11.046 risultati
1975rif. 170771France: Arcadie Productions 1975. Collection of promotional ephemera from the 1975 French film including a program ten lobby cards and two black-and-white reference photographs. Text in French. One of ten films directed by Alain Robbe-Grillet ostensibly about the target of a kidnapping plot hiding out at a high society brothel but in reality an exercise in image making fourth wall breaking and the exploration of Robbe-Grillet's usual concerns of eroticism voyeurism and doppelgängers. One of his most commercially successful films down mostly to the presence of "Emmanuelle" star Sylvia Kristel far more prevalent in the marketing material than in the actual film. Lobby cards 10: 11.5 x 9.25 inches. Very Good plus. Photographs 2: 7 x 5 inches. Near Fine. Program: 7.25 x 10.25 inches. 17 leaves. Near Fine in saddle-stapled wrappers. All material housed together in an original glassine envelope as issued. Arcadie Productions unknown
1978rif. 161434N.p.: N.p. 1978. Second Draft script for the 1979 film. Based on Sylvia Plath's influential semi-autobiographical 1963 novel about a young woman who suffers a series of mental breakdowns at her family's home in New England in the 1950s. Set in New York and New England shot on location in New Jersey and New York. Blue titled Studio Duplicating Service wrappers. Title page present dated April 17 1978 noted as 4th polish/2nd draft with credits for Sylvia Plath and screenwriter Marjorie Kellogg. 120 leaves with last page of text numbered 123. Xerographic duplication rectos only with pink revision pages throughout dated 5/30/78. Pages Very Good plus wrapper Very Good plus with adhesive residue on the front wrapper bound with two gold brads. N.p. unknown
1962rif. 152380N.p.: N.p. 1962. Five vintage press photographs of actress Jane Fonda from the 1962 film. Based on the 1960 play by Tennessee Williams. On their ill-fated honeymoon George and Isabel visit George's war buddy whose wife has just walked out on him. Director George Roy Hill's directorial debut and a breakthrough role for Fonda. Set in Tennessee. 8 x 10 inches. Near Fine. N.p. unknown
1985rif. 155779N.p.: N.p. 1985. Four vintage borderless studio still photographs from the 1985 Italian film. Loosely based on the 1753 comedy play "La locandiera" by Carlo Goldoni. An innkeeper whose husband is lost in World War II enjoys a series of affairs with men in the small town where she lives. Director Tinto Brass is best known for his work in the adult and erotic film genre including "Salon Kitty" 1976 "Caligula" 1979 and "Così fan tutte" 1992. Set and shot on location in the Po Valley. 7 x 5 inches. Near Fine. N.p. unknown
1983rif. 160492N.p.: N.p. 1983. Six vintage reference photographs from the 1983 film. All six with photographer labels on the versos. Based on Jun'ichirô Tanizaki's 1956 novel about a married middle-aged woman who undergoes a sexual awakening through a relationship with her daughter's fiancé. Tanizaki's novel was previously adapted by Kon Ichikawa for his film "Odd Obsession" 1959. Set and shot on location in Venice. 10 x 8 inches. Near Fine. N.p. unknown
1969rif. 153882N.p.: N.p. 1969. Vintage oversize borderless satin-finish reference photograph of Jim Brown and Raquel Welch between takes on the set of the 1969 film. A Native American man robs a bank in the US in order to buy guns for his people who are being repressed by the government. A lawman quickly sets out into Mexico to capture him but the two eventually create an alliance. Set in Mexico shot on location in Spain. 11.5 x 9 inches. Near Fine. Pitts 2903. N.p. unknown
1975rif. 161331Burbank CA: NBC 1975. Final Draft script for the twelfth episode of the thirteen episode 1975 comedy and variety show television series SIGNED on the front wrapper "Tom & Dick" by Tom and Dick Smothers with an inscription on the top left partially lost due to dampstaining "illegible Wishes from the Smothers Brothers." Copy belonging to uncredited cast or crew member David Carroll with manuscript marker and pencil annotations of his name or partial name "David C." on the top of the title page and two other pages with manuscript ink and marker annotations on 32 pages marking music cues. NBC's tamer and largely unsuccessful revival of CBS's 1967-1969 variety series "The Smothers Brothers Comedy Hour" which aired for thirteen episodes January 13 through May 19 1975. The episode on offer here was the penultimate episode which was taped on March 28 1975 and aired on May 12 1975 featuring guests Florence Henderson and David Gates. Of note the script is labeled as "Production #011 / Air Sequence #11" with a manuscript marker annotation of "12" over the air date of "May 5 1975." The May 5 episode of the series featured guests Kris Kristofferson Rita Coolidge and Arlo Guthrie and the episode found here featuring Henderson and Gates was aired as the twelfth episode on May 12 1975. Front wrapper integral with title page dated March 26 1975 noted as FINAL DRAFT. 90 leaves with last page of text numbered 77. Mimeograph duplication rectos only with blue pink yellow and green revision pages throughout undated. Pages Very Good with dampstaining throughout and silverfish damage to the extremities of the first three leaves. NBC unknown
1975rif. 152715London: English Film Company Limited 1975. Draft script for the 1975 film here under the working title "The Will" with single annotation in manuscript ink of copy number "24" on first page. One of the better known British sexploitation films of the 1970s having been the subject of a 1975 episode of BBC program "Man Alive" season 9 episode 24 "Xploitation" as well as having been one of three British sex films viewed by moral reformer Lord Longford. A pair of greedy brothers are summoned to their father's estate after his death but are instructed not to enter the house until the reading of the will and are forced to stay instead with servants Adam and Nicole in a cottage on the grounds. Green titled wrappers dated January 1975. 96 leaves with last page of text numbered 95. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two flat metal brads. English Film Company Limited unknown
1934rif. 162225Paris: Pathe-Natan Pathe Consortium Cinema 1934. Four vintage reference Pathé-Natan photographs of Charles Vanel Oranes Demazis and others from the 1934 French film. Three photos with Pathé-Natan stamps on the verso and all four with annotations in manuscript pencil to same. Based on the classic 1862 novel by Victor Hugo. Considered by many to be the greatest adaptation of the novel. Shot in Biot Alpes-Maritimes and in Nice and Paris. One photograph 9.25 x 7 inches two photographs 6.5 x 9.25 inches one photograph 6.75 x 4.75 inches. Near Fine to Very Good plus one with two pinholes and faint discoloration on the center top edge and one with pinholes at the corners. Criterion Eclipse Series 4. Eureka Masters of Cinema 106. Pathe-Natan [Pathe Consortium Cinema] unknown
1979rif. 159618N.p.: N.p. 1979. Seven vintage reference photographs from the 1979 film. Annotations in manuscript ink on the verso noting the film title in French. An anthology film divided into three segments set in three different time periods Rome in 1520 France at the turn of the century and modern Paris and following three women who are driven to commit crimes of passion. Six photographs 9.5 x 7 inches with wide top and bottom margins and one photograph 9.5 x 6 inches trimmed irregularly. About Fine. N.p. unknown
1979rif. 139657Vienna: Werner Herzog Filmproduktion 1979. Vintage borderless reference still from the 1979 German film showing director Werner Herzog and actor Bruno Ganz along with some extras on the set between takes. Herzog's highly interpretive remake of F.W. Murnau's 1922 silent classic "Nosferatu" and the second of five films Herzog made with actor Klaus Kinski. 9.25 x 7 inches. Fine. Werner Herzog Filmproduktion unknown
1996rif. 160285Burbank CA: Buena Vista 1996. Shooting Draft script for the 1996 film with rainbow revisions. Copy belonging to Production Coordinator Shelley Houis with her name in manuscript ink on the title page. Script housed in a blue three-ring binder with approximately 100 pages of production documents including in addition to the script cast and crew contact lists filming permits location lists and shooting schedules. Loosely based on the 1979 French film directed by René Gainville in turn based on Jenaro Prieto's 1928 novel. After years of struggling to succeed as a Black woman on Wall Street an ambitious businesswoman decides to start her own investment firm in the name of a fictitious white man Robert Cutty. The ruse begins to break down however when associates and clients begin to demand to meet with Cutty in person. Set and shot on location in New York. Title page present dated 02/15/96 with credit for screenwriter Nick Thiel. 157 leaves with last page of text numbered 131. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 11/20/95 and 02/15/96. Pages about Fine binder Very Good plus lightly foxed. Buena Vista unknown
1986rif. 167403Burbank CA: Warner Brothers Television 1986. Third Draft script for the 1987 television film which aired on ABC on July 31 1987. Bound in following the script is a two page Staff and Crew List dated March 7 1986 a 19 page Shooting Schedule dated 3/7/86 a ten page Revised Shooting Schedule dated 3/9/86 an eight page Revised Shooting Schedule dated 3/21/86 and a second two page Staff and Crew List dated March 26 1986. Laid in is a Call Sheet dated March 11 1986. Not to be confused with the 2008 film directed by Frank Miller starring Gabriel Macht and Eva Mendes. Based on the comic book character created by Will Eisner in 1940. Created as a pilot for ABC's proposed 1986 Fall series the project was shelved after ABC changed ownership with the new management finding the pilot "too offbeat and morbid." ABC shelved the pilot without even arranging for test screenings and eventually released it too late for the possibility of a series pickup and with little to no promotion. Sam J. Jones stars as Denny Colt a Central City Police Department detective who after an assassination attempt in which he is believed to be dead by the general public becomes the Spirit a mysterious masked vigilante in a blue suit and fedora who is not bound by the rules of regular cops. Blue titled wrappers. Title page present dated March 10 1986 noted as THIRD DRAFT with credits for screenwriter Steven E. de Souza. 131 leaves with last page of script numbered 84A. Xerographic duplication on yellow leaves rectos only with salmon and cherry revision pages throughout dated 03/19/86 and 03/24/86. Pages Near Fine wrapper Near Fine bound with two gold brads. Warner Brothers Television unknown
1964rif. 152455Los Angeles: Twentieth Century-Fox Television 1964. First Draft script for the pilot episode of the 1965-1966 television series originally aired on September 16 1965 on ABC. Based on the 1958 film directed by Martin Ritt which was in turn based on the 1931 novella "Spotted Horses" the 1939 short story "Barn Burning" and the 1940 novel "The Hamlet" by William Faulkner. The series followed the Varners a wealthy Mississippi family whose patriarch is forced to confront the newly arrived young son of his former rival who challenges the Varners' control over the town. Set in the fictitious town of Frenchman's Bend Mississippi. Red titled wrappers noted as FIRST DRAFT on the front wrapper dated October 7 1964. Title page present dated October 7 1964 noted as FIRST DRAFT with credits for screenwriter Earl Hamner film screenwriters Irving Ravetch and Harriet Frank Jr. and story and novel credits to William Faulkner. 63 leaves with last page of text numbered 58. Multilith duplication on eye-rest green stock rectos only with blue pink green and yellow revision pages throughout dated variously between 12/3/64 and 12/21/64. Pages Near Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox Television unknown
1968rif. 156346N.p.: N.p. 1968. Four vintage studio still photographs from the 1968 French film showing director William Klein with actors Delphine Seyrig Philippe Noiret and other cast members between takes. Provenance stamps on the versos. A satire of superhero films and American imperialism following the adventures of the eponymous Mr. Freedom a beer-swilling white nationalist cop who moonlights as an anticommunist vigilante superhero. William Klein's second film following "Who Are You Polly Maggoo" 1966. 10 x 8 inches. Near Fine. Criterion Collection. Rosenbaum 1000. N.p. unknown
1967rif. 150122Culver City CA: Columbia Pictures 1967. Vintage reference photograph of choreographer and director of musical numbers Herbert Ross with a line of 15 girls in bikinis from the casting of the 1968 film. Ross had previously worked with Streisand in her Broadway debut in "I Can Get It for You Wholesale" 1962. 1967 "Columbia Pictures Corp." stamp on verso. Based on the 1964 musical with music by Julie Stein lyrics by Bob Merrill and book by Isobel Lennart which was based on Lennart's 1964 biography detailing the life of Broadway star Fanny Brice and her tumultuous relationship with playboy Nick Arnstein. Lennart also adapted the work for the screen. The film debut of Barbra Streisand reprising her Tony nominated Broadway role. Streisand would go on to win an Academy Award for Best Actress and the film would be nominated for seven others including Best Supporting Actress for Kay Medford and Best Picture. Set in New York shot on location in California New York and New Jersey. 8 x 10 inches. Near Fine. Columbia Pictures unknown
1966rif. 152355Amsterdam: Scorpio Films 1966. Four vintage borderless reference photographs from the 1966 Dutch film. With the stamps of Scorpio Films and still photographer Frans Bromet on the verso along with manuscript ink and pencil annotations. From the archive of film historian and author Joel Finler. A man returns to Amsterdam after a long absence and finds himself lost among the countercultural changes made after the arrival of the Provos movement. The second film by key "Dutch Wave" director Wim Verstappen who was best known for founding Scorpio Films with screenwriter Pim de la Parra a collaboration which most notably produced the groundbreaking 1971 Dutch film "Blue Movie." Set and shot on location in Amsterdam. 7 x 5 inches. Near Fine. Scorpio Films unknown
1987rif. 162362N.p.: N.p. 1987. Two vintage borderless oversize color reference photographs from the 1987 film both showing director Wim Wenders on the set. Wenders' masterpiece a love letter to West Berlin told through the experiences of an angel who yearns to be human. The director dedicated the film to his cinematic predecessors Yasujiro Ozu François Truffaut and Andrei Tarkovsky whose influences shine throughout his oeuvre. Set and shot on location in West Berlin. 11.75 x 8.25 inches. About Fine. Criterion Collection 490. Ebert I. N.p. unknown
1972rif. 151309Los Angeles: Paramount Pictures 1972. Vintage borderless photograph of actor Woody Allen from the 1972 film. With a printed mimeo snipe affixed to the verso. Based on Allen's 1969 play. The predecessor of many great films Allen would write and direct throughout the 1970s in terms of shooting style timing romantic themes and the actors involved. Allen had already directed two films at this point "Take the Money and Run" in 1969 and "Bananas" in 1971 but this film is significant in that it predicted the more substantive romantic comedies that would later place him among the most important filmmakers of his era. 10 x 7.5 inches. Very Good plus overall. Grant US. Paramount Pictures unknown
1969rif. 164241N.p.: N.p. 1969. Collection of eleven vintage borderless reference photographs from the 1969 film. Woody Allen's directorial debut the film that set the template for Allen's 1970s work. Allen stars as Virgil Starkwell a terribly inept bank robber whose life is told documentary-style with an FBI voiceover as well as interviews with his family and friends. Set and shot on location in San Francisco and inside the walls of San Quentin State Prison. 7 x 9.5 inches. Very Good plus to Very Good. N.p. unknown
1965rif. 160517Beverly Hills CA: United Artists 1965. Four vintage borderless reference photographs from the 1965 film. One with a provenance stamp on the verso. Woody Allen's film debut as both actor and screenwriter about a soon-to-be-married womanizer as he attempts to adjust to a monogamous life with help from his neurotic psychoanalyst. Set and shot on location in Paris Sevres and Chaumontel France. 9.5 x 7.5 inches. About Near Fine. United Artists unknown
1983rif. 150126Tokyo: Nikkatsu 1983. Three vintage borderless reference photographs and a triple parallel fold color brochure in Japanese from the 1983 pinku film. Directed by Yoshimitsu Morita director of the acclaimed film "Kazoku Gemu" "The Family Game" 1983 and winner of the Japanese Academy Award for Best Director for "Ashura no Gotoku" "Like Asura" 2003 and nominated for eight others. Mayumi and her friend Mai make a killing when they open a barber and beauty shop which serves customers in the nude. A Japanese "pink" film for Nikkatsu Studio's "Roman Porno" series. Pink film is a broad genre of low budget Japanese softcore films though often with artistic and visual inventiveness and narrative drive far beyond their American counterparts. Nikkatsu was particularly well known for allowing almost unlimited artistic freedom to filmmakers as long as they met the studio mandated requirement of four nude or sex scenes per hour of running time. Photographs: 6 x 4.25 inches Brochure: Folded 4.75 x 6.75 inches. Open 28.75 x 6.75 inches. Near Fine. Nikkatsu unknown
rif. 12215La collection Pilote présente une aventure du Lieutenant BLUEBERRY. In 4 cartonné couverture illustrée en couleurs, gardes illustrées, titre illustré en couleurs, 48 pages de dessins en couleurs de J. GIRAUD. Titre en long, en noir au dos. DARGAUD S.A éditeur troisième trimestre 1963. N°553. Editeur n°158, 16 titres au dernier plat. Très bon état. Edition originale.
1985rif. 146211Berkshire England: Anderson Burr Pictures 1985. Second Draft script for "Star Laws" a never-aired 55-minute pilot episode for a proposed series called "Space Police" brainchild of "supermarionation" creator Gerry Anderson. Copy belonging to unknown crew member with a few manuscript ink annotations on the front wrapper and leaves. Screenwriter Anderson's early attempt at an intergalactic police procedural one that would would eventually become the British sci-fi series "Space Precinct" which was broadcast on October 3 1994 on Sky One. The pilot carries many similarities to the show that would eventually air-a hardboiled New York cop is transferred to the eponymous "space precinct" in Demeter City on the planet Altor in 2040-although the pilot features far fewer human characters with a greater reliance on Anderson's trademark blend of live action prosthetics puppetry a process he called "Supermarionation." Tan titled wrappers. Title page present dated November 1985 noted as SECOND DRAFT with credits for screenwriters Gerry Anderson and Tony Barwick. 86 leaves with last page of text numbered 83. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with some rust to the wrapper versos near the binding with silver prong binding. Anderson Burr Pictures unknown books
1977rif. 168492N.p.: N.p. 1977. Five vintage borderless reference photographs for the 1977 film including two showing director Agnes Varda on the set. All five with French press stamps and layout annotations on the verso. A remarkable film depicting the lifelong friendship of two dissimilar but close-knit French women beginning when one helps the other raise money for an abortion. Agnes Varda an important and influential French director writer and artist garnered praise as a filmmaker for her uncompromising documentary-style realism focusing on women and marginalized members of society as well as her experimental style. A colleague of Alain Resnais and other Rive Gauche filmmakers her early work stylistically prefigures the French New Wave and is today considered very much a part of it. Set and shot on location in France. 9.5 x 7 inches. Near Fine. N.p. unknown books
