11 046 résultats
1972réf. 150687N.p.: N.p. 1972. Vintage borderless reference photograph of Michelangelo Antonioni on the set of the 1972 film. Layout annotations in manuscript pencil and "Collection" stamp obscured struck with manuscript pencil on verso. In 1972 during China's Cultural Revolution Antonioni was invited by the People's Republic of China to direct a documentary on the "New China." The final film at 220 minutes was divided into three parts. The first focusing on Beijing the second Suzhou and the third Shanghai. In each section Antonioni focuses primarily on the faces of the people. Mao Zedong was reportedly so displeased with the film Antonioni was charged with being anti-Chinese and counterrevolutionary. Shot on location in Beijing Henan Jiangsu and Shanghai China. 6.75 x 10 inches. Very Good plus with very light creasing and a tiny bruise on mid right edge. N.p. unknown
1982réf. 149294Grunwald Germany: Concorde Film 1982. Three vintage borderless reference photographs from the German release of the 1982 Italian film. With mimeo snipes on the verso. Antonioni's rarely discussed final feature and one of his greatest achievements. A recently divorced director pursues a new relationship with a younger woman who he imagines could play the leading role in his next film. She quickly vanishes and he embarks on a search to find her sparking up a series of romances with other women. Winner of the 35th Anniversary Prize at the 1982 Cannes Film Festival. Shot on location in Venice and Rome. 9.5 x 7 inches. Near Fine. Criterion Collection 585. Concorde Film unknown
1983réf. 152549N.p.: N.p. 1983. Revised Draft script for the 1984 film here under the working title "Tin Soldiers." With a single manuscript annotation to the verso of the final leaf noting No. 88. After the death of his mother a straitlaced cadet is taken out of his military academy by his alleged father a wild-spirited rock star. Shot on location in Arizona and California. Green titled wrappers. Title page present dated May 27 1983 noted as TAFT REVISION with credits for screenwriters Gene Taft and Len Jenkin and story credits to Jenkin and Michael Philip Jagger. 130 leaves with last page of text numbered 128. Xerographic duplication rectos only. Pages Very Good lightly foxed on the first and last leaves wrapper Near Fine bound with two gold brads. N.p. unknown
1990réf. 167764N.p.: N.p. 1990. Revised Shooting Script for the 1991 film. A ruthless trial lawyer survives a shooting only to be left with amnesia and impaired speech and mobility. His wife and daughter help him recover and he gains a new lease on life in the process becoming a consummate family man. Shot on location in White Plains Milbrook and New York City. Blue untitled wrappers. Title page present dated September 11 1990 noted as Revised Shooting Script with credit for screenwriter Jeffrey Abrams. 127 leaves with last page of text numbered 121. Xerographic duplication rectos only with four blue revision pages dated 9/26/90. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown
1976réf. 141005Los Angeles: Braun Entertainment Group 1976. Sixth Draft script for the 1976 film. Laid in is a letter to John Huston from Leland Nolan. Based on Howard Fast's 1944 novel based in turn on the true story of an ex-slave and Union solider who returns home where he is elected to the state legislature and eventually to the US Senate despite opposition from white landowners law enforcement and the KKK. Set in South Carolina. Blue titled wrappers. Title page present dated May 24 1976 noted as Sixth Draft with credits for screenwriter and author Howard Fast. 148 leaves with last page of text numbered 145. Xerographic duplication. Pages Near Fine wrapper Near Fine bound internally with a silver prong binding. Braun Entertainment Group unknown
1976réf. 158015N.p.: N.p. 1976. Vintage borderless color reference photograph from the 1976 Japanese film. Based on the 1936 case of Sada Abe a geisha and prostitute in prewar Tokyo who began an all-consuming obsessive and ultimately tragic affair with a hotel owner. Set and shot on location in Tokyo. 7 x 5 inches. Near Fine. Criterion Collection 466. Rosenbaum 1000. N.p. unknown
1986réf. 142133Paris: Greenwich 1986. Two Draft scripts for the 1986 French film. One script in English the other in French. A British diplomat's wife takes a chimpanzee named Max to be her lover. Nominated for a Palme d'Or. Screenwriter Jean-Claude Carrière producer Serge Silberman and actress Milena Vukotic all worked with Luis Buñuel and accordingly brought much of Buñuel's surrealist sensibility to the film. Set and shot on location in Paris. French script: Red titled wrappers. Title page present with credits for director and screenwriter Nagisa shima and screenwriter Jean-Claude Carrière. 150 leaves with last page of text numbered 139. Xerographic duplication printed on rectos and versos. Pages Near Fine wrapper Near Fine with a white spiral binding. English script: Yellow titled wrappers. Title page present with credits for director and screenwriter Nagisa shima and screenwriter Jean-Claude Carrière. 140 leaves with last page of text numbered 139. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two silver clasps. Greenwich unknown
1976réf. 149763N.p.: N.p. 1976. Two vintage color reference photographs from the 1976 film one showing actor Jodie Foster the other showing actor Scott Jacoby and the back of Connie Foster Jodie's older sister and body double for the scene. One with a collector label on the verso and manuscript ink annotations noting the film's German title the other with a printed mimeo snipe specific to the film's Dutch release. Based on Laird Koenig's 1974 novel wherein a teenage girl living alone attempts to hide a dark familial secret from her upper-crust neighbors. To the displeasure of several producers Jodie Foster who was 13 years old at the time of filming refused to appear in a sex scene with Jacoby leading director Nicolas Gessner to call in Foster's 21 year-old sister as a nude body double. Set in Wells Harbor Maine and shot on location in Montreal and Knowlton Quebec. 10 x 8 inches. Very Good plus with pinholes to the corners and light fading overall. N.p. unknown
1959réf. 165054N.p.: N.p. 1959. Vintage borderless reference photograph from the 1959 film showing actor Noel Coward on the set. Annotations in manuscript ink and pencil and provenance label on the verso. The third and final collaboration between Reed and author Graham Greene with Alec Guinness starring as a spy caught in the midst of an espionage mechanism far beyond his control. A film that predicted the onslaught of British and American espionage films and television that would follow in the 1960s. 9.5 x 7 inches. Very Good plus. N.p. unknown
1981réf. 164104Los Angeles: T.A.T Communications Company 1981. Second Draft ribbon copy typescript master script with manuscript white-out annotations on 25 pages for the season 7 episode 18 "Not So Dearly Beloved" episode of the acclaimed television sitcom which aired on May 15 1981 on CBS. Screenwriters David Silverman and Steve Sustarsic were best known for their work as animators and screenwriters for sitcom television. Broadcast on CBS for eleven seasons from 1975 to 1985 "The Jeffersons" created by Norman Lear was a spin-off of his watershed sitcom "All in the Family" and was one of the longest running series in television history the second-longest featuring a primarily African American cast and the first television series which prominently featured a married interracial couple. Sherman Hemsley stars as the irascible George Jefferson a successful African American entrepreneur who with the Emmy Award winning Isabel Sanford as his kind and level-headed wife Louise Weezy move to an ritzy Manhattan apartment with their college age son and wise-cracking maid. George invites his rude problem employee Wendell up to his apartment to fire him but shortly after Wendell arrives he collapses and dies of a stroke on George's sofa. Front wrapper integral with title page noted as SECOND DRAFT with credits for screenwriters David Silverman and Stephen Sustarsic. 48 leaves with last page of text numbered 46. Ribbon copy typescript rectos only. Pages Near Fine unbound. T.A.T Communications Company unknown
1940réf. 171479Los Angeles CA: RKO Radio Pictures 1940. Vintage studio still photograph from the 1941 film showing Orson Welles and Ruth Warrick surrounded by policemen. SIGNED by Warrick on the recto. Numeric stamp and annotations in manuscript pencil on the verso. Often considered to be one of the finest American films ever made the story of a reporter investigating the last words of wealthy newspaper magnate Charles Foster Kane. Welles' first feature film winner of an Academy Award and nominated for eight others including Best Picture. Shot on location in New York and California. 10 x 8 inches. Near Fine. Ebert I. Godard Histoires du cinema. Grant US. National Film Registry. Rosenbaum 1000. Schrader 6. Scorsese A Personal Journey Through American Movies. Selby US. Spicer US. RKO Radio Pictures unknown
1958réf. 162537N.p.: N.p. 1958. Two vintage reference photographs taken on the set of the 1958 film one showing a car scene with actress Jean Seberg and a camera crew the other showing Seberg in shorts and a button-down shirt examining several books and what appears to be a script. One photograph with the stamp of photographer Michel Brodsky on the verso the other with the stamp of Columbia International. Based on the 1954 novel by Francoise Sagan. A teenage girl feels her comfortable life begin to change when her widowed father proposes to his girlfriend and the girl becomes determined to end their relationship. Set and shot on location in Saint-Tropez France. One photograph 8.25 x 5 inches the other photograph 8 x 10 inches. About Very Good plus smaller photograph wavy along the top edge larger photograph lightly faded and edgeworn. Godard Histoires du cinema. Twilight Time. N.p. unknown
1958réf. 153860Culver City CA: Columbia Pictures 1958. Vintage reference photograph taken on the set of the 1958 film showing a car scene with actors Mylene Demongeot David Niven and Jean Seberg while a camera crew captures the shot in the foreground. With a provenance stamp to the verso. Based on the 1954 novel by Francoise Sagan. A teenage girl feels her comfortable life begin to change when her widowed father proposes to his girlfriend and the girl becomes determined to end their relationship. Set and shot on location in Saint-Tropez France. 7.25 x 8 inches. Near Fine. Godard Histoires du cinema. Twilight Time. Columbia Pictures unknown
1958réf. 154873Culver City CA: Columbia Pictures 1958. Vintage one sheet poster for the 1958 film. Screenwriter Paddy Chayefsky reportedly modeled the story on the lives of Marilyn Monroe and Ava Gardner with elements taken from the lives of Joan Crawford and Judy Garland. An in-depth character study of a girl who overcomes her traumatic and bleak childhood and attains her dream of being an adored film star only to find her personal life miserable and unfulfilled. Featuring an outstanding and primal performance by Kim Stanley in her first film role. Nominated for an Academy Award for Best Screenplay. Shot on location in Ellicott City Maryland. 27 x 41 inches. Linen backed and rolled. Near Fine with some professional restoration and repair at the original folds. Columbia Pictures unknown
1968réf. 156689N.p.: N.p. 1968. Vintage reference photograph of Paul Newman directing Joanne Woodward during a classroom scene on the set of the 1968 film. From the archive of film historian and author Joel Finler. Based on Canadian writer Margaret Laurence's 1966 novel "A Jest of God" about the varied romantic and sexual experiences of a timid schoolteacher living with her widowed mother in an apartment in rural Connecticut. Shot on location throughout Connecticut. 10 x 8 inches. Near Fine. N.p. unknown
1972réf. 171235Los Angeles: Twentieth Century-Fox 1972. Rehearsal Draft script for the 1972 film. Production memo laid in with the script noting changes to shooting location for two scenes. Based on the Pulitzer Prize-winning 1964 play by Paul Zindel about an eccentric middle-aged mother struggling to raise her two daughters. Starring director Paul Newman's wife Joanne Woodward and one of their real-life daughters Nell Potts as Beatrice and Matilda respectively. Winner of Best Actress at Cannes for Woodward. Shot on location in Bridgeport Connecticut. Yellow titled wrappers. Title page present dated March 14 1972 noted as Rehearsal Draft with credit for screenwriter Alvin Sargent. 110 leaves with last page of text numbered 109. Mimeograph duplication rectos only. Pages Good wrapper Good with dampstaining affecting the last 50 leaves and rear wrapper bound with two gold brads. Twentieth Century-Fox unknown
1994réf. 171829Los Angeles CA: Twentieth Century-Fox Television 1994. One Table Draft script two Revised Table Draft scripts and one Final Draft script for Season 1 Episode 4 of the 1994 television series. Originally aired September 25 1994 on Fox. Table Draft script with a manuscript ink annotation to the top right corner of the front wrapper of Supervising Producer Stephen Sustarsic's name. All four scripts with manuscript ink annotations throughout. An early effort by noted actor Paul Rudd. A very short-lived series featuring the lives of a group of friends in their twenties. In this episode the group becomes the cast of a reality TV show. Set in Chicago. Table Draft: Orange titled wrappers noted as Table Draft on the front wrapper production No. 2W03 dated August 22 1994. Title page present dated August 22 1994 noted as TABLE DRAFT with credits for screenwriter Mark Nutter and director Stan Lathan. 53 leaves with last page of text numbered 48. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound with two gold brads. 1st Revised: Pink titled self wrappers lacking rear wrappers noted as 1st Revised Table Draft on the front wrapper production No. 2W03 dated August 23 1994 with credits for screenwriter Mark Nutter and director Stan Lathan. Title page integral with front wrapper. 49 leaves with last page of text numbered 45. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two silver brads. 2nd Revised: Yellow titled self wrappers lacking rear wrappers noted as 2nd Revised Table Draft on the front wrapper production No. 2W03 dated August 24 1994 with credits for screenwriter Mark Nutter and director Stan Lathan. Title page integral with front wrapper. 51 leaves with last page of text numbered 47. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two silver brads. Final Draft: Yellow titled wrappers noted as Final Draft on the front wrapper production No. 2W03 dated August 25 1994. Title page present dated August 25 1994 noted as FINAL DRAFT with credits for screenwriter Mark Nutter and director Stan Lathan. 54 leaves with last page of text numbered 45. Xerographic duplication rectos only with green revision pages throughout dated 8/25/94 and with blue revision pages laid into the back of the script dated 8/25/94. Pages Fine wrapper Fine bound with one silver brad. Twentieth Century-Fox Television unknown
1973réf. 171998Burbank CA: Warner-Columbia Film 1973. Vintage pressbook for the initial German release of the 1973 Dutch film including a black-and-white booklet with advertising insert leaves and three vintage borderless reference photographs one showing Paul Verhoeven wearing a rain poncho during filming on location the other two showing Rutger Hauer and Monique van de Ven. Text in German. Based on Jan Wolkers' 1969 novel. A gifted but poor sculptor marries a beautiful wealthy young woman but their relationship is tumultuous and soon sours. Director Paul Verhoeven's second feature film the screen debuts of both Hauer and van de Ven and the most successful release in the history of Dutch cinema. Set and shot on location in Noord-Holland and Rotterdam Netherlands. Folder: 8.25 x 11.75 inches. Near Fine. Photographs: 7 x 9.5 inches. Very Good plus. Warner-Columbia Film unknown
1966réf. 135039Beverly Hills CA: Oakmont Productions / United Artists 1966. Draft script for the UK film. Copy belonging to Lloyd Bridges presumed with his name in manuscript ink on the front wrapper verso. Based on a story by John Champion. Major Wilson Bridges is readying his troops for the journey across the English channel to invade Normandy with memories of disastrous previous missions haunting him. Captain Franklin Keir a British officer opposes the plan and has a personal vendetta against Wilson. The two are brought together when Franklin is slated to command the mine sweepers that transport Wilson's troops. Set in France shot on location in London. Tan titled wrappers rubber-stamped copy No. 3 dated November 29 1966. Title page present dated November 29 1966 with credits for screenwriter Hoffman and story writer Champion. 122 leaves with last page of text numbered 120. Mimeograph duplication. Pages and wrapper Near Fine bound with two gold brads. Davenport p. 17. Oakmont Productions / United Artists unknown
1966réf. 159788Rome: Arco Films 1966. Vintage borderless reference photograph of Pier Paolo Pasolini talking with actors Toto and Ninetto Davoli on the set of the 1966 film. Stamp of photographer Divo Cavicchioli on the verso along with a printed Photofest label. A neorealist film dealing with Marxism and class conflict wherein an old man and his son are joined by a talking philosopher crow on their walk down the road. Nominated for the Palme d'Or. Set and shot on location in Assisi Fiumicino Rome Tuscania and Viterbo Italy. 7.25 x 9.5 inches. Very Good plus with light wear on the left edge. Godard Histoires du Cinema. Rosenbaum 1000. Arco Films unknown
1975réf. 135906Berlin: Der Spiegel 1975. Vintage borderless black-and-white press photograph of Fassbinder on the set of his 1975 film "Faustrecht der Freiheit." Shot by Manjit Jari for the German publication Der Spiegel with stamps for both Jari and the publication on the verso along with an archive date of March 19 1975. Franz "Fox" Biberkopf Fassbinder loses his job at a carnival after his boyfriend Klaus Karl Scheydt is arrested for tax fraud. After hustling for the money to buy a lottery ticket he wins 500000 marks and attracts the attention of Eugen Peter Chatel a sophisticated but amoral young man in need of money. He begins a relationship with the uneducated Fox and slowly swindles him out of his winnings driving him to eventual poverty and suicide. 9.5 x 7 inches. Near Fine. Der Spiegel unknown
1959réf. 151606New York: Metro-Goldwyn-Mayer MGM 1959. Vintage press kit for the 1959 film here called an "editor's portfolio." Full-color illustrated pocketed folder containing 16 black and white photographs and 5 gatherings of promotional reading material. Based on M.P. Shiel's 1901 novel "The Purple Cloud." A miner trapped in a cave for several days resurfaces only to realize humankind has been virtually wiped out in a nuclear holocaust. He travels to New York where he bands together with a young woman survivor but their fragile existence is soon disrupted by the arrival of another survivor. Shot on location in New York and New Jersey. Folder photographs and promotional material Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1978réf. 150459London: BFI Production 1978. Vintage borderless studio still photograph from the UK release of the 1978 film. An experimental mystery loosely based on the work of French writer Pierre Klossowski by noted Chilean filmmaker Raul Ruiz following an art collector obsessed with creating tableaux vivants of his most beloved canvasses a collection of six paintings by a mysterious nineteenth century painter. Set and shot on location in France. 10 x 8 inches. Near Fine. BFI Production unknown
1995réf. 160287Various American Cities: Columbia Broadcasting System CBS / Darren Star Productions 1995. Revised Yellow script for the Season 1 Episode 3 of the 1995 prime time soap opera. Copy belonging to production coordinator Shelley Houis with her name in manuscript ink on the title page. Script housed in a blue three-ring binder with approximately 100 pages of production documents relating to episodes two and three of season one including in addition to the script cast and crew contact lists equipment rentals filming locations and shooting schedules. The series followed the staff of trendy society magazine "Communique" a group of powerful money-hungry New Yorkers. The series aired on CBS for two seasons with the final episode airing on June 28 1996. The series was a manifestation of efforts by CBS to boost ratings with "prestige" television whose time unfortunately had not yet come but the network ultimately decided to return in 1996 to more traditional fare. Title page present dated June 22 1995 with credits for director James Frawley and screenwriter David Stenn. 77 leaves with last page of text numbered 55. Xerographic duplication rectos only with pink blue and yellow revision pages throughout dated variously between 6/29/95 and 7/6/95. Pages about Fine binder Very Good plus lightly foxed. Columbia Broadcasting System [CBS] / Darren Star Productions unknown
1980réf. 170402N.p.: N.p. 1980. Draft script for an unproduced film. A bawdy military comedy starring Redd Foxx as an aging zany sergeant. Screenwriter Reginald H. Farmer is better known as an actor in comedy films including "Fast Times at Ridgemont High" 1982 "Car Wash" 1976 and "National Lampoon's Animal House" 1978. Blue pictorial titled wrappers. Title page present undated with credit for Farmer. 152 leaves with last page of text numbered 151. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown
