11 058 résultats
1977réf. 141776United Kingdom: ITC Films / Scimitar Films 1977. Revised Draft script for the 1979 British film. Copy belonging to an unknown crew member with manuscript underlining and annotations throughout in red and blue ink primarily to due with props and practical effects used in action sequences. A former hit man is hired by the FBI to hunt down a reclusive billionaire criminal coming into conflict with a woman who is after the same man for revenge along the way. Blue untitled wrappers with a die cut title window in the British style. Title page present dated 12/20/1977 noted as Revised with credits for screenwriter Gerald Wilson and story by Bill Kirby and Michael Winner. 105 leaves with last page of text numbered 104. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with two silver brads. ITC Films / Scimitar Films unknown books
1974réf. 149659N.p.: Films du Jeudi 1974. Vintage oversize color reference photograph from the 1974 French film showing actors Jane Birkin topless and Feodor Atkine in drag. A weepy whiny alcohol salesman manipulates his way into power as the head of a luxury hotel. Set and shot on location in Paris. 11.75 x 9.5 inches. Near Fine. Films du Jeudi unknown
1974réf. 149659N.p.: Films du Jeudi 1974. Vintage oversize color reference photograph from the 1974 French film showing actors Jane Birkin topless and Feodor Atkine in drag. A weepy whiny alcohol salesman manipulates his way into power as the head of a luxury hotel. Set and shot on location in Paris. 11.75 x 9.5 inches. Near Fine. Films du Jeudi unknown books
1982réf. 144397Rome: Iterfilm 1982. Agency draft script in English for the 1982 Italian film. Antonioni's rarely discussed final feature but generally considered one of his greatest achievements. Niccolo Tomas Milian a recently divorced movie director pursues a new relationship with a younger woman Mavi Daniela Silverio who he imagines could play the leading role in his next film. She quickly vanishes and he embarks on a search to find her sparking up a series of romances with other women. Winner of the 35th Anniversary Prize at the 1982 Cannes Film Festival. Shot on location in Venice and Rome. Blue untitled agency wrappers. Title page present with credits for director Michelangelo Antonioni. 91 leaves with last page of text numbered 82. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Criterion Collection 585. Iterfilm unknown
1982réf. 144397Rome: Iterfilm 1982. Agency draft script in English for the 1982 Italian film. Antonioni's rarely discussed final feature but generally considered one of his greatest achievements. Niccolo Tomas Milian a recently divorced movie director pursues a new relationship with a younger woman Mavi Daniela Silverio who he imagines could play the leading role in his next film. She quickly vanishes and he embarks on a search to find her sparking up a series of romances with other women. Winner of the 35th Anniversary Prize at the 1982 Cannes Film Festival. Shot on location in Venice and Rome. Blue untitled agency wrappers. Title page present with credits for director Michelangelo Antonioni. 91 leaves with last page of text numbered 82. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Criterion Collection 585. Iterfilm unknown books
1967réf. 141810Budapest: Mafilm 1967. Vintage Hungarian program for the 1967 film. Photo-illustrated with scenes from the film including one large image on the entirety of the verso. Text in Hungarian. One of the masterpieces of Hungarian cinema. A Russian-Hungarian co-production "The Red and the White" was originally commissioned to celebrate the 50th anniversary of the October Revolution in Russia in which the Bolsheviks seized power. However Jancso chose to set the action two years later in 1919 and showed Hungarian irregulars supporting the Communist "Reds" in fighting the Tsarist "Whites" as the two sides battled for control in the hills overlooking the Volga river. As well as deviating on the required setting Jancso also chose to use a radically different approach to the film than that expected. Rather than shooting a hagiographic account of the birth of Soviet communism Jancso produced a profoundly anti-heroic film that depicts the senseless brutality of the Russian Civil War specifically and all armed combat in general. 7.75 x 3.5 folded 15.25 x 10.75 unfolded. Near Fine. Rosebaum 1000. Vogel Film as a Subversive Art. Mafilm unknown
1967réf. 141810Budapest: Mafilm 1967. Vintage Hungarian program for the 1967 film. Photo-illustrated with scenes from the film including one large image on the entirety of the verso. Text in Hungarian. One of the masterpieces of Hungarian cinema. A Russian-Hungarian co-production "The Red and the White" was originally commissioned to celebrate the 50th anniversary of the October Revolution in Russia in which the Bolsheviks seized power. However Jancso chose to set the action two years later in 1919 and showed Hungarian irregulars supporting the Communist "Reds" in fighting the Tsarist "Whites" as the two sides battled for control in the hills overlooking the Volga river. As well as deviating on the required setting Jancso also chose to use a radically different approach to the film than that expected. Rather than shooting a hagiographic account of the birth of Soviet communism Jancso produced a profoundly anti-heroic film that depicts the senseless brutality of the Russian Civil War specifically and all armed combat in general. 7.75 x 3.5 folded 15.25 x 10.75 unfolded. Near Fine. Rosebaum 1000. Vogel Film as a Subversive Art. Mafilm unknown books
1984réf. 170406N.p.: N.p. 1984. Vintage borderless reference photograph from the 1984 film showing director Milo Forman talking with actor F. Murray Abraham on the set. Based on Peter Shaffer's 1979 play. A dramatization of the life of Wolfgang Amadeus Mozart as well as that of his jealous troubled rival Antonio Salieri. Nominated for eleven Academy Awards winning eight including Best Picture and Best Director. Set in Vienna shot on location in Prague Kromeriz and Vienna. 7 x 5 inches. Fine. National Film Registry. Ebert II. N.p. unknown
1984réf. 170406N.p.: N.p. 1984. Vintage borderless reference photograph from the 1984 film showing director Milo Forman talking with actor F. Murray Abraham on the set. Based on Peter Shaffer's 1979 play. A dramatization of the life of Wolfgang Amadeus Mozart as well as that of his jealous troubled rival Antonio Salieri. Nominated for eleven Academy Awards winning eight including Best Picture and Best Director. Set in Vienna shot on location in Prague Kromeriz and Vienna. 7 x 5 inches. Fine. National Film Registry. Ebert II. N.p. unknown books
1965réf. 138325Prague: Filmove studio Barrandov 1965. Original program for the 1965 film with text in both French and English made for the international release of the film. Illustrated throughout with images from the film and line drawings. One of the best known films from the Czechoslovak New Wave nominated for a Best Foreign Language Film Oscar and bringing Forman to international attention. 11.25 x 8.25 inches 6 pages saddle stapled in self wrappers. Near Fine. Criterion Collection 144. Second Run 54. Filmove studio Barrandov unknown
1965réf. 138325Prague: Filmove studio Barrandov 1965. Original program for the 1965 film with text in both French and English made for the international release of the film. Illustrated throughout with images from the film and line drawings. One of the best known films from the Czechoslovak New Wave nominated for a Best Foreign Language Film Oscar and bringing Forman to international attention. 11.25 x 8.25 inches 6 pages saddle stapled in self wrappers. Near Fine. Criterion Collection 144. Second Run 54. Filmove studio Barrandov unknown books
1977réf. 137778Canada: Paradise Films Limited 1977. Shooting script for the 1978 Canadian film seen here under its alternate title "I Miss You Hugs and Kisses" the title used for its recent restoration by Severin Films. Brief annotations in manuscript ink on two pages. Shot in flashback scenarios a beautiful model Sommer is murdered and left for dead in her garage and the key suspect is the person who discovered her dead: her husband Charles Pilon. Shot on location in Ontario. One of the non-prosecuted films included in the "Video Nasties" list a collection of video cassette releases distributed in the United Kingdom in the 1980s that were criticized for their violent content by social commentators religious organizations and the press. The list named over 70 films 39 prosecuted 33 non-prosecuted. Red titled wrappers. Title page present dated April 25 1977 noted as SHOOTING SCRIPT with credits for screenwriter Woods and Markowitz. 121 leaves with last page of text numbered 119. Mechanical duplication. Pages and wrapper Near Fine bound with a black Vello binding. Paradise Films Limited unknown
1977réf. 137778Canada: Paradise Films Limited 1977. Shooting script for the 1978 Canadian film seen here under its alternate title "I Miss You Hugs and Kisses" the title used for its recent restoration by Severin Films. Brief annotations in manuscript ink on two pages. Shot in flashback scenarios a beautiful model Sommer is murdered and left for dead in her garage and the key suspect is the person who discovered her dead: her husband Charles Pilon. Shot on location in Ontario. One of the non-prosecuted films included in the "Video Nasties" list a collection of video cassette releases distributed in the United Kingdom in the 1980s that were criticized for their violent content by social commentators religious organizations and the press. The list named over 70 films 39 prosecuted 33 non-prosecuted. Red titled wrappers. Title page present dated April 25 1977 noted as SHOOTING SCRIPT with credits for screenwriter Woods and Markowitz. 121 leaves with last page of text numbered 119. Mechanical duplication. Pages and wrapper Near Fine bound with a black Vello binding. Paradise Films Limited unknown books
1985réf. 162357N.p.: N.p. 1985. Two vintage borderless reference photographs from the set of the 1985 film including one showing actress Nastassja Kinski with director Arthur Joffe. A Wall Street trader is kidnapped by a wealthy sheik and brought to his harem where she begins to fall in love with him. Nominated for five César Awards winning two. 7 x 5 inches. Near Fine. N.p. unknown
1985réf. 162357N.p.: N.p. 1985. Two vintage borderless reference photographs from the set of the 1985 film including one showing actress Nastassja Kinski with director Arthur Joffe. A Wall Street trader is kidnapped by a wealthy sheik and brought to his harem where she begins to fall in love with him. Nominated for five César Awards winning two. 7 x 5 inches. Near Fine. N.p. unknown books
1975réf. 139041Hollywood: Paramount Pictures 1975. Original British quad poster for the 1975 US film. Printed in England by Leonard Ripley. One of the most haunting and truly underrated films of the 1970s Schlesinger's "The Day of the Locust" translates Nathanael West's masterpiece into a dark funny and ultimately devastating commentary on the Hollywood system and its effect on the lives and dreams of an array of characters lost in it. Since its release the film has come to be considered by many Donald Sutherland's finest performance as well as a grand achievement in terms of script cinematography acting and design. Nominated for two Academy Awards. 30 x 40 inches folded as issued. Very Good plus with staple holes to the top edge and a notation in manuscript ink on the verso. Paramount Pictures unknown
1975réf. 139041Hollywood: Paramount Pictures 1975. Original British quad poster for the 1975 US film. Printed in England by Leonard Ripley. One of the most haunting and truly underrated films of the 1970s Schlesinger's "The Day of the Locust" translates Nathanael West's masterpiece into a dark funny and ultimately devastating commentary on the Hollywood system and its effect on the lives and dreams of an array of characters lost in it. Since its release the film has come to be considered by many Donald Sutherland's finest performance as well as a grand achievement in terms of script cinematography acting and design. Nominated for two Academy Awards. 30 x 40 inches folded as issued. Very Good plus with staple holes to the top edge and a notation in manuscript ink on the verso. Paramount Pictures unknown books
1996réf. 170717Los Angeles: Atlas Entertainment 1996. Draft script for the 1998 film. An American remake of Wim Wenders' 1987 film "Wings of Desire" the setting moved to Los Angeles about an angel who falls in love with a human and decides to become mortal in order to live with her. Set and shot on location in Los Angeles. Generic white Atlas Entertainment wrappers. Title page present dated May 29 1996 with credit for screenwriter Dana Stevens. 121 leaves with last page of text numbered 120. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound internally with two gold brads. Atlas Entertainment unknown
1996réf. 170717Los Angeles: Atlas Entertainment 1996. Draft script for the 1998 film. An American remake of Wim Wenders' 1987 film "Wings of Desire" the setting moved to Los Angeles about an angel who falls in love with a human and decides to become mortal in order to live with her. Set and shot on location in Los Angeles. Generic white Atlas Entertainment wrappers. Title page present dated May 29 1996 with credit for screenwriter Dana Stevens. 121 leaves with last page of text numbered 120. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound internally with two gold brads. Atlas Entertainment unknown books
1990réf. 140789Los Angeles: Twentieth Century-Fox 1990. Draft script for the 1992 film. Based on the 1988 play of the same name also by Craig Lucas. A young pessimistic woman who is a communist also works as a bartender and gets married to a conservative young man who works at a Chicago publishing house. At their wedding an old man asks to kiss Rita and when he does his soul changes places with her and now Peter must see beyond the physical to the beautiful soul underneath for the old man to kiss Rita again and return to his own cancer-ridden body. Set in New York shot on location in Chicago and Highland Park Illinois and Jamaica. Green titled wrappers. Title page present dated September 18 1990 with credits for screenwriter Craig Lucas. 122 leaves with last page of text numbered 122. Xerographic duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox unknown
1990réf. 140789Los Angeles: Twentieth Century-Fox 1990. Draft script for the 1992 film. Based on the 1988 play of the same name also by Craig Lucas. A young pessimistic woman who is a communist also works as a bartender and gets married to a conservative young man who works at a Chicago publishing house. At their wedding an old man asks to kiss Rita and when he does his soul changes places with her and now Peter must see beyond the physical to the beautiful soul underneath for the old man to kiss Rita again and return to his own cancer-ridden body. Set in New York shot on location in Chicago and Highland Park Illinois and Jamaica. Green titled wrappers. Title page present dated September 18 1990 with credits for screenwriter Craig Lucas. 122 leaves with last page of text numbered 122. Xerographic duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox unknown books
1946réf. 138606Paris: Ecran Francais 1946. Vintage program for the 1946 French film. INSCRIBED by director Claude Autant-Lara in manuscript ink: "Sylvie / seul et unique film a illegible poétique du cinéma français / A Claude Autant / avec toutes mes amitiés! / Claude Autant-Lara / Vichy illegible 1989" "Sylvie / one-and-only film illegible poetics of French film / from Claude Autant / with best wishes / Vichy illegible 1989". Based on the 1942 comic play by Alfred Adam. On the eve of his daughter's 16th birthday a father hires a man to dress as the ghost of the figure in her favorite painting. Two suitors also dress as ghosts to vie for her attention. All this commotion causes the real ghost to appear in order to help Sylvie sort everything out. 12.25 x 9.5 inches. Saddle stapled. Near Fine with cello tape reinforcements to the staples. Ecran Francais unknown
1946réf. 138606Paris: Ecran Francais 1946. Vintage program for the 1946 French film. INSCRIBED by director Claude Autant-Lara in manuscript ink: "Sylvie / seul et unique film a illegible poétique du cinéma français / A Claude Autant / avec toutes mes amitiés! / Claude Autant-Lara / Vichy illegible 1989" "Sylvie / one-and-only film illegible poetics of French film / from Claude Autant / with best wishes / Vichy illegible 1989". Based on the 1942 comic play by Alfred Adam. On the eve of his daughter's 16th birthday a father hires a man to dress as the ghost of the figure in her favorite painting. Two suitors also dress as ghosts to vie for her attention. All this commotion causes the real ghost to appear in order to help Sylvie sort everything out. 12.25 x 9.5 inches. Saddle stapled. Near Fine with cello tape reinforcements to the staples. Ecran Francais unknown books
1978réf. 164326N.p.: N.p. 1978. Vintage borderless oversize color reference photograph from the 1978 French sexploitation film. Annotations in manuscript ink on the verso. A vice squad determines to take down a drug and prostitution ring. Director Jacques Scandelari helmed a number of gay pornographic films under the pseudonym Marvin Merkins the most notable being the 1978 feature "New York City Inferno." 12 x 9.5 inches. Very Good. Bier 201. N.p. unknown
1978réf. 164326N.p.: N.p. 1978. Vintage borderless oversize color reference photograph from the 1978 French sexploitation film. Annotations in manuscript ink on the verso. A vice squad determines to take down a drug and prostitution ring. Director Jacques Scandelari helmed a number of gay pornographic films under the pseudonym Marvin Merkins the most notable being the 1978 feature "New York City Inferno." 12 x 9.5 inches. Very Good. Bier 201. N.p. unknown books
