11 046 résultats
1940réf. 156009N.p.: N.p. 1940. Vintage borderless reference photograph from the 1940 film showing director William Wyler and actress Bette Davis enjoying tea on the set. A rubber plantation owner's wife claims self defense after shooting her secret lover but a damning letter in her own hand may uncover the truth. 9 x 6.5 inches. Near Fine. Selby US. Spicer US. Grant US. N.p. unknown
1944réf. 154237N.p.: N.p. 1944. Vintage reference photograph from the set of the 1944 film showing actress Tallulah Bankhead sitting and reading a newspaper that makes reference to World War II. A group of survivors are stranded on a lifeboat following a Nazi attack on their merchant ship. Tensions are high as the group negotiates food rations and tries to plot a course to land or rescue. The first film in Alfred Hitchcock's "limited setting" series followed by "Rope" 1948 "Dial M for Murder" 1954 and "Rear Window" 1954. Shot on location in Florida and California. 5 x 4.25 inches. Near Fine. Eureka Masters of Cinema 30. N.p. unknown
1943réf. 155306Los Angeles: Paramount Pictures 1943. Vintage borderless reference photograph from the 1943 film showing director Sam Wood speaking with actors Ingrid Bergman Lilo Yarsen Katina Paxinou and Gray Cooper on the set. Printed mimeo snipe affixed to the verso along with the stamps of PIX Agency and the Westport Public Library. From the archive of the PIX Agency a photo house that acted as an intermediary between émigré photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. Based on Ernest Hemingway's 1940 novel which follows the experiences of an American fighting against the fascists in the Spanish Civil War and his relationship with a young guerrilla fighter. Nominated for nine Academy Awards winning one for Best Supporting Actress for Katina Paxinou. Set and shot on location in Spain. 9.5 x 7.5 inches. Photograph laminated presumably as issued else Near Fine. Paramount Pictures unknown
1972réf. 155215N.p.: N.p. 1972. Treatment script for the 1973 3-D sexploitation film seen here under the working title "International Stewardesses." Copy belonging to uncredited crew member Alan Colberg with "Property of Alan Colberg c/o Stereo Vision" in manuscript pencil annotation on the title page and his additional annotations throughout. Laid in with the script are an original photograph and large format negative of the illustration of the five lead stewardesses used in the film's marketing campaign. Sequel to the successful 1969 3-D softcore comedy film "The Stewardesses" about twelve beautiful stewardesses who are chosen for a three week trip around the world aboard a supersonic airplane. A largely forgotten sequel purportedly attributable to the cost-cutting measures of distributor company Sherpix in post-production. Set in and shot on location in Hong Kong Lisbon Athens and Rome. Green untitled wrappers with a titled label. Title page present with screenplay preparation date of March 1972 noted as a narrative outline with credits for screenwriter Allan Silliphant. 32 leaves with last page of text unnumbered. Xerographic duplication rectos only. Pages Very Good plus with first three pages with a 2 to 3 inch slice to the top center wrapper Very Good plus with a three inch slice to the top center bound internally with three metal brads. Photograph and Negative 10 x 8 inches. Near Fine. Nilsen Warped and Faded. N.p. unknown
1945réf. 153874N.p.: N.p. 1945. Eight vintage reference photographs from the 1945 animated film. A short film following the misadventures of the eponymous main characters a group of river workers including two animated characters in blackface. The group is given control of a Mississippi steamboat called "The Spook" but must contend with a wily ghost onboard. Sequel to the 1943 short film "Professor Small and Mr. Tall." 10 x 8 inches overall with wide margins images measuring 4.5 x 3.5 inches. Generally Near Fine. N.p. unknown
1936réf. 154012N.p.: N.p. 1936. Vintage borderless reference photograph from the 1936 film showing actress and ballerina Harriet Hoctor dancing between two lions. A dramatization of the rise to fame of Broadway producer and impresario Florenz Ziegfeld Jr. An extravagant runaway production with a massive budget lavish sets and costumes by noted designer Adrian. At the time of its release the film was the longest talking film of the time running just over three hours. Nominated for seven Academy Awards winning three including Best Picture and Best Actress for Luise Rainer. 11 x 8.25 inches. Very Good plus with light wear to the corners and right edge. N.p. unknown
1979réf. 151011N.p.: N.p. 1979. Two vintage reference photographs with bottom margins from the 1979 film one of Catriona MacColl and Barry Stokes and one on the set photograph of MacColl Stokes and director Jacques Demy. One with with provenance stamp of film scholar and author "Jean-Pierre Berthome" and layout annotations in manuscript red pencil on verso. Based on the 1972-1973 Japanese manga series "The Rose of Versailles" by Riyoko Ikeda which was also made into a 40 episode anime series under the same name directed by Tadao Nagahama and Osamu Dezak and broadcast on Nippon Television from October 10 1979 to September 3 1980. Oscar Francois de Jarjayes captain of the guards at the Palace of Versailles under King Louis XVI and Marie Antoinette was born a girl and raised as a boy by her militant father. She now finds herself conflicted while in the maw of the French Revolution with the boy she loved in her youth Oscar on the opposite side of the struggle. Shot on location in Paris Seine-et-Marne Oise and Versailles France. 9.25 x 7 inches. Some faint creasing else Near Fine. N.p. unknown
1931réf. 148495N.p.: N.p. 1931. Vintage reference photograph from the 1931 film. Layout annotations in manuscript pencil and two overlapping National Film Archive stamps on the verso. A key French film noir antecedent based on the 1929 novel by Georges de La Fouchardiere and the 1930 play by Andre Mouezy-Eon. An aspiring painter trapped in an abusive marriage falls in love with a prostitute who scams him out of the money for his paintings with the help of her pimp. The second sound film by Jean Renoir. Remade in 1945 as Scarlet Street directed by Fritz Lang and starring Edward G. Robinson and Joan Bennett. Set in and shot on location in Paris. 9.75 x 7.5 inches. Near Fine. Rosenbaum 1000. Criterion Collection 818. Grant France. N.p. unknown
1940réf. 150156N.p.: N.p. 1940. Vintage reference photograph from the 1940 film showing actors Bela Lugosi Boris Karloff and Peter Lorre. A popular band takes on a job performing at a wealthy heiress' birthday bash in her large haunted mansion. 10 x 8 inches. Very Good plus with light adhesive residue and wear to the corners. N.p. unknown
1939réf. 150177N.p.: N.p. 1939. Vintage borderless portrait photograph from the 1939 film showing actor Henry Fonda in costume as a young Abraham Lincoln. A dramatization of the early years of future president Abraham Lincoln following his upbringing in a log cabin to his first loves to his establishment of a law practice in Springfield Illinois. 7 x 9 inches. Very Good plus with light wear to the top corners and adhesive residue on the bottom edge of the verso. National Film Registry. Criterion Collection 320. N.p. unknown
1969réf. 150225N.p.: N.p. 1969. Vintage borderless double weight satin-finish black and white photograph from the 1969 film one showing actors Robert Stephens Geraldine McEwan and Laurence Olivier the other showing Olivier alone. With a photographer's stamp on the verso noted only as "Dominic" along with a library stamp. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. A filmed version of the National Theatre Company play originally directed by Glen Byam Shaw which was based in turn on the 1900 play by August Strindberg. In their isolated home on the coast of Sweden an aging mentally ill ex-military captain engages in vicious battles of will with his wife a former actress whose marriage ended her career. Set in Sweden. One photograph 8 x 9.5 inches one photograph 7.5 x 10 inches. Near Fine. N.p. unknown
1971réf. 150335N.p.: N.p. 1971. Vintage photograph of director Ingmar Bergman setting up a shot with actors Elliott Gould Bibi Andersson and Max Von Sydow. With a printed mimeo snipe affixed to the verso along with a stamp noting No. 11620 and the stamps of PIX Inc. and Camera Press Ltd. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. A seemingly happy Swedish housewife and mother begins an adulterous affair with a foreign archaeologist who is working near her home an emotionally scarred survivor of the Holocaust. Bergman's first English language film shot in England and Sweden and his first film to involve a major American actor Gould working alongside Bergman regulars Sydow and Andersson. Set and shot on location in Sweden and England. 12 x 8.5 inches. Very Good plus faintly toned along the top edge. N.p. unknown
1980réf. 147395N.p.: N.p. 1980. Set of two treatment scripts for an unproduced television project variously described as a television series or prospective feature film. Text in German and English. Based on Nobel Prize-winning author Hermann Hesse's 1934 novel set to the music of Johann Sebastian Bach. Centuries into the future a closed utopian society is dedicated solely to intellectual pursuits encapsulated in the "glass bead game" an esoteric competition which requires a limitless knowledge of music math and culture to win. Hesse's novel follows Joseph Knecht as he becomes a master of the game eventually rising to the top of the hierarchy to become Magister Ludi the executive officer of the game administrators. Although "Das Glasperienspiel" was begun in 1931 publication in Germany was stalled due to the novel's anti-fascist messages leading Hesse to eventually seek publication in Switzerland in 1943. Set in Castalia a fictional province of central Europe in the 25th century. Yellow text in German: Ordered but unbound leaves housed in a yellow plastic folder. Title page present with credits for screenwriter Titus Leber. 22 leaves not numbered. Xerographically reproduced on blue and white stock rectos only. Pages Very Good plus. Black text in English: Ordered but unbound leaves housed in a black plastic folder. Title page present with credits for screenwriter Titus Leber. 22 leaves with last page of text numbered 20. Xerographically reproduced on blue and white stock rectos only. Pages Very Good plus. N.p. unknown
1977réf. 146208N.p.: N.p. 1977. Fourth Draft script for the 1977 film. With a single manuscript ink notation on the front wrapper's right top corner. Based on the 1977 novel by Colin Forbes about a defecting Russian general who collaborates with an American secret agent to expose KGB spies throughout Europe by luring them onto a train headed west. Director Mark Robson and actor Robert Shaw died of unrelated heart attacks within months of the film's release making "Avalanche Express" a final film for both. Set and shot on location in Germany England Ireland Italy and the US. Tan titled wrappers noted as FOURTH DRAFT on the front wrapper dated December 30 1977 with credits for screenwriter Abraham Polonsky. Title page present dated December 30 1977 noted as FOURTH DRAFT with credits for screenwriter Abraham Polonsky. 115 leaves with last page of text numbered 113. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with tearing on the front wrapper binding bound with two gold brads. N.p. unknown
1943réf. 146470Universal City: Universal Pictures 1943. Revised Draft script for the 1944 film. With a few small manuscript pencil annotations throughout noting the name of an unknown crew member. A condemned murderer escapes from jail when Nazis bomb the French prison where he is being held. Encountering the body of a dead French soldier he steals the man's identification papers and uniform and escapes to Africa joining the Resistance Movement and in doing so finding new purpose and a sense of patriotism to France. Set in France and French Equatorial Africa. Beige titled wrappers noted as REVISED on the front wrapper rubber-stamped production No. 7126 dated AUGUST 4 1943 with credits for director JULIEN DUVIVIER. Title page integral with the front wrapper as issued. 140 leaves with last page of text numbered 137. Mimeograph duplication rectos only with blue and white revision pages throughout dated variously between 8/12/43 and 10/4/43. Pages Very Good plus wrapper Very Good with front wrapper detached from binding bound with three gold brads. Universal Pictures unknown
1935réf. 151084N.p.: N.p. 1935. Two vintage reference photographs of Cecil B. DeMille on the set of the 1935 film one with Henry Wilcoxon and C. Aubrey Smith. Mimeo snipes printed on versos. DeMille's typically spectacular dramatization of the Third Crusade launched by King Richard the Lionheart in 1187 AD. Nominated for an Academy Award for Best Cinematography. 8 x 10.25 inches. Near Fine with light edgewear and creasing in margins. N.p. unknown
1976réf. 149763N.p.: N.p. 1976. Two vintage color reference photographs from the 1976 film one showing actor Jodie Foster the other showing actor Scott Jacoby and the back of Connie Foster Jodie's older sister and body double for the scene. One with a collector label on the verso and manuscript ink annotations noting the film's German title the other with a printed mimeo snipe specific to the film's Dutch release. Based on Laird Koenig's 1974 novel wherein a teenage girl living alone attempts to hide a dark familial secret from her upper-crust neighbors. To the displeasure of several producers Jodie Foster who was 13 years old at the time of filming refused to appear in a sex scene with Jacoby leading director Nicolas Gessner to call in Foster's 21 year-old sister as a nude body double. Set in Wells Harbor Maine and shot on location in Montreal and Knowlton Quebec. 10 x 8 inches. Very Good plus with pinholes to the corners and light fading overall. N.p. unknown
1985réf. 149739N.p.: N.p. 1985. Four vintage borderless reference photographs and one vintage reference photograph from the set of the 1985 French film three showing director Agnes Varda and actress Sandrine Bonnaire one showing Varda and cinematographer Patrick Blossier and one showing Varda and a film crew inspecting Bonnaire as she poses as a dead body in a ditch. With the stamp of Cinemagence three with provenance stamps and one with a stamp specific to the film's French release on the verso. Varda's most successful and critically acclaimed film beginning with the discovery of a young migrant woman's body frozen in a ditch in northern France and retracing her life up until the time of her death. As an important and influential French director writer and artist Agnes Varda garnered praise as a filmmaker for her uncompromising documentary-style realism focusing on women and marginalized members of society as well as her experimental style. A colleague of Alain Resnais and other Rive Gauche filmmakers her early work stylistically prefigures the French New Wave and is today considered very much a part of it. Shot on location in Gard Herault and Bouches-du-Rhone France. Four photographs 7 x 5 inches one photograph 7 x 9.5 inches. Near Fine. Criterion Collection 74. N.p. unknown
1925réf. 151451N.p.: N.p. 1925. Vintage reference photograph from the 1925 film showing actors George K. Arthur Bruce Guerin Otto Matiesen and Georgia Hale. From the archive of film historian and author Joel Finler. An impoverished group of dockside dwellers decide to move to the city to make their fortunes. Josef von Sternberg's directorial debut. 10 x 8 inches. Very Good plus lightly and evenly toned with light foxing to the verso. N.p. unknown
1959réf. 151411N.p.: N.p. 1959. Draft script for the 18th episode of season 3 of the 1956-1961 television playhouse series originally aired on February 5 1959. Copy belonging to director George Roy Hill with a printed label noting his name on the verso of the front wrapper and his manuscript ink annotations throughout noting deletions and substantive changes. A kinescope of the program survived and is available for viewing only at the Paley Center for Media in Los Angeles. Based on Michel del Castillo's autobiographical 1957 novel "Tanguy." A young Spanish-French refugee is captured by the Nazis and interned in a concentration camp but finds happiness in Spain after the war. An early effort from the great George Roy Hill who was best known in the ensuing years for "Butch Cassidy and the Sundance Kid" 1969 and "The Sting" 1973. Set in France and Germany. Housed in an untitled black spring binder. Title page present dated 1-19-59 with credits for director George Roy Hill novelist Michel del Castillo and screenwriter Irving Gaynor Neiman. 134 leaves with last page of text numbered 111. Mimeograph duplication rectos only with rainbow revision pages throughout dated variously between 1/23/59 and 2-3-59. Pages Near Fine binder Very Good plus. N.p. unknown
1963réf. 149379N.p.: N.p. 1963. Vintage borderless reference photograph of Orson Welles from the 1963 film. Italian "ROGOPAG / LA RIOTTA" stamp on verso. An anthology film of four short films titled after the names of the four directors: "Illibatezza" directed by Roberto Rossellini "Il Nuovo Mondo" directed by Jean-Luc Godard "La Ricotta" directed by Pier Paolo Pasolini and "Il Pollo Ruspante" directed by Ugo Gregoretti Pasolini's scathing comic rebuke on social inequality and religious hypocrisy wherein a lavish film production of the crucifixion of Christ in a poor region outside Rome finds the extra playing the "good thief" Stracci Mario Cipriani quite literally starving during the production trying everything to get some food all while being berated by the bombastic insufferable director Orson Welles. The film resulted in Pasolini being convicted of blasphemy and the film being banned in Italy. Pasolini was sentenced to a four month prison term which he avoided by paying a fine. 9.5 x 7 inches. Near Fine. Rosenbaum 1000. Criterion Collection 236. N.p. unknown
1943réf. 149399N.p.: N.p. 1943. Vintage borderless reference photograph of Georg Wilhelm G.W. Pabst on the set of the 1943 German film. Production stamps on verso. Made to celebrate the 400th anniversary of the death of Paracelsus. Story of the 16th century Swiss physician/alchemist/astrologer Paracelsus Theophrastus Bombastus von Hohenheim played by Werner Krauss. Made under the auspices of the Third Reich Pabst's second film upon his forced return to Germany after a period in France Paracelsus took on a new vogue in early 1940s Germany attributing Nazi ideals and a hyper-Germanness to the Swiss alchemist and physician. After the collapse of the Third Reich Pabst would go on to forcefully denounce Nazism. Shot on location in Old Town Prague Czech Republic. 7 x 9.75 inches. Light creasing and edgewear else Near Fine. N.p. unknown
1939réf. 147709Los Angeles: Paramount Pictures 1939. Draft script for the 1940 film with the name of uncredited screenwriter Leonard Lee in manuscript pencil over date on lower left. Paramount "File Copy" and "Master File" stamps and manuscript annotation in pencil on front wrapper. Script divided into sequences as was customary for the period. Paramount's 1940 Technicolor south seas adventure. Dea Dorothy Lamour is marooned on an isolated island since childhood with only the company of Koko the chimp when Skipper Joe Lynne Overman and Johnny Potter Robert Preston are marooned on the island by a mutinous crew. The three must battle angry natives and survive tidal waves a forest fire and the titular typhoon to survive. Nominated for an Academy Award. Set on a South Sea island and shot on location in Santa Catalina Island Los Angeles County Arboretum and Botanic Garden and Baldwin Dry Lake California. Self wrappers with front wrapper dated July 8 1939 rubber-stamped production No. 1908. 122 leaves with last page of text numbered E-31. Mimeograph duplication rectos only. Pages Near Fine bound with three gold brads. Paramount Pictures unknown
1929réf. 170375N.p.: N.p. 1929. Vintage reference photograph from the 1929 film showing director Robert Florey with Estelle Taylor Lilian Walker and others on the set. Printed mimeo snipes affixed to the verso. French-American actor and director Robert Florey was a director of B-films working with Metro-Goldwyn-Mayer Warner Brothers Paramount and Columbia over a Hollywood career spanning three decades. He is best remembered today for directing the first Marx Brothers film "The Cocoanuts" 1929 and the 1932 horror film "Murders in the Rue Morgue." His 1937 film "Daughter of Shanghai" was selected for inclusion in the National Film Registry. 10 x 8 inches. Very Good plus or better. N.p. unknown
réf. DADAX0367151510New unknown
