11.067 Ergebnisse
1980Best.-Nr. 152436N.p.: N.p. 1980. Draft script for an unproduced film. Written by noted African American screenwriter S. Torriano Berry. A rock star dies in a freak accident but is reincarnated to the chagrin of his greedy recording company who have already made plans to replace him in the spotlight. Heavily influenced by earlier films "Heaven Can Wait" Ernst Lubitsch 1943 and "Heaven Can Wait" Warren Beatty and Elaine May 1978 Blue titled front wrapper missing rear wrapper with credits for screenwriter S. Torriano Berry. Missing title page presumably as issued. 75 leaves with last page of text numbered 75. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with three gold brads. N.p. unknown books
1974Best.-Nr. 169566Beverly Hills CA: United Artists 1974. Vintage borderless reference photograph from the 1974 film showing Shelley Duvall holding a baby kitten. French release stamp and layout annotations in manuscript ink on the verso. Based on the 1937 novel by Edward Anderson previously adapted by Nicholas Ray as "They Live by Night" 1950. One of Altman's many high spots during the 1970s an early and unusual entry in the American neo-noir canon and one of the most artful gangster films made. Set and shot on location in various towns and cities in central and southern Mississippi including Jackson Hermanville Pickens and Canton. 8 x 10 inches. Near Fine. Spicer US Neo-Noir. United Artists unknown
1974Best.-Nr. 169566Beverly Hills CA: United Artists 1974. Vintage borderless reference photograph from the 1974 film showing Shelley Duvall holding a baby kitten. French release stamp and layout annotations in manuscript ink on the verso. Based on the 1937 novel by Edward Anderson previously adapted by Nicholas Ray as "They Live by Night" 1950. One of Altman's many high spots during the 1970s an early and unusual entry in the American neo-noir canon and one of the most artful gangster films made. Set and shot on location in various towns and cities in central and southern Mississippi including Jackson Hermanville Pickens and Canton. 8 x 10 inches. Near Fine. Spicer US Neo-Noir. United Artists unknown books
1960Best.-Nr. 152388London: Lynx Films / American International Pictures 1960. Vintage reference photograph from the 1960 British film showing actors Vanda Hudson and Jack Carson. A deranged plastic surgeon becomes the owner of a traveling circus specializing in a "Temple of Beauty" transforming disfigured women into the glamorous stars of his show. Their beauty however comes at a price and any attempts to leave the circus end in their gory demise. The third film in what critic David Price called production comany Anglo-Amalgamated's "Sadian trilogy" preceded by "Horrors of the Black Museum" and "Peeping Tom" the previous year. Set in England and France shot on location in England. 10 x 8 inches. Very Good plus overall. Lynx Films / American International Pictures unknown
1960Best.-Nr. 152388London: Lynx Films / American International Pictures 1960. Vintage reference photograph from the 1960 British film showing actors Vanda Hudson and Jack Carson. A deranged plastic surgeon becomes the owner of a traveling circus specializing in a "Temple of Beauty" transforming disfigured women into the glamorous stars of his show. Their beauty however comes at a price and any attempts to leave the circus end in their gory demise. The third film in what critic David Price called production comany Anglo-Amalgamated's "Sadian trilogy" preceded by "Horrors of the Black Museum" and "Peeping Tom" the previous year. Set in England and France shot on location in England. 10 x 8 inches. Very Good plus overall. Lynx Films / American International Pictures unknown books
1970Best.-Nr. 151307N.p.: N.p. 1970. Vintage borderless black and white photograph from the 1970 film showing actors Robert Redford and Erin O'Reilly. Two motorbike riders-one a callous womanizer one a shy and unsuspecting young man-find their friendship tested by the arrival of beautiful young runaway at their racetrack. Shot on location throughout Arizona and California including at the Ascot Park Speedway and the Sonoma Raceway. 10 x 8 inches. Near Fine. N.p. unknown
1970Best.-Nr. 151307N.p.: N.p. 1970. Vintage borderless black and white photograph from the 1970 film showing actors Robert Redford and Erin O'Reilly. Two motorbike riders-one a callous womanizer one a shy and unsuspecting young man-find their friendship tested by the arrival of beautiful young runaway at their racetrack. Shot on location throughout Arizona and California including at the Ascot Park Speedway and the Sonoma Raceway. 10 x 8 inches. Near Fine. N.p. unknown books
1956Best.-Nr. 163738N.p.: N.p. 1956. Vintage reference photograph from the 1956 Italian film showing actress Sophia Loren raising her skirt to examine her tights. French provenance stamp on the verso. A young woman decides to take a photographer to court after he takes her photograph without telling her and it turns up on the cover of a magazine. Shot on location in Rome. 10 x 8 inches. Very Good plus with pinholes at the corners. N.p. unknown
1956Best.-Nr. 163738N.p.: N.p. 1956. Vintage reference photograph from the 1956 Italian film showing actress Sophia Loren raising her skirt to examine her tights. French provenance stamp on the verso. A young woman decides to take a photographer to court after he takes her photograph without telling her and it turns up on the cover of a magazine. Shot on location in Rome. 10 x 8 inches. Very Good plus with pinholes at the corners. N.p. unknown books
1996Best.-Nr. 158404N.p.: N.p. 1996. Vintage reference photograph from the 1996 film showing director Spike Lee with a camera on the set. A diverse group of 15 African American men travel by bus from Los Angeles to Washington DC to attend the Million Man March. The first film directed by Lee in which he did not appear. 10 x 8 inches. Near Fine. N.p. unknown
1996Best.-Nr. 158404N.p.: N.p. 1996. Vintage reference photograph from the 1996 film showing director Spike Lee with a camera on the set. A diverse group of 15 African American men travel by bus from Los Angeles to Washington DC to attend the Million Man March. The first film directed by Lee in which he did not appear. 10 x 8 inches. Near Fine. N.p. unknown books
1970Best.-Nr. 159145N.p.: N.p. 1970. Vintage reference photograph from the 1970 short film. Annotations in manuscript ink and pencil on the verso. Director Stephen Dwoskin was an experimental filmmaker who produced work based on themes of perception disability and sexuality. He was a cofounder of the London Film-Makers' Co-op in 1966 and the film collective Spectre in 1980. 8 x 10 inches. Very Good plus with light creasing and edgewear. N.p. unknown
1970Best.-Nr. 159145N.p.: N.p. 1970. Vintage reference photograph from the 1970 short film. Annotations in manuscript ink and pencil on the verso. Director Stephen Dwoskin was an experimental filmmaker who produced work based on themes of perception disability and sexuality. He was a cofounder of the London Film-Makers' Co-op in 1966 and the film collective Spectre in 1980. 8 x 10 inches. Very Good plus with light creasing and edgewear. N.p. unknown books
1991Best.-Nr. 150037N.p.: N.p. 1991. Vintage matte finish reference photograph of Steven Soderbergh on the set of the 1991 film. Printed snipe on verso. Loosely based on the life of Franz Kafka combined with elements from Kafka's novels "The Castle" 1926 and "The Trial" 1925. Soderbergh's second feature film experimental in concept and execution and today a cult favorite frequently compared to Terry Gilliam's 1985 film "Brazil" and David Cronenberg's 1991 film "Naked Lunch." Set in 1919 Prague shot on location in Prague Czech Republic. 8 x 10 inches wide bottom margin. Very light creasing in right margin else Near Fine. N.p. unknown
1991Best.-Nr. 150037N.p.: N.p. 1991. Vintage matte finish reference photograph of Steven Soderbergh on the set of the 1991 film. Printed snipe on verso. Loosely based on the life of Franz Kafka combined with elements from Kafka's novels "The Castle" 1926 and "The Trial" 1925. Soderbergh's second feature film experimental in concept and execution and today a cult favorite frequently compared to Terry Gilliam's 1985 film "Brazil" and David Cronenberg's 1991 film "Naked Lunch." Set in 1919 Prague shot on location in Prague Czech Republic. 8 x 10 inches wide bottom margin. Very light creasing in right margin else Near Fine. N.p. unknown books
1964Best.-Nr. 167104N.p.: N.p. 1964. Vintage borderless reference photograph from the 1964 British film showing actress Sylva Koscina undressing. Stamp of photographer Georg Michalke on the verso. Based on Lionel Davidson's 1960 novel "The Night of Wenceslas" about an ordinary man who is unknowingly pulled into a Cold War plot. 9.5 x 7 inches. About Fine. N.p. unknown
1964Best.-Nr. 167104N.p.: N.p. 1964. Vintage borderless reference photograph from the 1964 British film showing actress Sylva Koscina undressing. Stamp of photographer Georg Michalke on the verso. Based on Lionel Davidson's 1960 novel "The Night of Wenceslas" about an ordinary man who is unknowingly pulled into a Cold War plot. 9.5 x 7 inches. About Fine. N.p. unknown books
1974Best.-Nr. 163782N.p.: N.p. 1974. Vintage borderless color reference photograph from the 1974 film showing actor Gunnar Hansen in costume as Leatherface. Provenance labels on the verso. From the archive of film historian and author Joel Finler. Loosely based on the crimes of serial murderer and body snatcher Ed Gein. Shot on a shoestring budget with the cast mostly composed of unknown Texan actors Tobe Hooper's second feature film courted controversy upon release for its grisly violence and critical view of US politics and is now rightfully considered a slasher cult classic. Set and shot on location in Round Rock Watterson Austin and San Marcos Texas. 5 x 7 inches. Fine. Thrower Nightmare USA. N.p. unknown
1974Best.-Nr. 163782N.p.: N.p. 1974. Vintage borderless color reference photograph from the 1974 film showing actor Gunnar Hansen in costume as Leatherface. Provenance labels on the verso. From the archive of film historian and author Joel Finler. Loosely based on the crimes of serial murderer and body snatcher Ed Gein. Shot on a shoestring budget with the cast mostly composed of unknown Texan actors Tobe Hooper's second feature film courted controversy upon release for its grisly violence and critical view of US politics and is now rightfully considered a slasher cult classic. Set and shot on location in Round Rock Watterson Austin and San Marcos Texas. 5 x 7 inches. Fine. Thrower Nightmare USA. N.p. unknown books
1960Best.-Nr. 151690Beverly Hills CA: United Artists 1960. Vintage reference photograph of director Billy Wilder chatting with actors Tony Curtis apparently visiting the set and Jack Lemmon on the set of the 1960 film. A mild-mannered office worker allows his boss use of his apartment for the boss' weekend dalliances in hopes of getting ahead on the corporate ladder only to finally meet the perfect woman a beautiful elevator operator. Madcap wonderment ensues. Nominated for ten Academy Awards winning five including Best Picture Best Director and Best Screenplay. 8 x 10 inches. Near Fine. National Film Registry. Ebert I. United Artists unknown
1960Best.-Nr. 151690Beverly Hills CA: United Artists 1960. Vintage reference photograph of director Billy Wilder chatting with actors Tony Curtis apparently visiting the set and Jack Lemmon on the set of the 1960 film. A mild-mannered office worker allows his boss use of his apartment for the boss' weekend dalliances in hopes of getting ahead on the corporate ladder only to finally meet the perfect woman a beautiful elevator operator. Madcap wonderment ensues. Nominated for ten Academy Awards winning five including Best Picture Best Director and Best Screenplay. 8 x 10 inches. Near Fine. National Film Registry. Ebert I. United Artists unknown books
1979Best.-Nr. 132250New York: New Yorker Films 1979. Original US promotional window poster for the 1979 German film issued in small numbers by New Yorker Films who distributed Herzog's film in the US. From the collection of noted film historian Amos Vogel. Full provenance available. 11 x 17 inches folded as issued. Near Fine. New Yorker Films unknown
1979Best.-Nr. 132250New York: New Yorker Films 1979. Original US promotional window poster for the 1979 German film issued in small numbers by New Yorker Films who distributed Herzog's film in the US. From the collection of noted film historian Amos Vogel. Full provenance available. 11 x 17 inches folded as issued. Near Fine. New Yorker Films unknown books
1940Best.-Nr. 150548N.p.: N.p. 1940. Vintage reference photographs of director Wesley Ruggles on the set of the 1940 film by photographer Irving Lippman. Mimeo snipe and photographer "Irving Lippman" stamp on verso. Based on the 1919 play by W. Somerset Maugham which was based on the 1864 poem "Enoch Arden" by Alfred Tennyson. Soon after presumed window Vicky Jean Arthur marries her late husband's friend and business partner Henry Melvyn Douglas her first presumed dead husband Bill Fred MacMurray shows back up and now she's got one too many. Nominated for an Academy Award. 10 x 8 inches. Near Fine. Byrge and Miller The Screwball Comedy Films A History and Filmography 1934-1942. N.p. unknown
1940Best.-Nr. 150548N.p.: N.p. 1940. Vintage reference photographs of director Wesley Ruggles on the set of the 1940 film by photographer Irving Lippman. Mimeo snipe and photographer "Irving Lippman" stamp on verso. Based on the 1919 play by W. Somerset Maugham which was based on the 1864 poem "Enoch Arden" by Alfred Tennyson. Soon after presumed window Vicky Jean Arthur marries her late husband's friend and business partner Henry Melvyn Douglas her first presumed dead husband Bill Fred MacMurray shows back up and now she's got one too many. Nominated for an Academy Award. 10 x 8 inches. Near Fine. Byrge and Miller The Screwball Comedy Films A History and Filmography 1934-1942. N.p. unknown books
