11 058 résultats
1965réf. 149858N.p.: N.p. 1965. Vintage borderless reference photograph of Pierre Etaix and Claudine Auger from the 1965 film. After losing everything in the stock market crash of 1929 a millionaire Etaix finds happiness his lost love Auger and the son he never knew he had by joining the circus. Nominated for the Palme d'Or. Shot on location in Morbihan Bas-Rhin and Yvelines France. 9 x 6.75 inches. Near Fine. Criterion Collection 655. N.p. unknown
1965réf. 149858N.p.: N.p. 1965. Vintage borderless reference photograph of Pierre Etaix and Claudine Auger from the 1965 film. After losing everything in the stock market crash of 1929 a millionaire Etaix finds happiness his lost love Auger and the son he never knew he had by joining the circus. Nominated for the Palme d'Or. Shot on location in Morbihan Bas-Rhin and Yvelines France. 9 x 6.75 inches. Near Fine. Criterion Collection 655. N.p. unknown books
1962réf. 135647Paris: C.A.P.A.C. / Cocinor 1962. Collection of 6 vintage borderless black-and-white studio still photographs from the French release of the 1962 film. Each photo with the stamp of French distributor Cocinor on the verso. 5 x 7 inches. Very Good plus with pinholes at the corners of each photograph. Criterion Collection 655. C.A.P.A.C. / Cocinor unknown books
1973réf. 149572Paris: Sonocam 1973. Two vintage reference photographs from the 1973 French erotic film one showing actress Karin Schubert the other showing Schubert and actor Amidou. With manuscript ink and pencil annotations on the verso. Based on the 1971 novel. A call girl is punished by the owner of the brothel where she works and is subsequently forced to take on a variety of sadomasochistic clients. 9.5 x 7 inches. Fine. Bier 1451. Sonocam unknown
1973réf. 149572Paris: Sonocam 1973. Two vintage reference photographs from the 1973 French erotic film one showing actress Karin Schubert the other showing Schubert and actor Amidou. With manuscript ink and pencil annotations on the verso. Based on the 1971 novel. A call girl is punished by the owner of the brothel where she works and is subsequently forced to take on a variety of sadomasochistic clients. 9.5 x 7 inches. Fine. Bier 1451. Sonocam unknown books
1961réf. 144353Rome: Lux Film 1961. Original Italian program for the 1961 film here under the original Italian title "Divorzio all'italiana." Illustrated throughout with black-and-white still photos from the film full-color front wrapper fold-out art and the program details a synopsis and cast and crew credits. Notations throughout in manuscript ink mostly amending certain words of the synopsis. Ferdinando Mastroianni is bored with life and his wife Rocca. He falls in love with his cousin Sandrelli and since divorce is illegal in Italy unless there is just cause like catching your spouse committing adultery he decides to find his wife another lover instead of killing her. Seems simple enough. The first of Mastoianni's four "Italian Style" films and winner of an Academy Award for Best Writing a BAFTA three Golden Globes and nominated for a host of others. 9.5 x 13.25 inches 9 leaves saddle-stapled. Very Good overall lacking staples with creases brief tears and foxing. Criterion Collection 286. Lux Film unknown
1961réf. 144353Rome: Lux Film 1961. Original Italian program for the 1961 film here under the original Italian title "Divorzio all'italiana." Illustrated throughout with black-and-white still photos from the film full-color front wrapper fold-out art and the program details a synopsis and cast and crew credits. Notations throughout in manuscript ink mostly amending certain words of the synopsis. Ferdinando Mastroianni is bored with life and his wife Rocca. He falls in love with his cousin Sandrelli and since divorce is illegal in Italy unless there is just cause like catching your spouse committing adultery he decides to find his wife another lover instead of killing her. Seems simple enough. The first of Mastoianni's four "Italian Style" films and winner of an Academy Award for Best Writing a BAFTA three Golden Globes and nominated for a host of others. 9.5 x 13.25 inches 9 leaves saddle-stapled. Very Good overall lacking staples with creases brief tears and foxing. Criterion Collection 286. Lux Film unknown books
1942réf. 149117Los Angeles: Paramount Pictures 1942. Vintage photograph of Preston Sturges adjusting Claudette Colbert's outfit made of men's pajamas and a pullman blanket on the set of the 1942 film. Studio label affixed to bottom margin of recto with ambiguous initials and "May 30" written in manuscript ink. Mimeo snipe on verso. In the minds of some critics Sturges closed out the screwball comedy era with a bang in this breakneck venture which had dialogue flying back and forth at a speed that was radical even by Sturges' standards. 8 x 10 inches. Very Good with some creasing and edgewear. Criterion Collection 742. Rosenbaum 1000. Byrge & Miller The Screwball Comedy Films: A History and Filmography 1934-1942. Paramount Pictures unknown
1942réf. 149117Los Angeles: Paramount Pictures 1942. Vintage photograph of Preston Sturges adjusting Claudette Colbert's outfit made of men's pajamas and a pullman blanket on the set of the 1942 film. Studio label affixed to bottom margin of recto with ambiguous initials and "May 30" written in manuscript ink. Mimeo snipe on verso. In the minds of some critics Sturges closed out the screwball comedy era with a bang in this breakneck venture which had dialogue flying back and forth at a speed that was radical even by Sturges' standards. 8 x 10 inches. Very Good with some creasing and edgewear. Criterion Collection 742. Rosenbaum 1000. Byrge & Miller The Screwball Comedy Films: A History and Filmography 1934-1942. Paramount Pictures unknown books
1964réf. 149932Universal City: Universal Pictures 1964. Vintage studio still photograph of producer Stanley Shapiro and actor Marlon Brando in conversation between takes on the set of the 1964 film. With a printed mimeo snipe affixed to the verso. A love-them-and-leave-them womanizer meets a man equal in skill at deceiving women but with an added knack for conning them out of money. The two men attempt to seduce a naive American woman to settle a bet as to which one is the better con artist. Later remade as "Dirty Rotten Scoundrels" 1988. Set and shot on location in Alpes-Maritimes France. 8 x 10 inches. Near Fine. Universal Pictures unknown
1964réf. 149932Universal City: Universal Pictures 1964. Vintage studio still photograph of producer Stanley Shapiro and actor Marlon Brando in conversation between takes on the set of the 1964 film. With a printed mimeo snipe affixed to the verso. A love-them-and-leave-them womanizer meets a man equal in skill at deceiving women but with an added knack for conning them out of money. The two men attempt to seduce a naive American woman to settle a bet as to which one is the better con artist. Later remade as "Dirty Rotten Scoundrels" 1988. Set and shot on location in Alpes-Maritimes France. 8 x 10 inches. Near Fine. Universal Pictures unknown books
1959réf. 151138London: J. Arthur Rank 1959. Final Draft script for the 1960 film. Based on Richard Gordon's 1957 novel. The fourth film in Rank's popular "Doctor" series and the first not to feature actor Dirk Bogarde as Dr. Simon Sparrow although Bogarde would return for the next film in the series "Doctor in Distress" in 1963. The series follows the frequently romantic comic antics of a group of young doctors. Set and shot on location in London. Green titled wrappers noted as Semi-final Script on the front wrapper dated 14-12-59. Title page present dated December 1959 with credits for screenwriter Nicholas Phipps and novelist Richard Gordon. 128 leaves with last page of text numbered 127. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with a silver prong. J. Arthur Rank unknown
1959réf. 151138London: J. Arthur Rank 1959. Final Draft script for the 1960 film. Based on Richard Gordon's 1957 novel. The fourth film in Rank's popular "Doctor" series and the first not to feature actor Dirk Bogarde as Dr. Simon Sparrow although Bogarde would return for the next film in the series "Doctor in Distress" in 1963. The series follows the frequently romantic comic antics of a group of young doctors. Set and shot on location in London. Green titled wrappers noted as Semi-final Script on the front wrapper dated 14-12-59. Title page present dated December 1959 with credits for screenwriter Nicholas Phipps and novelist Richard Gordon. 128 leaves with last page of text numbered 127. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with a silver prong. J. Arthur Rank unknown books
1951réf. 157122Culver City CA: Columbia Pictures 1951. Revised Final Draft script for the 1952 film. Copy belonging to actor Lon McCallister with his name in manuscript ink on the front wrapper. A young prospector witnesses a group of bandits murder a miner and his son and resolves to help the law stop the gang unaware that the sheriff is secretly working as the bandit leader. Set in Montana. White titled wrappers noted as REVISED FINAL DRAFT on the front wrapper dated Sept. 21 1951. Title page present dated September 18 1951 noted as REVISED FINAL DRAFT with credits for screenwriter Barry Shipman. 102 leaves with last page of text numbered 100. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus with light creasing on the fore-edges of the first four leaves bound with two gold brads. Columbia Pictures unknown
1951réf. 157122Culver City CA: Columbia Pictures 1951. Revised Final Draft script for the 1952 film. Copy belonging to actor Lon McCallister with his name in manuscript ink on the front wrapper. A young prospector witnesses a group of bandits murder a miner and his son and resolves to help the law stop the gang unaware that the sheriff is secretly working as the bandit leader. Set in Montana. White titled wrappers noted as REVISED FINAL DRAFT on the front wrapper dated Sept. 21 1951. Title page present dated September 18 1951 noted as REVISED FINAL DRAFT with credits for screenwriter Barry Shipman. 102 leaves with last page of text numbered 100. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus with light creasing on the fore-edges of the first four leaves bound with two gold brads. Columbia Pictures unknown books
1961réf. 143870Italy: Cinematografica RI.RE 1961. Collection of 14 vintage borderless single weight studio still photographs from the 1961 Italian-French film. Action sequences picketers Delon and his compatriots and a charming candid of Barbara Lass are present. Numerical annotations and a few with actor names on the versos in manuscript pencil along with the stamp of photographer Pierluigi Praturlon. The film's premiere was at Cannes and earned director Clément a Palme d'Or nomination. In 1921 Ulysses Delon enrolls in the Italian Fascist party and his initiation is to gain the trust of local printer Fossati Cervi. Fossati's family and beautiful daughter Lass are anarchists contesting Ulysses' beliefs and he ultimately decides to forge his own political path. Set in Rome shot there on location. 7 x 9.25 inches. Near Fine slight curling. Cinematografica RI.RE unknown
1961réf. 143870Italy: Cinematografica RI.RE 1961. Collection of 14 vintage borderless single weight studio still photographs from the 1961 Italian-French film. Action sequences picketers Delon and his compatriots and a charming candid of Barbara Lass are present. Numerical annotations and a few with actor names on the versos in manuscript pencil along with the stamp of photographer Pierluigi Praturlon. The film's premiere was at Cannes and earned director Clément a Palme d'Or nomination. In 1921 Ulysses Delon enrolls in the Italian Fascist party and his initiation is to gain the trust of local printer Fossati Cervi. Fossati's family and beautiful daughter Lass are anarchists contesting Ulysses' beliefs and he ultimately decides to forge his own political path. Set in Rome shot there on location. 7 x 9.25 inches. Near Fine slight curling. Cinematografica RI.RE unknown books
1977réf. 139658Los Angeles: Twentieth Century-Fox 1977. Original scenario artwork for the 1978 horror film. Depicting the interior of Peggy Ann Snow's Catskills home. Based on the 1976 novel by William Goldman who also wrote the screenplay for the film. A young Anthony Hopkins plays a mentally disturbed magician who rises to fame when he begins utilizing a ventriloquist dummy. He rekindles a romance with a now-married ex-girlfriend Peggy Ann Snow Ann-Margret much to the chagrin of her hotheaded husband his agent and his surprisingly violent ventriloquist dummy. Gouache and pencil on illustration board. Artwork 19.5 x 14 inches housed in an off-white 24.5 x 19.5 inch mat. Light adhesive residue on the top and bottom edges else the illustration is Near Fine. Mat in Very Good condition with light bumps and soil. Twentieth Century-Fox unknown
1977réf. 139658Los Angeles: Twentieth Century-Fox 1977. Original scenario artwork for the 1978 horror film. Depicting the interior of Peggy Ann Snow's Catskills home. Based on the 1976 novel by William Goldman who also wrote the screenplay for the film. A young Anthony Hopkins plays a mentally disturbed magician who rises to fame when he begins utilizing a ventriloquist dummy. He rekindles a romance with a now-married ex-girlfriend Peggy Ann Snow Ann-Margret much to the chagrin of her hotheaded husband his agent and his surprisingly violent ventriloquist dummy. Gouache and pencil on illustration board. Artwork 19.5 x 14 inches housed in an off-white 24.5 x 19.5 inch mat. Light adhesive residue on the top and bottom edges else the illustration is Near Fine. Mat in Very Good condition with light bumps and soil. Twentieth Century-Fox unknown books
1934réf. 149509Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1934. Vintage reference photograph from the 1934 film showing Mickey Mouse speaking to an astonished Jimmy Durante. With manuscript pencil and ink annotations to the verso regarding layout. An actor known for starring in jungle films wants to work with real lions in his next movie and decides to throw a big star-studded party to win over a wealthy European baron who keeps lions as pets. Set in Los Angeles. 10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1934réf. 149509Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1934. Vintage reference photograph from the 1934 film showing Mickey Mouse speaking to an astonished Jimmy Durante. With manuscript pencil and ink annotations to the verso regarding layout. An actor known for starring in jungle films wants to work with real lions in his next movie and decides to throw a big star-studded party to win over a wealthy European baron who keeps lions as pets. Set in Los Angeles. 10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1975réf. 162359N.p.: N.p. 1975. Vintage borderless reference photograph of director Richard Brooks talking with actress Candice Bergen on the set of the 1975 film. Annotations in manuscript ink on the verso. In 1906 fifteen contestants compete in a 700-mile cross-country horse race with a cash prize of $2000. Nominated for two Academy Awards. Shot on location in New Mexico and Nevada. 10 x 8 inches. About Fine. Pitts 348. N.p. unknown
1975réf. 162359N.p.: N.p. 1975. Vintage borderless reference photograph of director Richard Brooks talking with actress Candice Bergen on the set of the 1975 film. Annotations in manuscript ink on the verso. In 1906 fifteen contestants compete in a 700-mile cross-country horse race with a cash prize of $2000. Nominated for two Academy Awards. Shot on location in New Mexico and Nevada. 10 x 8 inches. About Fine. Pitts 348. N.p. unknown books
1955réf. 149093Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1955. Vintage double weight photograph of Robert Taylor and Kay Kendall on the set of the 1955 film. Mimeo snipe and Advertising Code "Approved" stamp dated "May 4 1955" on verso. Based on the 1923 novel by Sir Walter Scott about the penniless son of a Scottish nobleman dispatched to propose to a French countess on behalf of his aging uncle but who then falls madly in love with her. The third film in an unofficial trilogy made by director Richard Thorpe and producer Pandro S. Berman and starring Robert Taylor the two preceding films being "Ivanhoe" 1952 and "Knights of the Round Table" 1953. Set in 15th century France shot on location in France and England. 8 x 10 inches. About Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1955réf. 149093Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1955. Vintage double weight photograph of Robert Taylor and Kay Kendall on the set of the 1955 film. Mimeo snipe and Advertising Code "Approved" stamp dated "May 4 1955" on verso. Based on the 1923 novel by Sir Walter Scott about the penniless son of a Scottish nobleman dispatched to propose to a French countess on behalf of his aging uncle but who then falls madly in love with her. The third film in an unofficial trilogy made by director Richard Thorpe and producer Pandro S. Berman and starring Robert Taylor the two preceding films being "Ivanhoe" 1952 and "Knights of the Round Table" 1953. Set in 15th century France shot on location in France and England. 8 x 10 inches. About Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
