11 064 résultats
1984réf. 166548N.p.: N.p. 1984. Revised Draft script for the 1984 film with rainbow revision pages. Copy belonging to first assistant director Ron Bozman with his name on a revision page in manuscript ink and his annotations in manuscript pencil on several pages. Based on the true story of brothers Jack and Ed Biddle who broke out of Allegheny County jail in 1901 with the help of the warden's wife who fell in love with Ed. Set in Pittsburgh shot on location in Mulmur Ontario in Wisconsin and in Pittsburgh. Lacking wrappers and title page. 136 leaves with last page of text numbered 114. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between January 7 and February 22 1984. Pages Very Good plus bound with two gold brads. N.p. unknown books
1987réf. 163925Los Angeles: New World Pictures 1987. Revised First Draft script for the 1991 film. From the archive of crew member Chris Scher with her annotations throughout the script highlighting locations and a post-it note in her hand affixed to the front wrapper verso noting sets to build. A black comedy about a group of mutant shapeshifting bugs who travel from Brazil to suburban Ohio where they disguise themselves as a human family in order to wreak nuclear destruction on the town's unsuspecting inhabitants. Shot in 1988 and 1989 the film's release was delayed until 1991 due to financial problems with New World Pictures. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Shot on location in Oshkosh Appleton and Neenah Wisconsin. Generic white New World Pictures wrappers. Title page present dated 11/12/87 noted as Revised First Draft with an annotation noting copy No. 11 in manuscript ink and credits for screenwriters Michael Lehmann and Redbeard Simmons. 112 leaves with last page of text numbered 111. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with front wrapper dampstained and partially detached from the binding. Bound internally with two gold brads. New World Pictures unknown
1987réf. 163925Los Angeles: New World Pictures 1987. Revised First Draft script for the 1991 film. From the archive of crew member Chris Scher with her annotations throughout the script highlighting locations and a post-it note in her hand affixed to the front wrapper verso noting sets to build. A black comedy about a group of mutant shapeshifting bugs who travel from Brazil to suburban Ohio where they disguise themselves as a human family in order to wreak nuclear destruction on the town's unsuspecting inhabitants. Shot in 1988 and 1989 the film's release was delayed until 1991 due to financial problems with New World Pictures. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Shot on location in Oshkosh Appleton and Neenah Wisconsin. Generic white New World Pictures wrappers. Title page present dated 11/12/87 noted as Revised First Draft with an annotation noting copy No. 11 in manuscript ink and credits for screenwriters Michael Lehmann and Redbeard Simmons. 112 leaves with last page of text numbered 111. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with front wrapper dampstained and partially detached from the binding. Bound internally with two gold brads. New World Pictures unknown books
1954réf. 150531Culver City CA: Columbia Pictures 1954. Vintage reference photograph of Marlon Brando and Elia Kazan on the set of the 1954 film. Budd Schulberg based his 1955 novel "Waterfront" on the screenplay. Terry Malloy Brando who dreams of being a prize fighter while tending his pigeons and running errands for the corrupt boss of the local union Johnny Lee J. Cobb witnesses a murder at the hands of Johnny's men. When he meets the victim's sister Edie Eva Marie Saint he confesses he feels culpable for the murder and Edie introduces him to Father Barry Karl Malden who tries to persuade him to implicate the dock racketeers. Winner of eight Academy Awards including Best Picture Best Director Best Screenplay Best Cinematography Best Actor and Best Supporting Actress nominated for another four. Shot on location in Hoboken New Jersey and New York City. 8 x 10 inches. Very Good plus with light edgewear and three very small closed tears in margins repaired by two small pieces of cello tape. National Film Registry. Criterion Collection 647. Ebert I. Grant US. Scorsese A Personal Journey through American Movies. Selby US. Spicer US. Columbia Pictures unknown
1954réf. 150531Culver City CA: Columbia Pictures 1954. Vintage reference photograph of Marlon Brando and Elia Kazan on the set of the 1954 film. Budd Schulberg based his 1955 novel "Waterfront" on the screenplay. Terry Malloy Brando who dreams of being a prize fighter while tending his pigeons and running errands for the corrupt boss of the local union Johnny Lee J. Cobb witnesses a murder at the hands of Johnny's men. When he meets the victim's sister Edie Eva Marie Saint he confesses he feels culpable for the murder and Edie introduces him to Father Barry Karl Malden who tries to persuade him to implicate the dock racketeers. Winner of eight Academy Awards including Best Picture Best Director Best Screenplay Best Cinematography Best Actor and Best Supporting Actress nominated for another four. Shot on location in Hoboken New Jersey and New York City. 8 x 10 inches. Very Good plus with light edgewear and three very small closed tears in margins repaired by two small pieces of cello tape. National Film Registry. Criterion Collection 647. Ebert I. Grant US. Scorsese A Personal Journey through American Movies. Selby US. Spicer US. Columbia Pictures unknown books
1924réf. 171485Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1924. Vintage reference photograph from the 1924 film showing Zasu Pitts. Mimeo snipe on the verso. Based on the 1899 novel "McTeague" by Frank Norris. An impoverished miner-turned-dentist wins the lottery but the ensuing fortune threatens to ruin the lives of everyone it touches. Director Erich von Stroheim's masterpiece one of the first films to be shot entirely on location in San Francisco and Death Valley using what were then considered sophisticated and relatively new filming techniques such as montage editing and deep focus. Stroheim's first cut of the film was a mammoth 9.5 hour presentation edited down to two and a half hours against his wishes. All that survives today is a slightly choppy but coherent 240-minute version a careful restoration supplanted with still photographs that conveys to the viewer the unimaginable grandeur of the original. 8 x 10 inches. Very Good plus lightly toned and edgeworn. National Film Registry. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Metro-Goldwyn-Mayer [MGM] unknown
1924réf. 171485Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1924. Vintage reference photograph from the 1924 film showing Zasu Pitts. Mimeo snipe on the verso. Based on the 1899 novel "McTeague" by Frank Norris. An impoverished miner-turned-dentist wins the lottery but the ensuing fortune threatens to ruin the lives of everyone it touches. Director Erich von Stroheim's masterpiece one of the first films to be shot entirely on location in San Francisco and Death Valley using what were then considered sophisticated and relatively new filming techniques such as montage editing and deep focus. Stroheim's first cut of the film was a mammoth 9.5 hour presentation edited down to two and a half hours against his wishes. All that survives today is a slightly choppy but coherent 240-minute version a careful restoration supplanted with still photographs that conveys to the viewer the unimaginable grandeur of the original. 8 x 10 inches. Very Good plus lightly toned and edgeworn. National Film Registry. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Metro-Goldwyn-Mayer [MGM] unknown books
1975réf. 153845Los Angeles: Paramount Pictures 1975. Final Draft script for the 1977 film. Based on the novel by Ernest Hemingway published posthumously in 1970 following three episodes in the life of a stoic aging artist living in the British-controlled Bahamas. Set in the Bahamas shot on location in Kaua'i Hawaii. Green generic Paramount wrappers with a die-cut title window in the British style. Title page present dated September 10 1975 noted as FINAL DRAFT with credits for screenwriter Denne Bart Petitclerc. 130 leaves with last page of text numbered 129. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Paramount Pictures unknown
1975réf. 153845Los Angeles: Paramount Pictures 1975. Final Draft script for the 1977 film. Based on the novel by Ernest Hemingway published posthumously in 1970 following three episodes in the life of a stoic aging artist living in the British-controlled Bahamas. Set in the Bahamas shot on location in Kaua'i Hawaii. Green generic Paramount wrappers with a die-cut title window in the British style. Title page present dated September 10 1975 noted as FINAL DRAFT with credits for screenwriter Denne Bart Petitclerc. 130 leaves with last page of text numbered 129. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Paramount Pictures unknown books
1959réf. 151523Paris: les Films du Carrosse 1959. Vintage borderless reference photograph with bottom margin of François Truffaut and Guy Decomble on the set of the 1959 film. "Les Quatre Cents Coups" and "Telerama" stamps on verso. Truffaut's auspicious debut winner of Best Director at Cannes nominated for the Palme d'Or and also nominated for a Best Original Screenplay Oscar the following year. Set in and shot on location in Paris France. 6.75 x 5 inches. Near Fine. Criterion Collection 5. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. les Films du Carrosse unknown
1959réf. 151523Paris: les Films du Carrosse 1959. Vintage borderless reference photograph with bottom margin of François Truffaut and Guy Decomble on the set of the 1959 film. "Les Quatre Cents Coups" and "Telerama" stamps on verso. Truffaut's auspicious debut winner of Best Director at Cannes nominated for the Palme d'Or and also nominated for a Best Original Screenplay Oscar the following year. Set in and shot on location in Paris France. 6.75 x 5 inches. Near Fine. Criterion Collection 5. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. les Films du Carrosse unknown books
1957réf. 151135London: J. Arthur Rank 1957. Early Treatment script dated 1957 for the pilot episode of the 1959-1961 television series here under the working title "The Ghost Squad." Based on the 1959 book by John Gosling which detailed his experience as a member of an undercover team of Scotland Yard detectives. The first of two television series based on Gosling's memoir followed by "The Ghost Squad" in 1961. Beige titled wrappers noted as Treatment on the front wrapper dated 10-4-57. Title page present noted as FULL TREATMENT with credits for screenwriter Michael Gilbert. 65 leaves with last page of text numbered 64. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with a silver prong. J. Arthur Rank unknown
1957réf. 151135London: J. Arthur Rank 1957. Early Treatment script dated 1957 for the pilot episode of the 1959-1961 television series here under the working title "The Ghost Squad." Based on the 1959 book by John Gosling which detailed his experience as a member of an undercover team of Scotland Yard detectives. The first of two television series based on Gosling's memoir followed by "The Ghost Squad" in 1961. Beige titled wrappers noted as Treatment on the front wrapper dated 10-4-57. Title page present noted as FULL TREATMENT with credits for screenwriter Michael Gilbert. 65 leaves with last page of text numbered 64. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with a silver prong. J. Arthur Rank unknown books
1970réf. 170873N.p.: Warner Brothers 1970. Vintage French grande affiche poster for the 1969 film. Based on director and screenwriter Gordon Parks' semi-autobiographical 1963 novel. The first major studio production directed by an African American and one of few dramas of the period to focus exclusively on Black life in America depicting the life of a teenager in late 1920s Kansas who grows up quickly as he experiences events related to racial and economic injustice in his community. Set and shot on location in Kansas. 45.5 x 82 inches. Folded as issued. Near Fine with modest starting to some of the center folds. Warner Brothers unknown
1970réf. 170873N.p.: Warner Brothers 1970. Vintage French grande affiche poster for the 1969 film. Based on director and screenwriter Gordon Parks' semi-autobiographical 1963 novel. The first major studio production directed by an African American and one of few dramas of the period to focus exclusively on Black life in America depicting the life of a teenager in late 1920s Kansas who grows up quickly as he experiences events related to racial and economic injustice in his community. Set and shot on location in Kansas. 45.5 x 82 inches. Folded as issued. Near Fine with modest starting to some of the center folds. Warner Brothers unknown books
1964réf. 150865N.p.: N.p. 1964. Vintage borderless reference photograph of L-R Jean-Paul Belmondo Henri Verneuil Lino Ventura and Bernard Blier on the set of the 1964 film. Photographer "Claude Schwartz" stamp on verso. Based on the 1972 French novel "Nous n'irons pas en Nigeria" by Claude Veillot. Rocco and his girlfriend hijack a truck with a mysterious payload and proceed to drive it through the Saharan desert toward the border. The trucking company gets Rocco's friend Herve and the new German employee Hans to go after him and retrieve the goods. Nominated for the Palm d'Or. Set in the Saharan desert shot on location in Morocco. 9.5 x 6.25 inches. Near Fine. Lee The Heist Film. Olive FIlms 324. N.p. unknown
1964réf. 150865N.p.: N.p. 1964. Vintage borderless reference photograph of L-R Jean-Paul Belmondo Henri Verneuil Lino Ventura and Bernard Blier on the set of the 1964 film. Photographer "Claude Schwartz" stamp on verso. Based on the 1972 French novel "Nous n'irons pas en Nigeria" by Claude Veillot. Rocco and his girlfriend hijack a truck with a mysterious payload and proceed to drive it through the Saharan desert toward the border. The trucking company gets Rocco's friend Herve and the new German employee Hans to go after him and retrieve the goods. Nominated for the Palm d'Or. Set in the Saharan desert shot on location in Morocco. 9.5 x 6.25 inches. Near Fine. Lee The Heist Film. Olive FIlms 324. N.p. unknown books
1966réf. 161554Los Angeles: Paramount Pictures 1966. Vintage reference photograph of screenwriter Leigh Brackett and director Howard Hawks on the set of the 1966 film. Annotation in manuscript ink on the verso. Loosely based on Harry Brown's 1960 novel "The Stars in Their Courses." A gunfighter comes to the aid of his old friend now a sheriff to defend a rancher's family. Shot on location in Arizona and Utah. 8 x 10 inches. Near Fine. Godard Histoires du Cinema. Paramount Pictures unknown
1966réf. 161554Los Angeles: Paramount Pictures 1966. Vintage reference photograph of screenwriter Leigh Brackett and director Howard Hawks on the set of the 1966 film. Annotation in manuscript ink on the verso. Loosely based on Harry Brown's 1960 novel "The Stars in Their Courses." A gunfighter comes to the aid of his old friend now a sheriff to defend a rancher's family. Shot on location in Arizona and Utah. 8 x 10 inches. Near Fine. Godard Histoires du Cinema. Paramount Pictures unknown books
1953réf. 154829Universal City: Universal Pictures 1953. Three vintage studio still photographs from the 1953 film two showing scenes from a beauty pageant and one showing actress Joyce Holden performing a burlesque show for her sorority sisters. Two with a printed mimeo snipe affixed to the verso. A pair of siblings from a slum neighborhood in New York dream of escaping to a better life but become involved in criminal activities out of desperation and poverty. Set in New York. 10 x 8 inches. Near Fine. Grant US. Universal Pictures unknown
1953réf. 154829Universal City: Universal Pictures 1953. Three vintage studio still photographs from the 1953 film two showing scenes from a beauty pageant and one showing actress Joyce Holden performing a burlesque show for her sorority sisters. Two with a printed mimeo snipe affixed to the verso. A pair of siblings from a slum neighborhood in New York dream of escaping to a better life but become involved in criminal activities out of desperation and poverty. Set in New York. 10 x 8 inches. Near Fine. Grant US. Universal Pictures unknown books
1954réf. 166109N.p.: N.p. 1954. Vintage oversize borderless reference photograph from the classic 1954 film showing Jacques Tati on the tennis court. Dutch blindstamp on the top right corner and Dutch provenance label on the verso. Good-natured bumbling Mr. Hulot decides to take a summer trip to the French coast where he wreaks benevolent chaos on the residents of a small seaside resort. The film which introduced Jacques Tati's beloved character to the world followed by "Mon Oncle" 1958 "Play Time" 1967 and "Trafic" 1971. Shot on location on the coast of France. 12 x 9.5 inches. Very Good plus. Criterion Collection 110. Ebert I. Rosenbaum 1000. N.p. unknown
1954réf. 166109N.p.: N.p. 1954. Vintage oversize borderless reference photograph from the classic 1954 film showing Jacques Tati on the tennis court. Dutch blindstamp on the top right corner and Dutch provenance label on the verso. Good-natured bumbling Mr. Hulot decides to take a summer trip to the French coast where he wreaks benevolent chaos on the residents of a small seaside resort. The film which introduced Jacques Tati's beloved character to the world followed by "Mon Oncle" 1958 "Play Time" 1967 and "Trafic" 1971. Shot on location on the coast of France. 12 x 9.5 inches. Very Good plus. Criterion Collection 110. Ebert I. Rosenbaum 1000. N.p. unknown books
1955réf. 153202Burbank CA: Warner Brothers 1955. Four vintage reference photographs from the 1955 film together depicting a fight sequence involving James Dean and Julie Harris. Based on the 1952 novel by John Steinbeck about two brothers who struggle for the attentions and favor of their deeply religious emotionally troubled father. Winner of Best Dramatic Film at Cannes and nominated for the Palme d'Or. Actress Jo Van Fleet would go on to win a Best Supporting Actress Oscar and the film was nominated for three more Academy Awards including Best Director Best Screenplay and the first ever posthumous acting nomination in Academy history for Dean's lead performance. Set and shot on location in Monterey and Salinas California. 10 x 8 inches. Slightly faded else Near Fine. National Film Registry. Rosenbaum 1000. Scorsese A Personal Journey Through American Movies. Warner Brothers unknown
1955réf. 153202Burbank CA: Warner Brothers 1955. Four vintage reference photographs from the 1955 film together depicting a fight sequence involving James Dean and Julie Harris. Based on the 1952 novel by John Steinbeck about two brothers who struggle for the attentions and favor of their deeply religious emotionally troubled father. Winner of Best Dramatic Film at Cannes and nominated for the Palme d'Or. Actress Jo Van Fleet would go on to win a Best Supporting Actress Oscar and the film was nominated for three more Academy Awards including Best Director Best Screenplay and the first ever posthumous acting nomination in Academy history for Dean's lead performance. Set and shot on location in Monterey and Salinas California. 10 x 8 inches. Slightly faded else Near Fine. National Film Registry. Rosenbaum 1000. Scorsese A Personal Journey Through American Movies. Warner Brothers unknown books
