11.058 Ergebnisse
1969Best.-Nr. 149604Los Angeles: Paramount Pictures 1969. Three vintage borderless reference photographs from the 1969 film a highlight of early New Hollywood cinema. One shows actor Harold Blankenship the other with actors Robert Forster Peter Bonerz and Janet Langhart. One with a printed mimeo snipe affixed to the verso along with the stamp of Paramount Pictures the other with the stamp of Israel Film Archive on the verso. A hardened and dubiously ethical television cameraman finds out he is being watched by the FBI amidst the tumultuous protests taking place around the 1968 Democratic National Convention. Highly influential for its groundbreaking use of factual historical events interspersed with fictional narrative. Featuring early music by Frank Zappa's band Mothers of Invention and addressing underlying social issues of race gender and poverty the film frankly depicted much of the growing countercultural movement of the late 1960s even going so far as to use real-life footage of civil disobedience occurring in 1968 Chicago. Due to its startlingly political narrative as well as nudity and language the film was originally given an X rating by the MPAA though by 1970 this would be downgraded to an R. One photograph 10 x 8 inches one photograph 9.5 x 7.25 inches. Near Fine. Criterion Collection 658. Spicer US Neo-Noir. Paramount Pictures unknown books
1960Best.-Nr. 149725N.p.: N.p. 1960. Vintage oversize borderless reference photograph from the 1960 French film showing actors Charles Vanel and Brigitte Bardot. With manuscript pencil and ink annotations on the verso regarding layout along with the stamp of Parimage agency and ICI Paris. A young woman finds herself standing trial for the murder of her lover forcing her to reflect on her memories of their turbulent relationship. Set in Paris. 11 x 7 inches. Very Good plus with a few touch-ups on the recto for press use. N.p. unknown
1960Best.-Nr. 149725N.p.: N.p. 1960. Vintage oversize borderless reference photograph from the 1960 French film showing actors Charles Vanel and Brigitte Bardot. With manuscript pencil and ink annotations on the verso regarding layout along with the stamp of Parimage agency and ICI Paris. A young woman finds herself standing trial for the murder of her lover forcing her to reflect on her memories of their turbulent relationship. Set in Paris. 11 x 7 inches. Very Good plus with a few touch-ups on the recto for press use. N.p. unknown books
1932Best.-Nr. 149643N.p.: N.p. 1932. Two vintage reference photographs from the 1932 film showing actors Paul Muni George Raft Karen Morley Purnell Pratt and others. Based on the 1930 book by Armitage Trail which was in turn based on the true exploits of notorious Prohibition-era mob boss and bootlegger Al Capone. Along with "Public Enemy" released only a few months prior generally considered to be the quintessential American gangster film one that Capone himself came to embrace and even screen in his home. Set in Chicago. Both photos 10 x 8 inches. Near Fine and Very Good plus respectively. First photo Muni and Morley dancing has two short closed tears at the top edge repaired with conservator's tape on the verso. National Film Registry. Rosenbaum 1000. Godard Histoires du cinema. Scorsese A Personal Journey Through American Movies. Penzler 101. Grant US. N.p. unknown
1932Best.-Nr. 149643N.p.: N.p. 1932. Two vintage reference photographs from the 1932 film showing actors Paul Muni George Raft Karen Morley Purnell Pratt and others. Based on the 1930 book by Armitage Trail which was in turn based on the true exploits of notorious Prohibition-era mob boss and bootlegger Al Capone. Along with "Public Enemy" released only a few months prior generally considered to be the quintessential American gangster film one that Capone himself came to embrace and even screen in his home. Set in Chicago. Both photos 10 x 8 inches. Near Fine and Very Good plus respectively. First photo Muni and Morley dancing has two short closed tears at the top edge repaired with conservator's tape on the verso. National Film Registry. Rosenbaum 1000. Godard Histoires du cinema. Scorsese A Personal Journey Through American Movies. Penzler 101. Grant US. N.p. unknown books
1953Best.-Nr. 130748Los Angeles: Twentieth Century-Fox 1953. Revised Shooting Final script for the 1954 film. Actor Van Heflin's copy. Includes a 10-page shooting schedule. Loosely based on the St. Albans Raid the northernmost land action of the American Civil War. The film took great liberties changing both the time and motivation for the raid. In the film a group of Confederate POWs escape across the US-Canada border to plan an attack on St. Albans Vermont. They send ahead of them a spy who begins to question the ethics of their mission. Goldenrod titled wrappers noted as Revised Shooting Final on the front wrapper dated December 10 1953. Distribution page present with receipt removed. Title page present dated December 10 1953 noted as Revised Shooting Final with credit for screenwriter Boehm. 116 leaves Multilith duplication with blue revision pages throughout dated variously between 12-12-53 and 1-6-54. Pages Fine wrapper Fine bound with two gold brads. Shooting Schedule: 10 leaves with annotations. Near Fine. Twentieth Century-Fox unknown
1953Best.-Nr. 130748Los Angeles: Twentieth Century-Fox 1953. Revised Shooting Final script for the 1954 film. Actor Van Heflin's copy. Includes a 10-page shooting schedule. Loosely based on the St. Albans Raid the northernmost land action of the American Civil War. The film took great liberties changing both the time and motivation for the raid. In the film a group of Confederate POWs escape across the US-Canada border to plan an attack on St. Albans Vermont. They send ahead of them a spy who begins to question the ethics of their mission. Goldenrod titled wrappers noted as Revised Shooting Final on the front wrapper dated December 10 1953. Distribution page present with receipt removed. Title page present dated December 10 1953 noted as Revised Shooting Final with credit for screenwriter Boehm. 116 leaves Multilith duplication with blue revision pages throughout dated variously between 12-12-53 and 1-6-54. Pages Fine wrapper Fine bound with two gold brads. Shooting Schedule: 10 leaves with annotations. Near Fine. Twentieth Century-Fox unknown books
1952Best.-Nr. 149504Stockholm: Svensk Filmindustri 1952. Eight vintage reference photographs seven borderless from the 1952 Swedish film. Three with mimeo snipes on the verso and all with manuscript ink and pencil annotations as well as the stamp of Svensk Filmindustri. While vacationing at a summer home four sisters-in-law tell each other stories from their respective marriages ranging from illicit affairs to elopement to immaculate conception. Shot on location in Stockholm Sweden and Paris. Six photographs 7.5 x 6 inches one photograph 4.5 x 5.5 inches and one photograph 5.5 x 4.25 inches. Near Fine. Svensk Filmindustri unknown
1963Best.-Nr. 149582London: Gala Film Distributors 1963. Eight vintage series contact print photographs from the 1963 film. Three images per print amounting to 24 complete images. Two estranged sisters Ester and Anna and Anna's 10-year-old son travel to an unnamed Central European country on the verge of war. Ester becomes seriously ill and the three of them move into a hotel in a small town called Timoka. The third in a series of thematically related films by Bergman following "Through a Glass Darkly" 1961 and "Winter Light" 1963. Set and shot on location in Dalarnas Ian Sweden. 3.75 x 8.75 inches. Very Good plus. Criterion Collection 211. Ebert III. Gala Film Distributors unknown
1952Best.-Nr. 149504Stockholm: Svensk Filmindustri 1952. Eight vintage reference photographs seven borderless from the 1952 Swedish film. Three with mimeo snipes on the verso and all with manuscript ink and pencil annotations as well as the stamp of Svensk Filmindustri. While vacationing at a summer home four sisters-in-law tell each other stories from their respective marriages ranging from illicit affairs to elopement to immaculate conception. Shot on location in Stockholm Sweden and Paris. Six photographs 7.5 x 6 inches one photograph 4.5 x 5.5 inches and one photograph 5.5 x 4.25 inches. Near Fine. Svensk Filmindustri unknown books
1963Best.-Nr. 149582London: Gala Film Distributors 1963. Eight vintage series contact print photographs from the 1963 film. Three images per print amounting to 24 complete images. Two estranged sisters Ester and Anna and Anna's 10-year-old son travel to an unnamed Central European country on the verge of war. Ester becomes seriously ill and the three of them move into a hotel in a small town called Timoka. The third in a series of thematically related films by Bergman following "Through a Glass Darkly" 1961 and "Winter Light" 1963. Set and shot on location in Dalarnas Ian Sweden. 3.75 x 8.75 inches. Very Good plus. Criterion Collection 211. Ebert III. Gala Film Distributors unknown books
1948Best.-Nr. 142958New York: Columbia Broadcasting System CBS 1948. Treatment script for an unproduced film as well as a produced radio broadcast script for the May 25th1948 CBS radio adaptation. Manuscript ink on front wrapper noting title screenwriter Daniel Tardash and story based on the 1946 novel by Isak Dinesen writing under the pseudonym of Pierre Andrezel. Daniel Taradash would go on win an Academy Award for his 1954 adaptation of "From Here it Eternity." Set in 1840s France. Red untitled wrappers. Title page present noted as Treatment with credits for screenwriter Daniel Tardash. 98 leaves with last page of text numbered 57. Mimeograph duplication. Pages Near Fine wrapper Very Good plus bound internally with two gold brads. Columbia Broadcasting System [CBS] unknown
1948Best.-Nr. 142958New York: Columbia Broadcasting System CBS 1948. Treatment script for an unproduced film as well as a produced radio broadcast script for the May 25th1948 CBS radio adaptation. Manuscript ink on front wrapper noting title screenwriter Daniel Tardash and story based on the 1946 novel by Isak Dinesen writing under the pseudonym of Pierre Andrezel. Daniel Taradash would go on win an Academy Award for his 1954 adaptation of "From Here it Eternity." Set in 1840s France. Red untitled wrappers. Title page present noted as Treatment with credits for screenwriter Daniel Tardash. 98 leaves with last page of text numbered 57. Mimeograph duplication. Pages Near Fine wrapper Very Good plus bound internally with two gold brads. Columbia Broadcasting System [CBS] unknown books
1968Best.-Nr. 164198Universal City: Universal Pictures 1968. Vintage banner poster for US release of the 1967 Japanese-American kaiju film. Rare in this size format. The fourth film in the King Kong franchise. Loosely based on the animated Rankin/Bass' television series "The King Kong Show" the first anime-based series produced in Japan for an American company which was aired on ABC from 1966 through 1969 and the second and final Toho-produced film featuring King Kong preceded by the 1963 film "King Kong vs. Godzilla" until the 2021 film "Godzilla vs. Kong." A robot duplicate of King Kong Mechani-Kong is manufactured to dig for the highly radioactive Element X. When Mechani-Kong is unable to dig for the material the evil Doctor Who and Madame Piranha decide to kidnap the real Kong. 82 x 24 inches. Very Good with a chip missing at the top left corner several closed tears to the bottom right margin and cello and paper tape repairs to the verso of the bottom right. Colors bright and unfaded. Universal Pictures unknown
1968Best.-Nr. 164198Universal City: Universal Pictures 1968. Vintage banner poster for US release of the 1967 Japanese-American kaiju film. Rare in this size format. The fourth film in the King Kong franchise. Loosely based on the animated Rankin/Bass' television series "The King Kong Show" the first anime-based series produced in Japan for an American company which was aired on ABC from 1966 through 1969 and the second and final Toho-produced film featuring King Kong preceded by the 1963 film "King Kong vs. Godzilla" until the 2021 film "Godzilla vs. Kong." A robot duplicate of King Kong Mechani-Kong is manufactured to dig for the highly radioactive Element X. When Mechani-Kong is unable to dig for the material the evil Doctor Who and Madame Piranha decide to kidnap the real Kong. 82 x 24 inches. Very Good with a chip missing at the top left corner several closed tears to the bottom right margin and cello and paper tape repairs to the verso of the bottom right. Colors bright and unfaded. Universal Pictures unknown books
1987Best.-Nr. 152834N.p.: Taft Entertainment / Keith Barish Productions 1987. Second Draft script for the 1987 film. Based on the Pulitzer Prize winning 1983 novel by William Kennedy who also wrote the screenplay about an alcoholic drifter who returns to his hometown to meet his lover and drinking companion. Nominated for two Academy Awards. White titled wrappers. Title page present dated March 17 1987 noted as Second Draft with credit for Kennedy and director Hector Babenco. Taft Entertainment / Keith Barish Productions unknown
1987Best.-Nr. 152834N.p.: Taft Entertainment / Keith Barish Productions 1987. Second Draft script for the 1987 film. Based on the Pulitzer Prize winning 1983 novel by William Kennedy who also wrote the screenplay about an alcoholic drifter who returns to his hometown to meet his lover and drinking companion. Nominated for two Academy Awards. White titled wrappers. Title page present dated March 17 1987 noted as Second Draft with credit for Kennedy and director Hector Babenco. Taft Entertainment / Keith Barish Productions unknown books
1967Best.-Nr. 159120N.p.: N.p. 1967. Vintage oversize borderless color reference photograph from the 1967 film. A masterpiece of French cinema. Using his own money director Jacques Tati meticulously constructed a second "Paris" outside of Paris for the third-and most magnificent-of the four Hulot films following "Monsieur Hulot's Holiday" 1953 and "Mon Oncle" 1958. The third feature finds him in the much-modernized heart of the city with its complexities unfolding revolving deconstructing and reconstructing before his eyes. Set in Paris. Approximately 9.5 x 12 inches. Light wear at the corners else Near Fine. N.p. unknown
1967Best.-Nr. 159120N.p.: N.p. 1967. Vintage oversize borderless color reference photograph from the 1967 film. A masterpiece of French cinema. Using his own money director Jacques Tati meticulously constructed a second "Paris" outside of Paris for the third-and most magnificent-of the four Hulot films following "Monsieur Hulot's Holiday" 1953 and "Mon Oncle" 1958. The third feature finds him in the much-modernized heart of the city with its complexities unfolding revolving deconstructing and reconstructing before his eyes. Set in Paris. Approximately 9.5 x 12 inches. Light wear at the corners else Near Fine. N.p. unknown books
1973Best.-Nr. 145963Beverly Hills CA: James B. Harris Productions 1973. Draft script for the 1973 cult film here under the working title "Never Call It Loving." Based on John Collier's 1938 short story. A woman drugged and kept asleep for years as a carnival attraction is bought and awakened by a jazz musician. The musician begins to realize however that reality will never measure up to his fantasies of his "sleeping dream girl." Shot on location in California. Green untitled wrappers. Title page present with credits for director James B. Harris and story credit to John Collier. 111 leaves with last page of text numbered 106. Typescript rectos only with white revision pages throughout dated variously between 1/28/72 and 2/14/72. Pages Near Fine wrapper Very Good plus with light foxing bound with two silver brads. Etiquette Pictures 3. Rosenbaum 1000. James B. Harris Productions unknown
1973Best.-Nr. 145963Beverly Hills CA: James B. Harris Productions 1973. Draft script for the 1973 cult film here under the working title "Never Call It Loving." Based on John Collier's 1938 short story. A woman drugged and kept asleep for years as a carnival attraction is bought and awakened by a jazz musician. The musician begins to realize however that reality will never measure up to his fantasies of his "sleeping dream girl." Shot on location in California. Green untitled wrappers. Title page present with credits for director James B. Harris and story credit to John Collier. 111 leaves with last page of text numbered 106. Typescript rectos only with white revision pages throughout dated variously between 1/28/72 and 2/14/72. Pages Near Fine wrapper Very Good plus with light foxing bound with two silver brads. Etiquette Pictures 3. Rosenbaum 1000. James B. Harris Productions unknown books
1935Best.-Nr. 149372Marseille: Les Films Marcel Pagnol 1935. Vintage double weight reference photograph from the 1935 film showing director Jean Renoir and actors Charles Blavette and Celia Montalvan on location during filming of the 1935 film. With the stamps of photographer Roger Corbeau and Cinemonde to the verso. Renoir's seventh sound film and an early example of the director's influence on both the French Left Bank and Italian neorealist movements. Renoir cast primarily non-professional actors and shot on location to craft the story of a group of immigrants working in a small town in Provence. Set and shot on location in the south of France. 9 x 7 inches. Near Fine lightly and evenly toned. Les Films Marcel Pagnol unknown
1935Best.-Nr. 149372Marseille: Les Films Marcel Pagnol 1935. Vintage double weight reference photograph from the 1935 film showing director Jean Renoir and actors Charles Blavette and Celia Montalvan on location during filming of the 1935 film. With the stamps of photographer Roger Corbeau and Cinemonde to the verso. Renoir's seventh sound film and an early example of the director's influence on both the French Left Bank and Italian neorealist movements. Renoir cast primarily non-professional actors and shot on location to craft the story of a group of immigrants working in a small town in Provence. Set and shot on location in the south of France. 9 x 7 inches. Near Fine lightly and evenly toned. Les Films Marcel Pagnol unknown books
1965Best.-Nr. 149515France: Athos Films / Chaumiane / Filmstudio 1965. Vintage borderless reference photograph from the 1965 French film. With the stamp of still photographer Georges Pierre on the verso. Jean-Luc Godard's neo-noir foray into science fiction following a secret agent in a dystopian future who is assigned to kill the machine intelligence that rules over a fascist state. Shot on location in Paris. 10 x 8 inches. Near Fine. Criterion Collection 25. Rosenbaum 1000. Grant US. Godard Histoires du cinema. Athos Films / Chaumiane / Filmstudio unknown
1965Best.-Nr. 149515France: Athos Films / Chaumiane / Filmstudio 1965. Vintage borderless reference photograph from the 1965 French film. With the stamp of still photographer Georges Pierre on the verso. Jean-Luc Godard's neo-noir foray into science fiction following a secret agent in a dystopian future who is assigned to kill the machine intelligence that rules over a fascist state. Shot on location in Paris. 10 x 8 inches. Near Fine. Criterion Collection 25. Rosenbaum 1000. Grant US. Godard Histoires du cinema. Athos Films / Chaumiane / Filmstudio unknown books
