11 046 résultats
1990réf. 160613N.p.: N.p. 1990. Two vintage reference photographs from the 1990 film both showing director Roger Corman on the set. Annotations in manuscript ink on the verso. Based on the 1973 novel by Brian Aldiss. Low-budget horror king Roger Corman's final directorial effort and his first film after a hiatus of nearly 20 years about a scientist from future Los Angeles who accidentally travels back to 1817 Switzerland where he meets both Mary Shelley and confusingly her fictional creation Victor Frankenstein. INXS frontman Michael Hutchence makes a humorous appearance as Shelley's husband Percy as well. Set in Los Angeles and Switzerland shot on location in Italy. 10 x 8 inches. Near Fine. N.p. unknown
1964réf. 167079N.p.: N.p. 1964. Vintage borderless reference photograph from the 1964 film showing actress Sue Lyon in a polka-dot bikini. Annotations in manuscript pencil on the verso. Based on Tennessee Williams' 1961 play. An alcoholic ex-priest finds himself caught between the attentions of three women while leading a failing tour of Puerto Vallarta. Nominated for four Academy Awards winning one. Set and shot on location in Mismaloya and Puerto Vallarta Mexico the latter becoming a popular tourist destination after the film's release. 10 x 8 inches. Near Fine. N.p. unknown
1988réf. 170779Burbank CA: Warner Brothers 1988. Seven vintage 35mm color slides from the 1988 documentary film. A chronicle of John Lennon's life commissioned by Yoko Ono in 1986 using previously unreleased recordings and archival footage. Shot on location in London and New York. 1.5 x 1 inches housed individually in 2 x 2 inch cardboard sleeves. Fine. Warner Brothers unknown
1967réf. 150623Los Angeles: Paramount Pictures 1967. Collection of 35 vintage borderless double weight reference photographs from the 1967 US-UK co-production. Seven photographs with images of director Andrew Marton actors and crew on the set. A British rancher hires two American cowboys to oversee his Kenyan estate. Basis for the American television show "Cowboy in Africa" starring Chuck Connors which ran on ABC during the 1967-1968 season. Set and shot on location in Kenya. 8 x 10 inches. Very Good plus to Near Fine. Paramount Pictures unknown
1999réf. 152551Los Angeles: Columbia Broadcasting System CBS 1999. Final Draft script for Season 1 Episode 6 of the 1999 television series here under the working title "Into the Black." Copy belonging to actor Benjamin Lum with a call sheet dated March 2 1999 laid in along with two signed photographs of actors James Wlcek and Marco Sanchez. Additionally INSCRIBED by Wlcek to Lum on the title page: "To Ben / Excellent Work!! / Jimmy Wlcek" and also SIGNED by Sanchez just above Wlcek's inscription. The series followed Carlos Sandoval a former police detective as he teamed up with his childhood friend Trent Malloy a martial arts expert to form a private investigation business. In this episode Trent and Carlos go undercover at a Chinese restaurant whose owner is being harassed by a gang. Originally aired on April 17 1999 on CBS. Shot on location in Texas. Green self wrappers. Title page present dated February 10 1999 noted as FINAL DRAFT with credits for screenwriter Bob Gookin. 66 leaves with last page of text numbered 55. Xerographic duplication rectos only with pink yellow and green revision pages throughout dated variously between 2/17/99 and 2/19/99. Pages Near Fine bound with two gold brads. Columbia Broadcasting System [CBS] unknown
1985réf. 159104Studio City CA: ITC Productions / Blue Andre Productions 1985. Revised Second Draft script for the 1986 television film originally aired on November 10 1986 on NBC. Based on the true story of Maude DeVictor a Veterans Benefits Counselor for the Veterans Administration who worked to expose the government's coverup of the harmful effects of Agent Orange on Vietnam veterans. White generic ITC wrappers with a die-cut title window. Title page present dated July 19 1985 noted as REVISED SECOND DRAFT with credits for screenwriter John Sayles and story credits for Martin M. Goldstein Stephen Doran and Robert Jacobs. 113 leaves with last page of text numbered 112. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound internally with three gold brads. ITC Productions / Blue Andre Productions unknown
1979réf. 166579N.p.: N.p. 1979. Final script for the 1981 film. Copy belonging to construction coordinator Hendrik "Hank" Wynands with his name in manuscript ink on the front wrapper. The small town of Ticlaw has only one attraction: an amusement park. When construction builds a new freeway nearby with no exit into Ticlaw the town will do anything to alter the project in their favor. Director John Schlesinger's first film of the 1980s. Shot on location in Apopka Mount Dora and Sarasota Florida. Hot pink titled wrappers. Title page present dated December 24 1979 noted as FINAL SCRIPT noted as copy No. 158 in manuscript ink with credit for screenwriter Edward Clinton. 129 leaves with last page of text numbered 126. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus faded on the front wrapper bound with two gold brads. N.p. unknown
1974réf. 139926Los Angeles: Twentieth Century-Fox 1974. First Draft script for an unproduced television movie. Based on John Steinbeck's 1939 novel of the same title and adapted from the screenplay by Nunnally Johnson for the 1940 film. During the Great Depression and dustbowl era a family of tenant farmers living and suffering in Oklahoma and forced to move west abandoning their home. They end up in California with many other "Okies" like them searching for a new future. Peter Knopf is a Emmy-nominated writer best known for his work on "Posse" 1975 "Peter and Paul" 1981 and "Not My Kid" 1985. Set in Oklahoma and California. Green titled wrappers noted as First Draft on the front wrapper dated April 12 1974. Title page present dated April 12 1974 noted as First Draft with credits for novelist Steinbeck screenwriter Knopf screenwriter Johnson and producer Stanley Hough. 131 leaves with last page of text numbered 127. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox unknown
1955réf. 154966N.p.: N.p. 1955. Vintage reference photograph taken on the set of the 1955 film showing director Joseph L. Mankiewicz handing a cup of coffee to actress Jean Simmons. Provenance label on the verso along with manuscript ink annotations. Based on the 1950 Broadway musical which was in turn based on Damon Runyon's short stories "The Idyll of Miss Sarah Brown" and "Blood Pressure." A gambler wins a bet that he can get a Christian missionary to travel with him to Havana where the pair begin to fall for each other. Nominated for four Academy Awards. Set in New York and Havana. 10 x 8 inches. Near Fine. N.p. unknown
1973réf. 154836N.p.: N.p. 1973. Four vintage borderless reference photographs taken on the set of the 1973 film including several shots of director Joseph Losey actors Jane Fonda and Edward Fox and other cast and crew members. Cinemagence stamp on the verso. Based on the 1879 play by Henrik Ibsen about a woman named Nora who leads a quiet existence with her authoritarian husband Torvald but is forced to reconsider her marriage when a blackmailer threatens to reveal secrets from her past. Shot on location in Reros Norway. 7 x 5 inches. About Fine. N.p. unknown
1968réf. 154499N.p.: N.p. 1968. Vintage borderless reference photograph from the set of the 1968 film showing actress Joanna Shimkus enjoying a cigarette while a crew member irons out a crease in the back of her dress. Based on Tennessee Williams' 1963 stage play "The Milk Train Don't Stop Here Anymore." A lonely terminally ill woman has an romantic encounter with a mysterious poet who may in fact be the Angel of Death. Shot on location in Sardinia Italy. 7.25 x 9.5 inches. Near Fine. N.p. unknown
1968réf. 151323Universal City: Universal Studios 1968. Vintage borderless reference photograph of Joseph Losey directing actress Mia Farrow during a bathtub scene on the set of the 1968 film. With a mimeo snipe on the verso along with a provenance stamp. From the archive of film historian and author Joel Finler. An impoverished woman meets a young girl who claims to be her long-lost daughter believed to have died in a drowning accident years before. Set and shot on location in London. 9.5 x 7.5 inches. Very Good plus overall with a couple of small bruises near the bottom right corner. Universal Studios unknown
1971réf. 152387London: EMI Films 1971. Vintage borderless double weight photograph of director Joseph Losey actor Michael Redgrave and a camera crew on the set of the 1971 film. With a printed mimeo snipe affixed to the verso along with a provenance stamp. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey following "The Servant" 1963 and "Accident" 1967. Set and shot on location in Norfolk England. 10 x 8 inches with a wide bottom margin. Near Fine. Vogel Film as a Subversive Art. EMI Films unknown
1974réf. 125588Universal City CA: Universal Pictures 1974. Second Revised Final Draft script for the 1977 film. The story of General of the Army Douglas MacArthur played by Gregory Peck Supreme Allied Commander during World War II and United Nations Commander for the Korean War. "MacArthur" begins in 1942 following the fall of Philippines and covers the remarkable career of this military legend up through and including the Korean War and into MacArthur's days of forced retirement after being dismissed from his post by President Truman. Shot on location in San Diego and Sierra Madre California and in Washington and New York. Orange titled wrappers noted as SECOND REVISED FINAL DRAFT SCREENPLAY on the front wrapper dated October 29 1974. Title page present with credits for writers Barwood and Robbins. 133 leaves Mimeograph duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. Davenport p. 212. Universal Pictures unknown
1968réf. 161665N.p.: Cannon Films 1968. Three vintage studio still photographs from the 1968 film. All three photographs with provenance stamps on the versos. A woman hosts an annual licentious reunion parties for her former sorority sisters and their lovers at her beach estate. Shot on location in Fire Island New York. 8 x 10 inches. Very Good plus one photograph with a wax pencil annotation along the top right edge and a one inch closed tear to the top center right. Cannon Films unknown
1947réf. 164485Universal City: Universal Pictures 1947. Two vintage publicity photographs from the 1947 film one showing actors Ann Blyth Ella Raines Anita Colby and Yvonne De Carlo walking on the set with producer Mark Hellinger the other showing De Carlo alone. Printed mimeo snipe affixed to the verso of one. A group of prisoners at the strict Westgate Penitentiary plan an escape but fear their plans will be ruined by sadistic power-hungry guard Captain Munsey. Director Jules Dassin's important first film a key noir followed by several others notably "The Naked City" 1948 "Thieves' Highway" 1949 "Night and the City" 1950 and "Rififi" 1955. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 8 x 10 inches. Very Good plus. Criterion Collection 383. Godard Histoires du cinema. Grant US. Selby US Masterwork. Spicer US. Silver and Ward Classic Noir. Universal Pictures unknown
1964réf. 143143Beverly Hills CA: Filmways Pictures / United Artists 1964. Collection of 16 vintage lobby cards from the French release of the 1964 US film. Based on the 1962 novel by Eric Ambler about a con man forced to help a group of thieves steal a jeweled dagger from an Istanbul museum. Peter Ustinov won a Best Supporting Actor Oscar for his role in the film. 9 x 11.75 inches. Near Fine. Filmways Pictures / United Artists unknown
1967réf. 135332France: N.p. 1967. Two vintage borderless black-and-white reference still photographs from the 1967 Italian-French-German film. From the archives of French film historian Maurice Bessy 1910-1993. Bessy's rubber stamp and name label on the verso of one still with brief annotations in manuscript ink on the versos of both stills. Featured in one still is director Duvivier and actor Sergio Fantoni both engaging in a spirited conversation. In the other Duvivier stands above a bandaged Alain Delon in his hospital bed surrounded by members of the crew. Based on the 1962 novel "Manie de la persecution" by Louis C. Thomas. After a near fatal car crash resulting in a coma Pierre Delon awakens to a new life. Attempting to search for his true identity after suffering amnesia coming ever closer to finding the truth and ever closer to unspeakable danger. Julian Duvivier's final film. One still 7 x 9.5 inches one 8 x 11.75 inches. About Near Fine overall. N.p. unknown
1961réf. 150120London: British Lion Films LTD 1961. Vintage narrow margin reference photograph of director Karel Reisz on the set of the 1960 film. Mimeo snipe and "British Lion Films LTD." stamp on verso. Based on the 1958 novel by Alan Sillitoe and part of the British New Wave "kitchen sink" dramas of the late 1950s and early 1960s. 22 year old factory worker Arthur Seaton Albert Finney lives for getting drunk and debauchery on the weekends with a new girlfriend Doreen Shirley Anne Field and his co-worker's wife Brenda Rachel Roberts. In the top 20 of the BFI's greatest British films of all time. Shot on location in Middlesex Nottinghamsire and London. 10 x 8 inches. Very Good plus with edge and corner wear and small closed tear on right margin. BFI 1004. British Lion Films LTD unknown
1981réf. 170739N.p.: N.p. 1981. Vintage color publicity photograph from the 1981 neo-noir film showing a scantily clad Kathleen Turner. Stamp of Cine-Street on the verso. A young woman manipulates her lover a small-town lawyer into killing her wealthy husband. A watershed neo-noir update to the classic femme fatale of the 1940s and 1950s. Set and shot on location in Florida. 8 x 10 inches. About Fine. Ebert I. Grant US. Penzler 101. Silver and Ward Neo-Noir. Spicer US Neo-Noir. N.p. unknown
1955réf. 162545N.p.: N.p. 1955. Two vintage borderless reference photographs from the 1955 Japanese film. With stamps noting the film's French title on the versos. Based on Sachio It 's 1906 novel "Nogiku no Haka" "The Wild Daisy". An elderly man travels back to his hometown remembering his adolescent love for his older cousin Tamiko in the process. 10.25 x 8.25 inches. Very Good plus lightly edgeworn and toned. N.p. unknown
1941réf. 156662Culver City CA: Walt Disney 1941. Vintage studio still photograph from the 1941 film showing three animators working on designs for a number of classic Disney animated characters including Mickey and Minnie Mouse Goofy and Pluto. From the archive of film historian and author Joel Finler. Based on the 1930 short story by Kenneth Grahame. A behind-the-scenes documentary about Walt Disney's animation process including the cartoon short of the title which in later years was often exhibited separately from this film. The first Disney animated feature to include live-action footage. 10 x 8 inches. Very Good plus with moderate soil overall and wear at the corners. Walt Disney unknown
1994réf. 167225N.p.: N.p. 1994. Draft script for the 1994 film seen here under the working title "To Protect and Serve" and under the release title. A merciless satire in the vein of Robert Altman's "The Player" 1992 about a recent film school graduate whose dreams of making it in Hollywood are gradually ground down by his new boss a tyrannical studio mogul. Self wrappers. Title page present undated. 120 leaves with last page of text numbered 119. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1955réf. 159872N.p.: N.p. 1955. Vintage reference photograph of director Kon Ichigawa on the set of the 1955 film. Annotations in manuscript pencil on the verso relating to cropping as well as a provenance label. 5 x 6.5 inches. Near Fine. N.p. unknown
1985réf. 159869N.p.: N.p. 1985. Vintage borderless reference photograph from the 1985 Polish film showing director Krzysztof Kie lowski and actress Gra yna Szapo owska on the set. Provenance stamp and annotations in manuscript ink on the verso. A translator tries to come to terms with the death of her husband a lawyer while trying to help her husband's last client with his pending imprisonment. Kie lowski's first writing collaboration with screenwriter Krzysztof Piesiewicz. Shot on location in Warsaw. 7 x 5.25 inches. About Fine. N.p. unknown
