11.064 Ergebnisse
1961Best.-Nr. 139506Universal City CA: Universal Pictures 1961. Vintage oversize double weight borderless still photograph from the 1961 musical film based on both the 1958 Rodgers and Hammerstein musical and the 1957 novel by C.Y. Lee. Nominated for five Academy Awards. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp on the verso. Full provenance available. After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. 13.5 x 9.5 inches. Near Fine with a shallow diagonal crease to one corner. Hirschhorn p. 373. Universal Pictures unknown books
1958Best.-Nr. 139533Culver City CA: Columbia Pictures 1958. Vintage oversize double weight borderless still photograph from the 1958 film of a stone faced David Niven and smiling Deborah Kerr water skiiing on a break from filming on the French Riviera. Based on the 1954 novel by Francoise Sagan. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp and a lengthily manuscript description of the scene on the verso. Full provenance available. After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. 14 x 9.5. Near Fine with light edgewear. Columbia Pictures unknown books
1978Best.-Nr. 150021N.p.: N.p. 1978. Two vintage borderless reference photographs shot on the set of the 1978 film one showing Robert Altman behind the camera and one showing Altman and Carol Burnett in conversation. In a style that Altman invented and had by this time more than mastered a mishmash of overlapping stories all centering around a middle-class wedding in the American South told over the course of a single day. 8 x 10 inches. Near Fine. N.p. unknown
1978Best.-Nr. 150021N.p.: N.p. 1978. Two vintage borderless reference photographs shot on the set of the 1978 film one showing Robert Altman behind the camera and one showing Altman and Carol Burnett in conversation. In a style that Altman invented and had by this time more than mastered a mishmash of overlapping stories all centering around a middle-class wedding in the American South told over the course of a single day. 8 x 10 inches. Near Fine. N.p. unknown books
1974Best.-Nr. 150864N.p.: N.p. 1974. Vintage borderless reference photograph of Robert Bresson and crew on the set of the 1974 film with two provenance stamps of film scholar and author "J. P. Berthome" on verso. Bresson's bloody take on the King Arthur legend was an expansion of the aesthetic he had already developed where the violence that was once implied became a reality-though certainly still quite surreal. Shot on location in Noirmoutier-en-L'Ile France. 9.5 x 7 inches. Near Fine. Rosenbaum 1000. N.p. unknown
1959Best.-Nr. 140945France: Compagnie Cinematographie de France 1959. Vintage borderless press photograph from the 1959 film showing director Robert Bresson on a Paris metro set going over a script while actor Martin LaSalle and crew look on. With the stamp of French photo agency Dalmas and manuscript pencil annotations regarding layout and identifying the image on the verso. Bresson's first wholly original screenplay as opposed to one adapted from existing material perhaps the finest of his many fine films and according to one of its greatest champions Paul Schrader "as close to perfect as a film can be." 5 x 7.25 inches. Near Fine. Criterion Collection 314. Ebert I. Godard Histoires du cinema. Rosebaum 1000. Schrader 4. Compagnie Cinematographie de France unknown
1974Best.-Nr. 150864N.p.: N.p. 1974. Vintage borderless reference photograph of Robert Bresson and crew on the set of the 1974 film with two provenance stamps of film scholar and author "J. P. Berthome" on verso. Bresson's bloody take on the King Arthur legend was an expansion of the aesthetic he had already developed where the violence that was once implied became a reality-though certainly still quite surreal. Shot on location in Noirmoutier-en-L'Ile France. 9.5 x 7 inches. Near Fine. Rosenbaum 1000. N.p. unknown books
1959Best.-Nr. 140945France: Compagnie Cinematographie de France 1959. Vintage borderless press photograph from the 1959 film showing director Robert Bresson on a Paris metro set going over a script while actor Martin LaSalle and crew look on. With the stamp of French photo agency Dalmas and manuscript pencil annotations regarding layout and identifying the image on the verso. Bresson's first wholly original screenplay as opposed to one adapted from existing material perhaps the finest of his many fine films and according to one of its greatest champions Paul Schrader "as close to perfect as a film can be." 5 x 7.25 inches. Near Fine. Criterion Collection 314. Ebert I. Godard Histoires du cinema. Rosebaum 1000. Schrader 4. Compagnie Cinematographie de France unknown books
1969Best.-Nr. 147017London: Columbia British Productions 1969. Draft script for the 1970 British film. Cinematographer Douglas Slocombe's name written and underlined in manuscript ink on the title page as well as an encircled "71" in red manuscript marker. Based on Janice Elliott's 1967 novel about cousins born on the same day to twin sisters. Inseparable and maybe in love they agree to find suitable romantic partners for each other. Nominated for the Palme d'Or. Set in and shot on location in England Spain and Sweden. ornamental embossed titled wrapper. Title page present dated 1969 with credits for screenwriter Peter Draper and novelist Janice Elliott. PAGES leaves with last page of text numbered 111. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with three flat metal brads. Columbia British Productions unknown
1969Best.-Nr. 147017London: Columbia British Productions 1969. Draft script for the 1970 British film. Cinematographer Douglas Slocombe's name written and underlined in manuscript ink on the title page as well as an encircled "71" in red manuscript marker. Based on Janice Elliott's 1967 novel about cousins born on the same day to twin sisters. Inseparable and maybe in love they agree to find suitable romantic partners for each other. Nominated for the Palme d'Or. Set in and shot on location in England Spain and Sweden. ornamental embossed titled wrapper. Title page present dated 1969 with credits for screenwriter Peter Draper and novelist Janice Elliott. PAGES leaves with last page of text numbered 111. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with three flat metal brads. Columbia British Productions unknown books
1975Best.-Nr. 171761N.p.: N.p. 1975. Three vintage studio still photographs from the 1975 film. One with layout annotations in manuscript pencil on the verso. An experimental portrait of American citizens of various stripes-indigenous people immigrants hippies activists and more-as they reflect on changing life in the 1970s. Directors John Douglas and Robert Kramer were previously associated with Newsreel a revolutionary filmmaking collective founded in New York in 1967. 8 x 10 inches. Near Fine with light soil and toning to the margins. N.p. unknown
1975Best.-Nr. 171761N.p.: N.p. 1975. Three vintage studio still photographs from the 1975 film. One with layout annotations in manuscript pencil on the verso. An experimental portrait of American citizens of various stripes-indigenous people immigrants hippies activists and more-as they reflect on changing life in the 1970s. Directors John Douglas and Robert Kramer were previously associated with Newsreel a revolutionary filmmaking collective founded in New York in 1967. 8 x 10 inches. Near Fine with light soil and toning to the margins. N.p. unknown books
1945Best.-Nr. 143451Universal City CA: Universal Pictures 1945. Vintage photograph on the set of the 1944 film noir showing director Robert Siodmak conferring with star Stanley Ridges while some extras relax behind them. With a mimeo snipe and date stamp of "12 Apr 1945" on the verso. Based on the 1939 novel "This Way Out" by James Ronald about an unhappily married man who falls in love with a younger woman only to be investigated by a Scotland Yard detective when his wife dies in what appears to be an accident. 10 x 8 inches. Very Good plus with light diagonal creasing to the corners and a slight curl. Grant US. Selby US. Silver and Ward Classic Noir. Spicer US. Universal Pictures unknown
1945Best.-Nr. 143451Universal City CA: Universal Pictures 1945. Vintage photograph on the set of the 1944 film noir showing director Robert Siodmak conferring with star Stanley Ridges while some extras relax behind them. With a mimeo snipe and date stamp of "12 Apr 1945" on the verso. Based on the 1939 novel "This Way Out" by James Ronald about an unhappily married man who falls in love with a younger woman only to be investigated by a Scotland Yard detective when his wife dies in what appears to be an accident. 10 x 8 inches. Very Good plus with light diagonal creasing to the corners and a slight curl. Grant US. Selby US. Silver and Ward Classic Noir. Spicer US. Universal Pictures unknown books
1970Best.-Nr. 136662Universal City CA: Universal Pictures 1970. Seven borderless black-and-white reference photographs from the set of the film shot in April 1960. Five of the six remarkable photographs show Wise both in the desert and in the midst of the elaborate sets designed to simulate the film's massive underground laboratory. With printed snipes on the verso of each photograph. 7.25 x 9.5 inches. Near Fine. Vogel Film as a Subversive Art. Universal Pictures unknown
1970Best.-Nr. 136662Universal City CA: Universal Pictures 1970. Seven borderless black-and-white reference photographs from the set of the film shot in April 1960. Five of the six remarkable photographs show Wise both in the desert and in the midst of the elaborate sets designed to simulate the film's massive underground laboratory. With printed snipes on the verso of each photograph. 7.25 x 9.5 inches. Near Fine. Vogel Film as a Subversive Art. Universal Pictures unknown books
1965Best.-Nr. 150349N.p.: N.p. 1965. Vintage oversize borderless reference photograph from the 1965 film showing actor Rock Hudson wrapped in a lacy sheet. With the stamp of photographer Leo Fuchs on the verso along with the stamp of Vista Photos and several manuscript pencil and ink annotations regarding layout. A well-to-do American businessman and a free-spirited Italian woman meet in London and impulsively marry but soon realize they have little in common and truly dislike each other. 11 x 14 inches with a wide right margin. Very Good with light wear to the edges and layout annotations in pencil on the right edge. N.p. unknown
1965Best.-Nr. 150349N.p.: N.p. 1965. Vintage oversize borderless reference photograph from the 1965 film showing actor Rock Hudson wrapped in a lacy sheet. With the stamp of photographer Leo Fuchs on the verso along with the stamp of Vista Photos and several manuscript pencil and ink annotations regarding layout. A well-to-do American businessman and a free-spirited Italian woman meet in London and impulsively marry but soon realize they have little in common and truly dislike each other. 11 x 14 inches with a wide right margin. Very Good with light wear to the edges and layout annotations in pencil on the right edge. N.p. unknown books
1995Best.-Nr. 135826London: Independent Television 1995. Draft scripts for four episodes of the 1996 television show "Delta Wave:" "A Twist of Lemming: Part 1" "A Twist of Lemming: Part 2" "A Glitch in Time: Part 1" and "A Glitch in Time: Part 2." A television show about two children with psycho-kinetic powers and their scientist caretaker. The show ran for only ten episodes containing five storylines featuring the title characters separated into two episodes each. This listing is for two complete storylines: "A Twist of Lemming" and "A Glitch in Time." Set in Cambridge England. "A Twist of Lemming: Part One:" Tall white self wrappers as issued with credits for screenwriter Pressman. Title page integral with the first page of the text dated 14/08/95 with credits for screenwriter Pressman. 65 leaves with last page of text numbered 65. Mechanical duplication. Pages Near Fine wrapper Near Fine prong binding. "A Twist of Lemming: Part Two:" Tall white self wrappers as issued with credits for screenwriter Pressman. Title page integral with the first page of the text dated 14/08/95 with credits for screenwriter Pressman. 70 leaves with last page of text numbered 70. Mechanical duplication. Pages Near Fine wrapper Near Fine prong binding. "A Glitch in Time: Part One:" Tall white self wrappers as issued with credits for screenwriter Pressman. Title page integral with the first page of the text dated 14/08/95 with credits for screenwriter Pressman. 62 leaves with last page of text numbered 62. Mechanical duplication. Pages Near Fine wrapper Near Fine bound prong binding. "A Glitch in Time: Part Two:" Tall white self wrappers as issued with credits for screenwriter Pressman. Title page integral with the first page of the text dated 14/08/95 with credits for screenwriter Pressman. 73 leaves with last page of text numbered 73. Mechanical duplication. Pages Near Fine wrapper Near Fine prong binding. Independent Television unknown
1995Best.-Nr. 135826London: Independent Television 1995. Draft scripts for four episodes of the 1996 television show "Delta Wave:" "A Twist of Lemming: Part 1" "A Twist of Lemming: Part 2" "A Glitch in Time: Part 1" and "A Glitch in Time: Part 2." A television show about two children with psycho-kinetic powers and their scientist caretaker. The show ran for only ten episodes containing five storylines featuring the title characters separated into two episodes each. This listing is for two complete storylines: "A Twist of Lemming" and "A Glitch in Time." Set in Cambridge England. "A Twist of Lemming: Part One:" Tall white self wrappers as issued with credits for screenwriter Pressman. Title page integral with the first page of the text dated 14/08/95 with credits for screenwriter Pressman. 65 leaves with last page of text numbered 65. Mechanical duplication. Pages Near Fine wrapper Near Fine prong binding. "A Twist of Lemming: Part Two:" Tall white self wrappers as issued with credits for screenwriter Pressman. Title page integral with the first page of the text dated 14/08/95 with credits for screenwriter Pressman. 70 leaves with last page of text numbered 70. Mechanical duplication. Pages Near Fine wrapper Near Fine prong binding. "A Glitch in Time: Part One:" Tall white self wrappers as issued with credits for screenwriter Pressman. Title page integral with the first page of the text dated 14/08/95 with credits for screenwriter Pressman. 62 leaves with last page of text numbered 62. Mechanical duplication. Pages Near Fine wrapper Near Fine bound prong binding. "A Glitch in Time: Part Two:" Tall white self wrappers as issued with credits for screenwriter Pressman. Title page integral with the first page of the text dated 14/08/95 with credits for screenwriter Pressman. 73 leaves with last page of text numbered 73. Mechanical duplication. Pages Near Fine wrapper Near Fine prong binding. Independent Television unknown books
1965Best.-Nr. 157286N.p.: N.p. 1965. Three borderless reference photographs taken on the set of the 1965 film. Two photographs with printed mimeo snipes affixed to the versos and one with a date stamp reading 8 OCT 1965. Roman Polanski's second feature film and his first in English. A disturbed young woman experiences a variety of hallucinations and nightmares when left alone in the apartment she shares with her sister. A breakthrough role for Catherine Deneuve and the film that paved the way for Polanski's future success. Set and shot on location in London. One photograph 8 x 9.5 inches two photographs 7 x 9.5 inches. Very Good plus with light wear and creasing at the corners. Criterion Collection 483. Grant UK. Spicer UK. N.p. unknown
1968Best.-Nr. 149124N.p.: N.p. 1968. Vintage reference photograph of Roman Polanski and Mia Farrow in front of the flagship Tiffany & Co. store on Fifth Ave New York City during the filming of the 1968 film. Based on the 1967 novel by Ira Levin. A seminal horror film one of the best genre pictures ever made from the earliest days of the New Hollywood cinema bringing together newcomer Roman Polanski as director established producer William Castle young star Mia Farrow and Hollywood veteran John Cassavetes. Winner of the Academy Award for Best Supporting Actress for Ruth Gordon and nominated for Best Screenplay. Set and shot on location in New York City. 10 x 8 inches. Near Fine National Film Registy. Clover Men Women and Chainsaws. Criterion Collection 630. Rosenbaum 1000. N.p. unknown
1965Best.-Nr. 157286N.p.: N.p. 1965. Three borderless reference photographs taken on the set of the 1965 film. Two photographs with printed mimeo snipes affixed to the versos and one with a date stamp reading 8 OCT 1965. Roman Polanski's second feature film and his first in English. A disturbed young woman experiences a variety of hallucinations and nightmares when left alone in the apartment she shares with her sister. A breakthrough role for Catherine Deneuve and the film that paved the way for Polanski's future success. Set and shot on location in London. One photograph 8 x 9.5 inches two photographs 7 x 9.5 inches. Very Good plus with light wear and creasing at the corners. Criterion Collection 483. Grant UK. Spicer UK. N.p. unknown books
1968Best.-Nr. 149124N.p.: N.p. 1968. Vintage reference photograph of Roman Polanski and Mia Farrow in front of the flagship Tiffany & Co. store on Fifth Ave New York City during the filming of the 1968 film. Based on the 1967 novel by Ira Levin. A seminal horror film one of the best genre pictures ever made from the earliest days of the New Hollywood cinema bringing together newcomer Roman Polanski as director established producer William Castle young star Mia Farrow and Hollywood veteran John Cassavetes. Winner of the Academy Award for Best Supporting Actress for Ruth Gordon and nominated for Best Screenplay. Set and shot on location in New York City. 10 x 8 inches. Near Fine National Film Registy. Clover Men Women and Chainsaws. Criterion Collection 630. Rosenbaum 1000. N.p. unknown books
1925Best.-Nr. 137138Beverly Hills CA: United Artists 1925. Vintage reference photograph from the set of the 1925 film with a mimeo snipe and photographer's stamp on the verso. Based on the unfinished 1832 novel "Dubrovsky" by Alexander Pushkin. A posed shot showing director Brown and stars Valentino and Banky with painter Federico Beltran Masses a well known figure in Hollywood because of his friendship with William Randolph Hearst. 10 x 8 inches. Very Good with diagonal chips missing from two corners but the image largely unaffected. United Artists unknown
