11.050 risultati
2000rif. 164078Beverly Hills CA: Turner Films Inc 2000. Revised Draft script for the 2000 television film here under the working title "James Dean: An Invented Life" copy belonging to uncredited prop maker Chris Scher with the manuscript marker annotation of "Chris" and copy number "#97" on the front wrapper and a "Propmaker / Chris Scher / Script" label on the script's first leaf. Laid in are four gatherings of revisions three of which have a Scher label as described above. Bound in preceding the script is a three page goldenrod memo dated 6/8/2000. The four revision gatherings are: 23 pages of buff revisions dated 6/12/2000. Twelve pages of salmon revisions dated 6/16/2000. Six pages of cherry revisions dated 6/27/2000. And seven pages of ivory revisions dated 07/27/2000. All revision gatherings are bound by a single staple at the top left corner and are preceded by a Turner Films memo. James Franco stars as James Dean chronicling his troubled life from a struggling actor to an A-list film star. Winner of two Primetime Emmy Awards including Best Supporting Actor for Michael Moriarty and nominated for nine others. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Untitled Turner Network Television wrappers. Title page present with credits for screenwriter Israel Horovitz. 103 leaves with last page of text numbered 94. Xerographic duplication rectos only with pink yellow green and goldenrod revision pages throughout dated variously between 5-15-00 and 6/8/2000. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Turner Films, Inc unknown
2000rif. 164078Beverly Hills CA: Turner Films Inc 2000. Revised Draft script for the 2000 television film here under the working title "James Dean: An Invented Life" copy belonging to uncredited prop maker Chris Scher with the manuscript marker annotation of "Chris" and copy number "#97" on the front wrapper and a "Propmaker / Chris Scher / Script" label on the script's first leaf. Laid in are four gatherings of revisions three of which have a Scher label as described above. Bound in preceding the script is a three page goldenrod memo dated 6/8/2000. The four revision gatherings are: 23 pages of buff revisions dated 6/12/2000. Twelve pages of salmon revisions dated 6/16/2000. Six pages of cherry revisions dated 6/27/2000. And seven pages of ivory revisions dated 07/27/2000. All revision gatherings are bound by a single staple at the top left corner and are preceded by a Turner Films memo. James Franco stars as James Dean chronicling his troubled life from a struggling actor to an A-list film star. Winner of two Primetime Emmy Awards including Best Supporting Actor for Michael Moriarty and nominated for nine others. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Untitled Turner Network Television wrappers. Title page present with credits for screenwriter Israel Horovitz. 103 leaves with last page of text numbered 94. Xerographic duplication rectos only with pink yellow green and goldenrod revision pages throughout dated variously between 5-15-00 and 6/8/2000. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Turner Films, Inc unknown books
1948rif. 170351N.p.: N.p. 1948. Vintage publicity photograph from the 1948 film showing actress Marlene Dietrich looking typically glamorous. Mimeo snipe and annotations in manuscript pencil and ink on the verso. An Iowa congresswoman enlists an American army captain to assist her in an investigation of a former Nazi entertainer in postwar Berlin. Unbeknownst to the congresswoman however the captain and the entertainer are engaged in an affair leading the captain to seduce the congresswoman in an attempt to hide his conflicting motives. Nominated for two Academy Awards. Shot on location in Berlin. 8 x 10 inches. Lightly creased at one corner else Near Fine. Selby US. Selby UK. N.p. unknown
1948rif. 170351N.p.: N.p. 1948. Vintage publicity photograph from the 1948 film showing actress Marlene Dietrich looking typically glamorous. Mimeo snipe and annotations in manuscript pencil and ink on the verso. An Iowa congresswoman enlists an American army captain to assist her in an investigation of a former Nazi entertainer in postwar Berlin. Unbeknownst to the congresswoman however the captain and the entertainer are engaged in an affair leading the captain to seduce the congresswoman in an attempt to hide his conflicting motives. Nominated for two Academy Awards. Shot on location in Berlin. 8 x 10 inches. Lightly creased at one corner else Near Fine. Selby US. Selby UK. N.p. unknown books
1954rif. 160994Los Angeles: Twentieth Century-Fox 1954. Two vintage reference photographs taken on the set of the 1954 film one showing director Henry Koster talking to Marlon Brando and the other showing Koster with Brando and actress Jean Simmons. Printed mimeo snipes and Twentieth Century-Fox stamps on the versos. From the archive of film historian and author Joel Finler. A biopic about the rise and fall of Napoleon Bonaparte based loosely on Annemarie Selinko's 1953 nonfiction book. Nominated for two Academy Awards. Set in Marseilles shot on location throughout California and in Hauts-de-Seine Paris and Seine-et-Marne France. 8 x 10 inches. Near Fine. Twentieth Century-Fox unknown
1954rif. 160994Los Angeles: Twentieth Century-Fox 1954. Two vintage reference photographs taken on the set of the 1954 film one showing director Henry Koster talking to Marlon Brando and the other showing Koster with Brando and actress Jean Simmons. Printed mimeo snipes and Twentieth Century-Fox stamps on the versos. From the archive of film historian and author Joel Finler. A biopic about the rise and fall of Napoleon Bonaparte based loosely on Annemarie Selinko's 1953 nonfiction book. Nominated for two Academy Awards. Set in Marseilles shot on location throughout California and in Hauts-de-Seine Paris and Seine-et-Marne France. 8 x 10 inches. Near Fine. Twentieth Century-Fox unknown books
1982rif. 159948N.p.: N.p. 1982. Three vintage borderless reference photographs from the 1982 film. A black comedy following the delusional and increasingly violent experiences of a painfully untalented comedian. Perhaps Martin Scorsese's most underrated film a brilliant study of celebrity worship and American media culture. Basis for the successful 2019 film "Joker" starring Joaquin Phoenix. Set and shot on location in New York. 9.5 x 7 inches. Near Fine. N.p. unknown
1982rif. 159948N.p.: N.p. 1982. Three vintage borderless reference photographs from the 1982 film. A black comedy following the delusional and increasingly violent experiences of a painfully untalented comedian. Perhaps Martin Scorsese's most underrated film a brilliant study of celebrity worship and American media culture. Basis for the successful 2019 film "Joker" starring Joaquin Phoenix. Set and shot on location in New York. 9.5 x 7 inches. Near Fine. N.p. unknown books
1915rif. 171490N.p.: N.p. 1915. Two vintage reference photographs from the 1915 silent film one showing Edward Martindel and Mary Pickford the other showing Martindel Pickford and Mildred Morris. Contemporary annotations in manuscript pencil on the versos. Years after abandoning his daughter to an orphanage a wealthy painter attempts a reconciliation. The original film premiered in 1915 directed by Allan Dwan but was destroyed in a fire shortly after its release and is today considered lost. The film was re-made with the same cast directed by John B. O'Brien and released in 1916. One 8.75 x 8 inches the other 10 x 8 inches. Good edgeworn with chips at two corners moderately toned. N.p. unknown
1915rif. 171490N.p.: N.p. 1915. Two vintage reference photographs from the 1915 silent film one showing Edward Martindel and Mary Pickford the other showing Martindel Pickford and Mildred Morris. Contemporary annotations in manuscript pencil on the versos. Years after abandoning his daughter to an orphanage a wealthy painter attempts a reconciliation. The original film premiered in 1915 directed by Allan Dwan but was destroyed in a fire shortly after its release and is today considered lost. The film was re-made with the same cast directed by John B. O'Brien and released in 1916. One 8.75 x 8 inches the other 10 x 8 inches. Good edgeworn with chips at two corners moderately toned. N.p. unknown books
1959rif. 151243N.p.: N.p. 1959. Vintage borderless reference photograph from the set of the 1959 film showing actor Anthony Perkins balancing a folding chair on his chin. With the stamps of Globe Photos and Pictorial Press on the verso and a printed mimeo snipe. A Venezuelan man flees his home country to avoid a revolution traveling to the Amazon forest where he meets and falls in love with a young orphan named Rima. Shot on location in Santa Clarita California and in Venezuela Guyana and Colombia. 8 x 10 inches. Very Good plus lightly edgeworn and faintly toned. N.p. unknown
1959rif. 151243N.p.: N.p. 1959. Vintage borderless reference photograph from the set of the 1959 film showing actor Anthony Perkins balancing a folding chair on his chin. With the stamps of Globe Photos and Pictorial Press on the verso and a printed mimeo snipe. A Venezuelan man flees his home country to avoid a revolution traveling to the Amazon forest where he meets and falls in love with a young orphan named Rima. Shot on location in Santa Clarita California and in Venezuela Guyana and Colombia. 8 x 10 inches. Very Good plus lightly edgeworn and faintly toned. N.p. unknown books
1945rif. 149678Burbank CA: Warner Brothers 1945. Vintage reference photograph of director Michael Curtiz wielding a megaphone on location for an suburban exterior shot for the 1945 film. With a printed mimeo snipe on the verso providing detail regarding same. Based on James M. Cain's 1941 novel which follows a newly divorced woman as she begins a career as a baker to provide for her family to the shame of her spoiled ungrateful firstborn daughter. A career-reviving role for Joan Crawford who won an Academy Award for her performance following her 1943 departure from Metro-Goldwyn-Mayer. Shot on location in Glendale Los Angeles and Malibu California. 7.25 x 9.25 inches. Very Good with light dryness and cracking to the finish and light wear to the bottom corners. National Film Registry. Criterion Collection 860. Selby US Canon. Grant US. Spicer US. Silver and Ward Classic Noir. Warner Brothers unknown
1945rif. 149678Burbank CA: Warner Brothers 1945. Vintage reference photograph of director Michael Curtiz wielding a megaphone on location for an suburban exterior shot for the 1945 film. With a printed mimeo snipe on the verso providing detail regarding same. Based on James M. Cain's 1941 novel which follows a newly divorced woman as she begins a career as a baker to provide for her family to the shame of her spoiled ungrateful firstborn daughter. A career-reviving role for Joan Crawford who won an Academy Award for her performance following her 1943 departure from Metro-Goldwyn-Mayer. Shot on location in Glendale Los Angeles and Malibu California. 7.25 x 9.25 inches. Very Good with light dryness and cracking to the finish and light wear to the bottom corners. National Film Registry. Criterion Collection 860. Selby US Canon. Grant US. Spicer US. Silver and Ward Classic Noir. Warner Brothers unknown books
1982rif. 130416Hollywood: Paramount Pictures 1982. First Draft script for the 1982 film written for the screen by James Kirkwood based on his 1975 novel. Credited solely to Kirkwood and with a paper spine label indicating the script dates to December 1976 over five years prior to the film's production. With brief but substantive corrections in manuscript pencil on four pages. A key Vietnam film and an underrated performance by Richard Pryor serving in both dramatic and comedic capacities. A Vietnam vet returns home from a prisoner of war camp and is greeted as a hero but is quickly forgotten and soon discovers how tough survival is in his own country. Dark blue titled wrappers. Title page present noted as First Draft with credits for screenwriter novelist Kirkwood. 166 leaves mimeograph duplication. Pages about Fine wrapper Near Fine bound internally with three gold brads. Parish and Hill 188. Paramount Pictures unknown
1982rif. 130416Hollywood: Paramount Pictures 1982. First Draft script for the 1982 film written for the screen by James Kirkwood based on his 1975 novel. Credited solely to Kirkwood and with a paper spine label indicating the script dates to December 1976 over five years prior to the film's production. With brief but substantive corrections in manuscript pencil on four pages. A key Vietnam film and an underrated performance by Richard Pryor serving in both dramatic and comedic capacities. A Vietnam vet returns home from a prisoner of war camp and is greeted as a hero but is quickly forgotten and soon discovers how tough survival is in his own country. Dark blue titled wrappers. Title page present noted as First Draft with credits for screenwriter novelist Kirkwood. 166 leaves mimeograph duplication. Pages about Fine wrapper Near Fine bound internally with three gold brads. Parish and Hill 188. Paramount Pictures unknown books
1972rif. 150687N.p.: N.p. 1972. Vintage borderless reference photograph of Michelangelo Antonioni on the set of the 1972 film. Layout annotations in manuscript pencil and "Collection" stamp obscured struck with manuscript pencil on verso. In 1972 during China's Cultural Revolution Antonioni was invited by the People's Republic of China to direct a documentary on the "New China." The final film at 220 minutes was divided into three parts. The first focusing on Beijing the second Suzhou and the third Shanghai. In each section Antonioni focuses primarily on the faces of the people. Mao Zedong was reportedly so displeased with the film Antonioni was charged with being anti-Chinese and counterrevolutionary. Shot on location in Beijing Henan Jiangsu and Shanghai China. 6.75 x 10 inches. Very Good plus with very light creasing and a tiny bruise on mid right edge. N.p. unknown
1982rif. 149294Grunwald Germany: Concorde Film 1982. Three vintage borderless reference photographs from the German release of the 1982 Italian film. With mimeo snipes on the verso. Antonioni's rarely discussed final feature and one of his greatest achievements. A recently divorced director pursues a new relationship with a younger woman who he imagines could play the leading role in his next film. She quickly vanishes and he embarks on a search to find her sparking up a series of romances with other women. Winner of the 35th Anniversary Prize at the 1982 Cannes Film Festival. Shot on location in Venice and Rome. 9.5 x 7 inches. Near Fine. Criterion Collection 585. Concorde Film unknown
1972rif. 150687N.p.: N.p. 1972. Vintage borderless reference photograph of Michelangelo Antonioni on the set of the 1972 film. Layout annotations in manuscript pencil and "Collection" stamp obscured struck with manuscript pencil on verso. In 1972 during China's Cultural Revolution Antonioni was invited by the People's Republic of China to direct a documentary on the "New China." The final film at 220 minutes was divided into three parts. The first focusing on Beijing the second Suzhou and the third Shanghai. In each section Antonioni focuses primarily on the faces of the people. Mao Zedong was reportedly so displeased with the film Antonioni was charged with being anti-Chinese and counterrevolutionary. Shot on location in Beijing Henan Jiangsu and Shanghai China. 6.75 x 10 inches. Very Good plus with very light creasing and a tiny bruise on mid right edge. N.p. unknown books
1982rif. 149294Grunwald Germany: Concorde Film 1982. Three vintage borderless reference photographs from the German release of the 1982 Italian film. With mimeo snipes on the verso. Antonioni's rarely discussed final feature and one of his greatest achievements. A recently divorced director pursues a new relationship with a younger woman who he imagines could play the leading role in his next film. She quickly vanishes and he embarks on a search to find her sparking up a series of romances with other women. Winner of the 35th Anniversary Prize at the 1982 Cannes Film Festival. Shot on location in Venice and Rome. 9.5 x 7 inches. Near Fine. Criterion Collection 585. Concorde Film unknown books
1983rif. 152549N.p.: N.p. 1983. Revised Draft script for the 1984 film here under the working title "Tin Soldiers." With a single manuscript annotation to the verso of the final leaf noting No. 88. After the death of his mother a straitlaced cadet is taken out of his military academy by his alleged father a wild-spirited rock star. Shot on location in Arizona and California. Green titled wrappers. Title page present dated May 27 1983 noted as TAFT REVISION with credits for screenwriters Gene Taft and Len Jenkin and story credits to Jenkin and Michael Philip Jagger. 130 leaves with last page of text numbered 128. Xerographic duplication rectos only. Pages Very Good lightly foxed on the first and last leaves wrapper Near Fine bound with two gold brads. N.p. unknown
1983rif. 152549N.p.: N.p. 1983. Revised Draft script for the 1984 film here under the working title "Tin Soldiers." With a single manuscript annotation to the verso of the final leaf noting No. 88. After the death of his mother a straitlaced cadet is taken out of his military academy by his alleged father a wild-spirited rock star. Shot on location in Arizona and California. Green titled wrappers. Title page present dated May 27 1983 noted as TAFT REVISION with credits for screenwriters Gene Taft and Len Jenkin and story credits to Jenkin and Michael Philip Jagger. 130 leaves with last page of text numbered 128. Xerographic duplication rectos only. Pages Very Good lightly foxed on the first and last leaves wrapper Near Fine bound with two gold brads. N.p. unknown books
1990rif. 167764N.p.: N.p. 1990. Revised Shooting Script for the 1991 film. A ruthless trial lawyer survives a shooting only to be left with amnesia and impaired speech and mobility. His wife and daughter help him recover and he gains a new lease on life in the process becoming a consummate family man. Shot on location in White Plains Milbrook and New York City. Blue untitled wrappers. Title page present dated September 11 1990 noted as Revised Shooting Script with credit for screenwriter Jeffrey Abrams. 127 leaves with last page of text numbered 121. Xerographic duplication rectos only with four blue revision pages dated 9/26/90. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown
1990rif. 167764N.p.: N.p. 1990. Revised Shooting Script for the 1991 film. A ruthless trial lawyer survives a shooting only to be left with amnesia and impaired speech and mobility. His wife and daughter help him recover and he gains a new lease on life in the process becoming a consummate family man. Shot on location in White Plains Milbrook and New York City. Blue untitled wrappers. Title page present dated September 11 1990 noted as Revised Shooting Script with credit for screenwriter Jeffrey Abrams. 127 leaves with last page of text numbered 121. Xerographic duplication rectos only with four blue revision pages dated 9/26/90. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown books
1976rif. 141005Los Angeles: Braun Entertainment Group 1976. Sixth Draft script for the 1976 film. Laid in is a letter to John Huston from Leland Nolan. Based on Howard Fast's 1944 novel based in turn on the true story of an ex-slave and Union solider who returns home where he is elected to the state legislature and eventually to the US Senate despite opposition from white landowners law enforcement and the KKK. Set in South Carolina. Blue titled wrappers. Title page present dated May 24 1976 noted as Sixth Draft with credits for screenwriter and author Howard Fast. 148 leaves with last page of text numbered 145. Xerographic duplication. Pages Near Fine wrapper Near Fine bound internally with a silver prong binding. Braun Entertainment Group unknown
