11 049 résultats
1979réf. 159618N.p.: N.p. 1979. Seven vintage reference photographs from the 1979 film. Annotations in manuscript ink on the verso noting the film title in French. An anthology film divided into three segments set in three different time periods Rome in 1520 France at the turn of the century and modern Paris and following three women who are driven to commit crimes of passion. Six photographs 9.5 x 7 inches with wide top and bottom margins and one photograph 9.5 x 6 inches trimmed irregularly. About Fine. N.p. unknown books
1979réf. 139657Vienna: Werner Herzog Filmproduktion 1979. Vintage borderless reference still from the 1979 German film showing director Werner Herzog and actor Bruno Ganz along with some extras on the set between takes. Herzog's highly interpretive remake of F.W. Murnau's 1922 silent classic "Nosferatu" and the second of five films Herzog made with actor Klaus Kinski. 9.25 x 7 inches. Fine. Werner Herzog Filmproduktion unknown
1979réf. 139657Vienna: Werner Herzog Filmproduktion 1979. Vintage borderless reference still from the 1979 German film showing director Werner Herzog and actor Bruno Ganz along with some extras on the set between takes. Herzog's highly interpretive remake of F.W. Murnau's 1922 silent classic "Nosferatu" and the second of five films Herzog made with actor Klaus Kinski. 9.25 x 7 inches. Fine. Werner Herzog Filmproduktion unknown books
1996réf. 160285Burbank CA: Buena Vista 1996. Shooting Draft script for the 1996 film with rainbow revisions. Copy belonging to Production Coordinator Shelley Houis with her name in manuscript ink on the title page. Script housed in a blue three-ring binder with approximately 100 pages of production documents including in addition to the script cast and crew contact lists filming permits location lists and shooting schedules. Loosely based on the 1979 French film directed by René Gainville in turn based on Jenaro Prieto's 1928 novel. After years of struggling to succeed as a Black woman on Wall Street an ambitious businesswoman decides to start her own investment firm in the name of a fictitious white man Robert Cutty. The ruse begins to break down however when associates and clients begin to demand to meet with Cutty in person. Set and shot on location in New York. Title page present dated 02/15/96 with credit for screenwriter Nick Thiel. 157 leaves with last page of text numbered 131. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 11/20/95 and 02/15/96. Pages about Fine binder Very Good plus lightly foxed. Buena Vista unknown
1996réf. 160285Burbank CA: Buena Vista 1996. Shooting Draft script for the 1996 film with rainbow revisions. Copy belonging to Production Coordinator Shelley Houis with her name in manuscript ink on the title page. Script housed in a blue three-ring binder with approximately 100 pages of production documents including in addition to the script cast and crew contact lists filming permits location lists and shooting schedules. Loosely based on the 1979 French film directed by René Gainville in turn based on Jenaro Prieto's 1928 novel. After years of struggling to succeed as a Black woman on Wall Street an ambitious businesswoman decides to start her own investment firm in the name of a fictitious white man Robert Cutty. The ruse begins to break down however when associates and clients begin to demand to meet with Cutty in person. Set and shot on location in New York. Title page present dated 02/15/96 with credit for screenwriter Nick Thiel. 157 leaves with last page of text numbered 131. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 11/20/95 and 02/15/96. Pages about Fine binder Very Good plus lightly foxed. Buena Vista unknown books
1986réf. 167403Burbank CA: Warner Brothers Television 1986. Third Draft script for the 1987 television film which aired on ABC on July 31 1987. Bound in following the script is a two page Staff and Crew List dated March 7 1986 a 19 page Shooting Schedule dated 3/7/86 a ten page Revised Shooting Schedule dated 3/9/86 an eight page Revised Shooting Schedule dated 3/21/86 and a second two page Staff and Crew List dated March 26 1986. Laid in is a Call Sheet dated March 11 1986. Not to be confused with the 2008 film directed by Frank Miller starring Gabriel Macht and Eva Mendes. Based on the comic book character created by Will Eisner in 1940. Created as a pilot for ABC's proposed 1986 Fall series the project was shelved after ABC changed ownership with the new management finding the pilot "too offbeat and morbid." ABC shelved the pilot without even arranging for test screenings and eventually released it too late for the possibility of a series pickup and with little to no promotion. Sam J. Jones stars as Denny Colt a Central City Police Department detective who after an assassination attempt in which he is believed to be dead by the general public becomes the Spirit a mysterious masked vigilante in a blue suit and fedora who is not bound by the rules of regular cops. Blue titled wrappers. Title page present dated March 10 1986 noted as THIRD DRAFT with credits for screenwriter Steven E. de Souza. 131 leaves with last page of script numbered 84A. Xerographic duplication on yellow leaves rectos only with salmon and cherry revision pages throughout dated 03/19/86 and 03/24/86. Pages Near Fine wrapper Near Fine bound with two gold brads. Warner Brothers Television unknown
1986réf. 167403Burbank CA: Warner Brothers Television 1986. Third Draft script for the 1987 television film which aired on ABC on July 31 1987. Bound in following the script is a two page Staff and Crew List dated March 7 1986 a 19 page Shooting Schedule dated 3/7/86 a ten page Revised Shooting Schedule dated 3/9/86 an eight page Revised Shooting Schedule dated 3/21/86 and a second two page Staff and Crew List dated March 26 1986. Laid in is a Call Sheet dated March 11 1986. Not to be confused with the 2008 film directed by Frank Miller starring Gabriel Macht and Eva Mendes. Based on the comic book character created by Will Eisner in 1940. Created as a pilot for ABC's proposed 1986 Fall series the project was shelved after ABC changed ownership with the new management finding the pilot "too offbeat and morbid." ABC shelved the pilot without even arranging for test screenings and eventually released it too late for the possibility of a series pickup and with little to no promotion. Sam J. Jones stars as Denny Colt a Central City Police Department detective who after an assassination attempt in which he is believed to be dead by the general public becomes the Spirit a mysterious masked vigilante in a blue suit and fedora who is not bound by the rules of regular cops. Blue titled wrappers. Title page present dated March 10 1986 noted as THIRD DRAFT with credits for screenwriter Steven E. de Souza. 131 leaves with last page of script numbered 84A. Xerographic duplication on yellow leaves rectos only with salmon and cherry revision pages throughout dated 03/19/86 and 03/24/86. Pages Near Fine wrapper Near Fine bound with two gold brads. Warner Brothers Television unknown books
1964réf. 152455Los Angeles: Twentieth Century-Fox Television 1964. First Draft script for the pilot episode of the 1965-1966 television series originally aired on September 16 1965 on ABC. Based on the 1958 film directed by Martin Ritt which was in turn based on the 1931 novella "Spotted Horses" the 1939 short story "Barn Burning" and the 1940 novel "The Hamlet" by William Faulkner. The series followed the Varners a wealthy Mississippi family whose patriarch is forced to confront the newly arrived young son of his former rival who challenges the Varners' control over the town. Set in the fictitious town of Frenchman's Bend Mississippi. Red titled wrappers noted as FIRST DRAFT on the front wrapper dated October 7 1964. Title page present dated October 7 1964 noted as FIRST DRAFT with credits for screenwriter Earl Hamner film screenwriters Irving Ravetch and Harriet Frank Jr. and story and novel credits to William Faulkner. 63 leaves with last page of text numbered 58. Multilith duplication on eye-rest green stock rectos only with blue pink green and yellow revision pages throughout dated variously between 12/3/64 and 12/21/64. Pages Near Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox Television unknown
1964réf. 152455Los Angeles: Twentieth Century-Fox Television 1964. First Draft script for the pilot episode of the 1965-1966 television series originally aired on September 16 1965 on ABC. Based on the 1958 film directed by Martin Ritt which was in turn based on the 1931 novella "Spotted Horses" the 1939 short story "Barn Burning" and the 1940 novel "The Hamlet" by William Faulkner. The series followed the Varners a wealthy Mississippi family whose patriarch is forced to confront the newly arrived young son of his former rival who challenges the Varners' control over the town. Set in the fictitious town of Frenchman's Bend Mississippi. Red titled wrappers noted as FIRST DRAFT on the front wrapper dated October 7 1964. Title page present dated October 7 1964 noted as FIRST DRAFT with credits for screenwriter Earl Hamner film screenwriters Irving Ravetch and Harriet Frank Jr. and story and novel credits to William Faulkner. 63 leaves with last page of text numbered 58. Multilith duplication on eye-rest green stock rectos only with blue pink green and yellow revision pages throughout dated variously between 12/3/64 and 12/21/64. Pages Near Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox Television unknown books
1968réf. 156346N.p.: N.p. 1968. Four vintage studio still photographs from the 1968 French film showing director William Klein with actors Delphine Seyrig Philippe Noiret and other cast members between takes. Provenance stamps on the versos. A satire of superhero films and American imperialism following the adventures of the eponymous Mr. Freedom a beer-swilling white nationalist cop who moonlights as an anticommunist vigilante superhero. William Klein's second film following "Who Are You Polly Maggoo" 1966. 10 x 8 inches. Near Fine. Criterion Collection. Rosenbaum 1000. N.p. unknown
1968réf. 156346N.p.: N.p. 1968. Four vintage studio still photographs from the 1968 French film showing director William Klein with actors Delphine Seyrig Philippe Noiret and other cast members between takes. Provenance stamps on the versos. A satire of superhero films and American imperialism following the adventures of the eponymous Mr. Freedom a beer-swilling white nationalist cop who moonlights as an anticommunist vigilante superhero. William Klein's second film following "Who Are You Polly Maggoo" 1966. 10 x 8 inches. Near Fine. Criterion Collection. Rosenbaum 1000. N.p. unknown books
1967réf. 150122Culver City CA: Columbia Pictures 1967. Vintage reference photograph of choreographer and director of musical numbers Herbert Ross with a line of 15 girls in bikinis from the casting of the 1968 film. Ross had previously worked with Streisand in her Broadway debut in "I Can Get It for You Wholesale" 1962. 1967 "Columbia Pictures Corp." stamp on verso. Based on the 1964 musical with music by Julie Stein lyrics by Bob Merrill and book by Isobel Lennart which was based on Lennart's 1964 biography detailing the life of Broadway star Fanny Brice and her tumultuous relationship with playboy Nick Arnstein. Lennart also adapted the work for the screen. The film debut of Barbra Streisand reprising her Tony nominated Broadway role. Streisand would go on to win an Academy Award for Best Actress and the film would be nominated for seven others including Best Supporting Actress for Kay Medford and Best Picture. Set in New York shot on location in California New York and New Jersey. 8 x 10 inches. Near Fine. Columbia Pictures unknown
1967réf. 150122Culver City CA: Columbia Pictures 1967. Vintage reference photograph of choreographer and director of musical numbers Herbert Ross with a line of 15 girls in bikinis from the casting of the 1968 film. Ross had previously worked with Streisand in her Broadway debut in "I Can Get It for You Wholesale" 1962. 1967 "Columbia Pictures Corp." stamp on verso. Based on the 1964 musical with music by Julie Stein lyrics by Bob Merrill and book by Isobel Lennart which was based on Lennart's 1964 biography detailing the life of Broadway star Fanny Brice and her tumultuous relationship with playboy Nick Arnstein. Lennart also adapted the work for the screen. The film debut of Barbra Streisand reprising her Tony nominated Broadway role. Streisand would go on to win an Academy Award for Best Actress and the film would be nominated for seven others including Best Supporting Actress for Kay Medford and Best Picture. Set in New York shot on location in California New York and New Jersey. 8 x 10 inches. Near Fine. Columbia Pictures unknown books
1966réf. 152355Amsterdam: Scorpio Films 1966. Four vintage borderless reference photographs from the 1966 Dutch film. With the stamps of Scorpio Films and still photographer Frans Bromet on the verso along with manuscript ink and pencil annotations. From the archive of film historian and author Joel Finler. A man returns to Amsterdam after a long absence and finds himself lost among the countercultural changes made after the arrival of the Provos movement. The second film by key "Dutch Wave" director Wim Verstappen who was best known for founding Scorpio Films with screenwriter Pim de la Parra a collaboration which most notably produced the groundbreaking 1971 Dutch film "Blue Movie." Set and shot on location in Amsterdam. 7 x 5 inches. Near Fine. Scorpio Films unknown
1966réf. 152355Amsterdam: Scorpio Films 1966. Four vintage borderless reference photographs from the 1966 Dutch film. With the stamps of Scorpio Films and still photographer Frans Bromet on the verso along with manuscript ink and pencil annotations. From the archive of film historian and author Joel Finler. A man returns to Amsterdam after a long absence and finds himself lost among the countercultural changes made after the arrival of the Provos movement. The second film by key "Dutch Wave" director Wim Verstappen who was best known for founding Scorpio Films with screenwriter Pim de la Parra a collaboration which most notably produced the groundbreaking 1971 Dutch film "Blue Movie." Set and shot on location in Amsterdam. 7 x 5 inches. Near Fine. Scorpio Films unknown books
1987réf. 162362N.p.: N.p. 1987. Two vintage borderless oversize color reference photographs from the 1987 film both showing director Wim Wenders on the set. Wenders' masterpiece a love letter to West Berlin told through the experiences of an angel who yearns to be human. The director dedicated the film to his cinematic predecessors Yasujiro Ozu François Truffaut and Andrei Tarkovsky whose influences shine throughout his oeuvre. Set and shot on location in West Berlin. 11.75 x 8.25 inches. About Fine. Criterion Collection 490. Ebert I. N.p. unknown
1987réf. 162362N.p.: N.p. 1987. Two vintage borderless oversize color reference photographs from the 1987 film both showing director Wim Wenders on the set. Wenders' masterpiece a love letter to West Berlin told through the experiences of an angel who yearns to be human. The director dedicated the film to his cinematic predecessors Yasujiro Ozu François Truffaut and Andrei Tarkovsky whose influences shine throughout his oeuvre. Set and shot on location in West Berlin. 11.75 x 8.25 inches. About Fine. Criterion Collection 490. Ebert I. N.p. unknown books
1972réf. 151309Los Angeles: Paramount Pictures 1972. Vintage borderless photograph of actor Woody Allen from the 1972 film. With a printed mimeo snipe affixed to the verso. Based on Allen's 1969 play. The predecessor of many great films Allen would write and direct throughout the 1970s in terms of shooting style timing romantic themes and the actors involved. Allen had already directed two films at this point "Take the Money and Run" in 1969 and "Bananas" in 1971 but this film is significant in that it predicted the more substantive romantic comedies that would later place him among the most important filmmakers of his era. 10 x 7.5 inches. Very Good plus overall. Grant US. Paramount Pictures unknown
1969réf. 164241N.p.: N.p. 1969. Collection of eleven vintage borderless reference photographs from the 1969 film. Woody Allen's directorial debut the film that set the template for Allen's 1970s work. Allen stars as Virgil Starkwell a terribly inept bank robber whose life is told documentary-style with an FBI voiceover as well as interviews with his family and friends. Set and shot on location in San Francisco and inside the walls of San Quentin State Prison. 7 x 9.5 inches. Very Good plus to Very Good. N.p. unknown
1965réf. 160517Beverly Hills CA: United Artists 1965. Four vintage borderless reference photographs from the 1965 film. One with a provenance stamp on the verso. Woody Allen's film debut as both actor and screenwriter about a soon-to-be-married womanizer as he attempts to adjust to a monogamous life with help from his neurotic psychoanalyst. Set and shot on location in Paris Sevres and Chaumontel France. 9.5 x 7.5 inches. About Near Fine. United Artists unknown
1969réf. 164241N.p.: N.p. 1969. Collection of eleven vintage borderless reference photographs from the 1969 film. Woody Allen's directorial debut the film that set the template for Allen's 1970s work. Allen stars as Virgil Starkwell a terribly inept bank robber whose life is told documentary-style with an FBI voiceover as well as interviews with his family and friends. Set and shot on location in San Francisco and inside the walls of San Quentin State Prison. 7 x 9.5 inches. Very Good plus to Very Good. N.p. unknown books
1965réf. 160517Beverly Hills CA: United Artists 1965. Four vintage borderless reference photographs from the 1965 film. One with a provenance stamp on the verso. Woody Allen's film debut as both actor and screenwriter about a soon-to-be-married womanizer as he attempts to adjust to a monogamous life with help from his neurotic psychoanalyst. Set and shot on location in Paris Sevres and Chaumontel France. 9.5 x 7.5 inches. About Near Fine. United Artists unknown books
1972réf. 151309Los Angeles: Paramount Pictures 1972. Vintage borderless photograph of actor Woody Allen from the 1972 film. With a printed mimeo snipe affixed to the verso. Based on Allen's 1969 play. The predecessor of many great films Allen would write and direct throughout the 1970s in terms of shooting style timing romantic themes and the actors involved. Allen had already directed two films at this point "Take the Money and Run" in 1969 and "Bananas" in 1971 but this film is significant in that it predicted the more substantive romantic comedies that would later place him among the most important filmmakers of his era. 10 x 7.5 inches. Very Good plus overall. Grant US. Paramount Pictures unknown books
1983réf. 150126Tokyo: Nikkatsu 1983. Three vintage borderless reference photographs and a triple parallel fold color brochure in Japanese from the 1983 pinku film. Directed by Yoshimitsu Morita director of the acclaimed film "Kazoku Gemu" "The Family Game" 1983 and winner of the Japanese Academy Award for Best Director for "Ashura no Gotoku" "Like Asura" 2003 and nominated for eight others. Mayumi and her friend Mai make a killing when they open a barber and beauty shop which serves customers in the nude. A Japanese "pink" film for Nikkatsu Studio's "Roman Porno" series. Pink film is a broad genre of low budget Japanese softcore films though often with artistic and visual inventiveness and narrative drive far beyond their American counterparts. Nikkatsu was particularly well known for allowing almost unlimited artistic freedom to filmmakers as long as they met the studio mandated requirement of four nude or sex scenes per hour of running time. Photographs: 6 x 4.25 inches Brochure: Folded 4.75 x 6.75 inches. Open 28.75 x 6.75 inches. Near Fine. Nikkatsu unknown
1983réf. 150126Tokyo: Nikkatsu 1983. Three vintage borderless reference photographs and a triple parallel fold color brochure in Japanese from the 1983 pinku film. Directed by Yoshimitsu Morita director of the acclaimed film "Kazoku Gemu" "The Family Game" 1983 and winner of the Japanese Academy Award for Best Director for "Ashura no Gotoku" "Like Asura" 2003 and nominated for eight others. Mayumi and her friend Mai make a killing when they open a barber and beauty shop which serves customers in the nude. A Japanese "pink" film for Nikkatsu Studio's "Roman Porno" series. Pink film is a broad genre of low budget Japanese softcore films though often with artistic and visual inventiveness and narrative drive far beyond their American counterparts. Nikkatsu was particularly well known for allowing almost unlimited artistic freedom to filmmakers as long as they met the studio mandated requirement of four nude or sex scenes per hour of running time. Photographs: 6 x 4.25 inches Brochure: Folded 4.75 x 6.75 inches. Open 28.75 x 6.75 inches. Near Fine. Nikkatsu unknown books
