Jean-Luc Godard (director, screenwriter); Mireille Darc, Jean Yanne, Jean-Pierre Kalfon (starring)Biblio.com
11 049 résultats
1967réf. 149386N.p.: N.p. 1967. Vintage reference photograph of director Jean-Luc Godard on the set of the 1967 film with actors Jean Yanne Jean-Pierre Leaud and Mireille Darc. Mimeo snipe affixed to the verso with celo tape from the Institute of Contemporary Arts Cinema for a July 5 1968 showing with annotations of actors names in manuscript ink. In one of Godard's most misanthropic films a loveless bourgeois couple Corinne Darc and Roland Yanne fantasize about killing each other when they aren't cheating on the other. They ponder these matters as they take a nearly never-ending nightmarish road trip to visit Corinne's parents intent on securing an inheritance resolved to murder if necessary. Shot on location in Ile de France and Paris. 8 x 10 inches with wide horizontal margins. Light curling else Near Fine. Criterion Collection 635. Rosenbaum 1000. Godard Histoires du cinema. Vogel Film as a Subversive Art. N.p. unknown
1964réf. 142630France: Ulysse Productions 1964. Vintage borderless photograph of a playful Jean Seberg pointing her prop camera back at the real one on the set of the 1964 film. With the stamp of production company Ulysse Productions and manuscript annotations on the verso. An anthology film featuring five stories about swindlers around the world with Seberg appearing as a journalist accused of passing fake currency who then tracks down and interviews the counterfeiter in the segment "Le grand escroc" "The Great Swindler" directed by Jean-Luc Godard. Other segments were directed by Claude Chabrol Ugo Gregoretti Hiromichi Horikawa and Roman Polanski. 9.5 x 7 inches. Near Fine. Olive Films 1339. Ulysse Productions unknown books
1960réf. 151698N.p.: N.p. 1960. Two vintage borderless reference photographs taken on the set of the 1960 film one showing director Jean-Luc Godard and a camera crew filming a scene with actor Michel Subor the other showing Godard and cinematographer Raoul Coutard. With manuscript ink and pencil annotations on the verso. During the Algerian War a French agent is ordered to assassinate a member of the National Liberation Front of Algeria FLN but cannot complete the mission due to his involvement with a pro-FLN woman. Shot in 1960 but not released until 1963 due to a French ban on torture scenes thus Godard's second feature film but fourth to be released. Set in Algeria shot on location in Switzerland. 9.5 x 7.25 inches. Near Fine. Criterion Collection 1010. Grant France. N.p. unknown books
1967réf. 149386N.p.: N.p. 1967. Vintage reference photograph of director Jean-Luc Godard on the set of the 1967 film with actors Jean Yanne Jean-Pierre Leaud and Mireille Darc. Mimeo snipe affixed to the verso with celo tape from the Institute of Contemporary Arts Cinema for a July 5 1968 showing with annotations of actors names in manuscript ink. In one of Godard's most misanthropic films a loveless bourgeois couple Corinne Darc and Roland Yanne fantasize about killing each other when they aren't cheating on the other. They ponder these matters as they take a nearly never-ending nightmarish road trip to visit Corinne's parents intent on securing an inheritance resolved to murder if necessary. Shot on location in Ile de France and Paris. 8 x 10 inches with wide horizontal margins. Light curling else Near Fine. Criterion Collection 635. Rosenbaum 1000. Godard Histoires du cinema. Vogel Film as a Subversive Art. N.p. unknown books
1972réf. 149967N.p.: N.p. 1972. Four borderless reference photographs one oversize of Jean-Pierre Melville Catherine Deneuve Alain Delon and Richard Crenna on the set of and on location for the 1972 film. A police detective played by Delon in a switch from his usual criminal roles in Melville pictures is on the trail of a gang of thieves unaware that they are led by a friend. Melville's final film. Shot on location in Paris and Bordeaux France. Oversize photo 11.5 x 8.25 inches. Other photos variously from 9 x 7 inches to 10.5 x 7.25 inches. Near Fine. Grant France. Selby France. Spicer France. N.p. unknown
1972réf. 149967N.p.: N.p. 1972. Four borderless reference photographs one oversize of Jean-Pierre Melville Catherine Deneuve Alain Delon and Richard Crenna on the set of and on location for the 1972 film. A police detective played by Delon in a switch from his usual criminal roles in Melville pictures is on the trail of a gang of thieves unaware that they are led by a friend. Melville's final film. Shot on location in Paris and Bordeaux France. Oversize photo 11.5 x 8.25 inches. Other photos variously from 9 x 7 inches to 10.5 x 7.25 inches. Near Fine. Grant France. Selby France. Spicer France. N.p. unknown books
1986réf. 147461Los Angeles: New World Pictures 1986. Revised Third Draft script for the 1987 film. INSCRIBED by actor Kristy Swanson on the title page to an unknown crew member. Based on the 1979 Gothic novel by Virginia C. Andrews about the incestuous plight of four unlucky siblings whose mother abandons them in the attic of her family's decaying ancestral home after their father's death in an automobile accident. While Andrews' novel was wildly popular among teenage girl readers of the 1970s and 80s test audiences were revolted by some of the film's more taboo scenes leading producers to heavily re-cut the film and even create a new ending-a decision which Bloom purportedly despised and refused to direct. Partially set in Pennsylvania shot on location in California and Massachusetts. Yellow untitled wrappers. Title page present dated April 30 1986 noted as REVISED THIRD DRAFT with credits for screenwriter JEFFREY BLOOM and novelist V.C. ANDREWS. 123 leaves with last page of text numbered 122. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with three gold brads. New World Pictures unknown
1986réf. 147461Los Angeles: New World Pictures 1986. Revised Third Draft script for the 1987 film. INSCRIBED by actor Kristy Swanson on the title page to an unknown crew member. Based on the 1979 Gothic novel by Virginia C. Andrews about the incestuous plight of four unlucky siblings whose mother abandons them in the attic of her family's decaying ancestral home after their father's death in an automobile accident. While Andrews' novel was wildly popular among teenage girl readers of the 1970s and 80s test audiences were revolted by some of the film's more taboo scenes leading producers to heavily re-cut the film and even create a new ending-a decision which Bloom purportedly despised and refused to direct. Partially set in Pennsylvania shot on location in California and Massachusetts. Yellow untitled wrappers. Title page present dated April 30 1986 noted as REVISED THIRD DRAFT with credits for screenwriter JEFFREY BLOOM and novelist V.C. ANDREWS. 123 leaves with last page of text numbered 122. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with three gold brads. New World Pictures unknown books
1980réf. 142637Hollywood: Paramount Pictures 1980. Draft script for the 1982 film. Satirical horror farce based on Robert Louis Stevenson's 1886 novella "Strange Case of Dr. Jekyll and Mr. Hyde." Jerry Belson's cinematic directorial debut based on a late-night sketch from ABC's answer to Saturday Night Live "Fridays" wherein comedian Mark Blankfield played a recurrent cocaine-snorting pharmacist. Belson most often noted for sharing writing credits with Steven Speilberg for "Close Encounters of the Third Kind" and winning three Emmy's for "The Tracey Ullman Show" co-wrote with notable sitcom screenwriters Michael J. Leeson two time Emmy winner for Outstanding Writing in a Comedy Series 1981 "Taxi" and "The Cosby Show" 1985 sister Monica Johnson "The Mary Tyler Moore Show" "Laverne & Shirley" and Harvey Miller head writer director of "The Odd Couple". The script was championed at Paramount by Michael Eisner and part of Paramount's "Magnificent Seven" a reaction to increasing budgets and a potential director strike in 1981 where six films were rushed to production under budget in order to finance a seventh. Set in and shot on location in Los Angeles. Beige untitled wrappers. Title page present with credits for screenwriters Jerry Belson Michael Leeson Monica Johnson and Harvey Miller. 108 leaves with last page of text numbered 103. Xerographically reproduced. Pages Near Fine wrapper Very Good plus velo binding. Carlson and Connolly Destroy All Movies. Olive Films 1264. Paramount Pictures unknown
1980réf. 142637Hollywood: Paramount Pictures 1980. Draft script for the 1982 film. Satirical horror farce based on Robert Louis Stevenson's 1886 novella "Strange Case of Dr. Jekyll and Mr. Hyde." Jerry Belson's cinematic directorial debut based on a late-night sketch from ABC's answer to Saturday Night Live "Fridays" wherein comedian Mark Blankfield played a recurrent cocaine-snorting pharmacist. Belson most often noted for sharing writing credits with Steven Speilberg for "Close Encounters of the Third Kind" and winning three Emmy's for "The Tracey Ullman Show" co-wrote with notable sitcom screenwriters Michael J. Leeson two time Emmy winner for Outstanding Writing in a Comedy Series 1981 "Taxi" and "The Cosby Show" 1985 sister Monica Johnson "The Mary Tyler Moore Show" "Laverne & Shirley" and Harvey Miller head writer director of "The Odd Couple". The script was championed at Paramount by Michael Eisner and part of Paramount's "Magnificent Seven" a reaction to increasing budgets and a potential director strike in 1981 where six films were rushed to production under budget in order to finance a seventh. Set in and shot on location in Los Angeles. Beige untitled wrappers. Title page present with credits for screenwriters Jerry Belson Michael Leeson Monica Johnson and Harvey Miller. 108 leaves with last page of text numbered 103. Xerographically reproduced. Pages Near Fine wrapper Very Good plus velo binding. Carlson and Connolly Destroy All Movies. Olive Films 1264. Paramount Pictures unknown books
1970réf. 144863Beverly Hills CA: United Artists / Chrislaw Productions 1970. Vintage borderless double weight photograph of actor Sammy Davis Jr. and director Jerry Lewis on the set of the 1970 film. Mimeo snipe on the verso. Chris Pepper Peter Lawford and Charlie Salt Sammy Davis Jr. are about to lose their London nightclub. In desperation they turn to Pepper's aristocrat twin brother for help who shortly after they contact is murdered. Pepper assumes his dead brothers identity and together with Salt they try to solve the crime. Shot on location in Herefordshire and London. 8 x 10 inches. Near Fine. United Artists / Chrislaw Productions unknown
1970réf. 144863Beverly Hills CA: United Artists / Chrislaw Productions 1970. Vintage borderless double weight photograph of actor Sammy Davis Jr. and director Jerry Lewis on the set of the 1970 film. Mimeo snipe on the verso. Chris Pepper Peter Lawford and Charlie Salt Sammy Davis Jr. are about to lose their London nightclub. In desperation they turn to Pepper's aristocrat twin brother for help who shortly after they contact is murdered. Pepper assumes his dead brothers identity and together with Salt they try to solve the crime. Shot on location in Herefordshire and London. 8 x 10 inches. Near Fine. United Artists / Chrislaw Productions unknown books
1970réf. 150635N.p.: N.p. 1970. Vntage borderless reference photograph of Jerzy Skolimowski and Jane Asher on the set of the 1970 film. A teenage boy takes a job at a local swim club becomes obsessed with his older coworker and tries to sabotage her engagement to another man. Shot on location in Munich Germany and London. 7.25 x 9.25 inches. Light creasing and edgewear else Near Fine. BFI 1063. Grant UK. N.p. unknown
1970réf. 150635N.p.: N.p. 1970. Vntage borderless reference photograph of Jerzy Skolimowski and Jane Asher on the set of the 1970 film. A teenage boy takes a job at a local swim club becomes obsessed with his older coworker and tries to sabotage her engagement to another man. Shot on location in Munich Germany and London. 7.25 x 9.25 inches. Light creasing and edgewear else Near Fine. BFI 1063. Grant UK. N.p. unknown books
1975réf. 147480N.p.: Grafopress-Ciampino 1975. Vintage Italian Locandina poster for the 1975 film here under the title "Le Viziose." "Exorcisme" was released under a number of titles including "Le Viziose" and "Exorcisme et Messes Noires" as well as an X-rated version "Sexorcismes." Footage from "Exorcisme" was later re-edited in 1979 as "El Sadico de Notre-Dame." Jess Franco directs here under the pseudonym of James P. Johnson or L.P. Johnson as on the poster is the screenwriter under the pseudonym David Khune and acts under the pseudonym Jess Frank. Franco's "Exorcisme" features Franco in the lead as Mathis Vogel a psychotic defrocked priest who writes S&M stories by day and tortures and murders Satanic black mass dinner theater patrons by night. Also starring Franco's longtime collaborator and later wife Lina Romay as the free spirit Anne. 13 x 27.5 inches folded as issued. Near Fine. Thrower Stephen. Flowers of Perversion: The Delirious Cinema of Jess Franco Volume Two 1975-2013. Grafopress-Ciampino unknown
1975réf. 147480N.p.: Grafopress-Ciampino 1975. Vintage Italian Locandina poster for the 1975 film here under the title "Le Viziose." "Exorcisme" was released under a number of titles including "Le Viziose" and "Exorcisme et Messes Noires" as well as an X-rated version "Sexorcismes." Footage from "Exorcisme" was later re-edited in 1979 as "El Sadico de Notre-Dame." Jess Franco directs here under the pseudonym of James P. Johnson or L.P. Johnson as on the poster is the screenwriter under the pseudonym David Khune and acts under the pseudonym Jess Frank. Franco's "Exorcisme" features Franco in the lead as Mathis Vogel a psychotic defrocked priest who writes S&M stories by day and tortures and murders Satanic black mass dinner theater patrons by night. Also starring Franco's longtime collaborator and later wife Lina Romay as the free spirit Anne. 13 x 27.5 inches folded as issued. Near Fine. Thrower Stephen. Flowers of Perversion: The Delirious Cinema of Jess Franco Volume Two 1975-2013. Grafopress-Ciampino unknown books
1970réf. 163716London: Commonwealth United Entertainment 1970. Two vintage studio still photographs from the 1969 Italian film one showing Maria Rohm having her ankle caressed by Dennis Price the other showing Rohm standing alone. Not to be confused with the Massimo Dallamano film from the same year. A jazz trumpeter discovers a beautiful corpse washed up on a beach. Hours later a woman who looks exactly like the corpse arrives at the door of his apartment. The original Italian release was heavily edited by distributors at American International and due to censors in Italy seizing the original prints the American cut is most often seen today. Set in Istanbul. 10 x 8 inches. Near Fine. Commonwealth United Entertainment unknown
1970réf. 163716London: Commonwealth United Entertainment 1970. Two vintage studio still photographs from the 1969 Italian film one showing Maria Rohm having her ankle caressed by Dennis Price the other showing Rohm standing alone. Not to be confused with the Massimo Dallamano film from the same year. A jazz trumpeter discovers a beautiful corpse washed up on a beach. Hours later a woman who looks exactly like the corpse arrives at the door of his apartment. The original Italian release was heavily edited by distributors at American International and due to censors in Italy seizing the original prints the American cut is most often seen today. Set in Istanbul. 10 x 8 inches. Near Fine. Commonwealth United Entertainment unknown books
1980réf. 149409N.p.: N.p. 1980. Five vintage borderless color photographs from the 1980 film. Title labels affixed to the verso of each. Jim Jarmusch's directorial debut made just after dropping out of film school his signature patient ambling and dryly humorous approach to storytelling firmly established. Set against the backdrop of a grungy late-1970s New York City we follow the young unemployed Allie Chris Parker full of ennui meandering through the city contemplating his life and encountering curious and odd characters along the way. Set in and shot on location in New York City. Four photographs 5.5 x 3.75 inches one 5.25 x 3.5 inches. Near Fine. Criterion Collection 400. Destroy All Movies The Complete Guide to Punks on Film. N.p. unknown
1980réf. 149409N.p.: N.p. 1980. Five vintage borderless color photographs from the 1980 film. Title labels affixed to the verso of each. Jim Jarmusch's directorial debut made just after dropping out of film school his signature patient ambling and dryly humorous approach to storytelling firmly established. Set against the backdrop of a grungy late-1970s New York City we follow the young unemployed Allie Chris Parker full of ennui meandering through the city contemplating his life and encountering curious and odd characters along the way. Set in and shot on location in New York City. Four photographs 5.5 x 3.75 inches one 5.25 x 3.5 inches. Near Fine. Criterion Collection 400. Destroy All Movies The Complete Guide to Punks on Film. N.p. unknown books
1990réf. 166249Burbank CA: Saban/Scherick Productions 1990. First Draft script for an unproduced film. Not to be confused with the 2003 film starring Jeremy Sumpter and Jason Isaacs. Based on J.M. Barrie's classic 1904 play and subsequent 1911 novel. Lacking front wrapper with a blue rear wrapper. Title page present dated May 1990 noted as First Draft with credits for Barrie and screenwriter John Goldsmith. 112 leaves with last page of text numbered 111. Xerographic duplication rectos only. Pages Near Fine wrapper Good bound with a silver prong. Saban/Scherick Productions unknown
1990réf. 166249Burbank CA: Saban/Scherick Productions 1990. First Draft script for an unproduced film. Not to be confused with the 2003 film starring Jeremy Sumpter and Jason Isaacs. Based on J.M. Barrie's classic 1904 play and subsequent 1911 novel. Lacking front wrapper with a blue rear wrapper. Title page present dated May 1990 noted as First Draft with credits for Barrie and screenwriter John Goldsmith. 112 leaves with last page of text numbered 111. Xerographic duplication rectos only. Pages Near Fine wrapper Good bound with a silver prong. Saban/Scherick Productions unknown books
1957réf. 164297N.p.: N.p. 1957. Two vintage reference photographs of actress Joanne Woodward on the set of the 1957 film-one showing Woodward with Lee J. Cobb the other showing Woodward with David Wayne. Annotations in manuscript ink and pencil on the verso. Based on the case of Chris Costner Sizemore a woman believed to have dissociative identity disorder then called multiple personality disorder. Woodward received the Academy Award for Best Actress for her performance. 10 x 8 inches. About Near Fine. N.p. unknown
1957réf. 164297N.p.: N.p. 1957. Two vintage reference photographs of actress Joanne Woodward on the set of the 1957 film-one showing Woodward with Lee J. Cobb the other showing Woodward with David Wayne. Annotations in manuscript ink and pencil on the verso. Based on the case of Chris Costner Sizemore a woman believed to have dissociative identity disorder then called multiple personality disorder. Woodward received the Academy Award for Best Actress for her performance. 10 x 8 inches. About Near Fine. N.p. unknown books
1987réf. 171776N.p.: Handmade Films 1987. Four vintage reference photographs from the 1988 film including Jodie Foster as a young adult a young John Turturro and a photo showing director Tony Bill talking with Tim Robbins on the set. Annotations in manuscript pencil on the verso. One of the most important independent films of the 1980s and the movie that launched Jodie Foster into her adult film career as well as one that featured striking early performances by John Turturro and Tim Robbins. A violent ex-con returns to his old neighborhood in the Bronx where he begins harassing a young woman whom he previously attempted to sexually assault. An early script by Pulitzer Prize and Academy Award-winning playwright and screenwriter John Patrick Shanley best known for "Moonstruck" 1987 and "Doubt" 2008. Set in 1960s New York and shot in New York on location. 8 x 10 inches. About Near Fine lightly toned to the edges. Handmade Films unknown
