11 058 résultats
1977réf. 146208N.p.: N.p. 1977. Fourth Draft script for the 1977 film. With a single manuscript ink notation on the front wrapper's right top corner. Based on the 1977 novel by Colin Forbes about a defecting Russian general who collaborates with an American secret agent to expose KGB spies throughout Europe by luring them onto a train headed west. Director Mark Robson and actor Robert Shaw died of unrelated heart attacks within months of the film's release making "Avalanche Express" a final film for both. Set and shot on location in Germany England Ireland Italy and the US. Tan titled wrappers noted as FOURTH DRAFT on the front wrapper dated December 30 1977 with credits for screenwriter Abraham Polonsky. Title page present dated December 30 1977 noted as FOURTH DRAFT with credits for screenwriter Abraham Polonsky. 115 leaves with last page of text numbered 113. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with tearing on the front wrapper binding bound with two gold brads. N.p. unknown
1977réf. 146208N.p.: N.p. 1977. Fourth Draft script for the 1977 film. With a single manuscript ink notation on the front wrapper's right top corner. Based on the 1977 novel by Colin Forbes about a defecting Russian general who collaborates with an American secret agent to expose KGB spies throughout Europe by luring them onto a train headed west. Director Mark Robson and actor Robert Shaw died of unrelated heart attacks within months of the film's release making "Avalanche Express" a final film for both. Set and shot on location in Germany England Ireland Italy and the US. Tan titled wrappers noted as FOURTH DRAFT on the front wrapper dated December 30 1977 with credits for screenwriter Abraham Polonsky. Title page present dated December 30 1977 noted as FOURTH DRAFT with credits for screenwriter Abraham Polonsky. 115 leaves with last page of text numbered 113. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with tearing on the front wrapper binding bound with two gold brads. N.p. unknown books
1960réf. 162841New York: Graphic Arts Photo Service 1960. Vintage oversize borderless reference photograph of actor and director Marlon Brando on the set of the 1961 Western film. Date stamp and stamps of Graphic Arts and photographer Sam Shaw on the verso. Based on the 1956 novel "The Authentic Death of Hendry Jones" by Charles Neider. Marlon Brando's only directorial effort after his production company fired original screenwriter Sam Peckinpah and director Stanley Kubrick and he rewrote the script first with Calder Willingham then with Guy Tropser. From the archive of the PIX Agency an American photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. 14 x 11 inches. Very Good plus. Criterion Collection 884. Graphic Arts Photo Service unknown
1960réf. 162841New York: Graphic Arts Photo Service 1960. Vintage oversize borderless reference photograph of actor and director Marlon Brando on the set of the 1961 Western film. Date stamp and stamps of Graphic Arts and photographer Sam Shaw on the verso. Based on the 1956 novel "The Authentic Death of Hendry Jones" by Charles Neider. Marlon Brando's only directorial effort after his production company fired original screenwriter Sam Peckinpah and director Stanley Kubrick and he rewrote the script first with Calder Willingham then with Guy Tropser. From the archive of the PIX Agency an American photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. 14 x 11 inches. Very Good plus. Criterion Collection 884. Graphic Arts Photo Service unknown books
1980réf. 139864London: ITC Films 1980. Original British one sheet poster for the 1980 UK film. Printed in England. Based on a story by John Barry and Amis' only foray into screenwriting. Alex and Adam Fawcett and Douglas are two scientists working at a space station on one of Saturn's moons. Their romance is interrupted by a murderous official from Earth Keitel who intends to build a demigod robot to replace the scientists. As is often the case the robot starts to think for itself with the usual results. 27 x 39.75 inches folded as issued. Stress at the folds and a few central pinholes else Near Fine. ITC Films unknown
1980réf. 139864London: ITC Films 1980. Original British one sheet poster for the 1980 UK film. Printed in England. Based on a story by John Barry and Amis' only foray into screenwriting. Alex and Adam Fawcett and Douglas are two scientists working at a space station on one of Saturn's moons. Their romance is interrupted by a murderous official from Earth Keitel who intends to build a demigod robot to replace the scientists. As is often the case the robot starts to think for itself with the usual results. 27 x 39.75 inches folded as issued. Stress at the folds and a few central pinholes else Near Fine. ITC Films unknown books
1998réf. 135856Cardiff Wales: Hartswood Films 1998. An archive of 11 scripts for the complete 7 episode British television miniseries "Wonderful You." Copies belonging to make-up artist Teresa Kelly with her manuscript name and annotations throughout in highlighter and ink. Included in the listing are Archive also includes 20 pages of call sheets and shooting schedules with Kelly's manuscript annotations. Almost certainly begun as an attempt to at least in part mimic the early success of the long-running sitcom "Friends" "Wonderful You" follows a group of thirty-something aged friends in London as they navigate their convoluted interpersonal relationships. Unlike "Friends" however in which all the main characters start out as single and slowly acquire partners "Wonderful You" contains a number of different states of romantic relationships right from the beginning including a few single people a successful couple in a long term relationship a gay couple and an unhappily married couple with a young son. Though "Friends" may be considered one of the more successful sitcoms of the late 1990s and certainly one of the longest-running "Wonderful You" instead makes a much more succinct and arguably much less saccharine statement about the nature of relationships themselves. Shot on location in London. Scripts all housed in tall white self wrappers as issued some unbound sheets and some prong bound. One script then further housed in a red spring binder. All have credits for screenwriters Niel and Lumsden. Title page integral with the front wrappers. Mechanical duplication some with pink blue or yellow revision pages. Very Good plus condition or better. Hartswood Films unknown
1998réf. 135856Cardiff Wales: Hartswood Films 1998. An archive of 11 scripts for the complete 7 episode British television miniseries "Wonderful You." Copies belonging to make-up artist Teresa Kelly with her manuscript name and annotations throughout in highlighter and ink. Included in the listing are Archive also includes 20 pages of call sheets and shooting schedules with Kelly's manuscript annotations. Almost certainly begun as an attempt to at least in part mimic the early success of the long-running sitcom "Friends" "Wonderful You" follows a group of thirty-something aged friends in London as they navigate their convoluted interpersonal relationships. Unlike "Friends" however in which all the main characters start out as single and slowly acquire partners "Wonderful You" contains a number of different states of romantic relationships right from the beginning including a few single people a successful couple in a long term relationship a gay couple and an unhappily married couple with a young son. Though "Friends" may be considered one of the more successful sitcoms of the late 1990s and certainly one of the longest-running "Wonderful You" instead makes a much more succinct and arguably much less saccharine statement about the nature of relationships themselves. Shot on location in London. Scripts all housed in tall white self wrappers as issued some unbound sheets and some prong bound. One script then further housed in a red spring binder. All have credits for screenwriters Niel and Lumsden. Title page integral with the front wrappers. Mechanical duplication some with pink blue or yellow revision pages. Very Good plus condition or better. Hartswood Films unknown books
1952réf. 149568Culver City CA: Columbia Pictures 1952. Vintage reference photograph from the 1952 French anthology film showing actors Jean Galland Paul Azais and Gaby Bruyere who appear in the episode "Le Masque." With manuscript pencil annotations on the verso. Based on three short stories by Guy de Maupassant: "Le Masque" 1889 "La Maison Tellier" 1881 and "Le Modele" 1883. An exploration of pleasure and its repercussions. Set and shot on location in Paris and Calvados France 9.25 x 7 inches. Very Good plus with a light diagonal crease to the bottom right corner. Criterion Collection 444. Columbia Pictures unknown
1952réf. 149919Culver City CA: Columbia Pictures 1952. Vintage borderless reference photograph from the 1952 French anthology film showing director Max Ophuls with a camera crew filming a scene with actor Jean Gabin who appears in the episode "La Maison Tellier." Based on three short stories by Guy de Maupassant: "Le Masque" 1889 "La Maison Tellier" 1881 and "Le Modele" 1883. An exploration of pleasure and its repercussions. Set and shot on location in Paris and Calvados France. 7 x 9.5 inches. Near Fine. Criterion Collection 444. Columbia Pictures unknown
1953réf. 144522Paris: Franco London Films 1953. Vintage test photograph of Charles Boyer as "General Andre de." in the 1953 French-Italian film. In the film he wears a mustache not so in this image and likely this session occurred just before or after filming was complete. Based on de Vilmorin's 1951 novel. Generally considered to be Max Ophuls' masterpiece the third of four acclaimed films he made after his return to France in 1950 and a 1950s masterpiece. Nominated for an Academy Award for Best Costume Black-and-White Rosine Delamare and Georges Annenkov. 11.5 x 14.75 inches small white border double weight full-color printed on Agfa photo paper. Very Good with moderate rubbing and curling a few short tears and creases. Criterion Collection. Ebert II. Godard Histoires du cinema. Rosenbaum 1000. Franco London Films unknown
1952réf. 149568Culver City CA: Columbia Pictures 1952. Vintage reference photograph from the 1952 French anthology film showing actors Jean Galland Paul Azais and Gaby Bruyere who appear in the episode "Le Masque." With manuscript pencil annotations on the verso. Based on three short stories by Guy de Maupassant: "Le Masque" 1889 "La Maison Tellier" 1881 and "Le Modele" 1883. An exploration of pleasure and its repercussions. Set and shot on location in Paris and Calvados France 9.25 x 7 inches. Very Good plus with a light diagonal crease to the bottom right corner. Criterion Collection 444. Columbia Pictures unknown books
1952réf. 149919Culver City CA: Columbia Pictures 1952. Vintage borderless reference photograph from the 1952 French anthology film showing director Max Ophuls with a camera crew filming a scene with actor Jean Gabin who appears in the episode "La Maison Tellier." Based on three short stories by Guy de Maupassant: "Le Masque" 1889 "La Maison Tellier" 1881 and "Le Modele" 1883. An exploration of pleasure and its repercussions. Set and shot on location in Paris and Calvados France. 7 x 9.5 inches. Near Fine. Criterion Collection 444. Columbia Pictures unknown books
1953réf. 144522Paris: Franco London Films 1953. Vintage test photograph of Charles Boyer as "General Andre de." in the 1953 French-Italian film. In the film he wears a mustache not so in this image and likely this session occurred just before or after filming was complete. Based on de Vilmorin's 1951 novel. Generally considered to be Max Ophuls' masterpiece the third of four acclaimed films he made after his return to France in 1950 and a 1950s masterpiece. Nominated for an Academy Award for Best Costume Black-and-White Rosine Delamare and Georges Annenkov. 11.5 x 14.75 inches small white border double weight full-color printed on Agfa photo paper. Very Good with moderate rubbing and curling a few short tears and creases. Criterion Collection. Ebert II. Godard Histoires du cinema. Rosenbaum 1000. Franco London Films unknown books
1970réf. 161818N.p.: Rochambeau Films 1970. Five vintage studio still photographs from the US release of the 1970 French film. Greta a Swedish student arrives in Paris and finds refuge from dogged men in the arms of Claude a rich possessive lesbian. But she soon feels oppressed and begins falling for Jean a bisexual lover of a celebrated gay artist. Set in and shot on location in Paris. 8 x 10 inches. Near Fine. 88 Films. Rochambeau Films unknown
1970réf. 161818N.p.: Rochambeau Films 1970. Five vintage studio still photographs from the US release of the 1970 French film. Greta a Swedish student arrives in Paris and finds refuge from dogged men in the arms of Claude a rich possessive lesbian. But she soon feels oppressed and begins falling for Jean a bisexual lover of a celebrated gay artist. Set in and shot on location in Paris. 8 x 10 inches. Near Fine. 88 Films. Rochambeau Films unknown books
1966réf. 149516Beverly Hills CA: Batjac Productions 1966. Vintage borderless reference photograph from the 1966 film showing actors Kirk Douglas and Angie Dickinson. With manuscript pencil annotations regarding layout on the verso. Based on the real experiences of David "Mickey" Marcus a US military officer recruited to command units of the Israel Defense Forces forces during the 1948 Arab-Israel War. Shot on location in Israel and Italy. 10 x 8 inches. Near Fine. Batjac Productions unknown
1966réf. 149516Beverly Hills CA: Batjac Productions 1966. Vintage borderless reference photograph from the 1966 film showing actors Kirk Douglas and Angie Dickinson. With manuscript pencil annotations regarding layout on the verso. Based on the real experiences of David "Mickey" Marcus a US military officer recruited to command units of the Israel Defense Forces forces during the 1948 Arab-Israel War. Shot on location in Israel and Italy. 10 x 8 inches. Near Fine. Batjac Productions unknown books
1961réf. 131817Aldenham UK: Jermyn Productions 1961. Final script for the 1961 British film comedy. With revisions on pink stock bound in throughout and manuscript ink annotations mostly scene deletions on numerous pages. Also laid in are 16 pages of revisions on goldenrod stock accompanied by an advisory letter on Shepperton Studios stationery date stamped 12 January 1961. Bookkeeper George Summers Glenn Melvyn opts to marry one more time after his first wife leaves him. Unfortunately his ex-wife's harridan mother-in-law Marjorie Rhodes does not leave with her daughter. Now the new wife and the old mother-in-law are at loggerheads-not a recipe for the beginning of a successful marriage. Deep blue titled wrappers with a die-cut title window in the British style. Title page present dated January 4 1961 noted as FINAL SCRIPT with credits for screenwriter Player and playwright Deering assumed erroneously as Deering was an actor in the film and the playright was Rex Howard Arundel. 144 leaves mechanical duplication with pink undated revision pages throughout and goldenrod revision pages laid in dated 9th January 1961. Pages Near Fine wrapper Near Fine bound internally with three silver brads. Jermyn Productions unknown
1961réf. 131817Aldenham UK: Jermyn Productions 1961. Final script for the 1961 British film comedy. With revisions on pink stock bound in throughout and manuscript ink annotations mostly scene deletions on numerous pages. Also laid in are 16 pages of revisions on goldenrod stock accompanied by an advisory letter on Shepperton Studios stationery date stamped 12 January 1961. Bookkeeper George Summers Glenn Melvyn opts to marry one more time after his first wife leaves him. Unfortunately his ex-wife's harridan mother-in-law Marjorie Rhodes does not leave with her daughter. Now the new wife and the old mother-in-law are at loggerheads-not a recipe for the beginning of a successful marriage. Deep blue titled wrappers with a die-cut title window in the British style. Title page present dated January 4 1961 noted as FINAL SCRIPT with credits for screenwriter Player and playwright Deering assumed erroneously as Deering was an actor in the film and the playright was Rex Howard Arundel. 144 leaves mechanical duplication with pink undated revision pages throughout and goldenrod revision pages laid in dated 9th January 1961. Pages Near Fine wrapper Near Fine bound internally with three silver brads. Jermyn Productions unknown books
1950réf. 136048Universal City CA: Universal Pictures 1950. Vintage double weight studio still photograph from the 1950 film noir showing the crew retrieving the waterlogged car used in the climactic scene. An heiress inherits her father's steel mill and then must extricate herself from a marriage to the mill's general manager who means to kill her in order to own the mill. 8 x 10 inches. Very Good plus with light rippling near one extremity. Grant US. Selby US. Silver & Ward US. Spicer US. Universal Pictures unknown
1950réf. 136048Universal City CA: Universal Pictures 1950. Vintage double weight studio still photograph from the 1950 film noir showing the crew retrieving the waterlogged car used in the climactic scene. An heiress inherits her father's steel mill and then must extricate herself from a marriage to the mill's general manager who means to kill her in order to own the mill. 8 x 10 inches. Very Good plus with light rippling near one extremity. Grant US. Selby US. Silver & Ward US. Spicer US. Universal Pictures unknown books
1987réf. 171544N.p.: N.p. 1987. Final Draft script for Season 2 Episode 1 of the 1986-1988 television series. Originally aired September 22 1987 on NBC. An early screenwriting effort for film director Michael Mann who went on to create "Miami Vice" followed by a legendary film career. Series following a detective with plans to stop a mobster in 1960s Las Vegas. In this episode the detective has to protect a Senator who investigates the mob and an actress who has ties to the mob. Set in 1960s Las Vegas. Generic brown manila wrappers with tape affixed to the front wrapper indicating the series and episode titles in manuscript ink and with credits in manuscript ink for screenwriter Peter Lance. Title page present dated 7/24/87 noted as FINAL DRAFT with credits for screenwriter Peter Lance. 64 leaves with last page of text numbered 56. Xerographic duplication rectos only with revision pages throughout dated variously between 7/17/87 and 7/24/87. Pages Fine wrapper Fine internally bound with silver prong binding. N.p. unknown
1987réf. 171544N.p.: N.p. 1987. Final Draft script for Season 2 Episode 1 of the 1986-1988 television series. Originally aired September 22 1987 on NBC. An early screenwriting effort for film director Michael Mann who went on to create "Miami Vice" followed by a legendary film career. Series following a detective with plans to stop a mobster in 1960s Las Vegas. In this episode the detective has to protect a Senator who investigates the mob and an actress who has ties to the mob. Set in 1960s Las Vegas. Generic brown manila wrappers with tape affixed to the front wrapper indicating the series and episode titles in manuscript ink and with credits in manuscript ink for screenwriter Peter Lance. Title page present dated 7/24/87 noted as FINAL DRAFT with credits for screenwriter Peter Lance. 64 leaves with last page of text numbered 56. Xerographic duplication rectos only with revision pages throughout dated variously between 7/17/87 and 7/24/87. Pages Fine wrapper Fine internally bound with silver prong binding. N.p. unknown books
1977réf. 141776United Kingdom: ITC Films / Scimitar Films 1977. Revised Draft script for the 1979 British film. Copy belonging to an unknown crew member with manuscript underlining and annotations throughout in red and blue ink primarily to due with props and practical effects used in action sequences. A former hit man is hired by the FBI to hunt down a reclusive billionaire criminal coming into conflict with a woman who is after the same man for revenge along the way. Blue untitled wrappers with a die cut title window in the British style. Title page present dated 12/20/1977 noted as Revised with credits for screenwriter Gerald Wilson and story by Bill Kirby and Michael Winner. 105 leaves with last page of text numbered 104. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with two silver brads. ITC Films / Scimitar Films unknown
