11 045 résultats
1975réf. 141402Prague: Filmove studio Barrandov 1975. Revised Draft script for the 1975 film seen here under the working title "Assassination at Sarajevo." The story of a group of Yugoslav rebels who inadvertently begin World War I through their assassination of Archduke Franz Ferdinand. Set in Sarajevo. Mustard titled wrappers. Title page present dated March 4 1975 noted as Revised Script with credits for screenwriters Paul Jarrico Stevan Bulajic and Vladimir Bor and director Veljko Bulajic. 121 leaves with last page of text numbered 119. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Filmove studio Barrandov unknown
1975réf. 141402Prague: Filmove studio Barrandov 1975. Revised Draft script for the 1975 film seen here under the working title "Assassination at Sarajevo." The story of a group of Yugoslav rebels who inadvertently begin World War I through their assassination of Archduke Franz Ferdinand. Set in Sarajevo. Mustard titled wrappers. Title page present dated March 4 1975 noted as Revised Script with credits for screenwriters Paul Jarrico Stevan Bulajic and Vladimir Bor and director Veljko Bulajic. 121 leaves with last page of text numbered 119. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Filmove studio Barrandov unknown books
1937réf. 130740Culver City CA: RKO Radio Pictures 1937. Revised Final Draft script for the 1937 film. Copy belonging to Van Heflin with his manuscript annotations throughout. A romantic drama set to the back drop of the Annapolis Naval Academy. Bill Martin a young midshipman must chose between his love for Julia and his commitment to the navy in this 1937 film. Mint green titled wrappers rubber-stamped as Revised Final script on the front wrapper rubber-stamped copy No. 70 dated May 18 1937 with credits for writers Cabanne and Twist. Distribution page present with receipt removed. 140 leaves mimeograph duplication with annotations throughout. Pages Very Good wrapper Very Good bound with three gold brads. RKO Radio Pictures unknown
1937réf. 130740Culver City CA: RKO Radio Pictures 1937. Revised Final Draft script for the 1937 film. Copy belonging to Van Heflin with his manuscript annotations throughout. A romantic drama set to the back drop of the Annapolis Naval Academy. Bill Martin a young midshipman must chose between his love for Julia and his commitment to the navy in this 1937 film. Mint green titled wrappers rubber-stamped as Revised Final script on the front wrapper rubber-stamped copy No. 70 dated May 18 1937 with credits for writers Cabanne and Twist. Distribution page present with receipt removed. 140 leaves mimeograph duplication with annotations throughout. Pages Very Good wrapper Very Good bound with three gold brads. RKO Radio Pictures unknown books
1966réf. 143838Paris: Les Productions Alcinter and Andre Cotton 1966. Draft script carbon typescript and scenario offset printing for the 1966 French film here under the working title "Convoi pour Dien-Bien-Phu." Released in the US as "The Postman Goes to War" 1968. Numerical notation in manuscript pencil on one page. Also included is the original manila folder used to house the material with the working title in manuscript red ink on the flap. Based on Gautier's titular novel 1966. Jean-Claude Thibon Aznavour is a postman in Paris who accepts a position in the army during the Indochina War. He is wounded in combat and sent to the hospital where he falls in love with Vang Maria Minh a young Vietnamese nurse. Shot on location in Cambodia. Title page present integral with front wrapper undated with credits for director Bernard-Aubert novelist Gautier and dialogue writer Accursi. 197 leaves with last page of text numbered 212. Carbon typescript. Very Good plus bound with two silver binder clips. Scenario: title page integral with front wrapper undated with credits for Bernard-Aubert and Gautier 12 leaves with last page of text numbered 11 offset printing perfect-bound Near Fine. Complete collation upon request. Les Productions Alcinter and Andre Cotton unknown
1966réf. 143838Paris: Les Productions Alcinter and Andre Cotton 1966. Draft script carbon typescript and scenario offset printing for the 1966 French film here under the working title "Convoi pour Dien-Bien-Phu." Released in the US as "The Postman Goes to War" 1968. Numerical notation in manuscript pencil on one page. Also included is the original manila folder used to house the material with the working title in manuscript red ink on the flap. Based on Gautier's titular novel 1966. Jean-Claude Thibon Aznavour is a postman in Paris who accepts a position in the army during the Indochina War. He is wounded in combat and sent to the hospital where he falls in love with Vang Maria Minh a young Vietnamese nurse. Shot on location in Cambodia. Title page present integral with front wrapper undated with credits for director Bernard-Aubert novelist Gautier and dialogue writer Accursi. 197 leaves with last page of text numbered 212. Carbon typescript. Very Good plus bound with two silver binder clips. Scenario: title page integral with front wrapper undated with credits for Bernard-Aubert and Gautier 12 leaves with last page of text numbered 11 offset printing perfect-bound Near Fine. Complete collation upon request. Les Productions Alcinter and Andre Cotton unknown books
1977réf. 149743N.p.: N.p. 1977. Four vintage borderless reference photographs from the set of the 1977 French film showing actress Sylvia Kristel variously with director Claude Chabrol and actors Charles Vanel and Jean Carmet. A young woman in the process of leaving her husband discovers her car's windshield has mysteriously shattered forcing her to spend the night at an isolated mansion in the countryside. Shot on location in Villennes sur Seine France. 7 x 4.5 inches. Fine. N.p. unknown
1959réf. 147470Rome: Panitalia 1959. Vintage borderless candid photograph of Antonella Lualdi and members of the film crew on the set of the 1959 film. With a stamp for photographer Jacques Six and mimeo snipe to the verso. Based on Stanley Ellin's 1952 novel. A wealthy vintner finds it difficult to balance the demands of his wife his children his best friend and his recently murdered mistress. Set and shot on location in Aix-en-Provence France. 9 x 6 inches. Very Good plus with faint soil. Grant France. Panitalia unknown
1978réf. 144817France: Filmel 1978. Vintage borderless photograph of Isabelle Huppert and Jean Carmet from the 1978 film. With manuscript annotations on the verso. Based on the 1975 novel of the same name by Jean-Marie Fitere which tells the true story of Violette Noziere Isabelle Huppert a French teenager who in the 1930s worked as a prostitute while living with her parents who she poisoned killing her father after they found out from her doctor that she had syphilis. Isabelle Huppert won the award for Best Actress at the 1978 Cannes Film Festival. Shot on location in Paris. 9.5 x 6 inches. Near Fine. Grant Worldwide. Filmel unknown
1978réf. 144817France: Filmel 1978. Vintage borderless photograph of Isabelle Huppert and Jean Carmet from the 1978 film. With manuscript annotations on the verso. Based on the 1975 novel of the same name by Jean-Marie Fitere which tells the true story of Violette Noziere Isabelle Huppert a French teenager who in the 1930s worked as a prostitute while living with her parents who she poisoned killing her father after they found out from her doctor that she had syphilis. Isabelle Huppert won the award for Best Actress at the 1978 Cannes Film Festival. Shot on location in Paris. 9.5 x 6 inches. Near Fine. Grant Worldwide. Filmel unknown books
1959réf. 147470Rome: Panitalia 1959. Vintage borderless candid photograph of Antonella Lualdi and members of the film crew on the set of the 1959 film. With a stamp for photographer Jacques Six and mimeo snipe to the verso. Based on Stanley Ellin's 1952 novel. A wealthy vintner finds it difficult to balance the demands of his wife his children his best friend and his recently murdered mistress. Set and shot on location in Aix-en-Provence France. 9 x 6 inches. Very Good plus with faint soil. Grant France. Panitalia unknown books
1977réf. 149743N.p.: N.p. 1977. Four vintage borderless reference photographs from the set of the 1977 French film showing actress Sylvia Kristel variously with director Claude Chabrol and actors Charles Vanel and Jean Carmet. A young woman in the process of leaving her husband discovers her car's windshield has mysteriously shattered forcing her to spend the night at an isolated mansion in the countryside. Shot on location in Villennes sur Seine France. 7 x 4.5 inches. Fine. N.p. unknown books
1934réf. 157322Universal City: Universal Pictures 1934. Vintage reference photograph of director Edward Ludwig and cameraman Merritt Gerstad filming a scene with Claude Rains on the set of the 1934 film. Mimeo snipe on the verso. A pacifist writer discovers his publisher is in league with munitions manufacturers leading to a crisis of conscience. 10 x 8 inches. Near Fine. Universal Pictures unknown
1934réf. 157322Universal City: Universal Pictures 1934. Vintage reference photograph of director Edward Ludwig and cameraman Merritt Gerstad filming a scene with Claude Rains on the set of the 1934 film. Mimeo snipe on the verso. A pacifist writer discovers his publisher is in league with munitions manufacturers leading to a crisis of conscience. 10 x 8 inches. Near Fine. Universal Pictures unknown books
1950réf. 160937Los Angeles: RKO 1950. Vintage mini-banner poster for the 1950 film noir. Claudette Colbert stars as a woman who is accused of bigamy by an intruder during her wedding ceremony to David McLean. The two then must travel to a small seaside village to investigate the claim where villagers claim to have remembered her previous nuptials. Shot on location in Santa Monica California. 4.75 x 28 inches. Very Good plus with light creasing at the extremities. Grant US. Selby Master List. Silver and Ward US. Spicer US. RKO unknown
1950réf. 160937Los Angeles: RKO 1950. Vintage mini-banner poster for the 1950 film noir. Claudette Colbert stars as a woman who is accused of bigamy by an intruder during her wedding ceremony to David McLean. The two then must travel to a small seaside village to investigate the claim where villagers claim to have remembered her previous nuptials. Shot on location in Santa Monica California. 4.75 x 28 inches. Very Good plus with light creasing at the extremities. Grant US. Selby Master List. Silver and Ward US. Spicer US. RKO unknown books
1971réf. 145923Burbank CA: The Malapaso Company 1971. Vintage borderless studio press photograph from the set of the 1971 film. Mimeo snipe on verso. Clint Eastwood's directorial debut after decades as an actor a second career that would garner him two Best Director Oscars for Unforgiven 1992 and Million Dollar Baby 2004 and two more nominations for Mystic River 2003 and Letters from Iwo Jima 2006. Set in and shot on location in California. 7.5 x 9.25 inches. Near Fine light score along top edge light edgewear. Clover "Men Women and Chainsaws." Spicer US Neo-Noir. Silver and Ward Neo-Noir. Grant US. The Malapaso Company unknown
1971réf. 145923Burbank CA: The Malapaso Company 1971. Vintage borderless studio press photograph from the set of the 1971 film. Mimeo snipe on verso. Clint Eastwood's directorial debut after decades as an actor a second career that would garner him two Best Director Oscars for Unforgiven 1992 and Million Dollar Baby 2004 and two more nominations for Mystic River 2003 and Letters from Iwo Jima 2006. Set in and shot on location in California. 7.5 x 9.25 inches. Near Fine light score along top edge light edgewear. Clover "Men Women and Chainsaws." Spicer US Neo-Noir. Silver and Ward Neo-Noir. Grant US. The Malapaso Company unknown books
1965réf. 139246Beverly Hills CA: United Artists 1965. Vintage black-and-white press photograph from the 1965 French-American film. Editorial annotations and Wide World Photo rubber stamp on the verso with a Spanish rubber stamp "paso por fotograbado." Shown are Ursula Andress and Katrin Schaake on-the-set conferring between scenes while standing on a bed. Woody Allen's film debut as actor and screenwriter. Michael O'Toole is a womanizer soon to be married to Carole Schneider but Liz Paula Prentiss and Rita Andress get in the way. His psychoanalyst Dr. Fritz Sellers is no help and Carole flirts with Victor Allen a nervous wreck. Somehow they all end up in the same hotel in the French countryside and they mayhem ensues. Shot on location in France. 6.5 x 9 inches. Very Good plus light creases heavy soil and sticker pull to the verso. United Artists unknown
1965réf. 139246Beverly Hills CA: United Artists 1965. Vintage black-and-white press photograph from the 1965 French-American film. Editorial annotations and Wide World Photo rubber stamp on the verso with a Spanish rubber stamp "paso por fotograbado." Shown are Ursula Andress and Katrin Schaake on-the-set conferring between scenes while standing on a bed. Woody Allen's film debut as actor and screenwriter. Michael O'Toole is a womanizer soon to be married to Carole Schneider but Liz Paula Prentiss and Rita Andress get in the way. His psychoanalyst Dr. Fritz Sellers is no help and Carole flirts with Victor Allen a nervous wreck. Somehow they all end up in the same hotel in the French countryside and they mayhem ensues. Shot on location in France. 6.5 x 9 inches. Very Good plus light creases heavy soil and sticker pull to the verso. United Artists unknown books
1970réf. 147269N.p.: N.p. 1970. First draft screenplay for an unproduced film from British director Clive Donner circa early 1970s. Ribbon copy typescript on onionskin stock with two small annotations one on page 16 of the word "ice" written into the dialogue in manuscript marker and the page number "100" underlined in manuscript ink at the top margin of that page. From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996. Based on the 1971 novel by Donald MacKenzie the third entry in his Henry Chalice Mystery series preceded by "Salute from a Dead Man" 1966 and "Death is a Friend" 1967. Jewel thief Paul Henderson has had a run of bad luck when he is offered a job on a big heist from a career criminal he's worked with before but when he arrives in Switzerland for the crime he faces a double cross and a kidnapping. Blue untitled wrappers with die-cut title window in the British style. Title page present noted as FIRST DRAFT with credits for screenwriter Clive Donner and novelist Donald Mackenzie misspelled. 143 leaves with last page of text numbered 142. Ribbon copy typescript on onionskin stock rectos only. Tall Pages 8.5 x 11.75 inches with standard size wrappers 8.5 x 11 inches. Pages Very Good plus title page trimed about 1 1/4" from bottom wrapper Very Good plus two closed tears at top of die-cut window bound internally with two flat metal brads. N.p. unknown
1970réf. 147269N.p.: N.p. 1970. First draft screenplay for an unproduced film from British director Clive Donner circa early 1970s. Ribbon copy typescript on onionskin stock with two small annotations one on page 16 of the word "ice" written into the dialogue in manuscript marker and the page number "100" underlined in manuscript ink at the top margin of that page. From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996. Based on the 1971 novel by Donald MacKenzie the third entry in his Henry Chalice Mystery series preceded by "Salute from a Dead Man" 1966 and "Death is a Friend" 1967. Jewel thief Paul Henderson has had a run of bad luck when he is offered a job on a big heist from a career criminal he's worked with before but when he arrives in Switzerland for the crime he faces a double cross and a kidnapping. Blue untitled wrappers with die-cut title window in the British style. Title page present noted as FIRST DRAFT with credits for screenwriter Clive Donner and novelist Donald Mackenzie misspelled. 143 leaves with last page of text numbered 142. Ribbon copy typescript on onionskin stock rectos only. Tall Pages 8.5 x 11.75 inches with standard size wrappers 8.5 x 11 inches. Pages Very Good plus title page trimed about 1 1/4" from bottom wrapper Very Good plus two closed tears at top of die-cut window bound internally with two flat metal brads. N.p. unknown books
1944réf. 148958Universal City: Universal Pictures 1944. Vintage photograph of the Tower reader's edition of Cornell Woolrich's crime novel written under the pseudonym William Irish made as publicity the 1944 film adaptation. Robert Siodmak's first Hollywood noir and one of the finest in the canon. Based on Cornell Woolrich's first novel written in 1942 about a secretary who searches for the titular lady to clear her boss' name before he is executed for murdering his wife. The first film produced by Joan Harrison a former Oscar nominated screenwriter for Alfred Hitchcock "Rebecca" "Foreign Correspondent" and Universal's first female executive. 8 x 10 inches. Near Fine. Grant US. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Universal Pictures unknown
1944réf. 148958Universal City: Universal Pictures 1944. Vintage photograph of the Tower reader's edition of Cornell Woolrich's crime novel written under the pseudonym William Irish made as publicity the 1944 film adaptation. Robert Siodmak's first Hollywood noir and one of the finest in the canon. Based on Cornell Woolrich's first novel written in 1942 about a secretary who searches for the titular lady to clear her boss' name before he is executed for murdering his wife. The first film produced by Joan Harrison a former Oscar nominated screenwriter for Alfred Hitchcock "Rebecca" "Foreign Correspondent" and Universal's first female executive. 8 x 10 inches. Near Fine. Grant US. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Universal Pictures unknown books
1945réf. 129935Los Angeles: David O. Selznick 1945. Original studio transcription of C.S. Forester's short story of the same name originally published in the Saturday Evening Post on July 10 1943. Printed as a mimeograph studio script in small numbers for internal distribution. Red titled wrappers with credits for screenwriter C.S. Forester noted as Copy No. 1. Title page present with credits for screenwriter C.S. Forester. 22 leaves original typescript on onionskin stock. Pages Near Fine wrapper Near Fine side stapled. David O. Selznick unknown
