GIRAUD J. CHARLIERJ.M.Livre Rare Book
11 049 résultats
réf. 12215La collection Pilote présente une aventure du Lieutenant BLUEBERRY. In 4 cartonné couverture illustrée en couleurs, gardes illustrées, titre illustré en couleurs, 48 pages de dessins en couleurs de J. GIRAUD. Titre en long, en noir au dos. DARGAUD S.A éditeur troisième trimestre 1963. N°553. Editeur n°158, 16 titres au dernier plat. Très bon état. Edition originale.
1985réf. 146211Berkshire England: Anderson Burr Pictures 1985. Second Draft script for "Star Laws" a never-aired 55-minute pilot episode for a proposed series called "Space Police" brainchild of "supermarionation" creator Gerry Anderson. Copy belonging to unknown crew member with a few manuscript ink annotations on the front wrapper and leaves. Screenwriter Anderson's early attempt at an intergalactic police procedural one that would would eventually become the British sci-fi series "Space Precinct" which was broadcast on October 3 1994 on Sky One. The pilot carries many similarities to the show that would eventually air-a hardboiled New York cop is transferred to the eponymous "space precinct" in Demeter City on the planet Altor in 2040-although the pilot features far fewer human characters with a greater reliance on Anderson's trademark blend of live action prosthetics puppetry a process he called "Supermarionation." Tan titled wrappers. Title page present dated November 1985 noted as SECOND DRAFT with credits for screenwriters Gerry Anderson and Tony Barwick. 86 leaves with last page of text numbered 83. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with some rust to the wrapper versos near the binding with silver prong binding. Anderson Burr Pictures unknown
1985réf. 146211Berkshire England: Anderson Burr Pictures 1985. Second Draft script for "Star Laws" a never-aired 55-minute pilot episode for a proposed series called "Space Police" brainchild of "supermarionation" creator Gerry Anderson. Copy belonging to unknown crew member with a few manuscript ink annotations on the front wrapper and leaves. Screenwriter Anderson's early attempt at an intergalactic police procedural one that would would eventually become the British sci-fi series "Space Precinct" which was broadcast on October 3 1994 on Sky One. The pilot carries many similarities to the show that would eventually air-a hardboiled New York cop is transferred to the eponymous "space precinct" in Demeter City on the planet Altor in 2040-although the pilot features far fewer human characters with a greater reliance on Anderson's trademark blend of live action prosthetics puppetry a process he called "Supermarionation." Tan titled wrappers. Title page present dated November 1985 noted as SECOND DRAFT with credits for screenwriters Gerry Anderson and Tony Barwick. 86 leaves with last page of text numbered 83. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with some rust to the wrapper versos near the binding with silver prong binding. Anderson Burr Pictures unknown books
1977réf. 168492N.p.: N.p. 1977. Five vintage borderless reference photographs for the 1977 film including two showing director Agnes Varda on the set. All five with French press stamps and layout annotations on the verso. A remarkable film depicting the lifelong friendship of two dissimilar but close-knit French women beginning when one helps the other raise money for an abortion. Agnes Varda an important and influential French director writer and artist garnered praise as a filmmaker for her uncompromising documentary-style realism focusing on women and marginalized members of society as well as her experimental style. A colleague of Alain Resnais and other Rive Gauche filmmakers her early work stylistically prefigures the French New Wave and is today considered very much a part of it. Set and shot on location in France. 9.5 x 7 inches. Near Fine. N.p. unknown
1977réf. 168492N.p.: N.p. 1977. Five vintage borderless reference photographs for the 1977 film including two showing director Agnes Varda on the set. All five with French press stamps and layout annotations on the verso. A remarkable film depicting the lifelong friendship of two dissimilar but close-knit French women beginning when one helps the other raise money for an abortion. Agnes Varda an important and influential French director writer and artist garnered praise as a filmmaker for her uncompromising documentary-style realism focusing on women and marginalized members of society as well as her experimental style. A colleague of Alain Resnais and other Rive Gauche filmmakers her early work stylistically prefigures the French New Wave and is today considered very much a part of it. Set and shot on location in France. 9.5 x 7 inches. Near Fine. N.p. unknown books
1963réf. 160535Universal City: Universal Pictures 1963. Vintage borderless reference photograph from the 1963 film showing director Alfred Hitchcock talking with electronic musician Oskar Sala who composed the film's iconic soundtrack. Printed mimeo snipe in French affixed to the verso. Hitchcock's last great film a grim psychological study made all the more terrifying by the lack of motivation assigned to its violence. Shot in various locations throughout California including Bodega Bay Bloomfield Valley Ford the Venice Canals and Union Square in San Francisco. 7.5 x 9.5 inches. Very Good plus. National Film Registry. Clover Men Women and Chainsaws. Godard Histoires du cinema. Universal Pictures unknown
1963réf. 160535Universal City: Universal Pictures 1963. Vintage borderless reference photograph from the 1963 film showing director Alfred Hitchcock talking with electronic musician Oskar Sala who composed the film's iconic soundtrack. Printed mimeo snipe in French affixed to the verso. Hitchcock's last great film a grim psychological study made all the more terrifying by the lack of motivation assigned to its violence. Shot in various locations throughout California including Bodega Bay Bloomfield Valley Ford the Venice Canals and Union Square in San Francisco. 7.5 x 9.5 inches. Very Good plus. National Film Registry. Clover Men Women and Chainsaws. Godard Histoires du cinema. Universal Pictures unknown books
1972réf. 155215N.p.: N.p. 1972. Treatment script for the 1973 3-D sexploitation film seen here under the working title "International Stewardesses." Copy belonging to uncredited crew member Alan Colberg with "Property of Alan Colberg c/o Stereo Vision" in manuscript pencil annotation on the title page and his additional annotations throughout. Laid in with the script are an original photograph and large format negative of the illustration of the five lead stewardesses used in the film's marketing campaign. Sequel to the successful 1969 3-D softcore comedy film "The Stewardesses" about twelve beautiful stewardesses who are chosen for a three week trip around the world aboard a supersonic airplane. A largely forgotten sequel purportedly attributable to the cost-cutting measures of distributor company Sherpix in post-production. Set in and shot on location in Hong Kong Lisbon Athens and Rome. Green untitled wrappers with a titled label. Title page present with screenplay preparation date of March 1972 noted as a narrative outline with credits for screenwriter Allan Silliphant. 32 leaves with last page of text unnumbered. Xerographic duplication rectos only. Pages Very Good plus with first three pages with a 2 to 3 inch slice to the top center wrapper Very Good plus with a three inch slice to the top center bound internally with three metal brads. Photograph and Negative 10 x 8 inches. Near Fine. Nilsen Warped and Faded. N.p. unknown
1972réf. 155215N.p.: N.p. 1972. Treatment script for the 1973 3-D sexploitation film seen here under the working title "International Stewardesses." Copy belonging to uncredited crew member Alan Colberg with "Property of Alan Colberg c/o Stereo Vision" in manuscript pencil annotation on the title page and his additional annotations throughout. Laid in with the script are an original photograph and large format negative of the illustration of the five lead stewardesses used in the film's marketing campaign. Sequel to the successful 1969 3-D softcore comedy film "The Stewardesses" about twelve beautiful stewardesses who are chosen for a three week trip around the world aboard a supersonic airplane. A largely forgotten sequel purportedly attributable to the cost-cutting measures of distributor company Sherpix in post-production. Set in and shot on location in Hong Kong Lisbon Athens and Rome. Green untitled wrappers with a titled label. Title page present with screenplay preparation date of March 1972 noted as a narrative outline with credits for screenwriter Allan Silliphant. 32 leaves with last page of text unnumbered. Xerographic duplication rectos only. Pages Very Good plus with first three pages with a 2 to 3 inch slice to the top center wrapper Very Good plus with a three inch slice to the top center bound internally with three metal brads. Photograph and Negative 10 x 8 inches. Near Fine. Nilsen Warped and Faded. N.p. unknown books
1970réf. 158489N.p.: N.p. 1970. Vintage reference photograph of actors Jane Forth Joe Dallesandro and Holly Woodlawn with director Paul Morrissey on the set of the 1970 film. Mimeo snipe and "Auditing Dept." stamp on the verso dated August 1 1970. Actor Joe Dallesandro's fifth film with Morrissey and the film debuts of Factory regulars Holly Woodlawn in a role that George Cukor unsuccessfully put forth as a write-in candidate for an Academy Award and 17-year-old model Jane Forth. 8 x 10 inches. About Fine with a hint of wear at the corners. N.p. unknown
1970réf. 158489N.p.: N.p. 1970. Vintage reference photograph of actors Jane Forth Joe Dallesandro and Holly Woodlawn with director Paul Morrissey on the set of the 1970 film. Mimeo snipe and "Auditing Dept." stamp on the verso dated August 1 1970. Actor Joe Dallesandro's fifth film with Morrissey and the film debuts of Factory regulars Holly Woodlawn in a role that George Cukor unsuccessfully put forth as a write-in candidate for an Academy Award and 17-year-old model Jane Forth. 8 x 10 inches. About Fine with a hint of wear at the corners. N.p. unknown books
1993réf. 158525Burbank CA: Warner Brothers 1993. First Draft script and Revised First Draft script for the 1994 film. First Draft script dated April 12 1993 and Revised First Draft script dated July 30 1993. Based on Anna Sewell's classic 1877 novel about the eponymous black horse and his varied experiences in England in the 1800s. The fifth film adaptation of Sewell's novel. Shot on location in London Oxfordshire Buckinghamshire and Hampshire England. First Draft: White untitled wrappers with a die-cut title window in the British style. Title page present dated April 12 1993 noted as FIRST DRAFT with credit for director-screenwriter Caroline Thompson. 113 leaves with last page of text numbered 111. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two silver brads. Revised First Draft: White untitled wrappers with a die-cut title window in the British style. Title page present dated July 30 1993 noted as REVISED / FIRST DRAFT with credit for director-screenwriter Caroline Thompson. 116 leaves with last page of text numbered 113. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between July 16 and September 13 1993. Pages Near Fine wrapper Near Fine bound with a silver prong. Warner Brothers unknown
1993réf. 158525Burbank CA: Warner Brothers 1993. First Draft script and Revised First Draft script for the 1994 film. First Draft script dated April 12 1993 and Revised First Draft script dated July 30 1993. Based on Anna Sewell's classic 1877 novel about the eponymous black horse and his varied experiences in England in the 1800s. The fifth film adaptation of Sewell's novel. Shot on location in London Oxfordshire Buckinghamshire and Hampshire England. First Draft: White untitled wrappers with a die-cut title window in the British style. Title page present dated April 12 1993 noted as FIRST DRAFT with credit for director-screenwriter Caroline Thompson. 113 leaves with last page of text numbered 111. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two silver brads. Revised First Draft: White untitled wrappers with a die-cut title window in the British style. Title page present dated July 30 1993 noted as REVISED / FIRST DRAFT with credit for director-screenwriter Caroline Thompson. 116 leaves with last page of text numbered 113. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between July 16 and September 13 1993. Pages Near Fine wrapper Near Fine bound with a silver prong. Warner Brothers unknown books
1976réf. 148808N.p.: N.p. 1976. Revised Draft script for the 1977 film here with the slightly different working title "Empire of Ants." Loosely based on the 1905 short story by H.G. Wells. American International Pictures AIP third and final film in their H.G. Wells trilogy beginning with "The Food of the Gods" 1976 directed and written by Bert I. Gordon and starring Marjoe Gortner and Pamela Franklin and followed by "The Island of Dr. Moreau" 1977 directed by Don Taylor and starring Burt Lancaster and Michael York. Another classic "giant" movie from Bert I. Gordon following "King Dinosaur" 1955 "The Amazing Colossal Man" 1957 "Earth vs. the Spider" 1958 "Village of the Giants" 1956 and "Food of the Gods" 1976 this time featuring giant ants mutated by radioactive waste which attack a shady land developer and her prospective clients and threaten to take over a whole island town. Set in the Florida everglades and shot on location in Fort Pierce Belle Glade and Jensen Beach Florida. Brown titled wrappers. Title page present dated October 8 1976 noted as REVISED DRAFT with credits for screenwriter Jack Turley and story by Bert I. Gordon. 105 leaves with last page of text numbered 104. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1976réf. 148808N.p.: N.p. 1976. Revised Draft script for the 1977 film here with the slightly different working title "Empire of Ants." Loosely based on the 1905 short story by H.G. Wells. American International Pictures AIP third and final film in their H.G. Wells trilogy beginning with "The Food of the Gods" 1976 directed and written by Bert I. Gordon and starring Marjoe Gortner and Pamela Franklin and followed by "The Island of Dr. Moreau" 1977 directed by Don Taylor and starring Burt Lancaster and Michael York. Another classic "giant" movie from Bert I. Gordon following "King Dinosaur" 1955 "The Amazing Colossal Man" 1957 "Earth vs. the Spider" 1958 "Village of the Giants" 1956 and "Food of the Gods" 1976 this time featuring giant ants mutated by radioactive waste which attack a shady land developer and her prospective clients and threaten to take over a whole island town. Set in the Florida everglades and shot on location in Fort Pierce Belle Glade and Jensen Beach Florida. Brown titled wrappers. Title page present dated October 8 1976 noted as REVISED DRAFT with credits for screenwriter Jack Turley and story by Bert I. Gordon. 105 leaves with last page of text numbered 104. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
1986réf. 152504Culver City CA: Columbia Pictures 1986. Archive of five original architectural blueprints for location shooting purposes relating to the 1986 comedy film. Each blueprint numbered one through five out of five labeled "Ext. Pazzo Mansion" with the Beverly Hills address of the house and credits for director Blake Edwards production designer Roger Maus and others. The blueprints detail both interiors and exteriors for sections of the house as well as indicated places where the existing house would be augmented by new set construction. The location was used as the home of Paul Servino's mob boss character Tony Pazzo and his wife Claudia Pazzo played by Maria Conchita Alonso. A remake of Laurel and Hardy's classic 1932 short "The Music Box" about two friends who overhear a plot to fix a horse race and try to capitalize on it while being pursued by both the mob fixers and the police. 36 x 24 inches. Stapled on the left edge and rolled. Very Good plus. Columbia Pictures unknown
1986réf. 152504Culver City CA: Columbia Pictures 1986. Archive of five original architectural blueprints for location shooting purposes relating to the 1986 comedy film. Each blueprint numbered one through five out of five labeled "Ext. Pazzo Mansion" with the Beverly Hills address of the house and credits for director Blake Edwards production designer Roger Maus and others. The blueprints detail both interiors and exteriors for sections of the house as well as indicated places where the existing house would be augmented by new set construction. The location was used as the home of Paul Servino's mob boss character Tony Pazzo and his wife Claudia Pazzo played by Maria Conchita Alonso. A remake of Laurel and Hardy's classic 1932 short "The Music Box" about two friends who overhear a plot to fix a horse race and try to capitalize on it while being pursued by both the mob fixers and the police. 36 x 24 inches. Stapled on the left edge and rolled. Very Good plus. Columbia Pictures unknown books
1967réf. 152312N.p.: N.p. 1967. Vintage black and white reference photograph from the set of the 1967 film showing actress Brigitte Bardot in the bath between takes with director Serge Bourguignon to her right. With layout annotations in pencil on the verso along with a provenance stamp. A French woman is tempted to stray from her older English husband when she meets a vibrant younger man. Shot on location in London and Paris. 8 x 10 with wide side margins. Near Fine. N.p. unknown
1967réf. 152312N.p.: N.p. 1967. Vintage black and white reference photograph from the set of the 1967 film showing actress Brigitte Bardot in the bath between takes with director Serge Bourguignon to her right. With layout annotations in pencil on the verso along with a provenance stamp. A French woman is tempted to stray from her older English husband when she meets a vibrant younger man. Shot on location in London and Paris. 8 x 10 with wide side margins. Near Fine. N.p. unknown books
1996réf. 163604Los Angeles: Neo Motion Pictures 1996. Draft script for the 1997 film seen here under the working titles "Road to Ruin" and "Driven." Working copy belonging to actor Sean Moran with his annotations in manuscript pencil on the title page front wrapper and nine pages of the script and two call sheets laid in. A then-new blend of martial arts and traditional fist-and-guns action that has become a cult classic. A Hong Kong man with an experimental implant which gives him super-strength and speed must flee from Chinese mercenaries who have been employed to steal the device. Shot on location in Santa Clarita Los Angeles and Lancaster California. Gray generic Neo Motion Pictures wrappers. Title page present dated 1.2.96 noted as Draft with credits for screenwriter Scott Phillips and storywriter Anthony Trifiletti. 104 leaves with last page of text numbered 101. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good bound with two gold brads. Neo Motion Pictures unknown
1996réf. 163604Los Angeles: Neo Motion Pictures 1996. Draft script for the 1997 film seen here under the working titles "Road to Ruin" and "Driven." Working copy belonging to actor Sean Moran with his annotations in manuscript pencil on the title page front wrapper and nine pages of the script and two call sheets laid in. A then-new blend of martial arts and traditional fist-and-guns action that has become a cult classic. A Hong Kong man with an experimental implant which gives him super-strength and speed must flee from Chinese mercenaries who have been employed to steal the device. Shot on location in Santa Clarita Los Angeles and Lancaster California. Gray generic Neo Motion Pictures wrappers. Title page present dated 1.2.96 noted as Draft with credits for screenwriter Scott Phillips and storywriter Anthony Trifiletti. 104 leaves with last page of text numbered 101. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good bound with two gold brads. Neo Motion Pictures unknown books
1939réf. 162797New York: N.p. 1939. Vintage borderless reference photograph from the set of the 1939 film showing actors Carole Lombard and James Stewart. PIX agency stamp on the verso crediting noted photographer Alfred Eisenstaedt as well as a Westport Public Library stamp. During the Depression an ambitious lawyer finds himself torn between his high-powered career the demands of his difficult mother and his life with his young wife and child. German-born photographer Alfred Eisenstaedt was one of the original staff photographers of "Life" magazine after it was purchased by "Time" founder Henry Luce in 1936. He published nearly 2500 photo stories for the magazine with 90 of his images used for the magazine's covers but is perhaps best remembered today for the iconic "V-J Day in Times Square" photograph. From the archive of the PIX Agency an American photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. 10 x 8 inches archivally mounted in a white mat measuring 17 x 14 inches. Near Fine. N.p. unknown
1939réf. 162797New York: N.p. 1939. Vintage borderless reference photograph from the set of the 1939 film showing actors Carole Lombard and James Stewart. PIX agency stamp on the verso crediting noted photographer Alfred Eisenstaedt as well as a Westport Public Library stamp. During the Depression an ambitious lawyer finds himself torn between his high-powered career the demands of his difficult mother and his life with his young wife and child. German-born photographer Alfred Eisenstaedt was one of the original staff photographers of "Life" magazine after it was purchased by "Time" founder Henry Luce in 1936. He published nearly 2500 photo stories for the magazine with 90 of his images used for the magazine's covers but is perhaps best remembered today for the iconic "V-J Day in Times Square" photograph. From the archive of the PIX Agency an American photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. 10 x 8 inches archivally mounted in a white mat measuring 17 x 14 inches. Near Fine. N.p. unknown books
1977réf. 162196Culver City CA: Columbia Pictures Television 1977. Final Draft script for the 1977 television movie originally aired on November 16 1977 on NBC. Copy belonging to script supervisor Meta Wilde with her annotations in manuscript ink and pencil throughout. Based on the 1956 novel by Edwin O'Connor about an aging veteran politician who grows increasingly determined to win a fourth mayoral election and stay in power despite the reservations of his supporters. White titled Columbia Pictures Television wrappers dated May 10 1977 noted as FINAL DRAFT and production No. 162131 on the front wrapper. Title page present dated May 10 1977 noted as FINAL DRAFT with credits for novelist Edwin O'Connor and screenwriter Carroll O'Connor. 130 leaves with last page of text numbered 128. Xerographic duplication on blue stock rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Columbia Pictures Television unknown
1977réf. 162196Culver City CA: Columbia Pictures Television 1977. Final Draft script for the 1977 television movie originally aired on November 16 1977 on NBC. Copy belonging to script supervisor Meta Wilde with her annotations in manuscript ink and pencil throughout. Based on the 1956 novel by Edwin O'Connor about an aging veteran politician who grows increasingly determined to win a fourth mayoral election and stay in power despite the reservations of his supporters. White titled Columbia Pictures Television wrappers dated May 10 1977 noted as FINAL DRAFT and production No. 162131 on the front wrapper. Title page present dated May 10 1977 noted as FINAL DRAFT with credits for novelist Edwin O'Connor and screenwriter Carroll O'Connor. 130 leaves with last page of text numbered 128. Xerographic duplication on blue stock rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Columbia Pictures Television unknown books
