10.259 risultati
1966rif. 157335N.p.: N.p. 1966. Eight vintage oversize borderless hand-tinted color reference photographs from the French release of the 1966 American sexploitation film. Stamp of French distributor Les Films Hustaix on the versos. Lonely men seek companionship from a variety of increasingly odd sources including an embittered prostitute and the jealous madam of a brothel catering to sadomasochists. Shot on location in Los Angeles. 9.5 x 12 inches. Very Good plus with several with pinholes at the corners. N.p. unknown books
1932rif. 151762N.p.: N.p. 1932. Vintage reference photograph from the 1932 short film. With provenance stamps on the verso along with manuscript ink annotations noting the film's title and associated cast and crew members. Hardy goes to visit Laurel in the hospital. Chaos ensues. 10 x 8 inches. Very Good moderately toned and edgeworn overall with a 2.5 inch dampstain to the upper portion of the image. N.p. unknown books
1968rif. 161694Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1968. Vintage reference photograph of director Stanley Kubrick talking with actors Gary Lockwood and Keir Dullea on the set of the 1968 film. Kubrick's sprawling science fiction epic traces the evolution of human intelligence under the influence of an unspecified alien force. The film's high scientific accuracy coupled with bleeding-edge special effects and minimal use of dialogue make "2001" universally recognized as one of the most influential films ever made. Winner of an Academy Award for Best Special Effects and nominated for three others including Best Director. Set variously in the desert in space in deep space and on the astral plane. Shot on location in Scotland England Arizona and Utah. 8 x 10 inches. Near Fine. Ebert I. McPadden Heavy Metal Movies. National Film Registry. Rosenbaum 1000. Schrader 24. Scorsese A Personal Journey Through American Movies. Weldon 1983. Metro-Goldwyn-Mayer [MGM] unknown
1968rif. 161694Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1968. Vintage reference photograph of director Stanley Kubrick talking with actors Gary Lockwood and Keir Dullea on the set of the 1968 film. Kubrick's sprawling science fiction epic traces the evolution of human intelligence under the influence of an unspecified alien force. The film's high scientific accuracy coupled with bleeding-edge special effects and minimal use of dialogue make "2001" universally recognized as one of the most influential films ever made. Winner of an Academy Award for Best Special Effects and nominated for three others including Best Director. Set variously in the desert in space in deep space and on the astral plane. Shot on location in Scotland England Arizona and Utah. 8 x 10 inches. Near Fine. Ebert I. McPadden Heavy Metal Movies. National Film Registry. Rosenbaum 1000. Schrader 24. Scorsese A Personal Journey Through American Movies. Weldon 1983. Metro-Goldwyn-Mayer [MGM] unknown books
1954rif. 152838Los Angeles: ZIV Television Programs 1954. Final Master script for the 1954 television episode. Script supervisor's copy with their manuscript pencil and ink annotations on the front wrapper and virtually every page. A farm girl hides her brother from the police when he is framed for murder. Yellow titled wrappers noted as FINAL MASTER SCRIPT on the front wrapper dated April 13 1954 with credits for screenwriter Leonard St. Clair and story credits to Stephen Crane. Title page integral with the front wrapper. 59 leaves with last page of text numbered 53. Mimeograph duplication rectos only with blue revision pages throughout dated 4/26/54. Wrapper and pages Near Fine bound with two gold brads. ZIV Television Programs unknown
1954rif. 152838Los Angeles: ZIV Television Programs 1954. Final Master script for the 1954 television episode. Script supervisor's copy with their manuscript pencil and ink annotations on the front wrapper and virtually every page. A farm girl hides her brother from the police when he is framed for murder. Yellow titled wrappers noted as FINAL MASTER SCRIPT on the front wrapper dated April 13 1954 with credits for screenwriter Leonard St. Clair and story credits to Stephen Crane. Title page integral with the front wrapper. 59 leaves with last page of text numbered 53. Mimeograph duplication rectos only with blue revision pages throughout dated 4/26/54. Wrapper and pages Near Fine bound with two gold brads. ZIV Television Programs unknown books
1970rif. 159131N.p.: N.p. 1970. Vintage reference photograph from the 1970 experimental film showing actress Verity Bargate. Annotations in manuscript ink and pencil on the verso regarding cropping. Director Stephen Dwoskin was an experimental filmmaker who produced work based on themes of perception disability and sexuality. He was a cofounder of the London Film-Makers' Co-op in 1966 and the film collective Spectre in 1980. "Times For" was the first of Dwoskin's longer films and notably included a performance by performance artist and filmmaker Carolee Schneemann with a soundtrack by experimental musician Gavin Bryars. 10 x 7.25 inches. Near Fine. N.p. unknown books
1969rif. 158710N.p.: N.p. 1969. Draft script for the 1969 film. Based on the 1963 novel by David Stuart Leslie. A white advertising executive is forced to confront his own prejudices when he finds himself unexpectedly sharing a flat with a Black Jamaican-British lawyer. OCLC locates no holdings. AMPAS shows one holding. Set and shot on location in London. Orange titled wrappers. Title page present dated March 15 1968 with credits for screenwriter Evan Jones and novelist David Stuart Leslie. 143 leaves with last page of text numbered 134. Mimeograph duplication rectos only with undated pink revision pages laid in throughout. Pages Very Good plus wrapper Very Good plus bound internally with two silver brads. N.p. unknown books
1957rif. 150605Culver City CA: Columbia Pictures 1957. Collection of 13 vintage photographs from the 1957 US-UK co-production. Seven photographs with mimeo snipes on the verso crediting photographer Bert Cann. Very loosely based on the 1950 nonfiction book "The Story of Zarak Khan" by A.J. Bevans about an outlaw fighting against British occupation in 19th century Afghanistan pursued by a British officer with whom he develops a mutual respect. Set on the border between Afghanistan and India shot on location in England Morocco India and Burma. 8 x 10 inches. About Near Fine. Columbia Pictures unknown
1957rif. 150605Culver City CA: Columbia Pictures 1957. Collection of 13 vintage photographs from the 1957 US-UK co-production. Seven photographs with mimeo snipes on the verso crediting photographer Bert Cann. Very loosely based on the 1950 nonfiction book "The Story of Zarak Khan" by A.J. Bevans about an outlaw fighting against British occupation in 19th century Afghanistan pursued by a British officer with whom he develops a mutual respect. Set on the border between Afghanistan and India shot on location in England Morocco India and Burma. 8 x 10 inches. About Near Fine. Columbia Pictures unknown books
1998rif. 169960N.p.: N.p. 1998. Revised Draft script for the 2001 film. An agency copy printed on the rectos and versos written seven months prior to the commencement of the production with the marker annotation of "O" on the front wrapper. A modern day adaptation of Shakespeare's "Othello" set in a US high school wherein Odin James Mekhi Phifer the only black student at Palmetto Grove Academy who is the star basketball player and dating the Dean's beautiful daughter Desi Julia Stiles is the envy of his troubled friend Hugo Josh Hartnett who plots a deadly scheme to sow mistrust between Desi and Odin. Shot on location in Charleston South Carolina. Untitled International Creative Management wrappers. Title page present dated 08/12/98 noted as Revision with credits for screenwriter Brad Kaaya. 59 leaves with last page of text numbered 114. Xerographic duplication on the rectos and versos. Pages Near Fine wrapper Very Good plus with dampstaining to the rear board bound internally with two gold brads. N.p. unknown
1998rif. 169960N.p.: N.p. 1998. Revised Draft script for the 2001 film. An agency copy printed on the rectos and versos written seven months prior to the commencement of the production with the marker annotation of "O" on the front wrapper. A modern day adaptation of Shakespeare's "Othello" set in a US high school wherein Odin James Mekhi Phifer the only black student at Palmetto Grove Academy who is the star basketball player and dating the Dean's beautiful daughter Desi Julia Stiles is the envy of his troubled friend Hugo Josh Hartnett who plots a deadly scheme to sow mistrust between Desi and Odin. Shot on location in Charleston South Carolina. Untitled International Creative Management wrappers. Title page present dated 08/12/98 noted as Revision with credits for screenwriter Brad Kaaya. 59 leaves with last page of text numbered 114. Xerographic duplication on the rectos and versos. Pages Near Fine wrapper Very Good plus with dampstaining to the rear board bound internally with two gold brads. N.p. unknown books
1975rif. 162393Culver City CA: Columbia Pictures 1975. Five vintage borderless reference photographs from the 1975 film. Two with printed mimeo snipes affixed to the versos and three with Columbia stamps on the versos. A New Hollywood satire about a womanizing money-hungry hairdresser in Beverly Hills. Actress Lee Grant won her only Academy Award for her turn as one of Beatty's mistresses and Beatty and Towne were nominated for their screenplay. Set and shot on location in California. 10 x 8 inches. Near Fine. Columbia Pictures unknown
1975rif. 162393Culver City CA: Columbia Pictures 1975. Five vintage borderless reference photographs from the 1975 film. Two with printed mimeo snipes affixed to the versos and three with Columbia stamps on the versos. A New Hollywood satire about a womanizing money-hungry hairdresser in Beverly Hills. Actress Lee Grant won her only Academy Award for her turn as one of Beatty's mistresses and Beatty and Towne were nominated for their screenplay. Set and shot on location in California. 10 x 8 inches. Near Fine. Columbia Pictures unknown books
2001rif. 164034N.p.: N.p. 2001. Revised Draft script for the 2001 film including a six page "Alternate Ending" preceded by a memo notice that both "endings will be shot." Laid in are three gatherings of revisions each with a label on their title page for credited crew member "Brian Markey / Construction Coordinator." From the archive of crew member Chris Scher. The three gatherings of revisions are: Eight pages of "White Revised Pages" dated 12/06/01. Seven pages of "Pink4" revision pages dated 12/12/01. And two pages of "Goldenrod4" revision pages dated 01/16/02. Tommy Lee Jones stars as a former military instructor tasked with tracking down his former student Benicio del Toro who has "gone rogue" and has been tracking and viciously murder hunters in the wilderness of British Columbia. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Shot on location in Oregon and Washington. Front wrapper integral with title page with last revisions dated 06/06/01 with credits for screenwriter Art Monterastelli. 134 leaves with last page of text numbered 96. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. The three gatherings of revision pages are each attached by one or two staples to the top left. Near Fine. N.p. unknown
2001rif. 164034N.p.: N.p. 2001. Revised Draft script for the 2001 film including a six page "Alternate Ending" preceded by a memo notice that both "endings will be shot." Laid in are three gatherings of revisions each with a label on their title page for credited crew member "Brian Markey / Construction Coordinator." From the archive of crew member Chris Scher. The three gatherings of revisions are: Eight pages of "White Revised Pages" dated 12/06/01. Seven pages of "Pink4" revision pages dated 12/12/01. And two pages of "Goldenrod4" revision pages dated 01/16/02. Tommy Lee Jones stars as a former military instructor tasked with tracking down his former student Benicio del Toro who has "gone rogue" and has been tracking and viciously murder hunters in the wilderness of British Columbia. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Shot on location in Oregon and Washington. Front wrapper integral with title page with last revisions dated 06/06/01 with credits for screenwriter Art Monterastelli. 134 leaves with last page of text numbered 96. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. The three gatherings of revision pages are each attached by one or two staples to the top left. Near Fine. N.p. unknown books
1972rif. 171708N.p.: N.p. 1972. A small archive of production and personal documents from the 1972 film belonging to Executive Producer John H. Burrows. Burrows was a noted film and television producer who began his career as a film distributor in the 1950s after his father George Burrows then President of Allied Artists got him in to the industry. Beginning as an associate producer for the film "Torpedo Alley" 1952 Burrows has since garnered over 50 credits in over 50 years in film and television and is best known as a production manager and producer for "A Nightmare on Elm Street" 1984 "Pump Up the Volume" 1990 and "The Watcher" 2000 among many others. The archive includes: A handwritten four page opening credit list noting credit order and proportional text size dated "1/14/72." Five copies of press releases for the film from Crown International Pictures publicist Donald J. Haley announcing commencement of pre-production and shooting to begin on January 3 1971 two noting shooting on location in Florida and one noting Burrows as executive producer and his arrival in Miami. Four with manuscript marker annotations of press release dates two dated "11/12/71" one "11/26" and one "11/29." Three pages of crew members' skill set and credits on "Film Equipment Rentals Inc." of Miami Florida letterhead for: Jack Johnson "Props--Special Effects" credited in the film as "Property Master" Walter Morris Jr. "Lighting Director" credited in the film as "Gaffer" and Roberta Rose "Production Assistant--Auditor--Secretary uncredited. One autograph letter signed to Burrows from his wife "Nan" Naomi Burroughs one note signed from "Nan" and three pages of drawings from their young son noted in the letter housed in the original envelope post-marked "Dec 15 1971." And a small gathering of documents from Burrows' travel in Florida including: a Miami / Fort Lauderdale Area AAA map a National Airlines Quick Reference Schedule for Miami / Miami Beach dated October 31 1971 a Diners Club receipt for a meal at "Gallaghers" in Miami a hand-written note of various names numbers and addresses a business card for certified public account Nazar H. Ashjian Jr. and a printed listing of locations for the Miami adult bookseller "The Atheneum Inc." The archive also includes two later outliers: a "Zeus God of Gods Productions" envelope post-marked "8 Oct 1982" addressed to Burroughs at Pan Pacific Productions containing a typed memo signed from from a Judy Powell and a note on "Zeus God of Gods Productions" letterhead from film producer "D. Constantine Conte" and a circa early 1980s copy of director Michael Lindsay-Hogg's directorial credits on William Morris Agency letterhead. Shell-shocked Native American Tim Ochopee a Vietnam veteran discovers his father has been murdered and seeks retribution with the help of his best friend a snake named Stanley and Stanley's brood. Set in the Florida Everglades shot on location in Everglades National Park and Homosassa Springs Wildlife State Park Florida. Credit List Press Releases and "Film Equipment Rentals Inc." crew list 8.5 x11 inches. Very Good plus to Near Fine overall with the "Film Equipment Rentals Inc." list and the Opening Credit List saddle stapled with a single staple to the top left corner. Other ephemera Very Good plus to Near Fine overall. Thrower Nightmare USA. N.p. unknown
1972rif. 171708N.p.: N.p. 1972. A small archive of production and personal documents from the 1972 film belonging to Executive Producer John H. Burrows. Burrows was a noted film and television producer who began his career as a film distributor in the 1950s after his father George Burrows then President of Allied Artists got him in to the industry. Beginning as an associate producer for the film "Torpedo Alley" 1952 Burrows has since garnered over 50 credits in over 50 years in film and television and is best known as a production manager and producer for "A Nightmare on Elm Street" 1984 "Pump Up the Volume" 1990 and "The Watcher" 2000 among many others. The archive includes: A handwritten four page opening credit list noting credit order and proportional text size dated "1/14/72." Five copies of press releases for the film from Crown International Pictures publicist Donald J. Haley announcing commencement of pre-production and shooting to begin on January 3 1971 two noting shooting on location in Florida and one noting Burrows as executive producer and his arrival in Miami. Four with manuscript marker annotations of press release dates two dated "11/12/71" one "11/26" and one "11/29." Three pages of crew members' skill set and credits on "Film Equipment Rentals Inc." of Miami Florida letterhead for: Jack Johnson "Props--Special Effects" credited in the film as "Property Master" Walter Morris Jr. "Lighting Director" credited in the film as "Gaffer" and Roberta Rose "Production Assistant--Auditor--Secretary uncredited. One autograph letter signed to Burrows from his wife "Nan" Naomi Burroughs one note signed from "Nan" and three pages of drawings from their young son noted in the letter housed in the original envelope post-marked "Dec 15 1971." And a small gathering of documents from Burrows' travel in Florida including: a Miami / Fort Lauderdale Area AAA map a National Airlines Quick Reference Schedule for Miami / Miami Beach dated October 31 1971 a Diners Club receipt for a meal at "Gallaghers" in Miami a hand-written note of various names numbers and addresses a business card for certified public account Nazar H. Ashjian Jr. and a printed listing of locations for the Miami adult bookseller "The Atheneum Inc." The archive also includes two later outliers: a "Zeus God of Gods Productions" envelope post-marked "8 Oct 1982" addressed to Burroughs at Pan Pacific Productions containing a typed memo signed from from a Judy Powell and a note on "Zeus God of Gods Productions" letterhead from film producer "D. Constantine Conte" and a circa early 1980s copy of director Michael Lindsay-Hogg's directorial credits on William Morris Agency letterhead. Shell-shocked Native American Tim Ochopee a Vietnam veteran discovers his father has been murdered and seeks retribution with the help of his best friend a snake named Stanley and Stanley's brood. Set in the Florida Everglades shot on location in Everglades National Park and Homosassa Springs Wildlife State Park Florida. Credit List Press Releases and "Film Equipment Rentals Inc." crew list 8.5 x11 inches. Very Good plus to Near Fine overall with the "Film Equipment Rentals Inc." list and the Opening Credit List saddle stapled with a single staple to the top left corner. Other ephemera Very Good plus to Near Fine overall. Thrower Nightmare USA. N.p. unknown books
1938rif. 151432New York: Filmarte 1938. Vintage program for the US premiere of the 1937 French film which opened at the Filmarte Theatre in New York on September 12 1938. A disparate group of French soldiers plan an escape from their German captors during World War I. Widely regarded as a masterpiece of French cinema a poignant look at nationalism class differences and prejudice. 5.5 x 8.75 inches. One leaf bi-fold. Near Fine. Criterion Collection 1. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Filmarte unknown
1938rif. 151432New York: Filmarte 1938. Vintage program for the US premiere of the 1937 French film which opened at the Filmarte Theatre in New York on September 12 1938. A disparate group of French soldiers plan an escape from their German captors during World War I. Widely regarded as a masterpiece of French cinema a poignant look at nationalism class differences and prejudice. 5.5 x 8.75 inches. One leaf bi-fold. Near Fine. Criterion Collection 1. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Filmarte unknown books
1959rif. 150777N.p.: N.p. 1959. Vintage borderless reference photograph of Roberto Rossellini and Vittorio De Sica on the set of the 1959 film. Italian "Tele Foto" stamp on verso. Based on the semi-autobiographical 1950 Italian novel "Il generale Della Rovere" by Indro Montanelli. Petty con man Victorio Bardone De Sica is arrested by the Gestapo and coerced into impersonating a dead Resistance leader to extract information from his fellow inmates and identify another Resistance leader. Nominated for an Academy Award for Best Screenplay. Winner of the Golden Lion at the Venice Film Festival. Set in Genoa Italy shot on location in Rome Italy. 9.5 x 7 inches. Very small crease in lower left corner else Near Fine. Criterion Collection 463. N.p. unknown
1959rif. 150777N.p.: N.p. 1959. Vintage borderless reference photograph of Roberto Rossellini and Vittorio De Sica on the set of the 1959 film. Italian "Tele Foto" stamp on verso. Based on the semi-autobiographical 1950 Italian novel "Il generale Della Rovere" by Indro Montanelli. Petty con man Victorio Bardone De Sica is arrested by the Gestapo and coerced into impersonating a dead Resistance leader to extract information from his fellow inmates and identify another Resistance leader. Nominated for an Academy Award for Best Screenplay. Winner of the Golden Lion at the Venice Film Festival. Set in Genoa Italy shot on location in Rome Italy. 9.5 x 7 inches. Very small crease in lower left corner else Near Fine. Criterion Collection 463. N.p. unknown books
1959rif. 151411N.p.: N.p. 1959. Draft script for the 18th episode of season 3 of the 1956-1961 television playhouse series originally aired on February 5 1959. Copy belonging to director George Roy Hill with a printed label noting his name on the verso of the front wrapper and his manuscript ink annotations throughout noting deletions and substantive changes. A kinescope of the program survived and is available for viewing only at the Paley Center for Media in Los Angeles. Based on Michel del Castillo's autobiographical 1957 novel "Tanguy." A young Spanish-French refugee is captured by the Nazis and interned in a concentration camp but finds happiness in Spain after the war. An early effort from the great George Roy Hill who was best known in the ensuing years for "Butch Cassidy and the Sundance Kid" 1969 and "The Sting" 1973. Set in France and Germany. Housed in an untitled black spring binder. Title page present dated 1-19-59 with credits for director George Roy Hill novelist Michel del Castillo and screenwriter Irving Gaynor Neiman. 134 leaves with last page of text numbered 111. Mimeograph duplication rectos only with rainbow revision pages throughout dated variously between 1/23/59 and 2-3-59. Pages Near Fine binder Very Good plus. N.p. unknown
1959rif. 151411N.p.: N.p. 1959. Draft script for the 18th episode of season 3 of the 1956-1961 television playhouse series originally aired on February 5 1959. Copy belonging to director George Roy Hill with a printed label noting his name on the verso of the front wrapper and his manuscript ink annotations throughout noting deletions and substantive changes. A kinescope of the program survived and is available for viewing only at the Paley Center for Media in Los Angeles. Based on Michel del Castillo's autobiographical 1957 novel "Tanguy." A young Spanish-French refugee is captured by the Nazis and interned in a concentration camp but finds happiness in Spain after the war. An early effort from the great George Roy Hill who was best known in the ensuing years for "Butch Cassidy and the Sundance Kid" 1969 and "The Sting" 1973. Set in France and Germany. Housed in an untitled black spring binder. Title page present dated 1-19-59 with credits for director George Roy Hill novelist Michel del Castillo and screenwriter Irving Gaynor Neiman. 134 leaves with last page of text numbered 111. Mimeograph duplication rectos only with rainbow revision pages throughout dated variously between 1/23/59 and 2-3-59. Pages Near Fine binder Very Good plus. N.p. unknown books
1955rif. 162913N.p.: Dell Publishing 1955. Vintage oversize satin finish borderless photograph of actor Marlon Brando on the set of the 1955 film. Stamp of Dell Publishing on the verso with annotations in manuscript pencil crediting photographer Peter Basch. Based on the 1950 Broadway musical in turn based on Damon Runyon's short stories "The Idyll of Miss Sarah Brown" and "Blood Pressure." A gambler wins a bet that he can get a Christian missionary to travel with him to Havana where the pair begin to fall for each other. Nominated for four Academy Awards. Set in New York and Havana. From the archive of the PIX Agency an American photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. 11 x 14 inches with wide top and bottom margins archivally matted in a 16 x 20 inch 8-ply white mat. Very Good plus with a small splash on the bottom edge. Dell Publishing unknown
