11 066 résultats
réf. 141442Burbank CA: Cinema Epoch 1977. Draft script for the 1977 film. Text in Japanese. A female golfer tries to perform to the very best of her abilities but must contend with the men in her life her neighbors her family and a stalker who will not leave her alone. Pink titled perfect-bound wrappers. Title page present. 118 leaves with last page of text numbered 110. Mechanical duplication. Pages Very Good plus wrapper Very Good plus. Cinema Epoch unknown books
1961réf. 141438Tokyo: Nikkatsu 1961. Treatment script for the 1961 film. Text in Japanese. A 1920s playwright meets a beautiful woman who might be the ghost of his patron's deceased wife. White titled perfect-bound wrappers. Title page present. 39 leaves with last page of text numbered 38. Mechanical duplication. Pages Very Good plus wrapper Very Good plus. Nikkatsu unknown books
1963réf. 141423Tokyo: Nikkatsu 1963. Draft script for the 1963 film. Text in Japanese. A metaphor for the experience of Japanese citizens in the postwar era told through the perspective of a woman named Tome born into a lower class family. She finds herself in a cycle of self-defeat repeating the same mistakes that have always plagued her. Yellow titled perfect-bound wrappers. Title page present. 156 leaves with last page of text numbered 29. Mechanical duplication. Pages Near Fine wrapper Near Fine. Criterion Collection 473. Eureka 22. Nikkatsu unknown
1963réf. 141423Tokyo: Nikkatsu 1963. Draft script for the 1963 film. Text in Japanese. A metaphor for the experience of Japanese citizens in the postwar era told through the perspective of a woman named Tome born into a lower class family. She finds herself in a cycle of self-defeat repeating the same mistakes that have always plagued her. Yellow titled perfect-bound wrappers. Title page present. 156 leaves with last page of text numbered 29. Mechanical duplication. Pages Near Fine wrapper Near Fine. Criterion Collection 473. Eureka 22. Nikkatsu unknown books
1933réf. 131380Hollywood: Paramount Pictures 1933. Second Script for the 1933 film. Rubber-stamped on the front wrapper "FILE COPY / RETURN TO SCRIPT DEPT. / PARAMOUNT STUDIO - HOLLYWOOD" and "1837 / MASTER FILE." The film's original title "Don't Call Me Madam" is present on the front wrapper crossed through with the new title "Tillie and Gus" written in manuscript ink above it. Based on a short story entitled "Don't Call Me Madame" by Rupert Hughes about Tillie and Gus Winterbottom Alisone Skipworth and W. C. Fields and their tribulations involving a deceased family member's inheritance. Even with the ensuing events including a riverboat race and a baby-toting bathtub that floats downstream reminiscent of Moses in a basket the film is remembered as one of Fields' "sleepers" one less punchy than others. "Tillie and Gus" was one of three pairings of Skipworth and Fields the others being "Six of a Kind" 1934 and "If I Had a Million" 1932. Tall side stapled salmon self wrappers noted as SECOND SCRIPT on the front wrapper rubber-stamped copy production No. 1837 dated March 10 1933 with credits for screenwriters Jones McNutt and Harris. Title page integral with the first page of the script. 137 leaves mimeograph on salmon colored stock. Pages about Near Fine rear wrapper detached but present else wrappers Very Good plus. Paramount Pictures unknown
1933réf. 131380Hollywood: Paramount Pictures 1933. Second Script for the 1933 film. Rubber-stamped on the front wrapper "FILE COPY / RETURN TO SCRIPT DEPT. / PARAMOUNT STUDIO - HOLLYWOOD" and "1837 / MASTER FILE." The film's original title "Don't Call Me Madam" is present on the front wrapper crossed through with the new title "Tillie and Gus" written in manuscript ink above it. Based on a short story entitled "Don't Call Me Madame" by Rupert Hughes about Tillie and Gus Winterbottom Alisone Skipworth and W. C. Fields and their tribulations involving a deceased family member's inheritance. Even with the ensuing events including a riverboat race and a baby-toting bathtub that floats downstream reminiscent of Moses in a basket the film is remembered as one of Fields' "sleepers" one less punchy than others. "Tillie and Gus" was one of three pairings of Skipworth and Fields the others being "Six of a Kind" 1934 and "If I Had a Million" 1932. Tall side stapled salmon self wrappers noted as SECOND SCRIPT on the front wrapper rubber-stamped copy production No. 1837 dated March 10 1933 with credits for screenwriters Jones McNutt and Harris. Title page integral with the first page of the script. 137 leaves mimeograph on salmon colored stock. Pages about Near Fine rear wrapper detached but present else wrappers Very Good plus. Paramount Pictures unknown books
1969réf. 159025Burbank CA: Warner Brothers 1969. Four vintage reference photographs from the 1969 film including three single weight and one double weight. All four show director Gordon Parks on the set. Three with printed mimeo snipes affixed to the versos. Based on director Gordon Parks' semi-autobiographical 1963 novel. The first major studio production directed by an African American and one of few dramas of the period to focus exclusively on Black life in America depicting the life of a teenager in late 1920s Kansas who grows up quickly as he experiences events related to racial and economic injustice in his community. Set and shot on location in Kansas. 10 x 8 inches. Near Fine. National Film Registry. Warner Brothers unknown
1969réf. 159025Burbank CA: Warner Brothers 1969. Four vintage reference photographs from the 1969 film including three single weight and one double weight. All four show director Gordon Parks on the set. Three with printed mimeo snipes affixed to the versos. Based on director Gordon Parks' semi-autobiographical 1963 novel. The first major studio production directed by an African American and one of few dramas of the period to focus exclusively on Black life in America depicting the life of a teenager in late 1920s Kansas who grows up quickly as he experiences events related to racial and economic injustice in his community. Set and shot on location in Kansas. 10 x 8 inches. Near Fine. National Film Registry. Warner Brothers unknown books
1938réf. 151968Paris: Paris Film 1938. Vintage oversize double weight reference photograph from the 1938 film showing actors Jean Gabin and Julien Carette. Based on the 1890 social realist novel by Emile Zola. Director Jean Renoir's film remains true to the proletarian source material while grafting on elements of film noir and his own humanist philosophy. One of the director's biggest commercial successes with a powerful lead performance by Jean Gabin. Remade in the US by Fritz Lang in 1954 as "Human Desire." 15.75 x 12 inches. Very Good plus with creasing to far bottom corners with a small bruise on right side small crease to top right and a very small closed tear in top margin. Criterion Collection 324. Godard Histoires du cinema. Grant France. Rosenbaum 1000. Paris Film unknown
1938réf. 151968Paris: Paris Film 1938. Vintage oversize double weight reference photograph from the 1938 film showing actors Jean Gabin and Julien Carette. Based on the 1890 social realist novel by Emile Zola. Director Jean Renoir's film remains true to the proletarian source material while grafting on elements of film noir and his own humanist philosophy. One of the director's biggest commercial successes with a powerful lead performance by Jean Gabin. Remade in the US by Fritz Lang in 1954 as "Human Desire." 15.75 x 12 inches. Very Good plus with creasing to far bottom corners with a small bruise on right side small crease to top right and a very small closed tear in top margin. Criterion Collection 324. Godard Histoires du cinema. Grant France. Rosenbaum 1000. Paris Film unknown books
réf. 172342Burbank CA: Walt Disney Productions 1975. Shooting script for the 1976 film. Not to be confused with the 2003 remake starring Jamie Lee Curtis and Lindsay Lohan. Based on the 1972 novel by Mary Rodgers who also wrote the screenplay about a feuding mother and daughter who magically switch bodies for a day allowing each to gain sympathy for the other. A star vehicle for Jodie Foster and one of the last films before Foster began transitioning to more adult roles. Yellow titled wrappers dated July 15 1975 noted as Shooting Script and production No. 0151 on the front wrapper with credit for Rodgers. Title page integral with the first page of text noted as production No. 0151 and dated 7/15/75. 129 leaves with last page of text numbered 129. Xerographic duplication rectos only. Pages Near Fine wrappers Very Good plus moderately faded to the edges bound internally with three gold brads. Walt Disney Productions unknown
réf. 172342Burbank CA: Walt Disney Productions 1975. Shooting script for the 1976 film. Not to be confused with the 2003 remake starring Jamie Lee Curtis and Lindsay Lohan. Based on the 1972 novel by Mary Rodgers who also wrote the screenplay about a feuding mother and daughter who magically switch bodies for a day allowing each to gain sympathy for the other. A star vehicle for Jodie Foster and one of the last films before Foster began transitioning to more adult roles. Yellow titled wrappers dated July 15 1975 noted as Shooting Script and production No. 0151 on the front wrapper with credit for Rodgers. Title page integral with the first page of text noted as production No. 0151 and dated 7/15/75. 129 leaves with last page of text numbered 129. Xerographic duplication rectos only. Pages Near Fine wrappers Very Good plus moderately faded to the edges bound internally with three gold brads. Walt Disney Productions unknown books
1957réf. 161410N.p.: Jerry Wald Productions 1957. Revised Final Draft script for the 1957 film here under the working title "Down Payment." Specially bound copy belonging to producer Jerry Wald with his name in gilt on the spine. Twelve reference photographs from the film bound in variously among the script pages. All photographs except for two cast photographs with text in margin struck at the production company Twentieth Century Fox and title "Down Payment" with correction stamps of "Jerry Wald" and "No Down Payment" adjacent. Based on the 1957 novel by John McPartland. An examination of the intertwined lives of four married couples in a newly constructed suburban Los Angeles community and the issues they harbor such as alcoholism marital infidelity racism and religion. Script written by uncredited and blacklisted screenwriter Ben Maddow and fronted by Philip Yordan. Set in and shot on location in Los Angeles. Bound in light blue cloth with navy quarter leather finding with five raised bands and gilt titles on the spine. 154 leaves with last page of text numbered 143. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 4/17/57 and 6/17/57. Pages Near Fine binding Near FIne. Selby US. Spicer US. Jerry Wald Productions unknown
1957réf. 161410N.p.: Jerry Wald Productions 1957. Revised Final Draft script for the 1957 film here under the working title "Down Payment." Specially bound copy belonging to producer Jerry Wald with his name in gilt on the spine. Twelve reference photographs from the film bound in variously among the script pages. All photographs except for two cast photographs with text in margin struck at the production company Twentieth Century Fox and title "Down Payment" with correction stamps of "Jerry Wald" and "No Down Payment" adjacent. Based on the 1957 novel by John McPartland. An examination of the intertwined lives of four married couples in a newly constructed suburban Los Angeles community and the issues they harbor such as alcoholism marital infidelity racism and religion. Script written by uncredited and blacklisted screenwriter Ben Maddow and fronted by Philip Yordan. Set in and shot on location in Los Angeles. Bound in light blue cloth with navy quarter leather finding with five raised bands and gilt titles on the spine. 154 leaves with last page of text numbered 143. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 4/17/57 and 6/17/57. Pages Near Fine binding Near FIne. Selby US. Spicer US. Jerry Wald Productions unknown books
réf. 143238Tokyo/Kyoto: Daiei Studios 1970. Final script for the 1970 Japanese film seen here under the alternate title "Zatochi: The Killer's Song." Single folded leaf with a xerographically duplicated character list laid in with single manuscript ink notation. Text in Japanese. The longest-running action series in Japanese history and one of the screen's great heroes the character of Zatoichi a blind masseur and swordmaster was created by novelist Kan Shimozawa first appearing on film in 1962. A total of 26 films were made from 1962 to 1989. "Zatoichi Goes to the Fire Festival" is the 21st film of the series where Zatoichi is mentored by the blind leader of a secret organization as he contends with both the Yakuza and a jealous husband. Set in the Japanese Edo period. Blue titled wrappers. Title page present. 69 leaves with last page of text numbered c-50. Mechanical duplication. Pages Near Fine with mild foxing on papers edge wrapper Very Good plus title on spine. Criterion Collection 679. Daiei Studios unknown
réf. 143238Tokyo/Kyoto: Daiei Studios 1970. Final script for the 1970 Japanese film seen here under the alternate title "Zatochi: The Killer's Song." Single folded leaf with a xerographically duplicated character list laid in with single manuscript ink notation. Text in Japanese. The longest-running action series in Japanese history and one of the screen's great heroes the character of Zatoichi a blind masseur and swordmaster was created by novelist Kan Shimozawa first appearing on film in 1962. A total of 26 films were made from 1962 to 1989. "Zatoichi Goes to the Fire Festival" is the 21st film of the series where Zatoichi is mentored by the blind leader of a secret organization as he contends with both the Yakuza and a jealous husband. Set in the Japanese Edo period. Blue titled wrappers. Title page present. 69 leaves with last page of text numbered c-50. Mechanical duplication. Pages Near Fine with mild foxing on papers edge wrapper Very Good plus title on spine. Criterion Collection 679. Daiei Studios unknown books
1950réf. 141467Tokyo: Shintoho Film 1950. Two Draft scripts for the 1950 film. Text in Japanese. Based on a novel by Selichi Funabashi . A young servant girl Hamako has recently begun working for her hero Madame Yuki who quickly disillusioned her to her dream when she is presented with a list of the Madame's personal problems. First draft: White illustrated titled perfect-bound wrappers. Title page present. 116 leaves with last page of text numbered 36. Mechanical duplication. Pages Very Good plus wrapper Very Good plus. Second draft: White titled perfect-bound wrappers. Title page present. 15 leaves with last page of text numbered 15. Mechanical duplication. Pages Very Good plus wrapper Very Good plus. Shintoho Film unknown
1956réf. 141466Kanagawa Japan: Daiei Studios 1956. Draft script for the 1956 film. Text in Japanese. With annotations on a few pages in manuscript ink. Based on the novel "Susaki No Onna" by Yoshiko Shibaki. The last film of Mizoguchi this film is a vivid portrayal of prostitution in 1950s Japan shot before the Japanese government's anti-prostitution bill told through the perspective of several different women who work in the business for various reasons. Set in Tokyo and shot on location there. White titled perfect-bound wrappers. Title page present. 142 leaves with last page of text numbered 13. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with two staples. Criterion Collection Eclipse 13. Eureka Masters of Cinema. Daiei Studios unknown
1950réf. 141467Tokyo: Shintoho Film 1950. Two Draft scripts for the 1950 film. Text in Japanese. Based on a novel by Selichi Funabashi . A young servant girl Hamako has recently begun working for her hero Madame Yuki who quickly disillusioned her to her dream when she is presented with a list of the Madame's personal problems. First draft: White illustrated titled perfect-bound wrappers. Title page present. 116 leaves with last page of text numbered 36. Mechanical duplication. Pages Very Good plus wrapper Very Good plus. Second draft: White titled perfect-bound wrappers. Title page present. 15 leaves with last page of text numbered 15. Mechanical duplication. Pages Very Good plus wrapper Very Good plus. Shintoho Film unknown books
1956réf. 141466Kanagawa Japan: Daiei Studios 1956. Draft script for the 1956 film. Text in Japanese. With annotations on a few pages in manuscript ink. Based on the novel "Susaki No Onna" by Yoshiko Shibaki. The last film of Mizoguchi this film is a vivid portrayal of prostitution in 1950s Japan shot before the Japanese government's anti-prostitution bill told through the perspective of several different women who work in the business for various reasons. Set in Tokyo and shot on location there. White titled perfect-bound wrappers. Title page present. 142 leaves with last page of text numbered 13. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with two staples. Criterion Collection Eclipse 13. Eureka Masters of Cinema. Daiei Studios unknown books
1948réf. 168105London: Two Cities / The Rank Organization 1948. Vintage pressbook for the French release of the 1948 British film. Includes ten newspaper clippings 13 publicity photographs 12 with Victory Films stamps on the verso and one with a printed mimeo snipe and J. Arthur Rank stamp on the same and a mimeograph summary of the film. Clippings and summary in French. The second of three Shakespeare adaptations by Laurence Olivier considered not only the best of the trio but also one of the most inspired adaptations of the Bard's work. Winner of the Academy Awards for Best Picture and Best Actor. Two-color bi-fold measuring 9.25 x 12.25 inches. Photographs 8 x 10 inches. Bi-fold and clippings Very Good plus moderately edgeworn photographs and summary Near Fine. Criterion Collection 82. Two Cities / The Rank Organization unknown
1948réf. 168105London: Two Cities / The Rank Organization 1948. Vintage pressbook for the French release of the 1948 British film. Includes ten newspaper clippings 13 publicity photographs 12 with Victory Films stamps on the verso and one with a printed mimeo snipe and J. Arthur Rank stamp on the same and a mimeograph summary of the film. Clippings and summary in French. The second of three Shakespeare adaptations by Laurence Olivier considered not only the best of the trio but also one of the most inspired adaptations of the Bard's work. Winner of the Academy Awards for Best Picture and Best Actor. Two-color bi-fold measuring 9.25 x 12.25 inches. Photographs 8 x 10 inches. Bi-fold and clippings Very Good plus moderately edgeworn photographs and summary Near Fine. Criterion Collection 82. Two Cities / The Rank Organization unknown books
réf. 148351Rome: Reteitalia 1989. Draft script for the 1989 television film originally aired on Video 80 on May 12. Copy belonging to script supervisor Franca Invernizzi with her extensive manuscript annotations on nearly every page and many page versos regarding camera shots takes timing and dialogue. Bound in after the script is an annotated list of scenes and several handwritten pages of Invernizzi's notes. Laid in with the script are three carbon typescript revision pages and several documents relating to production. Text in Italian. Based on Giovanni Guareschi's 1982 short story. After moving to Bologna to start a new life an impoverished widow decides to hide the existence of her nine children from her landlady in order to avoid higher rent prices. Set and shot on location in Bologna. Script: Brown quarter leather spring binder housing the script. Script in yellow untitled wrappers. Title page present dated Ottobre 1987 with credits for director Lina Wertmuller and novelist Giovanni Guareschi. 134 leaves with last page of text numbered 132. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good with light wear overall and tape reinforcements to the spine bound with two gold brads. List of scenes: Seven leaves with last page numbered 7. Xerographic duplication rectos only. Pages Very Good plus with light edgewear. Reteitalia unknown
réf. 148351Rome: Reteitalia 1989. Draft script for the 1989 television film originally aired on Video 80 on May 12. Copy belonging to script supervisor Franca Invernizzi with her extensive manuscript annotations on nearly every page and many page versos regarding camera shots takes timing and dialogue. Bound in after the script is an annotated list of scenes and several handwritten pages of Invernizzi's notes. Laid in with the script are three carbon typescript revision pages and several documents relating to production. Text in Italian. Based on Giovanni Guareschi's 1982 short story. After moving to Bologna to start a new life an impoverished widow decides to hide the existence of her nine children from her landlady in order to avoid higher rent prices. Set and shot on location in Bologna. Script: Brown quarter leather spring binder housing the script. Script in yellow untitled wrappers. Title page present dated Ottobre 1987 with credits for director Lina Wertmuller and novelist Giovanni Guareschi. 134 leaves with last page of text numbered 132. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good with light wear overall and tape reinforcements to the spine bound with two gold brads. List of scenes: Seven leaves with last page numbered 7. Xerographic duplication rectos only. Pages Very Good plus with light edgewear. Reteitalia unknown books
réf. 165393London: HandMade Films 1982. Archive of material from the 1982 British film including two screenplays and multiple production documents as well as a manuscript costume design book with fabric samples and notes regarding costuming. Archive belonging to assistant costume designer Jane Hamilton with her name in manuscript ink on the title page of one script. Archive includes several production documents including a list of revisions to the script call sheets a directory and location contact sheet a map a shooting schedule and production memos. After a decade of missionary work in Africa an Anglican priest returns to London and attempts to adjust to his new assignment: ministering to the city's prostitutes. Set in turn-of-the-century London and shot on location in London Hampshire and Surrey England. Script dated 2nd February 1982: Script housed in a three-ring binder. Purple untitled wrappers with die-cut title window in the British style. Title page present dated 2nd February 1982 with credit for screenwriter Michael Palin. 133 leaves with last page of text numbered 132. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine. Script dated 22nd February 1982: Script housed in a titled three-ring binder. Title page present dated 22nd February 1982 with credit for Palin. 123 leaves with last page of text numbered 122. Mimeograph duplication rectos only with white revision pages throughout dated variously between March 8 and 9 1982. Pages Near Fine. Costume design book and production documents generally Very Good plus to Near Fine. Costume design book has several fabric samples detached from leaves having been originally attached with cello tape. HandMade Films unknown
