
1969réf. 149508Universal City: Universal Pictures 1969. Vintage reference photograph of director Bob Fosse showing actress Shirley MacLaine how to execute a leap on the set of the 1969 film. With manuscript ink and pencil annotations to the verso. Based on the 1966 musical which was loosely based in turn on Federico Fellini's 1957 film "Nights of Calabria." A happy-go-lucky taxi dancer dreams of romance but only meets jerks as a result of her sleazy job. Set and shot on location in New York. 8 x 10 inches. Near Fine. Universal Pictures unknown
1969réf. 149508Universal City: Universal Pictures 1969. Vintage reference photograph of director Bob Fosse showing actress Shirley MacLaine how to execute a leap on the set of the 1969 film. With manuscript ink and pencil annotations to the verso. Based on the 1966 musical which was loosely based in turn on Federico Fellini's 1957 film "Nights of Calabria." A happy-go-lucky taxi dancer dreams of romance but only meets jerks as a result of her sleazy job. Set and shot on location in New York. 8 x 10 inches. Near Fine. Universal Pictures unknown books
1984réf. 149381Burbank CA: Warner Brothers 1984. Vintage borderless black-and-white reference photograph of director Bob Fosse on the set of the 1983 film. With a mimeo snipe on the verso dated 20/1/84 along with the stamp of Universal Pictorial Press. Based on Teresa Carpenter's Pulitzer Prize-winning Village Voice article "Death of a Playmate" which traced the unusual circumstances of Playboy model Dorothy Stratten's death at the hands of her narcissistic husband and manager Paul Snider in 1980. Fosse's final film released a few years before his death in 1987. Set and shot on location in Vancouver B.C. New York and Los Angeles. 6 x 8 inches. Fine. Warner Brothers unknown books
1981réf. 142167US: Cinema 77 / Geria Productions / Filmways 1981. Eight vintage borderless color photographs from the 1981 film. Based on Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 80s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. Shot on location in Philadelphia. 7 x 9.5 inches. Fine. Criterion Collection 562. Grant US. Spicer US Neo-Noir. Cinema 77 / Geria Productions / Filmways unknown
1981réf. 142167US: Cinema 77 / Geria Productions / Filmways 1981. Eight vintage borderless color photographs from the 1981 film. Based on Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 80s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. Shot on location in Philadelphia. 7 x 9.5 inches. Fine. Criterion Collection 562. Grant US. Spicer US Neo-Noir. Cinema 77 / Geria Productions / Filmways unknown books
1977réf. 137086Universal City CA: Steve Krantz Productions / American International Pictures AIP 1977. Third Revised Draft script for the 1978 film. Based on a story by producer Steve Krantz. Jennifer Pelikan is a young woman just entering a new private school where the other students torment her to the breaking point. Her only course of action is revenge which she enacts by communicating telepathically with snakes. A beautiful example of exploitation at its best borrowing from both from its obvious antecedent "Carrie" 1976 and another mind-over-animal film "Willard" 1971 where rats became tools of justice. Green titled wrappers. Title page present dated October 26 1977 noted as THIRD REVISION with credits for screenwriter Johnson and story writer Krantz. 118 leaves with last page of text numbered 102. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound with three gold brads. Muir 1970s. Steve Krantz Productions / American International Pictures [AIP] unknown
1977réf. 137086Universal City CA: Steve Krantz Productions / American International Pictures AIP 1977. Third Revised Draft script for the 1978 film. Based on a story by producer Steve Krantz. Jennifer Pelikan is a young woman just entering a new private school where the other students torment her to the breaking point. Her only course of action is revenge which she enacts by communicating telepathically with snakes. A beautiful example of exploitation at its best borrowing from both from its obvious antecedent "Carrie" 1976 and another mind-over-animal film "Willard" 1971 where rats became tools of justice. Green titled wrappers. Title page present dated October 26 1977 noted as THIRD REVISION with credits for screenwriter Johnson and story writer Krantz. 118 leaves with last page of text numbered 102. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound with three gold brads. Muir 1970s. Steve Krantz Productions / American International Pictures [AIP] unknown books
1978réf. 170356N.p.: N.p. 1978. Vintage borderless double weight color reference photograph from the 1978 adult film. Labels affixed to versos noting the film's French title. A man's increasingly obsessive thoughts about his next-door neighbor lead his wife to force him into sex therapy. 9.5 x 7 inches. About Fine. Bier 793. N.p. unknown
1978réf. 170356N.p.: N.p. 1978. Vintage borderless double weight color reference photograph from the 1978 adult film. Labels affixed to versos noting the film's French title. A man's increasingly obsessive thoughts about his next-door neighbor lead his wife to force him into sex therapy. 9.5 x 7 inches. About Fine. Bier 793. N.p. unknown books
1988réf. 149439Neuilly-sur-Seine France: Gaumont 1988. Seven vintage borderless reference photographs from the 1988 French film. All with mimeo snipes and manuscript ink and pencil annotations regarding layout on the verso and two with collector labels. A dramatization of the career of talented lesser-known sculptor Camille Claudel who began as an apprentice to Auguste Rodin later became his muse and lover and struggled to differentiate herself and her work from his legacy. 9.5 x 6.25 inches. Near Fine. Gaumont unknown
1988réf. 149439Neuilly-sur-Seine France: Gaumont 1988. Seven vintage borderless reference photographs from the 1988 French film. All with mimeo snipes and manuscript ink and pencil annotations regarding layout on the verso and two with collector labels. A dramatization of the career of talented lesser-known sculptor Camille Claudel who began as an apprentice to Auguste Rodin later became his muse and lover and struggled to differentiate herself and her work from his legacy. 9.5 x 6.25 inches. Near Fine. Gaumont unknown books
1976réf. 140822Beverly Hills CA: Levy-Garner-Laven 1976. Draft script for the 1976 film. One of five films directed by and starring Burt Reynolds about a former convict who is unwillingly pulled into a federal agent's scheme to take down a corrupt politician. Set deep in the Okefenokee Swamp shot on location in Georgia. Blue titled wrappers. Title page present with credits for screenwriter William Norton. 136 leaves with last page of text numbered 135. Mechanical duplication on blue stock. Pages Fine wrapper Near Fine bound with two gold brads. The title has been outlined in manuscript pencil on the front wrapper. Levy-Garner-Laven unknown
1983réf. 161445Universal City CA: Universal City Studios 1983. Revised First Draft script for the 1985 film. Copy belonging to hair stylist Philip Leto with his name in manuscript ink on the front wrapper. Based on the 1983 novel by Elmore Leonard. One of only a few screenplays adapted by Leonard from one of his own novels made memorable in that it layered a surprisingly complex plot onto what by 1985 had become a pretty standard sub-genre: the Burt Reynolds revenge thriller. Shot on location in California and Florida. Green titled Universal wrappers dated August 5 1983 noted as REVISED FIRST DRAFT and production No. 02162 on the front wrapper. Title page present noted as Revised First Draft with credit for author and screenwriter Elmore Leonard. 109 leaves with last page of text numbered 106. Xerographic duplication on blue stock rectos only. Pages Fine wrapper Near Fine bound with three gold brads. Universal City Studios unknown
1976réf. 140822Beverly Hills CA: Levy-Garner-Laven 1976. Draft script for the 1976 film. One of five films directed by and starring Burt Reynolds about a former convict who is unwillingly pulled into a federal agent's scheme to take down a corrupt politician. Set deep in the Okefenokee Swamp shot on location in Georgia. Blue titled wrappers. Title page present with credits for screenwriter William Norton. 136 leaves with last page of text numbered 135. Mechanical duplication on blue stock. Pages Fine wrapper Near Fine bound with two gold brads. The title has been outlined in manuscript pencil on the front wrapper. Levy-Garner-Laven unknown books
1983réf. 161445Universal City CA: Universal City Studios 1983. Revised First Draft script for the 1985 film. Copy belonging to hair stylist Philip Leto with his name in manuscript ink on the front wrapper. Based on the 1983 novel by Elmore Leonard. One of only a few screenplays adapted by Leonard from one of his own novels made memorable in that it layered a surprisingly complex plot onto what by 1985 had become a pretty standard sub-genre: the Burt Reynolds revenge thriller. Shot on location in California and Florida. Green titled Universal wrappers dated August 5 1983 noted as REVISED FIRST DRAFT and production No. 02162 on the front wrapper. Title page present noted as Revised First Draft with credit for author and screenwriter Elmore Leonard. 109 leaves with last page of text numbered 106. Xerographic duplication on blue stock rectos only. Pages Fine wrapper Near Fine bound with three gold brads. Universal City Studios unknown books
1926réf. 172200Beverly Hills CA: United Artists 1926. Vintage reference photograph from the 1926 film showing actor Buster Keaton as Johnny Gray the train engineer. During the Civil War an engineer must work to save the two loves of his life: a woman named Annabelle Lee and a train named The General. A box office disappointment upon release but long since reconsidered and now ranked among the the finest of Keaton's films. Shot on location in California and Oregon. 10 x 8 inches. Very Good plus with a few short closed tears to the top margin. National Film Registry. Ebert I. Eureka Masters of Cinema 173. Godard Histoires du cinema. Rosenbaum 1000. Schrader 60. United Artists unknown
1933réf. 172202N.p.: N.p. 1933. Vintage reference photograph from the 1933 pre-Code comedy film showing Buster Keaton surrounded by wreckage. Annotation in manuscript pencil on the verso noting the film title. With the end of Prohibition in sight two men decide to open a brewery and begin selling their home brewed beer but the resultant product is so weak that they're let off even after a police raid. 10 x 8 inches. Near Fine. N.p. unknown
1926réf. 172200Beverly Hills CA: United Artists 1926. Vintage reference photograph from the 1926 film showing actor Buster Keaton as Johnny Gray the train engineer. During the Civil War an engineer must work to save the two loves of his life: a woman named Annabelle Lee and a train named The General. A box office disappointment upon release but long since reconsidered and now ranked among the the finest of Keaton's films. Shot on location in California and Oregon. 10 x 8 inches. Very Good plus with a few short closed tears to the top margin. National Film Registry. Ebert I. Eureka Masters of Cinema 173. Godard Histoires du cinema. Rosenbaum 1000. Schrader 60. United Artists unknown books
1933réf. 172202N.p.: N.p. 1933. Vintage reference photograph from the 1933 pre-Code comedy film showing Buster Keaton surrounded by wreckage. Annotation in manuscript pencil on the verso noting the film title. With the end of Prohibition in sight two men decide to open a brewery and begin selling their home brewed beer but the resultant product is so weak that they're let off even after a police raid. 10 x 8 inches. Near Fine. N.p. unknown books
1963réf. 149906Universal City: Universal Pictures 1963. Vintage studio still photograph from the 1963 film a Doris Day vehicle and the screenwriting debut of Carl Reiner he also starred. The photo shows an extraordinary prop a full size billboard advertising a product called "Happy Soap" which plays a part in the film's story. With the stamp of director-editor Barrie Pattison on the verso along with the stamp of Universal Film in Brussels. A suburban housewife is offered a lucrative job as the spokesperson for a popular soap company a career which begins to take over her time and attention to the displeasure of her family. 10 x 8 inches. Very Good plus with pinholes to the corners reinforced with paper tape on the verso. Universal Pictures unknown
1963réf. 149906Universal City: Universal Pictures 1963. Vintage studio still photograph from the 1963 film a Doris Day vehicle and the screenwriting debut of Carl Reiner he also starred. The photo shows an extraordinary prop a full size billboard advertising a product called "Happy Soap" which plays a part in the film's story. With the stamp of director-editor Barrie Pattison on the verso along with the stamp of Universal Film in Brussels. A suburban housewife is offered a lucrative job as the spokesperson for a popular soap company a career which begins to take over her time and attention to the displeasure of her family. 10 x 8 inches. Very Good plus with pinholes to the corners reinforced with paper tape on the verso. Universal Pictures unknown books
1954réf. 149976N.p.: N.p. 1954. Vintage borderless reference photograph of Cosetta Greco from the 1954 film. Annotation in manuscript ink on bottom left margin "Georges Sadoul" and "Foto Civirani" stamps on verso. Based on the acclaimed 1947 Italian novel by Vasco Pratolini.Carlo Lizzani's Neo-Realist portrait of Fascist Italy wherein young typographer Mario Gabriele Tinti after moving to via del Corno to be near his girlfriend and befriending his anti-fascist landlord Maciste Marcello Mastroianni is beaten by the fascists. Set in Via del Corno Florence Italy shot on location in Tuscany Italy. 9.5 x 7 inches. Very Good plus with light edgewear and small closed tear on right. N.p. unknown
1954réf. 149976N.p.: N.p. 1954. Vintage borderless reference photograph of Cosetta Greco from the 1954 film. Annotation in manuscript ink on bottom left margin "Georges Sadoul" and "Foto Civirani" stamps on verso. Based on the acclaimed 1947 Italian novel by Vasco Pratolini.Carlo Lizzani's Neo-Realist portrait of Fascist Italy wherein young typographer Mario Gabriele Tinti after moving to via del Corno to be near his girlfriend and befriending his anti-fascist landlord Maciste Marcello Mastroianni is beaten by the fascists. Set in Via del Corno Florence Italy shot on location in Tuscany Italy. 9.5 x 7 inches. Very Good plus with light edgewear and small closed tear on right. N.p. unknown books
1955réf. 149455London: London Film Productions 1955. Vintage reference photograph from the 1955 British film showing an aerial view of Whitechapel Road market in London. With a printed mimeo snipe affixed to the verso. Based on the 1953 novel. A young boy growing up in a working class community buys what he believes to be a unicorn in reality a small deformed goat with the hope that it will bring luck to his friends and family. Set and shot on location in East London. 10 x 8 inches. Very Good plus with a small tear to the top left corner. London Film Productions unknown
