11 046 résultats
1967réf. 169587Brussels: Metropolitan Films 1967. Vintage oversize reference photograph from the set of the 1967 film showing actress Brigitte Bardot laying out in the hay. Metropolitan Films stamp on the verso. A French woman is tempted to stray from her older English husband when she meets a vibrant younger man. Shot on location in London and Paris. 12 x 9.75 inches. Very Good plus with some foxing at the edges of the verso not visible on the recto see images. Metropolitan Films unknown
1983réf. 118803Universal City CA: Universal City Studios 1983. Revised First Draft for the 1985 film. Costume designer Norman Salling's copy with his name in manuscript ink at the top of the front wrapper. SIGNED by novelist-screenwriter Elmore Leonard on the title page. An ex-car thief trying to turn his life around ends up witness to his friend's murder. While he wants to find love and spend more time with his daughter the men who killed his friend kidnap his daughter sending him on a mission to save his daughter and avenge his friend. One of only a few screenplays adapted by Leonard from one of his own novels made memorable in that it layers a surprisingly complex plot onto what by 1985 had become a pretty standard sub-genre: the Burt Reynolds revenge thriller. Shot on location in California and Florida. Green titled wrappers noted as Revised First Draft on the front wrapper production No. 02162 dated August 5 1983. Title page present dated August 5 1983 noted as Revised First Draft with credits for author and screenwriter Elmore Leonard. 109 leaves with last page of text numbered 106. Xerographic duplication on blue stock rectos only with blue revision pages throughout dated 9/15/1983. Pages Near Fine wrapper Very Good plus with some wear to the corners bound with three gold brads. Universal City Studios unknown
1928réf. 172232Beverly Hills CA: United Artists 1928. Vintage studio still photograph from the 1928 silent film an amazing shot showing crowds of onlookers gathering at the harbor to welcome a steamer ship. The effete son of a hardened steamer captain falls in love with the daughter of his father's rival. Keaton's last independent film made under his creative control before his move to Metro-Goldwyn-Mayer later in the year. The film is perhaps best remembered today for Keaton's most famous stunt in which the facade of a house falls down around him while he avoids being flattened by inadvertently standing underneath an open window. 8 x 10 inches. Very Good with three pinholes to the margins and a diagonal chip to the top left corner. Complete collation details available on request. National Film Registry. United Artists unknown
1926réf. 157682N.p.: N.p. 1926. Vintage reference photograph from the 1926 film showing actor Buster Keaton in an elevator wearing a jaunty hat. From the archive of film historian and author Joel Finler. During the Civil War an engineer must work to save the two loves of his life: a woman named Annabelle Lee and a train named The General. A box office disappointment upon release but long since reconsidered and now ranked among the the finest of Keaton's films. Shot on location in California and Oregon. 8 x 10 inches. About Near Fine. National Film Registry. Ebert I. Eureka Masters of Cinema 173. Godard Histoires du cinema. Rosenbaum 1000. Schrader 60. N.p. unknown
1940réf. 155137Clarksburg WV: Union Label 1940. Vintage flyer issued to promote showings of the 1940 film at the Ritz Theatre in Clarksburg West Virginia. The flyer notes: "Just in case you laugh off all your buttons- / along with your troubles- / take this along when you see / 'The Great Dictator'" and includes a safety pin with a chain ostensibly originally holding a spare button now missing. For his follow-up to his 1936 classic "Modern Times" Charlie Chaplin chose to do what only a handful of other films dared to do in 1940-make fun of Hitler. Though several of Chaplin's previous films had made use of music and sound effects and while Chaplin had sung briefly in "Modern Times" "The Great Dictator" marked the first time he spoke dialogue onscreen. 5 x 3 inches. Very Good with moderate soil overall and light rust around the safety pin. Criterion Collection 565. Union Label unknown
1981réf. 121497Rome: 23 Giugno 1981. Vintage French theatrical poster for the 1981 Italian/French film. Based on the 1972 short story collection "Erections Ejaculation Exhibitions and General Tales of Ordinary Madness" by Charles Bukowski. The first film adaptation of the author's work and one of the most challenging films of the 1980s. Ben Gazzara and Ornelia Muti portray two self-destructive souls that become soulmates hell-bent on sex alcohol and general torment. One of Gazzara's most unvarnished performances having warmed up in the 1970s with a trio of Cassavetes films. 15.25 x 20.5 inches rolled. Near Fine. 23 Giugno unknown
1984réf. 153156New York: Robert Halmi Productions 1984. Draft script for the 1984 television film here under the working title "Nairobi." The film originally premiered on October 17 1984 on CBS. The Kenyan government hires a former Green Beret to stop a group of violent and unpredictable poachers. Blue untitled front wrapper lacking rear wrapper. Title page present dated April 1984 with credits for screenwriter David Epstein. 96 leaves with last page of text numbered 95. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Robert Halmi Productions unknown
1970réf. 150810N.p.: N.p. 1970. Draft script for an unproduced film. Based on Claude Brown's successful 1965 autobiographical novel which follows a young African American boy coming of age in Harlem during the 1940s and 1950s. Adapted by Arnold Federbush a film and sound editor who also wrote two science fiction novels in the 1970s "The Man Who Lived in Inner Space" 1973 and "Ice!" 1978. Set in Harlem. Gold untitled wrappers. Title page present undated with credits for screenwriter Arnold Federbush and author Claude Brown. 131 leaves with last page of text numbered 130. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus lightly rusted near the binding bound with a silver prong. N.p. unknown
1985réf. 152360N.p.: N.p. 1985. Two vintage borderless color reference photographs from the 1985 film showing a young Charlotte Gainsbourg. A neglected thirteen-year-old girl from a working class neighborhood dreams of becoming the manager of her friend a wealthy teenage piano prodigy vacationing nearby but her hopes soon unravel when she is confronted with the reality of her friend's upper-class life. Shot on location in Savoie and Yvelines France. 9.5 x 6.5 inches. Near Fine. N.p. unknown
1965réf. 167112N.p.: N.p. 1965. Vintage borderless reference photograph from the 1965 film showing actress Claudia Cardinale. Annotations in manuscript pencil and the stamps of photographer Georg Michalke on the verso. A woman returns with her American husband to her childhood village in Tuscany where she revives a long-lost sexual relationship with her brother. The third of four films Cardinale made with director Luchino Visconti following "Rocco and His Brothers" 1960 and "The Leopard" 1963 and followed by "Conversation Piece" 1974. Shot on location in Geneva Switzerland and in Tuscany Italy. 9.5 x 7.25 inches. Very Good plus. N.p. unknown
1978réf. 162405Burbank CA: Warner Brothers 1978. Collection of 14 vintage photographs from the 1978 film including five borderless reference photographs and nine studio still photographs. A young single photographer struggles to maintain her friendship with her former roommate after the woman marries and moves out of their longtime shared apartment. Weill's first feature film a warm and incisive depiction of life as a woman in New York in the late 1970s described by Stanley Kubrick in 1980 as "one of the very rare American films that I would compare with the serious intelligent sensitive writing and filmmaking that you find in the best directors in Europe. It wasn't a success I don't know why; it should have been." Shot on location in New York. Studio stills 10 x 8 inches reference photographs 9.5 x 7 inches. Fine. National Film Registry. Criterion Collection 1055. Warner Brothers unknown
1945réf. 129936Los Angeles: David O. Selznick 1945. Carbon typescript studio transcription of C.S. Forester's short story of the same name originally published in the Saturday Evening Post on July 10 1943. Printed as a studio script in small numbers for internal distribution. Red titled wrappers with credits for screenwriter C.S. Forester noted as copy No. 3 on the front wrapper. Title page present with credits for screenwriter C.S. Forester. 22 leaves carbon typescript on onionskin stock. Pages Near Fine wrapper Near Fine side stapled. David O. Selznick unknown
2000réf. 167530Santa Monica: Silent Development Corporation 2000. Revised Draft script for the 2001 film. Screenwriter David Atkins' directorial debut a criminally overlooked black comedy. Steve Martin is an innocuous straight-laced dentist engaged to his ambitious dental hygienist played by Laura Dern. Martin's life is pulled into a maelstrom of sex drugs and murder when an alluring Helena Bonham Carter comes into his office seeking a root canal and pain killers. Shot on location in Illinois and Wisconsin. Front wrapper integral with title page dated April 07 2000 noted as REVISION I with credits for screenwriter David Atkins and story by Paul Felopulos and David Atkins. 122 leaves with last page of text numbered 115. Xerographic duplication rectos only with blue pink yellow and green revision pages throughout dated variously between 3/27/00 and 4/07/00. Pages Near Fine bound with two gold brads. Silent Development Corporation unknown
1970réf. 150783N.p.: N.p. 1970. Vintage borderless double weight reference photograph of David Lean Sarah Miles Trevor Howard and John Mills on the set of the 1970 film. Two mimeo snipes and photographer "Ken Danvers" stamp on verso. The third collaboration between director Lean and screenwriter Bolt following "Lawrence of Arabia" 1962 and "Doctor Zhivago" 1965. The year after the suppressed 1916 Easter Rising a young Irish woman is caught between a British officer she loves and the nationalists from her own home town. Winner of two Academy Awards for Best Cinematogray and Best Supporting Actor for John Mills nominated for two more. Set in an isolated village on the Dingle Peninsula in County Kerry Ireland shot on location in County Kerry and County Clare Ireland and Cape Town South Africa. 10 x 8 inches. Near Fine. N.p. unknown
1997réf. 156712New York: October Films 1997. Five vintage color slides from the 1997 neo-noir film. Accompanying the slides is a corresponding promotional sheet with captions. A man goes to jail for killing his wife only to wake up in a completely new reality and with a new identity. An underrated neo-noir that in the years since its release has attracted a cult following and critical praise. The first film in David Lynch's Los Angeles trilogy followed by "Mulholland Drive" 2001 and "Inland Empire" 2006 all three exploring themes of dream-reality displacement chaos and unrelenting dread. 1 x 1.5 inches housed individually in white cardboard sleeves measuring 2 x 2 inches. About Fine. October Films unknown
1977réf. 163798Culver City CA: Columbia Pictures Television 1977. Vintage borderless reference photograph of director and actor Dennis Hopper with cameraman László Kovács during filming on location for the 1971 film. Annotations in manuscript ink on the verso. From the archive of film historian and author Joel Finler. A stunt coordinator filming on location in a small Peruvian village believes he has found paradise but soon discovers a strange and violent cargo cult which has formed among the locals. In spite of his ongoing battle with substance abuse director Dennis Hopper was granted full creative control over the film after his unexpected success with "Easy Rider" in 1969. The film's massive failure which became the stuff of legend essentially ended Hopper's directorial career in Hollywood for the better part of the ensuing decade until "Out of the Blue" in 1980. Set and shot on location in Peru. 7 x 9.5 inches. Near Fine. Pitts 2199. Columbia Pictures Television unknown
1968réf. 140637Moore Park Australia: Embassy Pictures 1968. Draft UK script for the 1969 film. With several annotations in manuscript ink throughout. Based on Anne Piper's 1959 novel "Marry at Leisure" about Candida Ferris who goes to live with her relatives after the death of her father. Bored with life she leaves for Paris where she meets a young student and becomes pregnant but keeps the baby a secret from her family. Bored yet again with life she leaves for Italy where she meets an American and is soon pregnant again. As she leaves Italy a woman gives her baby to Candida at the train station. So with two babies and one on the way her life is unraveling quickly and her only confidant is Savage Andrews the caretaker of her late father. Set in London and Paris shot on location there as well as Venice. Pink blank wrappers with die cut title window in the British style. Title page present dated July 1968 with credits for screenwriter and author Anne Piper and novelist Desmond Davis. 112 leaves with last page of text numbered 111. Mechanical duplication. Pages Very Good plus wrapper Very Good plus bound with a pink ribbon. Embassy Pictures unknown
1937réf. 167747Paris: Michaux and Guérin 1937. Vintage double weight reference photograph from the 1937 film showing a close-up image of actress Dita Parlo. Provenance stamps and annotations in manuscript pencil on the verso. An English-language version of the film was shot at the same time under the direction of Edmond T. Gréville titled "Under Secret Orders" still starring Parlo with Erich von Stroheim stepping in as the German spy chief. 9.5 x 6.75 inches. Near Fine. Michaux and Guérin unknown
1979réf. 170620Los Angeles: CBS Television Network 1979. Three vintage photographs of Dolly Parton and Carol Burnett from the 1979 CBS television special which aired on February 14 1979. All three photographs with provenance stamps on the versos two with mimeo snipes on the versos. "Dolly and Carol in Nashville" was a musical variety television special in part a promotion for Parton's 1978 album "Heartbreaker" shot at The Grand Ole Opry and aired on Valentine's Day 1979. It was Burnett's first special following the cancellation of her 1967-1978 variety show "The Carol Burnett Show." 8 x 10 inches. Near Fine. CBS Television Network unknown
1971réf. 156701Culver City CA: Columbia Pictures 1971. Vintage studio still photograph from the 1971 film. Provenance stamp on the verso. In the Stone Age two brothers battle for leadership of their tribe after the former leader is killed in an earthquake. The fourth and last film in Hammer's "Cave Girl" series preceded by "One Million Years B.C." 1966 "Prehistoric Women" 1967 and "When Dinosaurs Ruled the Earth" 1970. Shot on location in Nambia and South Africa. 10 x 8 inches. Near Fine. Johnson and Del Vecchio p. 327-329. Columbia Pictures unknown
1993réf. 162681Burbank CA: Touchstone Television 1993. Four scripts for Season 1 Episode 7 of the 1994 television series including a Writers First Draft a Working Table Draft a Second Revised Table Draft and a Final Draft. Copies belonging to producer Steve Sustarsic with his name on a printed label affixed to two scripts and his annotations in manuscript pencil throughout three scripts. Based on a character created by stand-up comedian John Caponera the series followed John Bowman a working class middle manager and family man as he attempts to balance work and family and improve his lot in life. In this episode Drew throws a bachelor party while Maureen directs a commercial with an aging basketball star. Originally aired on February 1 1994 on NBC. Writers First Draft: Self wrappers dated October 18 1993 on the front wrapper noted as WRITERS FIRST DRAFT with credits for director Gerry Cohen and screenwriter Kevin Curran. Title page integral with the front wrapper. 47 leaves with last page of text numbered 46. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. Working Table Draft: Self wrappers dated October 29 1993 on the front wrapper noted as WORKING TABLE DRAFT with credits for Cohen and Curran. Title page integral with the front wrapper. 48 leaves with last page of text numbered 47. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. Second Revised Table Draft: Self wrappers dated November 4 1993 on the front wrapper noted as 2ND REV. TABLE DRAFT with credits for Cohen and Curran. Title page integral with the front wrapper. 49 leaves with last page of text numbered 44. Xerographic duplication on blue and pink stock rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. Final Draft: Self wrappers dated November 5 1993 on the front wrapper noted as FINAL DRAFT with credits for Cohen and Curran. Title page integral with the front wrapper. 52 leaves with last page of text numbered 46. Xerographic duplication on blue and white stock rectos only. Pages Very Good plus wrapper Very Good plus partially bound with a single gold brad. Touchstone Television unknown
1969réf. 167757N.p.: N.p. 1969. Vintage oversize borderless satin-finish reference photograph from the 1969 film showing Dustin Hoffman and Mia Farrow reading together in robes. Cahiers du Cinéma stamp on the verso. Based on Mervyn Jones' 1966 novel following a man and a woman who meet in a singles bar sleep together and spend the subsequent day learning about one another. One of the earliest New Hollywood dramas an examination of the uncertainties of young adulthood during an age of turbulence set within the hookup culture of late 1960s New York City. Shot on location in New York City. 13.5 x 10.5 inches. Near Fine. N.p. unknown
1972réf. 158416New York: American International Pictures AIP 1972. Collection of 10 vintage studio still photographs from the 1973 film housed in their original envelope stamped "Savage Sisters / 10 Stills / Story in Tens" with the original three-page press release of descriptions for all ten photographs. Pam Grier and Margaret Markov escape from a remote women's prison aided in part by Markov's revolutionary boyfriend. What follows is an almost comical series of bloody shootouts pitting revolutionaries and drug dealers and the authorities all against each other. Shot on location in the Philippines. 8 x 10 inches. Near Fine. Arrow Films. American International Pictures [AIP] unknown
1959réf. 160610Los Angeles: Twentieth Century-Fox 1959. Four vintage reference photographs from the 1959 film all four showing actress May Britt dancing in a cabaret. One with a French Twentieth Century-Fox stamp on the verso. A little-seen American remake of Josef von Sternberg's 1930 German film based on the 1905 novel "Professor Unrat" by Heinrich Mann. A tale of the destruction that obsession can cause about a German high school teacher who falls for a traveling showgirl marries her and is then shunned by his community slowly losing all of his dignity. 10 x 8 inches. Very Good plus lightly age toned with brief wear at the corners. Twentieth Century-Fox unknown
1936réf. 158483Los Angeles: Twentieth Century-Fox 1936. Vintage reference photograph of director Edward H. Griffith with a camera crew on the set of the 1936 film capturing a scene with actors Alan Mowbray and Janet Gaynor. Mimeo snipe on the verso. Based on the twentieth-century play by Leslie Bush-Fekete about three roommates and their comic misadventures in the world of dating in Budapest. 10 x 8 inches. Very Good plus. Twentieth Century-Fox unknown
