11 046 résultats
1972réf. 170735N.p.: N.p. 1972. Vintage borderless reference photograph from the 1972 film the final outdoor scene with Marlon Brando and Al Pacino. Annotations in manuscript ink in French on the verso. Based on the 1969 novel by Mario Puzo who co-wrote the screenplay with director Francis Ford Coppola. Widely considered one of the finest films ever made and an inescapable influence on the portrayal of organized crime in film and television. Nominated for eleven Academy Awards winning for Best Picture Best Adapted Screenplay and Best Actor for Marlon Brando. Set in New York New Jersey Los Angeles Las Vegas Sicily and Cuba shot on location in New York New Jersey Los Angeles Las Vegas Sicily and the Dominican Republic. 10 x 8 inches. About Near Fine lightly edgeworn. National Film Registry. Ebert I. Penzler 101. Schrader Canon Fodder 16. Sight and Sound 2022. N.p. unknown
1961réf. 149454Paris: F.O.G. 1961. Collection of six vintage reference photographs from the 1961 film two borderless two with bottom margin and one vertical photograph with left margin. "L'Annee Derniere a Marienbad" stamp on versos. Three photos shown. Please inquire for others. An enigmatic dreamlike film about a man and a woman who meet at a party where he insists they have met before and she that they haven't. Viewed as either ambiguous surreal masterpiece or an incomprehensible indulgence with almost no middle ground. Nominated for an Academy Award for Best Original Screenplay. 7 x 5 inches. Very Good plus with light edgewear one with creasing at left corners. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. F.O.G. unknown
1976réf. 150124N.p.: N.p. 1976. Vintage reference photograph with horizontal margins of director Alan J. Pakula Dustin Hoffman and Robert Redford on the set of the 1976 film. Based on the 1974 book by Carl Bernstein and Bob Woodward. The iconic New Hollywood account of the Watergate investigation starring Robert Redford and Dustin Hoffman in exceptionally strong performances as Washington Post reporters Bob Woodward and Carl Bernstein respectively who uncover the details of the Watergate scandal that leads to President Richard Nixon's resignation. Winner of four Academy Awards including Best Screenplay and nominated for four others including Best Picture and Best Director. 8 x 10 inches. Near Fine. National Film Registry. Spicer US Neo-Noir. N.p. unknown
1982réf. 152320London: United International Pictures 1982. Two vintage borderless reference photographs taken on the set of the 1982 film one showing director Alan Parker director of animation Gerald Scarfe and cameraman John Stanier in conversation the other showing Parker and actor Bob Geldof. With printed mimeo snipes on the verso. From the archive of film historian and author Joel Finler. Based on Pink Floyd's 1979 rock opera about a young rock star named Pink whose troubled childhood in 1950s England leads him into an adulthood marred by isolation and depression and eventually complete mental collapse. Shot on location in London and Quebec. 10 x 8 inches with wide bottom margins. Near Fine. Ebert IV. United International Pictures unknown
1936réf. 164557Universal City: Universal Pictures 1936. Vintage publicity photograph of Buster Crabbe from the 1936 serial film. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Based on the 1934 comic-strip character created by Alex Raymond. The first screen adaptation of "Flash Gordon" presented as a serial film in 13 chapters and starring Buster Crabbe in the titular role battling to thwart the evil schemes of Emperor Ming the Merciless portrayed by Charles B. Middleton. Followed by two sequels also in serial form "Flash Gordon's Trip to Mars" 1938 and "Flash Gordon Conquers the Universe" 1940. Remade in 1980 as a superhero space opera film directed by Mike Hodges and starring Sam J. Jones and Melony Anderson. Shot on location in Bronson Canyon California. 8 x 10 inches mounted onto a 8.25 x 10.25 inch black art board. Near Fine with even toning. National Film Registry. Universal Pictures unknown
1954réf. 160547London: Pictorial Press 1954. Vintage reference photograph of director Alfred Hitchcock drawing between takes on the set of the 1954 film. Printed mimeo snipe and stamps of Pictorial Press on the verso along with annotations in manuscript pencil relating to cropping. Based on the 1952 play by Frederick Knott who also wrote the screenplay about a tennis player who arranges to have his wife framed for murder after discovering her infidelity. The only Hitchcock film to be shot in 3D although the format would ultimately be discarded for theatrical release and the first of three Hitchcock films to feature actress Grace Kelly followed by "Rear Window" 1954 and "To Catch a Thief" 1955. 10 x 8 inches. Very Good plus lightly worn at the corners. Grant US. Selby US. Spicer US. Pictorial Press unknown
1969réf. 171039N.p.: N.p. 1969. Vintage borderless reference photograph from the 1969 film showing Alfred Hitchcock sitting in his director's chair on the tarmac at the Paris airport Orly Val-de-Marne France. Layout annotations in manuscript pencil on the verso. Based on the 1967 novel by Leon Uris about a French agent who helps the United States uncover the presence of Russian missiles in Cuba. 9.5 x 7.25 inches. Near Fine. N.p. unknown
1978réf. 152294Rome: Excelsior 1978. English-language treatment script for an unproduced Italian film. With a single manuscript ink annotation to page 2 noting an editorial revision. Laid in with the script is a xerographically duplicated cost estimate sheet in both English and Italian noting the name of cinematographer Pasqualino de Santis dated July 1978. A middle-aged newlywed nobleman feels trapped in his marriage to his young wife a beautiful but avaricious middle-class woman and is led to increasingly bizarre measures in order to escape her clutches. Ostensibly intended as a follow-up to "Divorce Italian Style" 1961 co-written by screenwriter Alfredo Giannetti and "Marriage Italian Style" 1964. Set in Sicily. Green wrappers with a title label and credits for screenwriter A. Giannetti affixed to the front wrapper. Missing title page presumably as issued. 8 leaves with last page of text numbered 6. Xerographic duplication rectos only. Pages Fine wrapper Near Fine with perfect binding. Excelsior unknown
1986réf. 160924N.p.: N.p. 1986. Shooting Revision script for the 1988 action film. Bound in preceding the script are three pages of interior and exterior set lists and cast lists. Jimmy Stathis stars as DEA Agent John Temple working undercover in Mexico to nail drug kingpin Victor Lazzaro played by Aldo Ray who killed his partner. Shot on location in Los Angeles and Mexico City. Orange titled wrappers with credits for screenwriter Allan Kuskowski. Title page present dated 7/21/86 noted as SHOOTING REVISION with credits for screenwriter Allan Kuskowski. 120 leaves with last page of text numbered 115. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown
1982réf. 166414Los Angeles: Avon Productions 1982. Draft script for the 1982 pornographic film. Three violent escaped convicts on the run from the law break into a house where a young girl is being given a wedding shower and they proceed on a rampage of violence rape and sexual assaults. IMDB. Title page integral with the first page of narrative text. No wrapper as issued undated. 18 leaves with last page of text numbered 18. Xerographic duplication rectos only. Pages Near Fine staple bound at the top left corner. Avon Productions unknown
1990réf. 167769New York: The Green Card Production Company 1990. Sixth Final Draft script for the 1990 film. Copy belonging to an unidentified crew member with annotations in manuscript ink throughout highlighting filming locations. An American woman and a French man enter into a marriage of convenience-the man hoping to gain American citizenship the woman needing to be married to land her dream apartment. Actor Gérard Depardieu's American film debut. Set and shot on location in New York. Self wrappers. Title page present dated February 1990 noted as FINAL DRAFT #6 with credit for screenwriter Peter Weir. 138 leaves with last page of text numbered 120. Xerographic duplication rectos only with blue revision pages throughout dated March 20 1990. Pages Very Good plus bound with three gold brads. The Green Card Production Company unknown
1997réf. 160283Sherman Oaks CA: CineSon 1997. Revised script for the 1998 film seen here under the working titles "The Scalper" and "A Piece of Cake." Copy belonging to production coordinator Shelley Houis housed in a black three-ring binder with approximately 250 pages of production documents including in addition to the script cast and crew contact lists cost-per-day spreadsheets location lists shooting schedules maps and travel documents. Desperate to win back his girlfriend a ticket scalper decides to try to strike it rich by buying marking up and reselling tickets to see the Pope in New York. Shot on location in New York and New Jersey. Title page present dated 6/06/97 with credit for director and screenwriter Richard Wenk. 133 leaves with last page of text numbered 112. Xerographic duplication rectos only. Pages about Fine binder Near Fine. CineSon unknown
1978réf. 157293N.p.: N.p. 1978. Vintage borderless reference photograph taken on the set of the 1978 film. Annotations in manuscript pencil on the verso. Based on the 1962 novel "The Passion Flower Hotel" about a sexually experienced American teenager who convinces her boarding school classmates to sleep with the boys at the boarding school across the lake. Set in Switzerland. 9.25 x 7 inches. Near Fine. N.p. unknown
1962réf. 140353France: Cinetel 1962. Archive of 64 vintage borderless single weight still photographs from the 1962 French film. Seen in the images are starring actor Phillippe Noiret actor Rene Lefevre and actresses Berthe Granval and Zouzoue as well as several shots of the film crew and director Michel in action. Numerical annotations and some with layout annotations on the verso of nearly all photos in manuscript pencil. Housed in a vintage French Kodak brand photo paper box. Little-known drama about a man who aspires to be a sailor. One of director Michel's final films after notable others "Confession Under Four Eyes" 1954 and "The Blonde Witch" 1956. Most photos approximately 7 x 9.25 inches several 5 x 7 inches and one slightly smaller. Very Good plus overall photos with moderate curling and photo box Very Good plus. Cinetel unknown
1971réf. 160553Berlin: Keystone 1971. Vintage borderless photograph of actress Jane Forth and producer Andy Warhol attending the German premiere of the 1970 film which took place on February 19 1971 in Berlin. Printed mimeo snipe affixed to the verso. Actor Joe Dallesandro's fifth film with director Paul Morrissey and the film debuts of Factory regulars Holly Woodlawn in a role that George Cukor unsuccessfully put forth as a write-in candidate for an Academy Award and Jane Forth. 6 x 8.25 inches. Very Good plus slightly wavy on the bottom edge. Keystone unknown
1976réf. 168907Burbank CA: Warner Brothers Television 1976. Second Revised Draft script for the 1976 television film which aired on NBC on May 20 1976 here under the working title "The Hancocks." Copy belonging to unknown crew member "John Linder" with the ink annotation of their name at the top of the front wrapper along with manuscript marker annotations on 22 pages. 21 pages with the Hancock family tree flow chart printed on the versos. Anne Archer stars as a frustrated suburban housewife who decides to divorce her husband causing her daughter Joanna Pettet to feel bitterly resentful toward her and her mother Kim Hunter to question her own beliefs about marriage. Green titled Warner Bros. Television wrappers. Title page present dated December 11 1975 noted as Second Revised Draft with credits for screenwriter Barbara Turner. 198 leaves with last page of text numbered 96. Xerographic duplication rectos only with blue pink yellow green revision pages throughout dated variously between 12/22/75 and 2/9/76. Pages Near Fine wrapper Very Good plus bound internally with two gold brads. Warner Brothers Television unknown
1957réf. 152537N.p.: N.p. 1957. First Draft typescript for the Season 1 Episode 3 of the 1953-1963 television series originally aired on July 31 1957 on CBS seen here under the working title "The Transmogrification of Chester Brown." Manuscript pencil and ink annotations throughout most noting pagination and editorial revisions. Included with the script are several letters and memos between screenwriter Arthur Hailey agent Maeve Southgate and programming executive Marshall Jamison as well as several typed memos from within Jamison's office discussing revisions to the script dated variously between March 29 and July 30 1957. A meek office clerk at an advertising firm takes a "Personality Projection" course which ignites his self-confidence leading him to pursue greater opportunities at the firm. Blue titled self wrappers noted as LIMITED DISTRIBUTION / FIRST DRAFT in manuscript pencil annotation on the front wrapper along with an annotation noting the date 4/24/57 with credits for screenwriter Arthur Hailey. Title page present with credits for screenwriter Arthur Hailey. 82 leaves with last page of text numbered III-21. Typescript rectos only. Pages Near Fine wrapper Very Good plus partially bound with a single staple to the top left corner. N.p. unknown
1966réf. 151565Culver City CA: Columbia Pictures 1966. Vintage matte-finish double weight borderless reference photograph of director Arthur Penn talking with actress Jane Fonda on the set of the 1966 film. With a Columbia Pictures stamp on the verso along with a provenance stamp. Based on the 1952 Broadway play by Horton Foote about a small-town sheriff on the lookout for an escaped prisoner he believes is innocent while the townspeople whip themselves into a vigilante frenzy. 8 x 10 inches. Near Fine. Spicer US. Twilight Time 242. Columbia Pictures unknown
1986réf. 162587Rome and Los Angeles: Scalera Studios / Angelika Films 1986. Three vintage postcard photographs from the 1942 Italian film and four vintage studio still photographs from the 1986 restoration and re-release of the film. Of particular note among the studio still photographs is an image of writer Ayn Rand taken by Leonard McCombe capturing Rand waiting to testify on communism in Hollywood to the House Un-American Affairs Committee on October 20 1947. "We the Living" was Rand's first published statement against communism and its faithful adaptation by director Goffredo Alessandrini released as two separate films caused a predictable stir all over Europe. The initial release never left the continent and was shuttered in a vault for over 25 years. It was then rescued by Rand herself in the late 1960s released in a new restoration and made its US premiere at the Telluride Film Festival in 1986. Studio still photographs: 8 x 10 inches. Fine. Postcard photographs: 3.5 x 5.5 inches. Near Fine. All materials housed together in a white glassine sleeve. Scalera Studios / Angelika Films unknown
1953réf. 146324London: Ealing Studios 1953. Second Draft script for the 1953 film here under the working title "Newmarket Heath." A former champion jockey who was discovered accepting bribes and subsequently banned from jockeying decides to train a young man to become his racing successor. Set and shot on location in England. Tall tan titled wrappers noted as Second Draft Script on the front wrapper dated 1st May 1953. Title page present dated 1st May 1953 noted as SECOND DRAFT SCRIPT. 131 leaves with last page of text numbered 130. Mimeograph duplication on lavender stock rectos only. Pages Near Fine wrapper Very Good plus bound with two silver brads. Ealing Studios unknown
1972réf. 161480New York: Norman Rosemont Productions 1972. Draft script for the 1973 television movie originally aired on April 24 1973 on ABC. Production memo and seven-page shooting schedule laid in. An American officer is sentenced to permanent exile from his homeland after being court-martialed for conspiring to attack and annex Mexico with Aaron Burr. Shot on location in Newport Rhode Island in Niagara New York and in Mystic Connecticut. Mustard titled Studio Duplicating Service wrappers. Title page present dated August 14 1972 with credit for screenwriter Sidney Carroll. 92 leaves with last page of text numbered 88. Xerographic duplication rectos only with undated blue revision pages throughout. Pages Very Good plus wrapper Very Good plus moderately edgeworn with splashes affecting the final ten leaves and rear wrapper bound with two gold brads. Norman Rosemont Productions unknown
2000réf. 152550Los Angeles: Columbia Broadcasting System CBS 2000. Final Draft script for the tenth episode of season one of the 2000-2001 television series originally aired on December 20 2000 on CBS. Copy belonging to actor Benjamin Lum with three callsheets dated November 3 and 4 2000 and two xerographically duplicated revision pages laid in. INSCRIBED by actress Bette Midler to Lum on the title page: "For Benjamin- / with aloha / Bette Midler." The series starred Midler playing a loosely fictionalized version of herself as she attempts to balance a successful singing career with her family life and personal needs. In this episode Bette tries to get publicity by faking a mental breakdown a tactic which works too well. Self wrappers. Title page present dated November 2 2000 noted as FINAL DRAFT YELLOW with credits for director Andrew D. Weyman and screenwriter Gary Janetti. 60 leaves with last page of text numbered 53. Xerographic duplication on yellow stock rectos only. Pages Near Fine bound with two gold brads. Columbia Broadcasting System [CBS] unknown
1961réf. 131821London: Foxwarren-Elthea / Hemisphere Pictures 1961. Draft British script for the 1961 film "Bomb in the High Street" seen here as "Bomb in High Street." An elaborate and highly entertaining British thriller in which a Nazi-era bomb is found in an English town. A bomb squad is called in but the men in the squad are not who they seem and the ultimate goal is revealed to be a bank heist. Tall red titled wrappers with a die-cut title window in the British style. Title page present with credits for screenwriter Simcoe. 68 leaves mechanical duplication on eye-rest green stock. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Foxwarren-Elthea / Hemisphere Pictures unknown
1949réf. 159641Hollywood: Paramount Pictures 1949. Vintage studio still photograph from the 1950 film showing actors Cecil B. DeMille and Gloria Swanson talking on the set. A down-on-his-luck screenwriter stumbles into the home of a forgotten silent film star quickly becoming enmeshed in her deranged plan for a comeback. A kingpin in the pantheon of films about fame and Hollywood and Billy Wilder's urban noir counterpart to the daylight rural world of "Ace in the Hole" 1951. Winner of three Academy Awards and nominated for another eight including Best Picture. Set and shot on location in Los Angeles. 10 x 8 inches. Near Fine. National Film Registry. Ebert I. Godard Histoires du cinema. Grant US. Penzler 101. Rosenbaum 1000. Selby US Masterwork. Silver and Ward Classic Noir. Spicer U. Paramount Pictures unknown
1974réf. 160034Hollywood: Paramount Television / Leda Productions 1974. Second Draft script for Season 1 Episode 1 of the 1975 television series. Copy belonging to an uncredited sound engineer with his name and title on the front wrapper in manuscript ink. The first adaptation to celluloid of hardboiled Southern California private eye Lew Archer a character originally created by novelist Ross Macdonald. In this episode Archer investigates a con man exploiting naive teenagers out of their parents' money. Originally aired on January 30 1975 on NBC. Orange titled wrappers noted as SECOND DRAFT on the front wrapper dated December 9 1974. Title page present noted as SECOND DRAFT dated December 9 1974 with credits for screenwriter David P. Harmon and novelist Ross Macdonald. 66 leaves with last page of text numbered 61. Xerographic duplication rectos only with blue revision pages throughout dated 12/12/74. Pages Near Fine wrapper Near Fine bound with two gold brads. Paramount Television / Leda Productions unknown
