11 064 résultats
1970réf. 145544N.p.: N.p. 1970. Draft script for an unproduced film "Twist." Copy belonging to director Ken Hughes with his annotations throughout. A police investigator shoots a longtime nemesis while chasing him after a heist and must cope with the loss of his greatest equal. Set in England. Tall black wrappers with a die-cut title window in the British style. Title page present with credits for screenwriter Tudor Gates. 117 leaves with last page of text numbered 106. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with two silver brads. N.p. unknown books
1968réf. 145848Beverly Hills CA: United Artists 1968. Vintage borderless photograph from the 1968 film. Mimeo snipe on the verso. Based on the 1964 novel by Ian Fleming about a down-on-his-luck inventor who transforms an old race car into a magical machine and sets off with his children on an adventure. Set in and shot on location in England and France. 10 x 8 inches. Very Good plus some edgewear very small hole and dimples on lower right and very light creasing. United Artists unknown books
1950réf. 107868London: Apex 1950. Draft script for the 1951 British film. Editor Peter Hunt's copy with his manuscript annotations throughout. Peter Hunt began his career in the UK film industry as an editor working on several of the best-known early James Bond films "Dr. No" "From Russia With Love" "Goldfinger" as well as "The Ipcress File." He debuted as a director with "On Her Majesty's Secret Service" in 1969. Blue untitled wrappers. Title page present dated April 1950 noted as shooting script with credits for Kenneth Hume. 87 leaves with last page of text numbered 86. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two staples. Apex unknown
1950réf. 107868London: Apex 1950. Draft script for the 1951 British film. Editor Peter Hunt's copy with his manuscript annotations throughout. Peter Hunt began his career in the UK film industry as an editor working on several of the best-known early James Bond films "Dr. No" "From Russia With Love" "Goldfinger" as well as "The Ipcress File." He debuted as a director with "On Her Majesty's Secret Service" in 1969. Blue untitled wrappers. Title page present dated April 1950 noted as shooting script with credits for Kenneth Hume. 87 leaves with last page of text numbered 86. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two staples. Apex unknown books
1964réf. 152144Hollywood: World Wide Pictures 1964. Draft script for the 1965 film. Copy belonging to actor Johnny Crawford with his name in manuscript ink on the front wrapper and his manuscript annotations in ink and pencil throughout. With an eight-page shooting schedule bound in before the script. The rebellious son of two television reporters forces his parents to examine their own lives leading to their conversion to born-again Christianity. Green titled wrappers noted as production No. 197. Title page present with credit for screenwriter James Collier. 124 leaves with last page of text numbered 122. Mimeograph duplication rectos only with blue and tan revision pages throughout dated Nov. 19 1964. Pages Very Good plus wrapper Very Good plus bound with a silver prong. Housed in blue wrappers with a typed title label affixed to the front wrapper dated 1964. World Wide Pictures unknown
1964réf. 152144Hollywood: World Wide Pictures 1964. Draft script for the 1965 film. Copy belonging to actor Johnny Crawford with his name in manuscript ink on the front wrapper and his manuscript annotations in ink and pencil throughout. With an eight-page shooting schedule bound in before the script. The rebellious son of two television reporters forces his parents to examine their own lives leading to their conversion to born-again Christianity. Green titled wrappers noted as production No. 197. Title page present with credit for screenwriter James Collier. 124 leaves with last page of text numbered 122. Mimeograph duplication rectos only with blue and tan revision pages throughout dated Nov. 19 1964. Pages Very Good plus wrapper Very Good plus bound with a silver prong. Housed in blue wrappers with a typed title label affixed to the front wrapper dated 1964. World Wide Pictures unknown books
1985réf. 147014Venice CA: Moritz Borman Productions / Mutoskop Film 1985. Draft script for the 1989 film here under its working title "The Artisan." Text in English. Based on Stephen Sheppard's 1986 novel "The Artisan" which was in turn based on the true story of Johann Georg Elser a quiet German carpenter who attempted to assassinate Adolf Hitler in 1939. Set and shot on location in Hungary Germany and Austria. Brown generic International Creative Management wrappers. Title page present dated June 1985 with credits for screenwriter Stephen Sheppard. 114 leaves with last page of text numbered 113. Xerographic duplication rectos only. Pages Very Good wrapper Very Good with a light tide mark on the front and rear wrappers and page edges and accompanying dampstaining to the final leaf bound with two gold brads. Moritz Borman Productions / Mutoskop Film unknown
1985réf. 147014Venice CA: Moritz Borman Productions / Mutoskop Film 1985. Draft script for the 1989 film here under its working title "The Artisan." Text in English. Based on Stephen Sheppard's 1986 novel "The Artisan" which was in turn based on the true story of Johann Georg Elser a quiet German carpenter who attempted to assassinate Adolf Hitler in 1939. Set and shot on location in Hungary Germany and Austria. Brown generic International Creative Management wrappers. Title page present dated June 1985 with credits for screenwriter Stephen Sheppard. 114 leaves with last page of text numbered 113. Xerographic duplication rectos only. Pages Very Good wrapper Very Good with a light tide mark on the front and rear wrappers and page edges and accompanying dampstaining to the final leaf bound with two gold brads. Moritz Borman Productions / Mutoskop Film unknown books
1964réf. 131832London: Three Kings Films 1964. Draft script for the 1965 film. With several substantive manuscript emendations to dialogue throughout. A British "teen" comedy with a title that borrows the title and spirit of Conrad Hilton's 1957 autobiography. A family inherits a seaside hotel and has trouble filling it up until their son's rock group begins bringing in the crowds. One of several British films from the mid-sixties which offered the added inducement of a guest appearance by "The Killer" Jerry Lee Lewis who had more success in the UK than the USA after marrying his teenage cousin in 1958. Magenta titled wrappers with a die-cut title window in the British style. Title page present dated 6-11-64 in manuscript pencil with credits for screenwriter and composer Fairhurst. 108 leaves mechanical duplication on eye-rest green stock with pink revision pages throughout dated 23.11.64. Pages Near Fine wrapper Near Fine bound internally with two silver brads. Three Kings Films unknown
1964réf. 131832London: Three Kings Films 1964. Draft script for the 1965 film. With several substantive manuscript emendations to dialogue throughout. A British "teen" comedy with a title that borrows the title and spirit of Conrad Hilton's 1957 autobiography. A family inherits a seaside hotel and has trouble filling it up until their son's rock group begins bringing in the crowds. One of several British films from the mid-sixties which offered the added inducement of a guest appearance by "The Killer" Jerry Lee Lewis who had more success in the UK than the USA after marrying his teenage cousin in 1958. Magenta titled wrappers with a die-cut title window in the British style. Title page present dated 6-11-64 in manuscript pencil with credits for screenwriter and composer Fairhurst. 108 leaves mechanical duplication on eye-rest green stock with pink revision pages throughout dated 23.11.64. Pages Near Fine wrapper Near Fine bound internally with two silver brads. Three Kings Films unknown books
1963réf. 153714New York: Plautus Productions 1963. Revised Draft script for the 1963 television episode originally aired on October 17 1963 on CBS. Manuscript ink annotations by screenwriter Larry Cohen to the first 19 pages noting substantive revisions and Cohen's playful annotation to the title page crossing through "The Nurses" and writing "Florence Nightmare" possibly a working title over the printed title. The series title was changed from "The Nurses" to "The Doctors and the Nurses" for the second season. The series ran from 1962 to 1965 and followed the interpersonal dramas of a group of doctors and nurses at the fictitious Alden General Hospital in New York. In this episode a man attempts suicide and is left partially paralyzed and is tended by Nurse Kelly. An early venture for screenwriter Larry Cohen who would go on to write Blaxploitation films "Bone" 1972 "Black Caesar" 1973 and "Hell Up in Harlem" 1973 as well as several popular horror and science fiction films including "It's Alive" 1974 "God Told Me To" 1976 and "The Stuff" 1985. Set in New York. Self wrappers housed in a manila envelope. Title page present dated April 5 1963 noted as Revised Mimeo and production No. 34 with credits for screenwriter Larry Cohen. 84 leaves with last page of text numbered IV-77. Mimeograph duplication on pink stock rectos only. Title page Very Good plus with light wear and dampstaining to the edges else Pages Near Fine unbound. Envelope Very Good plus overall. Plautus Productions unknown
1963réf. 153714New York: Plautus Productions 1963. Revised Draft script for the 1963 television episode originally aired on October 17 1963 on CBS. Manuscript ink annotations by screenwriter Larry Cohen to the first 19 pages noting substantive revisions and Cohen's playful annotation to the title page crossing through "The Nurses" and writing "Florence Nightmare" possibly a working title over the printed title. The series title was changed from "The Nurses" to "The Doctors and the Nurses" for the second season. The series ran from 1962 to 1965 and followed the interpersonal dramas of a group of doctors and nurses at the fictitious Alden General Hospital in New York. In this episode a man attempts suicide and is left partially paralyzed and is tended by Nurse Kelly. An early venture for screenwriter Larry Cohen who would go on to write Blaxploitation films "Bone" 1972 "Black Caesar" 1973 and "Hell Up in Harlem" 1973 as well as several popular horror and science fiction films including "It's Alive" 1974 "God Told Me To" 1976 and "The Stuff" 1985. Set in New York. Self wrappers housed in a manila envelope. Title page present dated April 5 1963 noted as Revised Mimeo and production No. 34 with credits for screenwriter Larry Cohen. 84 leaves with last page of text numbered IV-77. Mimeograph duplication on pink stock rectos only. Title page Very Good plus with light wear and dampstaining to the edges else Pages Near Fine unbound. Envelope Very Good plus overall. Plautus Productions unknown books
1997réf. 138365N.p.: N.p. 1997. Archive of original and quite substantive correspondence ranging from personal to professional concerns between writer Larry Gelbart and director Robert Parrish all from the archive of Robert Parrish dating between 1979-1997. Archive includes: - Four Autograph Letters Signed from Gelbart to Parrish on Gelbart's personal debossed stationery. - Five Autograph Note Cards Signed from Gelbart to Parrish on Gelbart's personal stationery - One Printed Letter Signed from Gelbart to to Parrish on white office stock. - Two outgoing carbons and one printed letter from Parrish to Gelbart - One seven-page typescript of a humorous essay by Parrish essay titled "Beverly Hills Breakfast Briefing" featuring Gelbart and Parrish as the subjects. Also included are four pieces of vintage ephemera including: - Typescript of an address by Gelbart for the "New York Friars Club Tribute to Neil Simon" at the Waldorf Astoria Hotel's Grand Ballroom on April 25 1993. - Typescript of an address for "The Museum of Television and Radio Gala" at the Waldorf Astoria Hotel's Grand Ballroom on April 27 1993. - Typescript of an address for Joseph S. Kantor's Memorial Service on April 26 1993. - Typescript of an address for Jay Burton's Memorial Service on April 28 1993. - Photocopied excerpt from the Dramatists Guild Quarterly Spring 1992 issue an article regarding Gelbart Gelbart best known for having written "Tootsie" 1982 and for creating the television show "MASH" maintained a close friendship with director Robert Parrish "Body and Soul" "A Double Life" "All the King's Men" and his wife Kathleen as seen here via nearly twenty years of kind correspondence that touches upon the two men's writings careers and family lives. An uncommonly charming and frequently hilarious documentation of a close relationship both within and outside of the film industry. All material Very Good plus to Near Fine. N.p. unknown
1997réf. 138365N.p.: N.p. 1997. Archive of original and quite substantive correspondence ranging from personal to professional concerns between writer Larry Gelbart and director Robert Parrish all from the archive of Robert Parrish dating between 1979-1997. Archive includes: - Four Autograph Letters Signed from Gelbart to Parrish on Gelbart's personal debossed stationery. - Five Autograph Note Cards Signed from Gelbart to Parrish on Gelbart's personal stationery - One Printed Letter Signed from Gelbart to to Parrish on white office stock. - Two outgoing carbons and one printed letter from Parrish to Gelbart - One seven-page typescript of a humorous essay by Parrish essay titled "Beverly Hills Breakfast Briefing" featuring Gelbart and Parrish as the subjects. Also included are four pieces of vintage ephemera including: - Typescript of an address by Gelbart for the "New York Friars Club Tribute to Neil Simon" at the Waldorf Astoria Hotel's Grand Ballroom on April 25 1993. - Typescript of an address for "The Museum of Television and Radio Gala" at the Waldorf Astoria Hotel's Grand Ballroom on April 27 1993. - Typescript of an address for Joseph S. Kantor's Memorial Service on April 26 1993. - Typescript of an address for Jay Burton's Memorial Service on April 28 1993. - Photocopied excerpt from the Dramatists Guild Quarterly Spring 1992 issue an article regarding Gelbart Gelbart best known for having written "Tootsie" 1982 and for creating the television show "MASH" maintained a close friendship with director Robert Parrish "Body and Soul" "A Double Life" "All the King's Men" and his wife Kathleen as seen here via nearly twenty years of kind correspondence that touches upon the two men's writings careers and family lives. An uncommonly charming and frequently hilarious documentation of a close relationship both within and outside of the film industry. All material Very Good plus to Near Fine. N.p. unknown books
1956réf. 152180Burbank CA: American Broadcasting Company ABC 1956. Draft script for the seventh episode of season five of the 1952-1957 television series originally aired on November 13 1956. Copy belonging to actor Johnny Crawford with his name stamped on the front wrapper and his manuscript ink annotations throughout. After a near-death experience an emotionally stunted man decides to trace the sequence of events backwards to understand the incident gaining a new lease on life in the process. Goldenrod titled wrappers. Title page present undated with credits for screenwriter Laszlo Gorog. 48 leaves with last page of text numbered 43. Mimeograph duplication rectos only with blue revision pages throughout dated 10/5/56. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Housed in brown wrappers with a handwritten title label affixed to the front wrapper dated 1956. American Broadcasting Company [ABC] unknown
1956réf. 152180Burbank CA: American Broadcasting Company ABC 1956. Draft script for the seventh episode of season five of the 1952-1957 television series originally aired on November 13 1956. Copy belonging to actor Johnny Crawford with his name stamped on the front wrapper and his manuscript ink annotations throughout. After a near-death experience an emotionally stunted man decides to trace the sequence of events backwards to understand the incident gaining a new lease on life in the process. Goldenrod titled wrappers. Title page present undated with credits for screenwriter Laszlo Gorog. 48 leaves with last page of text numbered 43. Mimeograph duplication rectos only with blue revision pages throughout dated 10/5/56. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Housed in brown wrappers with a handwritten title label affixed to the front wrapper dated 1956. American Broadcasting Company [ABC] unknown books
1979réf. 140601N.p.: Aaron Spelling Productions 1979. First Draft script for Episode 8 from the sole season of the 1980 television series. Two former race car drivers join the LAPD as part of the B.A.D. C.A.T. squad Burglary Auto Detail Commercial Auto Thefts. The men often end up running the burglars off the road rather than taking them in for questioning a method quietly encouraged by their superior Captain Nathan. Michelle Pfeiffer costarred as Samantha "Sunshine" Jensen another B.A.D. Cat. Orange titled wrappers noted as First Draft on the front wrapper dated 12/20/79 with credits for Aaron Spelling Productions. Title page present dated 12/20/79 noted as First Draft with credits for screenwriters Larry Alexander and Richard Carr executive producers Aaron Spelling and Douglas S. Cramer supervising producer E. Duke Vincent and producer Everett Chambers. 60 leaves mechanical duplication with last page of text numbered 56. Pages Fine wrapper Fine bound with two gold brads. Aaron Spelling Productions unknown
1979réf. 140601N.p.: Aaron Spelling Productions 1979. First Draft script for Episode 8 from the sole season of the 1980 television series. Two former race car drivers join the LAPD as part of the B.A.D. C.A.T. squad Burglary Auto Detail Commercial Auto Thefts. The men often end up running the burglars off the road rather than taking them in for questioning a method quietly encouraged by their superior Captain Nathan. Michelle Pfeiffer costarred as Samantha "Sunshine" Jensen another B.A.D. Cat. Orange titled wrappers noted as First Draft on the front wrapper dated 12/20/79 with credits for Aaron Spelling Productions. Title page present dated 12/20/79 noted as First Draft with credits for screenwriters Larry Alexander and Richard Carr executive producers Aaron Spelling and Douglas S. Cramer supervising producer E. Duke Vincent and producer Everett Chambers. 60 leaves mechanical duplication with last page of text numbered 56. Pages Fine wrapper Fine bound with two gold brads. Aaron Spelling Productions unknown books
1962réf. 131830London: Albatross 1962. Shooting script for the 1962 film. Date notation of "12 Sept 1982" in manuscript pencil on the front wrapper label. Hal Erickson at AllMovie: "The Fur Collar" is the principal clue in a mystery involving an espionage ring. Reporter John Bentley assigned to the Paris beat does his best to route out the spies. When his enemies try to assassinate him Bentley pretends to be dead the better to work undercover. Martin Benson co-stars as Inspector Legrain Bentley's friendly enemy. Burgundy titled wrappers noted as Shooting Script on the front wrapper. Title page present noted as Shooting Script in master scenes. 116 leaves carbon typescript. Pages Near Fine wrapper Very Good plus internal prong binding. Albatross unknown
1962réf. 131830London: Albatross 1962. Shooting script for the 1962 film. Date notation of "12 Sept 1982" in manuscript pencil on the front wrapper label. Hal Erickson at AllMovie: "The Fur Collar" is the principal clue in a mystery involving an espionage ring. Reporter John Bentley assigned to the Paris beat does his best to route out the spies. When his enemies try to assassinate him Bentley pretends to be dead the better to work undercover. Martin Benson co-stars as Inspector Legrain Bentley's friendly enemy. Burgundy titled wrappers noted as Shooting Script on the front wrapper. Title page present noted as Shooting Script in master scenes. 116 leaves carbon typescript. Pages Near Fine wrapper Very Good plus internal prong binding. Albatross unknown books
1997réf. 164063N.p.: N.p. 1997. Draft script for the 1999 film with manuscript highlighter annotations throughout calling out settings and props. From the archive of crew member Chris Scher. When psychiatrist Dr. Mumford moves to Mumford Oregon he quickly becomes endeared to the quirky neurotic residents unaware he may be harboring a secret of his own. Zooey Deschanel's screen debut. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Set in the fictitious town of Mumford Oregon and shot on location in California. Gray untitled Kasdan Pictures wrappers. Title page present dated 11/19/97 with credits for screenwriter Lawrence Kasdan. 119 leaves with last page of text numbered 118. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. N.p. unknown
1987réf. 129790Burbank CA: Warner Brothers 1987. Revised Final Draft script for the 1988 film based on the 1985 novel by Anne Tyler. Pink self-wrappers noted as Revised Final Draft on the front wrapper dated October 30 1987 with credits for screenwriter Kasdan and writer Tyler. 143 leaves on pink stock mechanical duplication. Pages Fine wrapper Near Fine bound with two gold brads. Warner Brothers unknown
1997réf. 164063N.p.: N.p. 1997. Draft script for the 1999 film with manuscript highlighter annotations throughout calling out settings and props. From the archive of crew member Chris Scher. When psychiatrist Dr. Mumford moves to Mumford Oregon he quickly becomes endeared to the quirky neurotic residents unaware he may be harboring a secret of his own. Zooey Deschanel's screen debut. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Set in the fictitious town of Mumford Oregon and shot on location in California. Gray untitled Kasdan Pictures wrappers. Title page present dated 11/19/97 with credits for screenwriter Lawrence Kasdan. 119 leaves with last page of text numbered 118. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. N.p. unknown books
1987réf. 129790Burbank CA: Warner Brothers 1987. Revised Final Draft script for the 1988 film based on the 1985 novel by Anne Tyler. Pink self-wrappers noted as Revised Final Draft on the front wrapper dated October 30 1987 with credits for screenwriter Kasdan and writer Tyler. 143 leaves on pink stock mechanical duplication. Pages Fine wrapper Near Fine bound with two gold brads. Warner Brothers unknown books
1982réf. 149505Los Angeles: Lawrence Schiller Productions 1982. Original borderless photograph of director Lawrence Schiller consulting with novelist Norman Mailer regarding the script for the 1982 film. With a printed mimeo snipe affixed to the verso. Based on the 1979 Pulitzer Prize winning novel by Mailer who adapted his own book for the screen about the final years in the life of convicted murderer Gary Gilmore following his release from prison in Illinois and through to his re-incarceration in a Provo Utah prison and eventual execution for having committed multiple murders in Utah. Nominated for five Emmy Awards winning two including Outstanding Lead Actor for Tommy Lee Jones. A turning point in television movies wherein Jones and Arquette play wholly unsympathetic characters without reservation. One of the finest films of the 1980s on television or the silver screen. Set in Utah and Oregon shot on location in Utah. 10 x 8 inches. Near Fine. Reyes 155. Lawrence Schiller Productions unknown
