11.064 risultati
1962rif. 144275Paris: France Cinema 1962. 75 original black-and-white film still photographs for the 1962 French-Italian film here under the original French title. Starring actress Saval is prominently featured as is costar Poiret with metal crutches in tow and actress Maillan. Several images show members of the crew during filming rainy scenes cars and large cameras. All with numerical annotations in manuscript pencil on the versos. Housed in an original French Gevaert photo paper box. Based on Annette Wademant's screenplay one of twelve written by Wademant for director Boisrond. Bernard Poiret is a new publisher who falls in love with Sophie Saval but their foolish love nearly destroys them and his job. 5 x 7 inches borderless. Very Good plus overall with slight curling and foxing to photos box lightly rubbed. France Cinema unknown
1962rif. 142876Paris: France Cinema 1962. Archive of 224 vintage borderless single weight keybook contact sheets and film stills amounting to nearly 2000 numbered images for the 1962 French-Italian film here under the original French title. The entire film is represented in minute detail along with test shots set design shots and many candid off-camera shots from the set. Brief cropping and numerical annotations in pencil throughout. Housed in original mailing envelope noting on the front in manuscript red ink "Cinedis" and "C.Hesse" the film distributor and still photographer and "A refreuda" in manuscript red pencil. 153 photographs are keybook contact sheets nearly all with 12 images per photograph several with 36 each image with a series number and photos crediting at the top the photo laboratory Tele-Photo production studio France Cinema film title and photographer Hesse Beauvarlet. Remaining photographs are borderless film stills. Both photographers are credited on the keybook photos but went uncredited at the film's release. The archive also extensively features actress Dany Saval in film scenes answering the phone in heated moments with male cast members including some stunningly low-lit images that echo film noir themes showcasing the variety of hair and clothing styles seen on Saval throughout the film. Based on Annette Wademant's screenplay one of twelve written by Wademant for director Boisrond. Bernard Poiret is a new publisher who falls in love with Sophie Saval but their foolish love nearly destroys them and his job. Keybook photos range from 8.25 x 10.75 to 9.25 x 11.75 inches three slightly smaller all but ten are 2-hole punched; film stills 7 x 9.25 inches. Very Good overall with moderate curling light edgewear a handful with slight discoloration. France Cinema unknown
1962rif. 144275Paris: France Cinema 1962. 75 original black-and-white film still photographs for the 1962 French-Italian film here under the original French title. Starring actress Saval is prominently featured as is costar Poiret with metal crutches in tow and actress Maillan. Several images show members of the crew during filming rainy scenes cars and large cameras. All with numerical annotations in manuscript pencil on the versos. Housed in an original French Gevaert photo paper box. Based on Annette Wademant's screenplay one of twelve written by Wademant for director Boisrond. Bernard Poiret is a new publisher who falls in love with Sophie Saval but their foolish love nearly destroys them and his job. 5 x 7 inches borderless. Very Good plus overall with slight curling and foxing to photos box lightly rubbed. France Cinema unknown books
1962rif. 142876Paris: France Cinema 1962. Archive of 224 vintage borderless single weight keybook contact sheets and film stills amounting to nearly 2000 numbered images for the 1962 French-Italian film here under the original French title. The entire film is represented in minute detail along with test shots set design shots and many candid off-camera shots from the set. Brief cropping and numerical annotations in pencil throughout. Housed in original mailing envelope noting on the front in manuscript red ink "Cinedis" and "C.Hesse" the film distributor and still photographer and "A refreuda" in manuscript red pencil. 153 photographs are keybook contact sheets nearly all with 12 images per photograph several with 36 each image with a series number and photos crediting at the top the photo laboratory Tele-Photo production studio France Cinema film title and photographer Hesse Beauvarlet. Remaining photographs are borderless film stills. Both photographers are credited on the keybook photos but went uncredited at the film's release. The archive also extensively features actress Dany Saval in film scenes answering the phone in heated moments with male cast members including some stunningly low-lit images that echo film noir themes showcasing the variety of hair and clothing styles seen on Saval throughout the film. Based on Annette Wademant's screenplay one of twelve written by Wademant for director Boisrond. Bernard Poiret is a new publisher who falls in love with Sophie Saval but their foolish love nearly destroys them and his job. Keybook photos range from 8.25 x 10.75 to 9.25 x 11.75 inches three slightly smaller all but ten are 2-hole punched; film stills 7 x 9.25 inches. Very Good overall with moderate curling light edgewear a handful with slight discoloration. France Cinema unknown books
1973rif. 163968N.p.: N.p. 1973. Collection of 20 vintage oversize borderless reference photographs from the Canadian release of the 1972 French film including eleven in color and nine black-and-white. Canadian censorship label affixed to the rectos and a Québec censorship stamp dated 1973 on the versos. A woman begins her own affair in response to her adulterous husband but falls in love with her new partner and is ultimately forced to decide between the two men. Approximately 12 x 9.5 inches. Pinholes at the corners else Near Fine to Very Good plus. Not in Pitts. N.p. unknown
1973rif. 163968N.p.: N.p. 1973. Collection of 20 vintage oversize borderless reference photographs from the Canadian release of the 1972 French film including eleven in color and nine black-and-white. Canadian censorship label affixed to the rectos and a Québec censorship stamp dated 1973 on the versos. A woman begins her own affair in response to her adulterous husband but falls in love with her new partner and is ultimately forced to decide between the two men. Approximately 12 x 9.5 inches. Pinholes at the corners else Near Fine to Very Good plus. Not in Pitts. N.p. unknown books
1964rif. 152012Rome: Film Duemila 1964. Vintage borderless reference photograph of Monica Vitti and Richard Harris from the 1964 film. "Deserto Ross" stamp on verso. Antonioni's first color film and the last in a quartet of films made between 1959 and 1964 about women in modern culture preceded by "L'avventura" "La Notte" and L'Eclisse" and the lie of happiness and better living. This entry very much an antecedent to Todd Haynes' "Safe" 1995 focuses on Vitti a woman trying to survive in the modern world of cultural neurosis and existential doubt. Carlo Di Palma's cinematography remains legendary today for its stunningly colored industrial landscapes beautifully and yet indirectly evoking Vitti's unease alienation and vivid perceptions. Shot on location in Ravenna Sardinia and Rome Italy. 9.5 x 12 inches. Near Fine. BFI 1134. Criterion Collection 522. Godard Histoires du cinema. Rosenbaum 1000. Film Duemila unknown
1964rif. 152012Rome: Film Duemila 1964. Vintage borderless reference photograph of Monica Vitti and Richard Harris from the 1964 film. "Deserto Ross" stamp on verso. Antonioni's first color film and the last in a quartet of films made between 1959 and 1964 about women in modern culture preceded by "L'avventura" "La Notte" and L'Eclisse" and the lie of happiness and better living. This entry very much an antecedent to Todd Haynes' "Safe" 1995 focuses on Vitti a woman trying to survive in the modern world of cultural neurosis and existential doubt. Carlo Di Palma's cinematography remains legendary today for its stunningly colored industrial landscapes beautifully and yet indirectly evoking Vitti's unease alienation and vivid perceptions. Shot on location in Ravenna Sardinia and Rome Italy. 9.5 x 12 inches. Near Fine. BFI 1134. Criterion Collection 522. Godard Histoires du cinema. Rosenbaum 1000. Film Duemila unknown books
1976rif. 144976Spain: Profilmes 1976. Collection of 25 vintage borderless photographs for the international release of the 1976 Spanish exploitation film. Also included in the original plain brown paper envelope and a glossy full-color two sided flyer for the film featuring a synopsis in English French and Spanish. Two friends travel to a remote village to investigate the mysterious death of a friend only to uncover a possible supernatural explanation in a young woman the villagers claim is a witch. Photographs 9.5 x 7 inches. Near Fine. Flyer 8.25 x 11.5 inches. Near Fine. Profilmes unknown
1976rif. 144976Spain: Profilmes 1976. Collection of 25 vintage borderless photographs for the international release of the 1976 Spanish exploitation film. Also included in the original plain brown paper envelope and a glossy full-color two sided flyer for the film featuring a synopsis in English French and Spanish. Two friends travel to a remote village to investigate the mysterious death of a friend only to uncover a possible supernatural explanation in a young woman the villagers claim is a witch. Photographs 9.5 x 7 inches. Near Fine. Flyer 8.25 x 11.5 inches. Near Fine. Profilmes unknown books
1976rif. 146019N.p.: Filmes Cinematografica 1976. Collection of 3 vintage borderless photographs from the 1976 film. Grazia Neri stamps on the verso. Jancso's "Private Vices Public Pleasures" is loosely based on the death of Crown Prince Rudolf of Austria believed having killed himself after shooting his lover in a suicide pact in 1882. Jancso's film presents Rudolf Lajos Balazsovits as a pan-sexual bored by his wife cavorting with beautiful aristocratic lovers of both sexes on his sprawling rural estate. Ordered by his father Emperor Franz Josef to leave the estate Rudolf refuses and organizes a celebration which becomes a tragic orgy. Nominated for the 1976 Palme d'Or. Shot on location in Croatia. 9.5 x 7 inches. Near Fine some light creasing. Filmes Cinematografica unknown
1976rif. 146019N.p.: Filmes Cinematografica 1976. Collection of 3 vintage borderless photographs from the 1976 film. Grazia Neri stamps on the verso. Jancso's "Private Vices Public Pleasures" is loosely based on the death of Crown Prince Rudolf of Austria believed having killed himself after shooting his lover in a suicide pact in 1882. Jancso's film presents Rudolf Lajos Balazsovits as a pan-sexual bored by his wife cavorting with beautiful aristocratic lovers of both sexes on his sprawling rural estate. Ordered by his father Emperor Franz Josef to leave the estate Rudolf refuses and organizes a celebration which becomes a tragic orgy. Nominated for the 1976 Palme d'Or. Shot on location in Croatia. 9.5 x 7 inches. Near Fine some light creasing. Filmes Cinematografica unknown books
1971rif. 148498Universal City: Universal Pictures 1971. Vintage borderless photograph of James Taylor and director Monte Hellman on the set of the 1971 film. Mimeo snipe on verso. After cutting his teeth under the tutelage of guerilla filmmaker Roger Corman Monte Hellman made two landmark and still rarely screened existential Westerns with Jack Nicholson as producer and star. But it was with "Two-Lane Blacktop" the first screenplay by noted novelist Rudolph Wurlitzer that maverick director Monte Hellman helmed his first masterpiece and a cornerstone of the New Hollywood movement. Shot on location in Arizona Tennessee Oklahoma California Arkansas and New Mexico. 7.5 x 9.5 inches. Near Fine. National Film Registry. Rosenbaum 1000. Criterion Collection 414. Eureka MOC 26. Universal Pictures unknown
1971rif. 148498Universal City: Universal Pictures 1971. Vintage borderless photograph of James Taylor and director Monte Hellman on the set of the 1971 film. Mimeo snipe on verso. After cutting his teeth under the tutelage of guerilla filmmaker Roger Corman Monte Hellman made two landmark and still rarely screened existential Westerns with Jack Nicholson as producer and star. But it was with "Two-Lane Blacktop" the first screenplay by noted novelist Rudolph Wurlitzer that maverick director Monte Hellman helmed his first masterpiece and a cornerstone of the New Hollywood movement. Shot on location in Arizona Tennessee Oklahoma California Arkansas and New Mexico. 7.5 x 9.5 inches. Near Fine. National Film Registry. Rosenbaum 1000. Criterion Collection 414. Eureka MOC 26. Universal Pictures unknown books
1956rif. 166264London: London Independent Producers 1956. Third Draft script for the 1957 British film copy belonging to Art Director George Provis with his name written on the titled label on the front wrapper with manuscript pencil and ink annotations throughout including rough pencil prop and set sketches on the versos of eight pages. Here under the working title "A Novel Affair" which was used as the title for the US release of the film. Laid in are over 30 production documents including: 17 pages of handwritten Prop Lists eleven dated from May to July 1956. Two pages of rough pencil sketches including several story boards with two film clippings attached by paperclip each containing 3 full frames. Three letters to Provis two autograph letters signed dating from May and June 1956 and one typed letter signed from February 1956. As well as Shooting Schedules Set Lists Locations lists and additional Prop Lists. George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films. Novelist Judith Wynter Margaret Leighton gets inspiration for her new novel when her wheelchair-bound husband Ralph Richardson hires a new Italian chauffeur CarloCarlo Giustini. When Carlo reads her lurid tale of adultery and murder the husband mistakenly concludes that she is actually madly in love with Carlo. Green generic file wrappers with a title label noted as 3rd Draft Screenplay on the title label dated 23-4-1956. Title page present noted as Third Draft of Screenplay with credits for screenwriters Muriel and Sydney Box. 97 leaves with last page of text numbered 96. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with a prong binding. London Independent Producers unknown
1956rif. 166264London: London Independent Producers 1956. Third Draft script for the 1957 British film copy belonging to Art Director George Provis with his name written on the titled label on the front wrapper with manuscript pencil and ink annotations throughout including rough pencil prop and set sketches on the versos of eight pages. Here under the working title "A Novel Affair" which was used as the title for the US release of the film. Laid in are over 30 production documents including: 17 pages of handwritten Prop Lists eleven dated from May to July 1956. Two pages of rough pencil sketches including several story boards with two film clippings attached by paperclip each containing 3 full frames. Three letters to Provis two autograph letters signed dating from May and June 1956 and one typed letter signed from February 1956. As well as Shooting Schedules Set Lists Locations lists and additional Prop Lists. George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films. Novelist Judith Wynter Margaret Leighton gets inspiration for her new novel when her wheelchair-bound husband Ralph Richardson hires a new Italian chauffeur CarloCarlo Giustini. When Carlo reads her lurid tale of adultery and murder the husband mistakenly concludes that she is actually madly in love with Carlo. Green generic file wrappers with a title label noted as 3rd Draft Screenplay on the title label dated 23-4-1956. Title page present noted as Third Draft of Screenplay with credits for screenwriters Muriel and Sydney Box. 97 leaves with last page of text numbered 96. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with a prong binding. London Independent Producers unknown books
1983rif. 160523New York: Horizon Films 1983. Vintage studio still photograph of Sandy McLeod shot by and credited at the right margin to Nan Goldin from the 1983 film. Shown is actress Sandy McLeod in seeming triplicate. Goldin also has a brief role in the film. A striking image. An aspiring writer takes a job as a ticket-taker at an adult film theatre in Times Square soon finding herself drawn into the seedy world of the theatre's customers. The film drew together a veritable who's who of New York underground regulars with a screenplay by Kathy Acker music by John Lurie cinematography by frequent Jarmusch collaborator Tom de Cillo and still photography by Nan Goldin. Set and shot on location in New York. 8 x 10 inches. Near Fine. Horizon Films unknown
1983rif. 160523New York: Horizon Films 1983. Vintage studio still photograph of Sandy McLeod shot by and credited at the right margin to Nan Goldin from the 1983 film. Shown is actress Sandy McLeod in seeming triplicate. Goldin also has a brief role in the film. A striking image. An aspiring writer takes a job as a ticket-taker at an adult film theatre in Times Square soon finding herself drawn into the seedy world of the theatre's customers. The film drew together a veritable who's who of New York underground regulars with a screenplay by Kathy Acker music by John Lurie cinematography by frequent Jarmusch collaborator Tom de Cillo and still photography by Nan Goldin. Set and shot on location in New York. 8 x 10 inches. Near Fine. Horizon Films unknown books
1998rif. 167720Culver City CA: Columbia Pictures 1998. Revised Draft script for the 1999 film. Copy belonging to an unidentified crew member presumably a makeup artist based on the annotations in pink highlighter on several pages. A neo-noir thriller about a private eye who falls into the seedy world of snuff films and hardcore fetish pornography. Shot on location in New York and Miami. Self wrappers. Title page present dated January 5 1998 with credit for screenwriter Andrew Kevin Walker. 154 leaves with last page of text numbered 130. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between January 6 and 29 1998. Pages Near Fine bound with two gold brads. Columbia Pictures unknown
1998rif. 167720Culver City CA: Columbia Pictures 1998. Revised Draft script for the 1999 film. Copy belonging to an unidentified crew member presumably a makeup artist based on the annotations in pink highlighter on several pages. A neo-noir thriller about a private eye who falls into the seedy world of snuff films and hardcore fetish pornography. Shot on location in New York and Miami. Self wrappers. Title page present dated January 5 1998 with credit for screenwriter Andrew Kevin Walker. 154 leaves with last page of text numbered 130. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between January 6 and 29 1998. Pages Near Fine bound with two gold brads. Columbia Pictures unknown books
1969rif. 136136Burbank CA: Walt Disney Productions 1969. Revised Final Draft script for the 1970 Disney film. Based on a story by Marty Roth executive story editor for the television series "The Dukes of Hazzard" 1979-1985. Coast Guard Ensign Garland Morse falls in love with sailing instructor Kate Powers but his bumbling leaves her disenchanted until they team up to recover stolen jewels before a team of thieves led by Simmons Silvers can find them. Set in California shot there on location. Gray titled wrappers noted as Final Screenplay on the front wrapper production No. 0107 dated July 23 1969 with credits for story writer Roth and screenwriter Julian. 152 leaves with last page of text numbered 166. Mechanical duplication with green blue white and pink revision pages throughout dated variously between 7/18/69 and 9/28/69. Near Fine overall bound with three gold brads. Walt Disney Productions unknown
1969rif. 136136Burbank CA: Walt Disney Productions 1969. Revised Final Draft script for the 1970 Disney film. Based on a story by Marty Roth executive story editor for the television series "The Dukes of Hazzard" 1979-1985. Coast Guard Ensign Garland Morse falls in love with sailing instructor Kate Powers but his bumbling leaves her disenchanted until they team up to recover stolen jewels before a team of thieves led by Simmons Silvers can find them. Set in California shot there on location. Gray titled wrappers noted as Final Screenplay on the front wrapper production No. 0107 dated July 23 1969 with credits for story writer Roth and screenwriter Julian. 152 leaves with last page of text numbered 166. Mechanical duplication with green blue white and pink revision pages throughout dated variously between 7/18/69 and 9/28/69. Near Fine overall bound with three gold brads. Walt Disney Productions unknown books
1941rif. 134898Culver City CA: RKO Radio Pictures 1941. Two vintage borderless black-and-white reference still photographs from the 1941 film. Both stills with annotations on the verso one with an RKO Radio Pictures rubber stamp. The first still shows a young Kane Orson Welles at a celebration for the inauguration of his newspaper "The Inquirer." The second still shows Kane as an older man reviewing finances with his advisors. Stills are 9.5 x 7 inches. Near Fine. National Film Registry. Ebert I. Godard Histoires du cinema. Grant US. Spicer US. Rosenbaum 1000. Schrader 6. Scorsese A Personal Journey Through American Movies. RKO Radio Pictures unknown
1947rif. 135591Culver City CA: Columbia Pictures 1947. Vintage press photograph of Rita Hayworth Orson Welles and the film's still photographer Robert Coburn on the set of 1947 film noir. Mimeograph snipe on the verso notes that here Welles and Coburn are discussing the Jean Louis clothing designs for the film with Ms. Hayworth. Shot by Van Pelt with his stamp on the verso. 8 x 10 inches. In an archival mat. Near Fine. Columbia Pictures unknown
1941rif. 134898Culver City CA: RKO Radio Pictures 1941. Two vintage borderless black-and-white reference still photographs from the 1941 film. Both stills with annotations on the verso one with an RKO Radio Pictures rubber stamp. The first still shows a young Kane Orson Welles at a celebration for the inauguration of his newspaper "The Inquirer." The second still shows Kane as an older man reviewing finances with his advisors. Stills are 9.5 x 7 inches. Near Fine. National Film Registry. Ebert I. Godard Histoires du cinema. Grant US. Spicer US. Rosenbaum 1000. Schrader 6. Scorsese A Personal Journey Through American Movies. RKO Radio Pictures unknown books
