Jacques Demy (director, screenwriter); Anouk Aimee, Gary Lockwood, Alexandra Hay (starring)Biblio.com
11 049 résultats
1969réf. 153071N.p.: N.p. 1969. Vintage borderless reference photograph of director Jacques Demy with actors Gary Lockwood and Anouk Aimee on the set of the 1969 film. Demy's first English language film recently a subject of renewed interest in two different documentaries about the Laurel Canyon music scene of the late 1960s. A young discontented man in a dead-end relationship learns his draft notice has arrived and he is due to report for Army duty the following week. While out trying to raise money to keep his car from being repossessed he sees and becomes obsessed with the beautiful Lola an older French model who works in a "model shop" posing for photographers. Set and shot on location in Laurel Canyon Los Angeles. 10 x 8.25 inches. Near Fine. Twilight Time 327. N.p. unknown
1967réf. 157108Paris: France-Soir 1967. Two vintage borderless reference photographs from the 1967 French film. Both with stamps on the verso crediting photographer André Grassart. In search of love two sisters leave their small hometown and begin working as traveling carnival singers. Director Jacques Demy's charming follow-up to his 1964 film "The Umbrellas of Cherbourg." Shot on location in Rochefort Charente-Maritime France. Both photographs approximately 12 x 8 inches. Near Fine. BFI. Criterion Collection 717. Rosenbaum 1000. France-Soir unknown
1969réf. 153071N.p.: N.p. 1969. Vintage borderless reference photograph of director Jacques Demy with actors Gary Lockwood and Anouk Aimee on the set of the 1969 film. Demy's first English language film recently a subject of renewed interest in two different documentaries about the Laurel Canyon music scene of the late 1960s. A young discontented man in a dead-end relationship learns his draft notice has arrived and he is due to report for Army duty the following week. While out trying to raise money to keep his car from being repossessed he sees and becomes obsessed with the beautiful Lola an older French model who works in a "model shop" posing for photographers. Set and shot on location in Laurel Canyon Los Angeles. 10 x 8.25 inches. Near Fine. Twilight Time 327. N.p. unknown books
1967réf. 157108Paris: France-Soir 1967. Two vintage borderless reference photographs from the 1967 French film. Both with stamps on the verso crediting photographer André Grassart. In search of love two sisters leave their small hometown and begin working as traveling carnival singers. Director Jacques Demy's charming follow-up to his 1964 film "The Umbrellas of Cherbourg." Shot on location in Rochefort Charente-Maritime France. Both photographs approximately 12 x 8 inches. Near Fine. BFI. Criterion Collection 717. Rosenbaum 1000. France-Soir unknown books
1958réf. 155857N.p.: N.p. 1958. Vintage borderless reference photograph from the 1958 film showing director Jacques Tati filming an outdoors scene. National Film Archive stamp on the verso along with annotations in manuscript ink and pencil regarding cropping. From the archive of film historian and author Joel Finler. Tati's second of four films featuring the inimitable Monsieur Hulot. In this chapter Hulot strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes and winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. Set in the Parisian suburbs. 7.75 x 10 inches. Near Fine. N.p. unknown
1954réf. 162412N.p.: N.p. 1954. Vintage oversize borderless reference photograph from the classic 1954 film showing Jacques Tati on the beach. Number stamp and annotations in manuscript ink on the verso. Good-natured bumbling Mr. Hulot decides to take a summer trip to the French coast where he wreaks benevolent chaos on the residents of a small seaside resort. The film which introduced Jacques Tati's beloved character to the world followed by "Mon Oncle" 1958 "Play Time" 1967 and "Trafic" 1971. Shot on location on the coast of France. 9.25 x 11.25 inches. Very Good plus with light wear at the corners and a couple of tiny bruises at the bottom right corner. Criterion Collection 110. Ebert I. Rosenbaum 1000. N.p. unknown
1954réf. 149741N.p.: N.p. 1954. Four vintage borderless reference photographs from the 1954 film. With agency labels on the verso along with manuscript ink and pencil annotations regarding layout. Good-natured bumbling Mr. Hulot decides to take a summer trip to the French coast where he wreaks benevolent chaos on the residents of a small seaside resort. The film which introduced Jacques Tati's beloved character to the world followed by "Mon Oncle" 1958 "Play Time" 1967 and "Trafic" 1971. Shot on location on the coast of France. 7 x 5 inches. Very Good plus. Criterion Collection 110. Ebert I. Rosenbaum 1000. N.p. unknown
1958réf. 155857N.p.: N.p. 1958. Vintage borderless reference photograph from the 1958 film showing director Jacques Tati filming an outdoors scene. National Film Archive stamp on the verso along with annotations in manuscript ink and pencil regarding cropping. From the archive of film historian and author Joel Finler. Tati's second of four films featuring the inimitable Monsieur Hulot. In this chapter Hulot strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes and winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. Set in the Parisian suburbs. 7.75 x 10 inches. Near Fine. N.p. unknown books
1954réf. 162412N.p.: N.p. 1954. Vintage oversize borderless reference photograph from the classic 1954 film showing Jacques Tati on the beach. Number stamp and annotations in manuscript ink on the verso. Good-natured bumbling Mr. Hulot decides to take a summer trip to the French coast where he wreaks benevolent chaos on the residents of a small seaside resort. The film which introduced Jacques Tati's beloved character to the world followed by "Mon Oncle" 1958 "Play Time" 1967 and "Trafic" 1971. Shot on location on the coast of France. 9.25 x 11.25 inches. Very Good plus with light wear at the corners and a couple of tiny bruises at the bottom right corner. Criterion Collection 110. Ebert I. Rosenbaum 1000. N.p. unknown books
1954réf. 149741N.p.: N.p. 1954. Four vintage borderless reference photographs from the 1954 film. With agency labels on the verso along with manuscript ink and pencil annotations regarding layout. Good-natured bumbling Mr. Hulot decides to take a summer trip to the French coast where he wreaks benevolent chaos on the residents of a small seaside resort. The film which introduced Jacques Tati's beloved character to the world followed by "Mon Oncle" 1958 "Play Time" 1967 and "Trafic" 1971. Shot on location on the coast of France. 7 x 5 inches. Very Good plus. Criterion Collection 110. Ebert I. Rosenbaum 1000. N.p. unknown books
1983réf. 166412Los Angeles: Avon Productions 1983. Draft script for the 1983 pornographic film. With annotations in manuscript pencil on the first leaf presumably made by screenwriter-director Phil Prince indicating the name of the actor to be associated with each character. A cult leader called "The Confessor" hears confessions from rape victims "cleanses" the female ones with sex and then arranges for all victims and sometimes himself to then recursively rape their own male or female rapists. IMDB. Title page integral with cast of characters no wrapper as issued undated. 31 leaves with last page of text numbered 29. Xerographic duplication rectos only. Pages Near Fine unbound. Avon Productions unknown
1983réf. 166412Los Angeles: Avon Productions 1983. Draft script for the 1983 pornographic film. With annotations in manuscript pencil on the first leaf presumably made by screenwriter-director Phil Prince indicating the name of the actor to be associated with each character. A cult leader called "The Confessor" hears confessions from rape victims "cleanses" the female ones with sex and then arranges for all victims and sometimes himself to then recursively rape their own male or female rapists. IMDB. Title page integral with cast of characters no wrapper as issued undated. 31 leaves with last page of text numbered 29. Xerographic duplication rectos only. Pages Near Fine unbound. Avon Productions unknown books
1977réf. 167724N.p.: N.p. 1977. Draft script for the 1979 film. Script incomplete presumably as issued ending on page 102. A hitchhiker is sent to prison after being wrongly accused of a murder. There he joins an underground boxing tournament organized by corrupt guards in order to win his freedom. Basis for two sequels in 1982 and 1987. Blue untitled wrappers with a die-cut title window in the British style. Title page present copyright year noted as 1977 with credit for director and screenwriter Jamaa Fanaka. 106 leaves with last page of text numbered 102. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus with a closed tear on the front wrapper repaired with cello tape on the verso. Bound with two gold brads. N.p. unknown
1977réf. 167724N.p.: N.p. 1977. Draft script for the 1979 film. Script incomplete presumably as issued ending on page 102. A hitchhiker is sent to prison after being wrongly accused of a murder. There he joins an underground boxing tournament organized by corrupt guards in order to win his freedom. Basis for two sequels in 1982 and 1987. Blue untitled wrappers with a die-cut title window in the British style. Title page present copyright year noted as 1977 with credit for director and screenwriter Jamaa Fanaka. 106 leaves with last page of text numbered 102. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus with a closed tear on the front wrapper repaired with cello tape on the verso. Bound with two gold brads. N.p. unknown books
1951réf. 161590N.p.: N.p. 1951. Vintage reference photograph from the set of the 1951 film showing actor James Arness in costume as the titular Thing with his stunt double just behind. Annotations in manuscript ink noting the same on the verso. Based on John W. Campbell's 1938 novella "Who Goes There" which also served as the basis for John Carpenter's 1982 masterpiece "The Thing." US Air Force crew and scientists at an arctic research station accidentally thaw out the still-living body of a humanoid alien which promptly begins to attack them. Set in Anchorage shot on location throughout Los Angeles and in Glacier National Park Montana. 8 x 10 inches. Fine. N.p. unknown
1951réf. 161590N.p.: N.p. 1951. Vintage reference photograph from the set of the 1951 film showing actor James Arness in costume as the titular Thing with his stunt double just behind. Annotations in manuscript ink noting the same on the verso. Based on John W. Campbell's 1938 novella "Who Goes There" which also served as the basis for John Carpenter's 1982 masterpiece "The Thing." US Air Force crew and scientists at an arctic research station accidentally thaw out the still-living body of a humanoid alien which promptly begins to attack them. Set in Anchorage shot on location throughout Los Angeles and in Glacier National Park Montana. 8 x 10 inches. Fine. N.p. unknown books
1955réf. 158480Burbank CA: Warner Brothers 1955. Vintage studio still photograph showing actor James Dean posing his then-lover Italian actress Pier Angeli in preparation for a photograph. Warner stamps on the verso. Angeli and Dean enjoyed a passionate romantic relationship after having met on the Warner Brothers film lots in 1954 while Dean was filming "East of Eden" and Angeli was filming "The Silver Chalice." Although Angeli's mother would force her to break up with Dean on the grounds that he was not Catholic Angeli would later say that Dean was "the only man I ever loved deeply as a woman should love a man" and rumors persisted that the couple were secretly in a relationship until Dean's death in September 1955. 8 x 10 inches. Corners slightly creased else about Near Fine. Warner Brothers unknown
1955réf. 156298Burbank CA: Warner Brothers 1955. Striking vintage reference photograph from the 1955 film showing James Dean Raymond Massey and Julie Harris in a mournful moment. Based on the 1952 novel by John Steinbeck about two brothers who struggle for the attentions and favor of their deeply religious emotionally troubled father. Winner of Best Dramatic Film at Cannes and nominated for the Palme d'Or. Actress Jo Van Fleet would go on to win a Best Supporting Actress Oscar and the film was nominated for three more Academy Awards including Best Director Best Screenplay and the first ever posthumous acting nomination in Academy history for James Dean's lead performance. Set and shot on location in Monterey and Salinas California. 10 x 8 inches. About Near Fine. National Film Registry. Rosenbaum 1000. Scorsese A Personal Journey Through American Movies. Warner Brothers unknown
1955réf. 156298Burbank CA: Warner Brothers 1955. Striking vintage reference photograph from the 1955 film showing James Dean Raymond Massey and Julie Harris in a mournful moment. Based on the 1952 novel by John Steinbeck about two brothers who struggle for the attentions and favor of their deeply religious emotionally troubled father. Winner of Best Dramatic Film at Cannes and nominated for the Palme d'Or. Actress Jo Van Fleet would go on to win a Best Supporting Actress Oscar and the film was nominated for three more Academy Awards including Best Director Best Screenplay and the first ever posthumous acting nomination in Academy history for James Dean's lead performance. Set and shot on location in Monterey and Salinas California. 10 x 8 inches. About Near Fine. National Film Registry. Rosenbaum 1000. Scorsese A Personal Journey Through American Movies. Warner Brothers unknown books
1955réf. 158480Burbank CA: Warner Brothers 1955. Vintage studio still photograph showing actor James Dean posing his then-lover Italian actress Pier Angeli in preparation for a photograph. Warner stamps on the verso. Angeli and Dean enjoyed a passionate romantic relationship after having met on the Warner Brothers film lots in 1954 while Dean was filming "East of Eden" and Angeli was filming "The Silver Chalice." Although Angeli's mother would force her to break up with Dean on the grounds that he was not Catholic Angeli would later say that Dean was "the only man I ever loved deeply as a woman should love a man" and rumors persisted that the couple were secretly in a relationship until Dean's death in September 1955. 8 x 10 inches. Corners slightly creased else about Near Fine. Warner Brothers unknown books
1969réf. 156675London: Merchant Ivory Productions 1969. Vintage reference photograph from the 1969 film showing a camera crew capturing a scene with actress Rita Tushingham. Mimeo snipe on the verso. Culture clash ensues when a successful self-absorbed pop musician travels to India to learn to play the sitar from an older renowned sitar musician. Set and shot on location in India. 8 x 10 inches. Near Fine. Merchant Ivory Productions unknown
1969réf. 156675London: Merchant Ivory Productions 1969. Vintage reference photograph from the 1969 film showing a camera crew capturing a scene with actress Rita Tushingham. Mimeo snipe on the verso. Culture clash ensues when a successful self-absorbed pop musician travels to India to learn to play the sitar from an older renowned sitar musician. Set and shot on location in India. 8 x 10 inches. Near Fine. Merchant Ivory Productions unknown books
1976réf. 157080Laren NH: Actueel Film NV 1976. Six vintage reference photographs from the 1976 UK film. Included with the photographs is a press sheet specific to the film's release in The Netherlands with text in Dutch. Struggling to finish his second book while experiencing vivid nightmares and increasing paranoia an author rents a cottage in the British countryside and hires an attractive mysterious secretary to help type the manuscript. Shot on location in Essex. 10 x 8 inches. Very Good plus lightly edgeworn with pinholes at the corners. Actueel Film NV unknown
1976réf. 157080Laren NH: Actueel Film NV 1976. Six vintage reference photographs from the 1976 UK film. Included with the photographs is a press sheet specific to the film's release in The Netherlands with text in Dutch. Struggling to finish his second book while experiencing vivid nightmares and increasing paranoia an author rents a cottage in the British countryside and hires an attractive mysterious secretary to help type the manuscript. Shot on location in Essex. 10 x 8 inches. Very Good plus lightly edgeworn with pinholes at the corners. Actueel Film NV unknown books
1935réf. 146172Hollywood: Fox Film Corporation 1935. Final Shooting Script for the 1936 film with manuscript pencil annotations on the front wrapper. Included with the script is a bound set of revisions and retakes dated February 28 1936 also with manuscript pencil annotations on the front wrapper. A gambling rogue seduces rich women in order to use their dowries to support his decadent lifestyle and pay off his debts. When he falls in love with a copper heiress in the process of trying to swindle her he must decide between the wealth and power their marriage would bring him and the social disgrace she would encounter if his prior indiscretions were ever made public. Final shooting script 10-2-35: Green titled wrappers noted as FINAL SHOOTING SCRIPT on the front wrapper dated 10-2-35 with credits for screenwriter Allen Rivkin and story credits to Gene Markey. Title page integral with the front wrapper as issued. 113 leaves with last page of text numbered 104. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 10/4/35 and 11/2/35. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Revisions and Retakes: Blue partial wrappers noted as FINAL SHOOTING SCRIPT / REVISIONS & RETAKES on the front wrapper dated February 28 1936 with credits for associate producer Edward T. Lowe and story credits to Gene Markey. Title page integral with the front wrapper as issued. 45 leaves with last page of text numbered 40. Mimeograph duplication rectos only with blue revision pages throughout dated 3/2/36. Pages Near Fine wrapper Poor quite dry with some cracking and a lower right corner of the front rear wrapper detached bound internally with three gold brads. Fox Film Corporation unknown
