11.046 Ergebnisse
1970Best.-Nr. 141053N.p.: N.p. 1970. Draft script for an unproduced film. Single annotation in manuscript pencil on the title page. A motorcycle racer decides to settle down and open a motorcycle garage in a small town. He soon realizes his dangerous past has earned him the scorn of the local government which is revealed to be intent on shutting him down. Set in Freedom Arizona. Brown untitled wrappers with die cut title window in the British style. Title page present undated with credit for screenwriter Temma Kramer. 120 leaves with last page of text numbered 116. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three silver brads. N.p. unknown
1980Best.-Nr. 149781N.p.: N.p. 1980. Draft script for an unproduced film. Passengers on a ship heading to the Caribbean in the 1940s contend with a group of black marketeers who wish to commandeer the vessel for their own nefarious means. Beige pictorial front wrapper lacking rear wrapper. Title page present dated 1980 with credits for screenwriter Roger Ernest. 124 leaves with last page of text numbered 123. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good unbound. N.p. unknown
1987Best.-Nr. 147084N.p.: N.p. 1987. Draft script for an unproduced film. Amid citywide protests over increasingly brutal gang violence a middle-aged police officer decides to take matters into his own hands by donning a World War II officer's uniform and taking to the streets as a Thompson-toting crime-fighting vigilante. Set in Huntington Park Los Angeles. Gray titled wrappers with credits for screenwriter Roger Karshner. Title page present dated 1987 with credits for screenwriter Roger Karshner. 117 leaves with last page of text numbered 115. Xerographic duplication rectos only. Pages Very Good wrapper Very Good lightly dampstained along the top page edges bound with three gold brads. N.p. unknown
1969Best.-Nr. 147417N.p.: N.p. 1969. Draft script for an unproduced film. Three decades in the life of a German family beginning after World War II. Set in Geneva and Germany. Blue titled wrappers. Title page present with credits for screenwriter GRAHAM MacABEE. 130 leaves with last page of text numbered 129. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with two silver brads. N.p. unknown
1982Best.-Nr. 149773N.p.: N.p. 1982. Second Revised Draft script for an unproduced film. With a single copied manuscript annotation on the title page reading "Please return to: Pancho Kohner." A baby-crazy 35 year-old woman recruits a newly divorced stranger to impregnate her over the course of a no-strings-attached weekend but their time together takes a turn when they start to fall for each other. Screenwriter Carl Kleinschmitt was best known as a television writer including episodes of "The Dick Van Dyke Show" and "MASH." Set in Santa Barbara California. Yellow titled wrappers. Title page present dated MARCH 29 1982 noted as 2nd REVISED DRAFT with credits for screenwriter CARL KLEINSCHMITT. 121 leaves with last page of text numbered 102. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown
1960Best.-Nr. 163339N.p.: N.p. 1960. Vintage oversize borderless reference photograph of actor Charles Aznavour and director François Truffaut on the set of the 1960 film. Annotations in manuscript ink and a printed provenance label on the verso. Aznavour spends half his time playing saloon piano and half his time on the run in this early Truffaut masterpiece one of the great French noirs based on the 1956 hard-boiled novel "Down There" by American pulp author David Goodis. Criterion notes: "François Truffaut is drunk on the possibilities of cinema in this his most playful film. Part thriller part comedy part tragedy Shoot the Piano Player relates the adventures of mild-mannered piano player Charlie Charles Aznavour in a triumph of hangdog deadpan as he stumbles into the criminal underworld and a whirlwind love affair. Loaded with gags guns clowns and thugs this razor-sharp homage to the American gangster film is pure nouvelle vague." 9 x 11.25 inches. Very Good plus. Criterion Collection 315. Grant France. N.p. unknown
1991Best.-Nr. 163972N.p.: N.p. 1991. Draft script for an unproduced film. From the archive of crew member Chris Scher. A comedy about a dysfunctional family converging on their home in the countryside at Christmas. Canadian director and screenwriter John Kent Harrison is best known for his work in television most notably "The Sound and the Silence" 1992 and his 1997 adaptation of William Faulkner's "Old Man." Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Black wrappers with a printed agency title label crediting Harrison affixed to the front wrapper. Title page present dated August 12 1991 with credit for Harrison. PAGES leaves with last page of text numbered 120. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with front wrapper partially detached from the binding bound with two gold brads. N.p. unknown
1995Best.-Nr. 163974N.p.: N.p. 1995. Draft script for the 1995 film. From the archive of crew member Chris Scher with her numeric annotation in manuscript ink on page 2 and her annotations in manuscript pencil regarding props on the rear wrapper. In an alternate America where the social and economic positions of white and Black Americans are reversed a white factory worker kidnaps the factory owner as revenge for an unjust firing. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Red untitled wrappers. Lacking title page presumably as issued. 114 leaves with last page of text numbered 113. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
2006Best.-Nr. 164005N.p.: N.p. 2006. Draft script for an unproduced film. From the archive of crew member Chris Scher. After getting fired a lumber yard worker falls in with a violent trapper in the remote snowy countryside. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Self wrappers. Title page present dated July 7 2006 with credits for screenwriter Jerrold E. Brown. 99 leaves with last page of text numbered 98. Xerographic duplication rectos only. Pages Near Fine bound with three gold brads. N.p. unknown
1990Best.-Nr. 163975N.p.: N.p. 1990. Draft script for an unproduced film. From the archive of crew member Chris Scher. A group of young adults navigate love sex holidays and drugs in the early 1990s. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Self wrappers. Title page present undated with credit for screenwriter Jim Chambers. 138 leaves with last page of text numbered 137. Xerographic duplication rectos only. Pages about Fine bound with three gold brads. N.p. unknown
1933Best.-Nr. 156284N.p.: N.p. 1933. Vintage reference photograph from the 1933 pre-Code film showing actors Colin Clive mansplaining while Katharine Hepburn is having none of it. Manuscript pencil annotations on the verso regarding cropping along with a printed provenance label. Based on the 1932 British novel by Gilbert Frankau about a middle-aged politician who falls in love with a beautiful adventurous aviator. Hepburn's second screen role directed by Dorothy Arzner one of the few female directors in Hollywood from the silent era into the early 1940s. 10 x 8 inches. Near Fine. N.p. unknown
1992Best.-Nr. 163927N.p.: N.p. 1992. Third Draft script for the 1993 film. From the archive of crew member Chris Scher. Based on the award-winning semi-autobiographical 1988 play by John O'Keefe about two teenage boys who create a shared fantastical world in order to mentally escape from their abusive confinement in a juvenile detention center. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Set in the rural midwest shot on location in Toledo and Waterloo Iowa. Self wrappers. Title page present dated 15 April 1992 noted as Third Draft with credit for O'Keefe. 115 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. N.p. unknown
1970Best.-Nr. 148337N.p.: N.p. 1970. Collection of 12 vintage French color lobby cards from the 1970 film. Housed in original labeled paper envelope. Based on the 1967 novel "Intersections" by Paul Guimard who also worked on the screenplay. Nominated for the Palme d'Or at Cannes and remade in 1994 as "Intersection" directed by Mark Rydell and starring Richard Gere Sharon Stone and Lolita Davidovich. Shot on location in Paris La Rochelle and Thoiry France. 11.75 x 9.25 inches. Near Fine. N.p. unknown
1998Best.-Nr. 169960N.p.: N.p. 1998. Revised Draft script for the 2001 film. An agency copy printed on the rectos and versos written seven months prior to the commencement of the production with the marker annotation of "O" on the front wrapper. A modern day adaptation of Shakespeare's "Othello" set in a US high school wherein Odin James Mekhi Phifer the only black student at Palmetto Grove Academy who is the star basketball player and dating the Dean's beautiful daughter Desi Julia Stiles is the envy of his troubled friend Hugo Josh Hartnett who plots a deadly scheme to sow mistrust between Desi and Odin. Shot on location in Charleston South Carolina. Untitled International Creative Management wrappers. Title page present dated 08/12/98 noted as Revision with credits for screenwriter Brad Kaaya. 59 leaves with last page of text numbered 114. Xerographic duplication on the rectos and versos. Pages Near Fine wrapper Very Good plus with dampstaining to the rear board bound internally with two gold brads. N.p. unknown
1950Best.-Nr. 169980N.p.: N.p. 1950. Treatment script for an unproduced film. Copy belonging to screenwriter Harold Jacob Smith with the maker annotation of "H.J. Smith" and a telephone number on the top left corner of the front wrapper. Script with four carbon typescript pages the final three pages and a second title page with the alternative title "The Last American" found preceding the title page matching the front wrapper. The title page with the title matching the front wrapper with a manuscript marker annotation striking second screenwriter Nathan E. Douglas. Nathan E. Douglas was the pseudonym of blacklisted screenwriter Nedrick Young with whom Smith co-wrote the Academy Award winning script for the 1958 film "The Defiant Ones" as well as the acclaimed 1960 film "Inherit the Wind." For generations Joshua Cable's family have lived on their farm in the Appalachia Mountains. After strip mining has left everyone but the coal companies destitute and all the farms poisoned with coal dust Cable desperately gathers the help of other impoverished men to steal equipment from the coal company and mine his farmland for coal in spite of having sold the mineral rights to his land to the coal company years ago. Tan titled wrappers. Two title pages present one with credits for screenwriter Harold Jacob Smith and one for screenwriters Harold Jacob Smith and Nathan E. Douglas with Douglas' name stuck. 37 leaves with last page of text numbered 33. Mimeograph duplication with four pages carbon typescript rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. N.p. unknown
1990Best.-Nr. 170252N.p.: N.p. 1990. Draft script for an unproduced film seen here under two titles: "Once Upon a Poor Boy" and "Flavor Tale" the latter in manuscript ink on the title page. A modern take on "Cinderella" about an unpopular African-American teenager who is helped out by his "Funky Freshfather" a magical being sent to help the boy get ready for the school formal. Screenwriter Tyger Williams wrote the screenplay for "Menace 2 Society" 1993 and continues to write prolifically for television. Self wrappers. Title page present undated with credit for Williams. 114 leaves with last page of text numbered 113. Xerographic duplication rectos only. Pages Very Good plus bound with two gold brads. N.p. unknown
1970Best.-Nr. 147294N.p.: N.p. 1970. Draft script for an unproduced film. Text in English. A wealthy British woman's orderly life is disrupted by her sudden marriage to a handsome unstable Sicilian man. As their relationship begins to degrade the woman suspects the marriage may have been one of convenience for her boorish new husband leading her to take violent and drastic measures to persuade him to change his misogynistic ways. Screenwriters Cesare Frugoni and Tonino Cervi were best known for their collaborations in Italian film in the late 20th century including "La nottata" 1975 "Chi dice donna dice donna" 1976 "Nest of Vipers" 1978 and "L'avaro" 1990. Set in London and rural England. Blue untitled wrappers. Title page present with credits for screenwriters Cesare FRUGONI and Tonino CERVI. 210 leaves with last page of text numbered 207. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus with perfect binding. N.p. unknown
1966Best.-Nr. 148322N.p.: N.p. 1966. Vintage French lobby card from the 1966 film. Revered as one of the masterpieces of cinema Robert Bresson follows a donkey Balthazar through his life as he is passed from owner to owner most treating him cruelly. Set in and shot on location in Yvelines France. 11.75 x 9.25 inches. Very Good plus with pinholes and creasing to corners. Criterion Collection 297. Godard Histoires du cinema. Rosenbaum 1000. Ebert II. N.p. unknown
1969Best.-Nr. 170392N.p.: N.p. 1969. Vintage borderless reference photograph from the 1969 French film showing director Marguerite Duras and actor Michael Lonsdale during filming on location. Stamp of photographer Michel Lioret on the verso. Based on the 1969 novel by Duras a dark psychological drama about four visitors to a rural French hotel. 7 x 5 inches. Near Fine. N.p. unknown
1945Best.-Nr. 164614N.p.: N.p. 1945. Two vintage borderless publicity photographs from the 1945 film one showing actor Glenn Strange in costume as Frankenstein's monster the other showing Strange with Onslow Stevens. Second photograph with annotations in manuscript ink on the verso. The last entry in Universal's famed "monsters" canon a direct sequel to 1944's "House of Frankenstein" which appropriately hosted Universal's "big three" monsters all in Dracula's house including the Prince of Darkness himself Carradine the Wolf Man Chaney Jr. and Frankenstein Glenn Strange along with the requisite mad scientist Onslow Stevens and hunchbacked assistant Jane Adams. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Approximately 7 x 9 inches trimmed irregularly. Very Good plus one with adhesive residue on the verso. N.p. unknown
1989Best.-Nr. 166586N.p.: N.p. 1989. Revised Final Draft script for the 1990 television film which aired on ABC on March 25 1990 with manuscript ink annotations on ten pages mostly adding page and scene numbers. Laid in are three revision pages two goldenrod pages 95 and 101 and one lilac page 94. Carl Weather stars as a security man who works for Billy Dee Williams a sadistic ganger with an alluring and seductive wife Lonette McKee. Shot on location in Los Angeles. Front wrapper integral with title page with the latest revision dated 11/3/89 noted as REVISED FINAL DRAFT with credits for screenwriter Brian Taggert. 105 leaves with last page of text numbered 102. Xerographic duplication rectos only with green yellow goldenrod and lilac revision pages throughout dated variously between 10/31/89 and 11/10/89. Pages Very Good plus bound with two gold brads. Moore The Good the Tough and the Deadly: Action Movies and Stars 1960s-2015. N.p. unknown
1925Best.-Nr. 167106N.p.: N.p. 1925. Two vintage borderless reference photographs from the 1925 film showing then-US vice president Charles G. Dawes visiting the set. Annotations in manuscript pencil on the versos. In 1860 a gambler-turned-rider for the Pony Express learns of a secret plan to aid the Confederate cause. Shot on location in Cheyenne Wyoming. Approximately 10 x 7.5 inches. Very Good plus. Pitts 3139. N.p. unknown
1930Best.-Nr. 167086N.p.: N.p. 1930. Two vintage reference photographs from the 1930 French film one showing actress Catherine Hessling the other showing actor Jean Renoir and Hessling together. Annotations in manuscript ink on the versos. Catherine Hessling's beauty drew her to the attention of Henri Matisse who sent her to model for Pierre-Auguste Renoir. A romance developed between the fledgling model and Renoir's second son Jean and the couple were married in January of 1920. Hessling appeared in several of Renoir's films before the couple's divorce in 1931 including Renoir's first feature-length film "The Whirlpool of Fate" 1925 and his 1926 adaptation of Émile Zola's "Nana." 6.75 x 9 inches. Very Good plus. N.p. unknown
1991Best.-Nr. 165078N.p.: N.p. 1991. Vintage publicity photograph from the 1991 television movie showing actor Dennis Hopper. Annotations in manuscript ink on the verso. Based on the 1988 novel by Peter Dexter. In 1950s Georgia a racist greedy loan shark spirals into increasing violence towards his community and his family culminating in the cold-blooded murder of a Black man. Shot on location in Decatur Concord Crawfordville Jackson and McDonough Georgia. 8 x 10 inches. Near Fine. N.p. unknown
1980Best.-Nr. 165752N.p.: N.p. 1980. Vintage borderless publicity photograph of Boris Karloff in costume as Imhotep being drawn by illustrator Willy Pogány taken by photographer Ray Jones and struck by the photographer from the original negative circa 1980. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. A contemporary of Edmund Dulac Harry Rountree Sarah Stilwell Weber artist Willy Pogány is perhaps best remembered today for his versatile illustrations for children's books. He also worked prolifically as a sculptor painter portraitist and muralist and even briefly as a designer of stage sets and costumes. During the 1930s Pogány moved to Los Angeles where he found employment as an art director in Hollywood. Karloff's second film after his runaway success in "Frankenstein" in which he plays an Egyptian high priest awakened from death by a British field exposition. After disguising himself as a scientist he falls in love with a woman he believes to be the latest incarnation of a priestess from his past. 8 x 10 inches. Near Fine. Weaver and Brunas Universal Horrors 1931-1946. N.p. unknown