11 065 résultats
réf. 165393London: HandMade Films 1982. Archive of material from the 1982 British film including two screenplays and multiple production documents as well as a manuscript costume design book with fabric samples and notes regarding costuming. Archive belonging to assistant costume designer Jane Hamilton with her name in manuscript ink on the title page of one script. Archive includes several production documents including a list of revisions to the script call sheets a directory and location contact sheet a map a shooting schedule and production memos. After a decade of missionary work in Africa an Anglican priest returns to London and attempts to adjust to his new assignment: ministering to the city's prostitutes. Set in turn-of-the-century London and shot on location in London Hampshire and Surrey England. Script dated 2nd February 1982: Script housed in a three-ring binder. Purple untitled wrappers with die-cut title window in the British style. Title page present dated 2nd February 1982 with credit for screenwriter Michael Palin. 133 leaves with last page of text numbered 132. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine. Script dated 22nd February 1982: Script housed in a titled three-ring binder. Title page present dated 22nd February 1982 with credit for Palin. 123 leaves with last page of text numbered 122. Mimeograph duplication rectos only with white revision pages throughout dated variously between March 8 and 9 1982. Pages Near Fine. Costume design book and production documents generally Very Good plus to Near Fine. Costume design book has several fabric samples detached from leaves having been originally attached with cello tape. HandMade Films unknown books
1969réf. 136883N.p.: N.p. 1969. Original ribbon copy typescript for Tay Garnett's screenplay adaptation of Mickey Spillane's 1967 novel. Profusely annotated by Garnett in blue and red ink on every page and with a annotations by him at the top right corner of the first leaf: "First Draft Work Copy" "Screenplay by Tay Garnett" and "From Mickey Spillane's novel." Raoul Walsh eventually worked with Garnett on the script but this draft precedes his involvement. The film was released on May 15 1970 and starred Yvette Mimieux Christopher George and Yvonne De Carlo. 182 leaves rectos only. Leaves supple Very Good plus overall. N.p. unknown
1969réf. 136883N.p.: N.p. 1969. Original ribbon copy typescript for Tay Garnett's screenplay adaptation of Mickey Spillane's 1967 novel. Profusely annotated by Garnett in blue and red ink on every page and with a annotations by him at the top right corner of the first leaf: "First Draft Work Copy" "Screenplay by Tay Garnett" and "From Mickey Spillane's novel." Raoul Walsh eventually worked with Garnett on the script but this draft precedes his involvement. The film was released on May 15 1970 and starred Yvette Mimieux Christopher George and Yvonne De Carlo. 182 leaves rectos only. Leaves supple Very Good plus overall. N.p. unknown books
réf. 143729N.p.: Mafilm 1977. Dialogue script for the 1979 Hungarian film "Allegro Barbaro." The second of Jancso's two-part dramatized history of Hungary from the turn of the century to World War II as told by the conflicted son of a wealthy landowner. Shot on location in Hungary. Gray titled wrappers dated 1977. Title page not present presumably as issued. 122 leaves with last page of text numbered 122. Mimeograph duplication. Pages Fine wrapper Near Fine side stapled. Mafilm unknown
réf. 143728N.p.: Objektiv Film 1977. Studio Dialogue script for the 1979 Hungarian film seen here under the Hungarian title "Magyar rapszodia." Text in Hungarian. The first of Jancso's two-part dramatized history of Hungary from the turn of the century to World War II as told by the conflicted son of a wealthy landowner. Nominated for the 1979 Palme d'Or at Cannes. Shot on location in Hungary. Gray titled wrappers dated 1977. Title page not present presumably as issued. 112 leaves with last page of text numbered 112. Mimeograph duplication. Pages Fine wrapper Very Good plus side stapled. Objektiv Film unknown
réf. 143729N.p.: Mafilm 1977. Dialogue script for the 1979 Hungarian film "Allegro Barbaro." The second of Jancso's two-part dramatized history of Hungary from the turn of the century to World War II as told by the conflicted son of a wealthy landowner. Shot on location in Hungary. Gray titled wrappers dated 1977. Title page not present presumably as issued. 122 leaves with last page of text numbered 122. Mimeograph duplication. Pages Fine wrapper Near Fine side stapled. Mafilm unknown books
réf. 143728N.p.: Objektiv Film 1977. Studio Dialogue script for the 1979 Hungarian film seen here under the Hungarian title "Magyar rapszodia." Text in Hungarian. The first of Jancso's two-part dramatized history of Hungary from the turn of the century to World War II as told by the conflicted son of a wealthy landowner. Nominated for the 1979 Palme d'Or at Cannes. Shot on location in Hungary. Gray titled wrappers dated 1977. Title page not present presumably as issued. 112 leaves with last page of text numbered 112. Mimeograph duplication. Pages Fine wrapper Very Good plus side stapled. Objektiv Film unknown books
1933réf. 159022Beverly Hills CA: United Artists 1933. Vintage linen-backed keybook reference photograph from the 1933 film showing actor Paul Robeson. Printed mimeo snipe affixed to the verso. Based on Eugene O'Neill's 1920 play following a cunning railway porter who gradually manipulates his way into control of a small Caribbean island. Actor Paul Robeson's first sound feature a breakthrough role which secured the actor's status as one of the first African American leading actors of mainstream cinema. Set throughout the American south and in the Caribbean Islands shot on location in New York. 8 x 10 inches. Very Good plus with light wear along the top edge image unaffected. National Film Registry. Criterion Collection 370. United Artists unknown
1933réf. 159022Beverly Hills CA: United Artists 1933. Vintage linen-backed keybook reference photograph from the 1933 film showing actor Paul Robeson. Printed mimeo snipe affixed to the verso. Based on Eugene O'Neill's 1920 play following a cunning railway porter who gradually manipulates his way into control of a small Caribbean island. Actor Paul Robeson's first sound feature a breakthrough role which secured the actor's status as one of the first African American leading actors of mainstream cinema. Set throughout the American south and in the Caribbean Islands shot on location in New York. 8 x 10 inches. Very Good plus with light wear along the top edge image unaffected. National Film Registry. Criterion Collection 370. United Artists unknown books
1955réf. 144602Paris: Cinedis 1955. Archive of 867 original keybook still photographs from the 1955 French film pasted on thick stock in three large quarto "Lavis aquarelle" brand spiral bound notebook with maroon faux leather front wrapper and a paper title label affixed to the front wrapper. Nearly all photos numbered in manuscript ink inside a small white border on the recto and all numbered in mimeograph on the verso. One notebook full of photos crediting photographer Beauvarlet on the rectos. Director Rene's first color film based largely on his childhood experiences. Winner of two important French film awards the Prix Louis-Delluc and the Prix Melies. Screened out-of-competition at the 1974 Cannes Film Festival. Still photographer Beauvarlet remains uncredited for the film perhaps overshadowed by the film's prolific cinematographer Robert Lefebvre. Beauvarlet stuck close to Bardot throughout her career snapping stills in "Her Bridal Night" 1956 "Naughty Girl" 1956 "La Parisienne" 1957 and "The Night Heaven Fell" 1958. His quick-draw style is amply captured here in candid images of the cast and crew a jovial celebrity signing and softer posed studio portraits. Armand Philipe is a lieutenant in the French cavalry just before WWI a notorious womanizer and gambler who bets that he can seduce a woman in time for his company to being its summer maneuvers. The woman is Marie-Louise Morgan a divorcee who runs a milliner's shop and who is also being courted by Victor Desailly. A subplot involving Armand's friend Felix Yves Robert and Lucie Bardot a photographer's daughter. Photos 3.5 x 4.5 inches. Very Good overall several with bruises from offsetting paste several are loose. Cinedis unknown
1955réf. 144602Paris: Cinedis 1955. Archive of 867 original keybook still photographs from the 1955 French film pasted on thick stock in three large quarto "Lavis aquarelle" brand spiral bound notebook with maroon faux leather front wrapper and a paper title label affixed to the front wrapper. Nearly all photos numbered in manuscript ink inside a small white border on the recto and all numbered in mimeograph on the verso. One notebook full of photos crediting photographer Beauvarlet on the rectos. Director Rene's first color film based largely on his childhood experiences. Winner of two important French film awards the Prix Louis-Delluc and the Prix Melies. Screened out-of-competition at the 1974 Cannes Film Festival. Still photographer Beauvarlet remains uncredited for the film perhaps overshadowed by the film's prolific cinematographer Robert Lefebvre. Beauvarlet stuck close to Bardot throughout her career snapping stills in "Her Bridal Night" 1956 "Naughty Girl" 1956 "La Parisienne" 1957 and "The Night Heaven Fell" 1958. His quick-draw style is amply captured here in candid images of the cast and crew a jovial celebrity signing and softer posed studio portraits. Armand Philipe is a lieutenant in the French cavalry just before WWI a notorious womanizer and gambler who bets that he can seduce a woman in time for his company to being its summer maneuvers. The woman is Marie-Louise Morgan a divorcee who runs a milliner's shop and who is also being courted by Victor Desailly. A subplot involving Armand's friend Felix Yves Robert and Lucie Bardot a photographer's daughter. Photos 3.5 x 4.5 inches. Very Good overall several with bruises from offsetting paste several are loose. Cinedis unknown books
réf. 155122New York: Deathtrap Films 1986. Vintage portrait photograph of actress Lung Leg from the 1985 short film. INSCRIBED on the verso in director Richard Kern's hand "Lung Leg / in / "You Killed Me First" / A R. Kern Movie / copyright 1986 / Photo copyright R Kern" with two "R. Kern Photographs" stamps and a "Deathtrap Films" stamp on the verso. A landmark work in the Cinema of Transgression. Conceived by Kern and artist David Wojnarowicz as both a film and a multi-media art installation the film was shot unscripted over two days and was largely based on Wojnarowicz's childhood specifically the scenes concerning the terrifying and abusive father played by Wojnarowicz. Performance artist Karen Finley starred as the subservient mother and the young East Village model Leg who would go on to star in several more of Kern's films and music videos starred as the lead daughter Elisabeth/Cassandra. The film premiered at Wojnarowicz's "You Killed Me First Installation #8" at the Ground Zero Gallery in December 1985. A seemingly normal family sits down for Thanksgiving dinner and after a series of disturbing flashbacks revealing previous family traumas the daughter shoots her family at the dinner table angrily proclaiming "You killed me first!" A scathing and darkly humorous indictment of petit-bourgeois conservatism and religiosity. 8 x 10 inches. Near Fine. Deathtrap Films unknown
réf. 155122New York: Deathtrap Films 1986. Vintage portrait photograph of actress Lung Leg from the 1985 short film. INSCRIBED on the verso in director Richard Kern's hand "Lung Leg / in / "You Killed Me First" / A R. Kern Movie / copyright 1986 / Photo copyright R Kern" with two "R. Kern Photographs" stamps and a "Deathtrap Films" stamp on the verso. A landmark work in the Cinema of Transgression. Conceived by Kern and artist David Wojnarowicz as both a film and a multi-media art installation the film was shot unscripted over two days and was largely based on Wojnarowicz's childhood specifically the scenes concerning the terrifying and abusive father played by Wojnarowicz. Performance artist Karen Finley starred as the subservient mother and the young East Village model Leg who would go on to star in several more of Kern's films and music videos starred as the lead daughter Elisabeth/Cassandra. The film premiered at Wojnarowicz's "You Killed Me First Installation #8" at the Ground Zero Gallery in December 1985. A seemingly normal family sits down for Thanksgiving dinner and after a series of disturbing flashbacks revealing previous family traumas the daughter shoots her family at the dinner table angrily proclaiming "You killed me first!" A scathing and darkly humorous indictment of petit-bourgeois conservatism and religiosity. 8 x 10 inches. Near Fine. Deathtrap Films unknown books
1944réf. 156251Universal City CA: Universal Pictures 1944. Collection of ten vintage studio still photographs from the 1944 film. Several photographs with provenance stamps and stickers on the verso and two with the printed label of Palace Theatre affixed to the verso. Director Robert Siodmak's first Hollywood noir and one of the finest in the canon. Based on Cornell Woolrich's first novel written under the William Irish pseudonym in 1942 about a secretary who searches for the titular lady to clear her boss' name before he is executed for murdering his wife. The first film produced by Joan Harrison a former Oscar nominated screenwriter for Alfred Hitchcock "Rebecca" "Foreign Correspondent" and Universal's first female executive. 8 x 10 inches. Very Good plus to Very Good with light toning and edgewear. Grant US. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Universal Pictures unknown
1944réf. 156251Universal City CA: Universal Pictures 1944. Collection of ten vintage studio still photographs from the 1944 film. Several photographs with provenance stamps and stickers on the verso and two with the printed label of Palace Theatre affixed to the verso. Director Robert Siodmak's first Hollywood noir and one of the finest in the canon. Based on Cornell Woolrich's first novel written under the William Irish pseudonym in 1942 about a secretary who searches for the titular lady to clear her boss' name before he is executed for murdering his wife. The first film produced by Joan Harrison a former Oscar nominated screenwriter for Alfred Hitchcock "Rebecca" "Foreign Correspondent" and Universal's first female executive. 8 x 10 inches. Very Good plus to Very Good with light toning and edgewear. Grant US. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Universal Pictures unknown books
1968réf. 152185N.p.: N.p. 1968. Revised Draft script for the 1968 film. Copy belonging to production manager Mickey Delamar with his name in manuscript ink on the front wrapper and his manuscript annotations throughout. Laid in with the screenplay are several promotional materials for the film including two programs an edition of The Daily Cinema magazine featuring a cover story on "Mayerling" and a small flyer advertising a press showing of the film at Leicester Square. Delamar worked as a producer production manager and assistant director on over 30 films and was active in the film industry for four decades. His credits include Julien Duvivier's "Anna Karenina" 1948 Charlie Chaplin's "A King in New York" 1957 and Francois Truffaut's "Fahrenheit 451" 1966. Based on the 1930 novel by Claude Anet and the 1967 book by Michael Arnold. A dramatization of the events that led to the murder-suicide of Prince Rudolf of Austria and his lover Baroness Mary Vetsera at the Mayerling hunting lodge in 1889. Blue titled wrappers. 172 leaves with last page of text numbered 158. Mimeograph duplication rectos only with blue and pink revision pages throughout dated variously between 17.12.67 and 1.3.68. Pages Very Good plus wrapper Very Good plus lightly rusted to the binding bound internally with a silver prong. N.p. unknown
1968réf. 152185N.p.: N.p. 1968. Revised Draft script for the 1968 film. Copy belonging to production manager Mickey Delamar with his name in manuscript ink on the front wrapper and his manuscript annotations throughout. Laid in with the screenplay are several promotional materials for the film including two programs an edition of The Daily Cinema magazine featuring a cover story on "Mayerling" and a small flyer advertising a press showing of the film at Leicester Square. Delamar worked as a producer production manager and assistant director on over 30 films and was active in the film industry for four decades. His credits include Julien Duvivier's "Anna Karenina" 1948 Charlie Chaplin's "A King in New York" 1957 and Francois Truffaut's "Fahrenheit 451" 1966. Based on the 1930 novel by Claude Anet and the 1967 book by Michael Arnold. A dramatization of the events that led to the murder-suicide of Prince Rudolf of Austria and his lover Baroness Mary Vetsera at the Mayerling hunting lodge in 1889. Blue titled wrappers. 172 leaves with last page of text numbered 158. Mimeograph duplication rectos only with blue and pink revision pages throughout dated variously between 17.12.67 and 1.3.68. Pages Very Good plus wrapper Very Good plus lightly rusted to the binding bound internally with a silver prong. N.p. unknown books
réf. 163381Universal City: Dreamworks 2003. Revised Shooting script for the 2004 film. In San Diego in the 1970s successful news anchor Ron Burgundy is forced to confront his prejudices when the station owners hire a woman anchor who promptly proceeds to climb her way to the top. Followed by a 2013 sequel "Anchorman 2: The Legend Continues." Shot on location in San Diego Los Angeles Glendale and Long Beach. Self wrappers. Title page present dated 06/09/03 noted as Shooting Script with credits for screenwriters Will Ferrell and Adam McKay. 139 leaves with last page of text numbered "112-113". Xerographic duplication on pink stock rectos only. Pages Very Good plus with light splashes on the title page bound with two gold brads. Dreamworks unknown
réf. 163381Universal City: Dreamworks 2003. Revised Shooting script for the 2004 film. In San Diego in the 1970s successful news anchor Ron Burgundy is forced to confront his prejudices when the station owners hire a woman anchor who promptly proceeds to climb her way to the top. Followed by a 2013 sequel "Anchorman 2: The Legend Continues." Shot on location in San Diego Los Angeles Glendale and Long Beach. Self wrappers. Title page present dated 06/09/03 noted as Shooting Script with credits for screenwriters Will Ferrell and Adam McKay. 139 leaves with last page of text numbered "112-113". Xerographic duplication on pink stock rectos only. Pages Very Good plus with light splashes on the title page bound with two gold brads. Dreamworks unknown books
réf. 172515N.p.: N.p. 1971. Substantial archive of material relating to the 1971 film including 125 original photographs two SIGNED by actress Georgina Hale eight original color slides 18 French front-of-house cards a press kit a program a promotional book and two magazines with articles about the film. The 125 photographs in the archive include 63 studio still photographs 61 reference photographs two in color and one wardrobe test photograph including two photographs one black and white and one color signed by actress Georgina Hale. Eight of the photographs are on-the-set photographs featuring director Ken Russell and stars Vanessa Redgrave and Oliver Reed. 16 of the studio still photographs are borderless with caption margins along the bottom and eight of the reference photographs are borderless one with cropping annotations on the verso and one with a German mimeo snipe on the verso. One on-the-set reference photograph struck circa 1980 one with yellow wax pencil cropping annotations on the recto and six with ink annotations of collation numbers in the bottom margins. The archive also includes: Eight original color slides from the film. Eighteen color French front-of-house cards. An original 24 page "The Devils" promotional book with an embossed "The Devils" white book jacket with the heading on the first page "Background Information about 'The Devils' and Some Events in History Leading to the Incident at Loudon." A one page two-color program printed on the verso and recto. A press kit in a "The Devils / Warner Bros. Travelcade of Summer Films / April 1971" folder with an embossed gold "The Devils" sticker on the front housing two two-page press releases "The Featured Players - From King to Exorcist ." and "Black Lips Beauty Spots and 'Mortal Sin' Tints." The July 9 1971 issue of "The Daily Telegraph Magazine" featuring a cover article "Ken Russell: The Return of the Old-Style Movie Director." The April 1978 issue of the Spanish film magazine "Dirigido Por." featuring a cover article on the film. Based on the 1960 play by John Whiting and on Aldous Huxley's 1952 book "The Devils of Loudun." A dramatization of the fall of Urbain Grandier a Catholic priest accused of witchcraft and demonic conspiracy by a group of hysterical nuns. Often regarded as one of the more controversial films of the twentieth century due in large part to its heavily violent and sexual content in a religious context widely censored before its release. Photographs: 8 x 10 inches. Near Fine overall two photographs with small chips to the top right corner one with a tiny bruise to the upper left. Slides: 2 x 2 inches. Near Fine. 18 color French front-of-house cards: 8.75 x 11 inches. Near Fine. "The Devils" promotional book: Near Fine saddle-stapled with embossed Very Good plus jacket with light soiling rubbing and toning and a 1.5 inch tear to the front jacket near the spine. Program: 8 x 11 inches. Light edgewear else Near Fine. Press Kit: Folder 9 x 12 inches Very Good plus with light edgewear and rubbing. Press Releases 8.5 x 11 Near Fine. "The Daily Telegraph Magazine": 9.75 x 12 inches saddle-stapled. Very Good plus with light rubbing and edgewear. "Dirigido Por." magazine: 8 x 11 inches perfect bound. Very Good plus with wear and rubbing at the spine and staple holes near the spine. N.p. unknown
réf. 172515N.p.: N.p. 1971. Substantial archive of material relating to the 1971 film including 125 original photographs two SIGNED by actress Georgina Hale eight original color slides 18 French front-of-house cards a press kit a program a promotional book and two magazines with articles about the film. The 125 photographs in the archive include 63 studio still photographs 61 reference photographs two in color and one wardrobe test photograph including two photographs one black and white and one color signed by actress Georgina Hale. Eight of the photographs are on-the-set photographs featuring director Ken Russell and stars Vanessa Redgrave and Oliver Reed. 16 of the studio still photographs are borderless with caption margins along the bottom and eight of the reference photographs are borderless one with cropping annotations on the verso and one with a German mimeo snipe on the verso. One on-the-set reference photograph struck circa 1980 one with yellow wax pencil cropping annotations on the recto and six with ink annotations of collation numbers in the bottom margins. The archive also includes: Eight original color slides from the film. Eighteen color French front-of-house cards. An original 24 page "The Devils" promotional book with an embossed "The Devils" white book jacket with the heading on the first page "Background Information about 'The Devils' and Some Events in History Leading to the Incident at Loudon." A one page two-color program printed on the verso and recto. A press kit in a "The Devils / Warner Bros. Travelcade of Summer Films / April 1971" folder with an embossed gold "The Devils" sticker on the front housing two two-page press releases "The Featured Players - From King to Exorcist ." and "Black Lips Beauty Spots and 'Mortal Sin' Tints." The July 9 1971 issue of "The Daily Telegraph Magazine" featuring a cover article "Ken Russell: The Return of the Old-Style Movie Director." The April 1978 issue of the Spanish film magazine "Dirigido Por." featuring a cover article on the film. Based on the 1960 play by John Whiting and on Aldous Huxley's 1952 book "The Devils of Loudun." A dramatization of the fall of Urbain Grandier a Catholic priest accused of witchcraft and demonic conspiracy by a group of hysterical nuns. Often regarded as one of the more controversial films of the twentieth century due in large part to its heavily violent and sexual content in a religious context widely censored before its release. Photographs: 8 x 10 inches. Near Fine overall two photographs with small chips to the top right corner one with a tiny bruise to the upper left. Slides: 2 x 2 inches. Near Fine. 18 color French front-of-house cards: 8.75 x 11 inches. Near Fine. "The Devils" promotional book: Near Fine saddle-stapled with embossed Very Good plus jacket with light soiling rubbing and toning and a 1.5 inch tear to the front jacket near the spine. Program: 8 x 11 inches. Light edgewear else Near Fine. Press Kit: Folder 9 x 12 inches Very Good plus with light edgewear and rubbing. Press Releases 8.5 x 11 Near Fine. "The Daily Telegraph Magazine": 9.75 x 12 inches saddle-stapled. Very Good plus with light rubbing and edgewear. "Dirigido Por." magazine: 8 x 11 inches perfect bound. Very Good plus with wear and rubbing at the spine and staple holes near the spine. N.p. unknown books
réf. 162762Universal City: Dreamworks 2007. Revised Draft script for the 2008 film. Rainbow revision copy belonging to production coordinator Eve Honthaner with her name in manuscript ink on the first leaf of the title page. Included with the script are numerous gatherings of production documents including shooting schedules call sheets maps of filming locations script supervisor breakdowns and travel logs and multiple revisions of the same. A group of narcissistic actors in the process of filming a Vietnam War movie are unaware that they are in real danger from a drug gang they believe to be extras in the film. Robert Downey Jr. was nominated for a Best Supporting Actor Oscar for his role as Oscar-seeking method actor Kirk Lazarus a role that along with his franchise-starting turn in "Iron Man" the same year resurrected his career. Shot on location in Santa Clarita California and in Kaua'i Hawaii. Self wrappers. Title page present dated May 1 2007 with credits for screenwriters Etan sic Ethan Cohen Ben Stiller and Justin Theroux. 142 leaves with last page of text numbered 123. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between July 3 and November 4 2007. Pages Very Good plus bound with three gold brads. Dreamworks unknown
réf. 162762Universal City: Dreamworks 2007. Revised Draft script for the 2008 film. Rainbow revision copy belonging to production coordinator Eve Honthaner with her name in manuscript ink on the first leaf of the title page. Included with the script are numerous gatherings of production documents including shooting schedules call sheets maps of filming locations script supervisor breakdowns and travel logs and multiple revisions of the same. A group of narcissistic actors in the process of filming a Vietnam War movie are unaware that they are in real danger from a drug gang they believe to be extras in the film. Robert Downey Jr. was nominated for a Best Supporting Actor Oscar for his role as Oscar-seeking method actor Kirk Lazarus a role that along with his franchise-starting turn in "Iron Man" the same year resurrected his career. Shot on location in Santa Clarita California and in Kaua'i Hawaii. Self wrappers. Title page present dated May 1 2007 with credits for screenwriters Etan sic Ethan Cohen Ben Stiller and Justin Theroux. 142 leaves with last page of text numbered 123. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between July 3 and November 4 2007. Pages Very Good plus bound with three gold brads. Dreamworks unknown books
réf. 167970New York: Exoskeleton 1998. First Draft script for the 1999 film. An African-American hitman who models himself after the code of ancient samurai is caught in the crosshairs of a Mafia boss and his associates after a hit gone wrong. Interpreted by some as an homage to Jean-Pierre Melville's 1967 crime drama "Le Samouraï." Shot on location in Jersey City. Self wrappers. Title page present dated February 5 1998 noted as First Draft with credit for director and screenwriter Jim Jarmusch. 88 leaves with last page of text numbered 87. Xerographic duplication rectos only. Pages Very Good plus lightly toned and soiled on the title page and page edges unbound. Exoskeleton unknown
réf. 167970New York: Exoskeleton 1998. First Draft script for the 1999 film. An African-American hitman who models himself after the code of ancient samurai is caught in the crosshairs of a Mafia boss and his associates after a hit gone wrong. Interpreted by some as an homage to Jean-Pierre Melville's 1967 crime drama "Le Samouraï." Shot on location in Jersey City. Self wrappers. Title page present dated February 5 1998 noted as First Draft with credit for director and screenwriter Jim Jarmusch. 88 leaves with last page of text numbered 87. Xerographic duplication rectos only. Pages Very Good plus lightly toned and soiled on the title page and page edges unbound. Exoskeleton unknown books
