11.045 risultati
1953rif. 130749Universal City CA: Universal Pictures 1953. Final Draft script for the 1954 film. Actor Van Heflin's copy. Safari guide Van Heflin is hired to hunt murderer Abel McCracken in the wilds of Africa but soon finds his guide's motives may go beyond the role for which he was hired. Pink titled wrappers noted as Final Screenplay on the front wrapper dated September 24 1953. Title page integral with the first page of the text. 147 leaves Multilith duplication with yellow carbon typescript revision pages collected at the end dated variously between 10-3-53 and 10-10-53. Pages Fine wrapper Fine bound with three gold brads. Universal Pictures unknown
1953rif. 130749Universal City CA: Universal Pictures 1953. Final Draft script for the 1954 film. Actor Van Heflin's copy. Safari guide Van Heflin is hired to hunt murderer Abel McCracken in the wilds of Africa but soon finds his guide's motives may go beyond the role for which he was hired. Pink titled wrappers noted as Final Screenplay on the front wrapper dated September 24 1953. Title page integral with the first page of the text. 147 leaves Multilith duplication with yellow carbon typescript revision pages collected at the end dated variously between 10-3-53 and 10-10-53. Pages Fine wrapper Fine bound with three gold brads. Universal Pictures unknown books
1939rif. 140631Hollywood: Paramount Pictures 1939. Draft script for the 1939 film. A musical drama that follows the romantic and professional arc of two performers. Louise Hall abandons her humble beginnings to become a singer in New York City where she meets and falls in love with John Ramsey the star of Victor Herbert's operas. Ramsey takes her under his wing introducing her to New York's musical society. Their relationship is tested however when Louise's career begins to eclipse her husband's. Nominated for three Academy Awards including Best Cinematography. Shot on location in California. Titled white self wrappers dated July 11 1939 and July 14 1939. Title page present with credits for the entire cast. 147 leaves with last page of text numbered 146. Mimeograph duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. Two small chips to the top margin of the front wrapper. Paramount Pictures unknown
1939rif. 140631Hollywood: Paramount Pictures 1939. Draft script for the 1939 film. A musical drama that follows the romantic and professional arc of two performers. Louise Hall abandons her humble beginnings to become a singer in New York City where she meets and falls in love with John Ramsey the star of Victor Herbert's operas. Ramsey takes her under his wing introducing her to New York's musical society. Their relationship is tested however when Louise's career begins to eclipse her husband's. Nominated for three Academy Awards including Best Cinematography. Shot on location in California. Titled white self wrappers dated July 11 1939 and July 14 1939. Title page present with credits for the entire cast. 147 leaves with last page of text numbered 146. Mimeograph duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. Two small chips to the top margin of the front wrapper. Paramount Pictures unknown books
1969rif. 140234Burbank CA: Warner Brothers 1969. Draft script for the 1970 film. An older rancher is threatened by bandits stealing his cattle. Together with Pat Garrett and Billy the Kid he participates in the Lincoln County War a war against a dry goods monopoly that attempted to control cattle and water supplies as well which had sprung up in the New Mexico territory and led to great bloodshed. Set in New Mexico territory shot on location in California Arizona and New Mexico USA. Yellow titled wrappers. Title page present with credits for screenwriter Andrew J. Fenady. 140 leaves with last page of text numbered 137. Mechanical duplication with green blue and pink revision pages throughout dated variously between June 25 1969 and November 3 1969. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Warner Brothers unknown
1969rif. 140234Burbank CA: Warner Brothers 1969. Draft script for the 1970 film. An older rancher is threatened by bandits stealing his cattle. Together with Pat Garrett and Billy the Kid he participates in the Lincoln County War a war against a dry goods monopoly that attempted to control cattle and water supplies as well which had sprung up in the New Mexico territory and led to great bloodshed. Set in New Mexico territory shot on location in California Arizona and New Mexico USA. Yellow titled wrappers. Title page present with credits for screenwriter Andrew J. Fenady. 140 leaves with last page of text numbered 137. Mechanical duplication with green blue and pink revision pages throughout dated variously between June 25 1969 and November 3 1969. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Warner Brothers unknown books
1971rif. 165085N.p.: N.p. 1971. Two vintage reference photographs from the 1971 film both showing actress Candy Darling. Annotations in manuscript pencil on the versos. A satire of the women's liberation movement starring Warhol superstars Darling Jackie Curtis and Holly Woodlawn about three New York women who join a militant feminist group Politically Involved Girls P.I.G. in an attempt to find happiness apart from men. The last film to use footage filmed directly by Andy Warhol himself. Set and shot on location in New York. 10 x 8 inches. Very Good plus one with faint discoloration on the center right of the verso. N.p. unknown
1971rif. 165085N.p.: N.p. 1971. Two vintage reference photographs from the 1971 film both showing actress Candy Darling. Annotations in manuscript pencil on the versos. A satire of the women's liberation movement starring Warhol superstars Darling Jackie Curtis and Holly Woodlawn about three New York women who join a militant feminist group Politically Involved Girls P.I.G. in an attempt to find happiness apart from men. The last film to use footage filmed directly by Andy Warhol himself. Set and shot on location in New York. 10 x 8 inches. Very Good plus one with faint discoloration on the center right of the verso. N.p. unknown books
1972rif. 169567N.p.: N.p. 1972. Five vintage borderless reference photographs from the 1972 French film. French release stamps on the versos. Based on the 1951 novel by Belgian author Françoise Mallet-Joris who also co-wrote the screenplay with director Guy Casaril. A wealthy lonely 15-year-old girl is seduced by her father's girlfriend a manipulative older woman who hopes to marry the girl's widowed father. 9 x 7 inches. Near Fine to Fine. N.p. unknown
1972rif. 169567N.p.: N.p. 1972. Five vintage borderless reference photographs from the 1972 French film. French release stamps on the versos. Based on the 1951 novel by Belgian author Françoise Mallet-Joris who also co-wrote the screenplay with director Guy Casaril. A wealthy lonely 15-year-old girl is seduced by her father's girlfriend a manipulative older woman who hopes to marry the girl's widowed father. 9 x 7 inches. Near Fine to Fine. N.p. unknown books
1969rif. 161143N.p.: N.p. 1969. Five vintage reference photographs from the classic 1969 British science fiction film including one borderless and three double weight. A womanizing secret agent uncovers a secret race of beautiful alien superwomen who are kidnapping human women to help repopulate their planet. Shot on location in London. 10 x 8 inches. Near Fine. Jezebel 6. N.p. unknown
1969rif. 161143N.p.: N.p. 1969. Five vintage reference photographs from the classic 1969 British science fiction film including one borderless and three double weight. A womanizing secret agent uncovers a secret race of beautiful alien superwomen who are kidnapping human women to help repopulate their planet. Shot on location in London. 10 x 8 inches. Near Fine. Jezebel 6. N.p. unknown books
1956rif. 152105Los Angeles: Alco Pictures 1956. Final script for the 1957 television film. Text divided into three scripts titled "Blessed Event" "Brand New Shoes" and "Decision" bound together in blue card wrappers. Copies belonging to actor Johnny Crawford with his name to front wrappers and title page and manuscript ink annotations noting his lines throughout. Based on Anna Sewell's classic 1877 novel "Black Beauty." A young boy receives a foal from his emotionally distant widowed father as a present on his tenth birthday and soon forms a strong bond with the animal. All screenplays housed together in blue card wrappers bound with a silver prong. "Blessed Event": Yellow wrappers undated with credits for screenwriter Steve Fisher. Title page present undated noted as FINAL with credits for screenwriter Steve Fisher. 34 leaves with last page of text numbered I-32. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine. "Brand New Shoes": Orange wrappers undated with credits for screenwriter Steve Fisher. Title page present undated noted as FINAL with credits for screenwriter Steve Fisher. 30 leaves with last page of text numbered II-23. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine. "Decision": Blue wrappers undated with credits for screenwriter Steve Fisher. Title page present undated noted as FINAL with credits for screenwriter Steve Fisher. 30 leaves with last page of text numbered III-28. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine. Alco Pictures unknown
1956rif. 152105Los Angeles: Alco Pictures 1956. Final script for the 1957 television film. Text divided into three scripts titled "Blessed Event" "Brand New Shoes" and "Decision" bound together in blue card wrappers. Copies belonging to actor Johnny Crawford with his name to front wrappers and title page and manuscript ink annotations noting his lines throughout. Based on Anna Sewell's classic 1877 novel "Black Beauty." A young boy receives a foal from his emotionally distant widowed father as a present on his tenth birthday and soon forms a strong bond with the animal. All screenplays housed together in blue card wrappers bound with a silver prong. "Blessed Event": Yellow wrappers undated with credits for screenwriter Steve Fisher. Title page present undated noted as FINAL with credits for screenwriter Steve Fisher. 34 leaves with last page of text numbered I-32. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine. "Brand New Shoes": Orange wrappers undated with credits for screenwriter Steve Fisher. Title page present undated noted as FINAL with credits for screenwriter Steve Fisher. 30 leaves with last page of text numbered II-23. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine. "Decision": Blue wrappers undated with credits for screenwriter Steve Fisher. Title page present undated noted as FINAL with credits for screenwriter Steve Fisher. 30 leaves with last page of text numbered III-28. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine. Alco Pictures unknown books
1965rif. 146897N.p.: N.p. 1965. Final Draft script for the 1965 film. With a "With Compliments" card from Seven Arts Productions laid in with the script along with a set of three stapled revision pages on pink stock. In order to provide a father figure for her infant son a recently widowed woman attempts to choose between two marital prospects-the grumpy child psychologist for whom she works or her hippie next-door neighbor. Set in Greenwich Village NY. Blue untitled wrappers with a die-cut title window in the British style. Title page present noted as Final Draft with credits for screenwriter William Peter Blatty. 124 leaves with last page of text numbered 122. Mimeograph duplication rectos only with pink revision pages laid in dated 21.1.65. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1965rif. 146897N.p.: N.p. 1965. Final Draft script for the 1965 film. With a "With Compliments" card from Seven Arts Productions laid in with the script along with a set of three stapled revision pages on pink stock. In order to provide a father figure for her infant son a recently widowed woman attempts to choose between two marital prospects-the grumpy child psychologist for whom she works or her hippie next-door neighbor. Set in Greenwich Village NY. Blue untitled wrappers with a die-cut title window in the British style. Title page present noted as Final Draft with credits for screenwriter William Peter Blatty. 124 leaves with last page of text numbered 122. Mimeograph duplication rectos only with pink revision pages laid in dated 21.1.65. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
1963rif. 158484N.p.: Advent Films / Union Films 1963. Collection of 14 vintage reference photographs from the 1963 British film. A "naturist" film about a woman who falls in love with a Korean War veteran and decides to join in with his nudist lifestyle. Shot on location in Kent. 10 x 8 inches. Very Good plus slightly age toned. Advent Films / Union Films unknown
1963rif. 158484N.p.: Advent Films / Union Films 1963. Collection of 14 vintage reference photographs from the 1963 British film. A "naturist" film about a woman who falls in love with a Korean War veteran and decides to join in with his nudist lifestyle. Shot on location in Kent. 10 x 8 inches. Very Good plus slightly age toned. Advent Films / Union Films unknown books
1954rif. 131088Universal City CA: Universal Pictures 1954. Final Draft script for the 1954 film. The fifth of seven films in the popular "Francis the Talking Mules series all made in the 1950s. Copy belonging to technical advisor Major Lane Carlson with his name in manuscript blue ink on a label affixed to the front wrapper and his annotations throughout. Carlson acted as a consultant on the military aspects of the film as the film involves Francis joining the Army going to the Pentagon etc. Salmon titled wrappers noted as Final Screenplay on the front wrapper dated February 9 1954. 157 leaves Multilith duplication with blue pink and yellow revision pages throughout dated variously between 2-17-54 and 4-5-54. Pages and wrapper Very Good plus in a three ring binder used during production. Universal Pictures unknown
1966rif. 151319N.p.: N.p. 1966. Five vintage reference photographs from the 1966 film showing Herman's Hermits who appear as fictionalized versions of themselves in the film. A NASA scientist is sent to covertly gather information about Herman's Hermits after the children of US astronauts pick "Herman's Hermits" to be the name of the newest Gemini space capsule. The second US film to feature the British-based band following "When the Boys Meet the Girls" 1965. 10 x 8 inches. Near Fine. N.p. unknown
1965rif. 148132Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1965. Draft script for the 1966 film here under the working title "There's No Place Like Space" from the collection of cinematographer Paul Vogel presumably his working copy with "Camera" written in manuscript pencil at the top right corner of the front wrapper. A vehicle to promote the band Herman's Hermits in much the same vein as The Beatles in Richard Lester's 1965 "A Hard Day's Night" and 1966 "Help." British pop rock band Herman's Hermits tour the US and are chosen as the "good luck name" of the next Gemini space capsule. Yellow titled wrappers rubber-stamped copy No. 73 dated August 30 1965 with credits for screenwriter James B. Gordon. Title page integral with first page. 112 leaves with last page of text numbered 112. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown
1954rif. 131088Universal City CA: Universal Pictures 1954. Final Draft script for the 1954 film. The fifth of seven films in the popular "Francis the Talking Mules series all made in the 1950s. Copy belonging to technical advisor Major Lane Carlson with his name in manuscript blue ink on a label affixed to the front wrapper and his annotations throughout. Carlson acted as a consultant on the military aspects of the film as the film involves Francis joining the Army going to the Pentagon etc. Salmon titled wrappers noted as Final Screenplay on the front wrapper dated February 9 1954. 157 leaves Multilith duplication with blue pink and yellow revision pages throughout dated variously between 2-17-54 and 4-5-54. Pages and wrapper Very Good plus in a three ring binder used during production. Universal Pictures unknown books
1966rif. 151319N.p.: N.p. 1966. Five vintage reference photographs from the 1966 film showing Herman's Hermits who appear as fictionalized versions of themselves in the film. A NASA scientist is sent to covertly gather information about Herman's Hermits after the children of US astronauts pick "Herman's Hermits" to be the name of the newest Gemini space capsule. The second US film to feature the British-based band following "When the Boys Meet the Girls" 1965. 10 x 8 inches. Near Fine. N.p. unknown books
1965rif. 148132Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1965. Draft script for the 1966 film here under the working title "There's No Place Like Space" from the collection of cinematographer Paul Vogel presumably his working copy with "Camera" written in manuscript pencil at the top right corner of the front wrapper. A vehicle to promote the band Herman's Hermits in much the same vein as The Beatles in Richard Lester's 1965 "A Hard Day's Night" and 1966 "Help." British pop rock band Herman's Hermits tour the US and are chosen as the "good luck name" of the next Gemini space capsule. Yellow titled wrappers rubber-stamped copy No. 73 dated August 30 1965 with credits for screenwriter James B. Gordon. Title page integral with first page. 112 leaves with last page of text numbered 112. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown books
1988rif. 161423Los Angeles: Act III Productions 1988. Draft script for the 1989 film. Copy belonging to hair stylist Philip Leto with his annotations in manuscript ink on the title page and his name in manuscript ink on a single revision page. A old New York safecracker takes on a bumbling young crook as his lookout and apprentice. The American directorial debut of Scottish filmmaker Bill Forsyth. Set and shot on location in Portland Oregon. Blue untitled wrappers. Title page present with credits for director Bill Forsyth and screenwriter John Sayles. 128 leaves with last page of text numbered 112. Xerographic duplication rectos only with blue pink and green revision pages throughout most undated with one dated June 15 1988. Pages Near Fine wrapper Very Good moderately soiled bound with three silver brads. Act III Productions unknown
