Ingmar Bergman (director, screenwriter); Elliott Gould, Bibi Andersson, Max von Sydow (starring)Biblio.com
11.048 risultati
1971rif. 150335N.p.: N.p. 1971. Vintage photograph of director Ingmar Bergman setting up a shot with actors Elliott Gould Bibi Andersson and Max Von Sydow. With a printed mimeo snipe affixed to the verso along with a stamp noting No. 11620 and the stamps of PIX Inc. and Camera Press Ltd. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. A seemingly happy Swedish housewife and mother begins an adulterous affair with a foreign archaeologist who is working near her home an emotionally scarred survivor of the Holocaust. Bergman's first English language film shot in England and Sweden and his first film to involve a major American actor Gould working alongside Bergman regulars Sydow and Andersson. Set and shot on location in Sweden and England. 12 x 8.5 inches. Very Good plus faintly toned along the top edge. N.p. unknown
1971rif. 150335N.p.: N.p. 1971. Vintage photograph of director Ingmar Bergman setting up a shot with actors Elliott Gould Bibi Andersson and Max Von Sydow. With a printed mimeo snipe affixed to the verso along with a stamp noting No. 11620 and the stamps of PIX Inc. and Camera Press Ltd. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. A seemingly happy Swedish housewife and mother begins an adulterous affair with a foreign archaeologist who is working near her home an emotionally scarred survivor of the Holocaust. Bergman's first English language film shot in England and Sweden and his first film to involve a major American actor Gould working alongside Bergman regulars Sydow and Andersson. Set and shot on location in Sweden and England. 12 x 8.5 inches. Very Good plus faintly toned along the top edge. N.p. unknown books
1972rif. 171995N.p.: N.p. 1972. Vintage borderless double weight photograph of cast and crew members of the 1972 film including director Ingmar Bergman and all principal cast raising their glasses in a toast. In her last days a woman dying of uterine cancer is moved to her childhood home where she is placed under the care of her emotionally distant sisters and distraught maid. Bergman's abstracted portrait of his mother with each of the women in the film representing an aspect of her personality. Shot on location at Taxinge-Nasby Castle in Mariefred Sweden. 13.5 x 9.5 inches. Very Good plus with brief wear to the corners. Criterion Collection 101. Complete collation details available on request. N.p. unknown books
1977rif. 148804Burbank CA: Warner Brothers 1977. Shooting Final Draft script for the 1978 film. One of "Master of Disaster" Irwin Allen's last disaster films his penultimate film as director following up on his success with "The Poseidon Adventure" 1972 and "The Towering Inferno" 1974 and featuring an enormous star-studded cast which included seven Academy Award winners Michael Caine Olivia de Havilland Ben Johnson Jose Ferrer Patty Duke Lee Grant and Henry Fonda. Based on the 1974 novel by Arthur Herzog III. A team of scientists join forces with the US military to try to stop the massive swarms of killer bees terrorizing the country. Nominated for an Academy Award. Shot on location in California and Texas. Green illustrated custom wrappers noted as SHOOTING FINAL on the front wrapper dated AUGUST 1977 with credits for screenwriter Stirling Silliphant. Title page present dated August 1977 noted as SHOOTING FINAL with credits for screenwriter Stirling Silliphang. 139 leaves with last page of text numbered 138. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Warner Brothers unknown
1977rif. 148804Burbank CA: Warner Brothers 1977. Shooting Final Draft script for the 1978 film. One of "Master of Disaster" Irwin Allen's last disaster films his penultimate film as director following up on his success with "The Poseidon Adventure" 1972 and "The Towering Inferno" 1974 and featuring an enormous star-studded cast which included seven Academy Award winners Michael Caine Olivia de Havilland Ben Johnson Jose Ferrer Patty Duke Lee Grant and Henry Fonda. Based on the 1974 novel by Arthur Herzog III. A team of scientists join forces with the US military to try to stop the massive swarms of killer bees terrorizing the country. Nominated for an Academy Award. Shot on location in California and Texas. Green illustrated custom wrappers noted as SHOOTING FINAL on the front wrapper dated AUGUST 1977 with credits for screenwriter Stirling Silliphant. Title page present dated August 1977 noted as SHOOTING FINAL with credits for screenwriter Stirling Silliphang. 139 leaves with last page of text numbered 138. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Warner Brothers unknown books
1961rif. 151020N.p.: N.p. 1961. Vintage oversize borderless double weight reference photograph of Anouk Aimee from the 1961 film. Provenance stamp of film scholar and author "Jean-Pierre Berthome" and provenance label of "de Selva - Tapabor" on verso. Jacques Demy's tribute to Max Ophuls with title and character inspired by Josef von Sternberg's "Der Blaue Engel" 1930 starring Marlene Dietrich. Roland Cassard is a bored layabout until he has a chance encounter with Lola a girl he dated in his teens before the war. Roland finds a renewed purpose in life realizing he is still in love with Lola now a cabaret dancer and mother who hopes her son's father her true love may still return. Shot on location in Nantes France. 8.75 x 12 inches. Very Good plus with some edge and corner wear. Criterion Collection 714. Rosenbaum 1000. N.p. unknown
1982rif. 151015N.p.: N.p. 1982. Three vintage reference photographs from the set of the 1982 film one of Jacques Demy and Dominique Sanda and two of Demy and crew with camera. One with with provenance stamp of film scholar and author "Jean-Pierre Berthome" on verso. Although similar to Demy's 1964 "The Umbrellas of Cherbourg" in that it is an operettta-musical in which all the dialogue is sung here Demy is much more explicitly political and possibly even more tragic. Set during the Nantes worker's strike in 1955 shipyard worker Francois Guilbaud a strikers falls in love with his upper-class landlady's married daughter Edith. Set in and shot on location in Nantes France. 1 9.5 x 6 inches 2 9.5 x 7 inches. Near Fine. Criterion Collection 719. Rosenbaum 1000. N.p. unknown
1982rif. 151015N.p.: N.p. 1982. Three vintage reference photographs from the set of the 1982 film one of Jacques Demy and Dominique Sanda and two of Demy and crew with camera. One with with provenance stamp of film scholar and author "Jean-Pierre Berthome" on verso. Although similar to Demy's 1964 "The Umbrellas of Cherbourg" in that it is an operettta-musical in which all the dialogue is sung here Demy is much more explicitly political and possibly even more tragic. Set during the Nantes worker's strike in 1955 shipyard worker Francois Guilbaud a strikers falls in love with his upper-class landlady's married daughter Edith. Set in and shot on location in Nantes France. 1 9.5 x 6 inches 2 9.5 x 7 inches. Near Fine. Criterion Collection 719. Rosenbaum 1000. N.p. unknown books
1961rif. 151020N.p.: N.p. 1961. Vintage oversize borderless double weight reference photograph of Anouk Aimee from the 1961 film. Provenance stamp of film scholar and author "Jean-Pierre Berthome" and provenance label of "de Selva - Tapabor" on verso. Jacques Demy's tribute to Max Ophuls with title and character inspired by Josef von Sternberg's "Der Blaue Engel" 1930 starring Marlene Dietrich. Roland Cassard is a bored layabout until he has a chance encounter with Lola a girl he dated in his teens before the war. Roland finds a renewed purpose in life realizing he is still in love with Lola now a cabaret dancer and mother who hopes her son's father her true love may still return. Shot on location in Nantes France. 8.75 x 12 inches. Very Good plus with some edge and corner wear. Criterion Collection 714. Rosenbaum 1000. N.p. unknown books
1954rif. 160512N.p.: N.p. 1954. Vintage borderless reference photograph of Jacques Tati as Monsieur Hulot from the classic 1954 film. Good-natured bumbling Mr. Hulot decides to take a summer trip to the French coast where he wreaks benevolent chaos on the residents of a small seaside resort. The film which introduced Jacques Tati's beloved character to the world followed by "Mon Oncle" 1958 "Play Time" 1967 and "Trafic" 1971. Shot on location on the coast of France. 6.75 x 9 inches. Very Good plus with pinholes at the corners and light creasing on the bottom edge. Criterion Collection 110. Ebert I. Rosenbaum 1000. N.p. unknown
1954rif. 160512N.p.: N.p. 1954. Vintage borderless reference photograph of Jacques Tati as Monsieur Hulot from the classic 1954 film. Good-natured bumbling Mr. Hulot decides to take a summer trip to the French coast where he wreaks benevolent chaos on the residents of a small seaside resort. The film which introduced Jacques Tati's beloved character to the world followed by "Mon Oncle" 1958 "Play Time" 1967 and "Trafic" 1971. Shot on location on the coast of France. 6.75 x 9 inches. Very Good plus with pinholes at the corners and light creasing on the bottom edge. Criterion Collection 110. Ebert I. Rosenbaum 1000. N.p. unknown books
1992rif. 163927N.p.: N.p. 1992. Third Draft script for the 1993 film. From the archive of crew member Chris Scher. Based on the award-winning semi-autobiographical 1988 play by John O'Keefe about two teenage boys who create a shared fantastical world in order to mentally escape from their abusive confinement in a juvenile detention center. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Set in the rural midwest shot on location in Toledo and Waterloo Iowa. Self wrappers. Title page present dated 15 April 1992 noted as Third Draft with credit for O'Keefe. 115 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. N.p. unknown
1992rif. 163927N.p.: N.p. 1992. Third Draft script for the 1993 film. From the archive of crew member Chris Scher. Based on the award-winning semi-autobiographical 1988 play by John O'Keefe about two teenage boys who create a shared fantastical world in order to mentally escape from their abusive confinement in a juvenile detention center. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Set in the rural midwest shot on location in Toledo and Waterloo Iowa. Self wrappers. Title page present dated 15 April 1992 noted as Third Draft with credit for O'Keefe. 115 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. N.p. unknown books
1950rif. 161063Burbank CA: Warner Brothers 1950. Three vintage photographs from the 1950 film including one publicity photograph showing James Cagney with Helena Carter and Barbara Payton and two studio still photographs showing cast members and a camera crew on the set. Publicity photograph with the stamp of Warner Brothers photographer Bert Six on the verso. Based on the 1948 novel by Horace McCoy about a repeat offender's violent escape from a prison work camp. Banned in Ohio for its brutality and extreme depiction of violent crime the film was the first of four movies the Cagney brothers made for Warner Brothers. Shot on location in Chino and Glendale. 8 x 10 inches. Near Fine two with light creases at the corners. Grant US. Selby US Canon. Selby US Masterwork. Spicer US. Warner Brothers unknown
1950rif. 161063Burbank CA: Warner Brothers 1950. Three vintage photographs from the 1950 film including one publicity photograph showing James Cagney with Helena Carter and Barbara Payton and two studio still photographs showing cast members and a camera crew on the set. Publicity photograph with the stamp of Warner Brothers photographer Bert Six on the verso. Based on the 1948 novel by Horace McCoy about a repeat offender's violent escape from a prison work camp. Banned in Ohio for its brutality and extreme depiction of violent crime the film was the first of four movies the Cagney brothers made for Warner Brothers. Shot on location in Chino and Glendale. 8 x 10 inches. Near Fine two with light creases at the corners. Grant US. Selby US Canon. Selby US Masterwork. Spicer US. Warner Brothers unknown books
1972rif. 161813Beverly Hills CA: United Artists 1972. Revised Draft script for the 1972 film. Well-regarded New Hollywood Western about an aging rodeo champion a "honker" whose arrogance hurts everyone around him including his family. Notable for its accurate depiction of rodeo life portrayed in striking detail. Director Steve Inhat's directorial debut. Shot on location in New Mexico. Blue titled wrappers. Title page present dated April 19 1971 noted as Revised with credits for screenwriters Steve Ihnat and Stephen Lodge. 130 leaves with last page of text numbered 129. Mimeograph on blue stock. Pages Fine wrapper Near Fine bound with two gold brads. Hardy p. 332. United Artists unknown
1972rif. 161813Beverly Hills CA: United Artists 1972. Revised Draft script for the 1972 film. Well-regarded New Hollywood Western about an aging rodeo champion a "honker" whose arrogance hurts everyone around him including his family. Notable for its accurate depiction of rodeo life portrayed in striking detail. Director Steve Inhat's directorial debut. Shot on location in New Mexico. Blue titled wrappers. Title page present dated April 19 1971 noted as Revised with credits for screenwriters Steve Ihnat and Stephen Lodge. 130 leaves with last page of text numbered 129. Mimeograph on blue stock. Pages Fine wrapper Near Fine bound with two gold brads. Hardy p. 332. United Artists unknown books
1977rif. 156705Amsterdam: Universal Film Agency 1977. Three vintage reference photographs including two bordered black-and-white and one borderless color photographs and one vintage press photograph from the 1977 film. Printed label of Universal Film Agency in Amsterdam affixed to the versos. A heavily fictionalized autobiography of British adult film actress Fiona Richmond starring Richmond herself. Set in California and Michigan shot on location in both states. Approximately 8 x 10 inches. Very Good plus with pinholes at the corners. Universal Film Agency unknown
1977rif. 156705Amsterdam: Universal Film Agency 1977. Three vintage reference photographs including two bordered black-and-white and one borderless color photographs and one vintage press photograph from the 1977 film. Printed label of Universal Film Agency in Amsterdam affixed to the versos. A heavily fictionalized autobiography of British adult film actress Fiona Richmond starring Richmond herself. Set in California and Michigan shot on location in both states. Approximately 8 x 10 inches. Very Good plus with pinholes at the corners. Universal Film Agency unknown books
1976rif. 166641Paris: Sygma 1976. Vintage oversize matte-finish borderless reference photograph from the 1976 film showing a crying nude Jane Birkin with Joe Dallesandro in the foreground. Mimeo snipe on the verso. A tomboyish waitress at a truck stop develops a crush on a gay garbage truck driver and in spite of all odds they begin a relationship. Serge Gainsbourg's directorial debut. 11.75 x 8 inches. About Fine. Sygma unknown
1976rif. 166641Paris: Sygma 1976. Vintage oversize matte-finish borderless reference photograph from the 1976 film showing a crying nude Jane Birkin with Joe Dallesandro in the foreground. Mimeo snipe on the verso. A tomboyish waitress at a truck stop develops a crush on a gay garbage truck driver and in spite of all odds they begin a relationship. Serge Gainsbourg's directorial debut. 11.75 x 8 inches. About Fine. Sygma unknown books
1969rif. 151305N.p.: N.p. 1969. Eight vintage borderless photographs from the 1969 French film. Based on Rene Barjavel's 1969 novel. A young Parisian man travels to Nepal to find his deadbeat father only to fall in with a group of drug-loving hippies. Set in Paris and Nepal. 7 x 5 inches. Near Fine. N.p. unknown
1969rif. 151305N.p.: N.p. 1969. Eight vintage borderless photographs from the 1969 French film. Based on Rene Barjavel's 1969 novel. A young Parisian man travels to Nepal to find his deadbeat father only to fall in with a group of drug-loving hippies. Set in Paris and Nepal. 7 x 5 inches. Near Fine. N.p. unknown books
1959rif. 144110Paris: Cinedis 1959. Collection of 269 vintage black-and-white photographs for the 1959 French film. The collection consists of two unique and complimentary pieces one being a film still keybook with 68 contact prints of small format negatives most with 12 images per print amounting to over 800 images captured. Nearly all images with series number bordering the image and credits at the top for photo laboratory Tele-Photo film studio Cinedis film title and photographer Rosselle housed in a 2-ring paper binder with original French titles. The other piece is nearly 170 smaller photographs elegantly presented mounted with cello tape on thick stock in a "Lavis aquarelle" brand spiral bound notebook with maroon faux leather front wrapper. Series numbers and small "x" annotations in manuscript ink on the pages several with small white borders and several with series number on the verso in manuscript pencil. Photos without borders also have series number at the edges etched in the original film negative before photo development as on the keybook prints. Nearly all photographs have numerical annotations in manuscript pencil on the versos a few smaller photographs have rubber-stamps on the versos crediting Richard Pierre film titles director Bastia and costars Alfred Adam and Noel Roquevart. Also included are 27 loose photographs a few with rubber-stamps on the verso crediting starring actors and French film titles and a small press packet from Cinedis detailing film credits synopsis and star biographies. Starring actors Richard and Pierre are amply represented in the collection and seen in nearly every image mostly in their official uniforms. Actress Zuber is equally present in striking high-contrast images cuddling bunnies fishing at a river and wielding a rifle. The notebook depicts images seen in the film while the keybook depicts on-the-set sequences test shots candid moments and images of the crew; the loose photos show both candid and action shots. An expansive perspective of a little seen comedy about a gendarme who travels to a small town looking for a disappeared woman a town known for its distrust of police officers. Director Bastia was an assistant director in the 1940s and 1950s when he worked almost exclusively with director Jean Boyer until his debut with "Nous autres à Champignol" 1957 the first in this series involving gendarmes and Champignol followed by this film and finally "The Boss of Champignol" 1966. Photographs in large quarto notebook 3.5 x 4.75 inches keybook contact prints 8.25 x 10.5 inches 2-hole punched several trimmed and loose photos range from 4.75 x 6.75 inches to 7 x 9.25 inches. Photographs about Near Fine with light curling a handful with short creases press packet Near Fine notebook Near Fine and binder Very Good. Cinedis unknown
1959rif. 144110Paris: Cinedis 1959. Collection of 269 vintage black-and-white photographs for the 1959 French film. The collection consists of two unique and complimentary pieces one being a film still keybook with 68 contact prints of small format negatives most with 12 images per print amounting to over 800 images captured. Nearly all images with series number bordering the image and credits at the top for photo laboratory Tele-Photo film studio Cinedis film title and photographer Rosselle housed in a 2-ring paper binder with original French titles. The other piece is nearly 170 smaller photographs elegantly presented mounted with cello tape on thick stock in a "Lavis aquarelle" brand spiral bound notebook with maroon faux leather front wrapper. Series numbers and small "x" annotations in manuscript ink on the pages several with small white borders and several with series number on the verso in manuscript pencil. Photos without borders also have series number at the edges etched in the original film negative before photo development as on the keybook prints. Nearly all photographs have numerical annotations in manuscript pencil on the versos a few smaller photographs have rubber-stamps on the versos crediting Richard Pierre film titles director Bastia and costars Alfred Adam and Noel Roquevart. Also included are 27 loose photographs a few with rubber-stamps on the verso crediting starring actors and French film titles and a small press packet from Cinedis detailing film credits synopsis and star biographies. Starring actors Richard and Pierre are amply represented in the collection and seen in nearly every image mostly in their official uniforms. Actress Zuber is equally present in striking high-contrast images cuddling bunnies fishing at a river and wielding a rifle. The notebook depicts images seen in the film while the keybook depicts on-the-set sequences test shots candid moments and images of the crew; the loose photos show both candid and action shots. An expansive perspective of a little seen comedy about a gendarme who travels to a small town looking for a disappeared woman a town known for its distrust of police officers. Director Bastia was an assistant director in the 1940s and 1950s when he worked almost exclusively with director Jean Boyer until his debut with "Nous autres à Champignol" 1957 the first in this series involving gendarmes and Champignol followed by this film and finally "The Boss of Champignol" 1966. Photographs in large quarto notebook 3.5 x 4.75 inches keybook contact prints 8.25 x 10.5 inches 2-hole punched several trimmed and loose photos range from 4.75 x 6.75 inches to 7 x 9.25 inches. Photographs about Near Fine with light curling a handful with short creases press packet Near Fine notebook Near Fine and binder Very Good. Cinedis unknown books
