11 046 résultats
1984réf. 148189N.p.: Embassy Pictures 1984. Eight vintage lobby cards from the 1984 film. The film that invented the "rockumentary." Rob Reiner's debut now a timeless cult classic. Film director Mary DiBergi Reiner chronicles the American comeback tour of the aging heavy-metal band Spinal Tap. Selected for the National Film Registry in 2002. 14 x 11 inches. Near Fine. Ebert II. Criterion Collection 12. Embassy Pictures unknown
1969réf. 167512N.p.: N.p. 1969. Vintage borderless reference photograph from the 1969 film showing director Luchino Visconti as his cigarette ash dangles dangerously adjusting the bedding during a scene with actors Ingrid Thulin and Dirk Bogarde. A powerful corrupt industrialist family illustrates the transition of the German upper class from resentment to acceptance of the Nazi party. The first film in Visconti's German Trilogy followed by "Death in Venice" 1971 and "Ludwig" 1973. Shot on location in Germany Austria and Italy. 10 x 8 inches. About Fine. N.p. unknown
1937réf. 165558Universal City: Universal Pictures 1937. Vintage photograph of actor William Lundigan enjoying a cup of coffee between takes on the set of the 1937 film. Printed mimeo snipe provenance stamp and the stamp of photographer Ed Jones on the verso. A small town reporter ends up in jail after attempting to pressure a notorious gangster's girlfriend into an interview. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 8 x 10 inches. Neat pinholes at each corner else about Near Fine. Universal Pictures unknown
1972réf. 167514N.p.: N.p. 1972. Vintage color reference photograph from the 1972 French softcore film. A married American journalist is seduced by two stewardesses kicking off a series of unusual and occasionally political occurrences. 5 x 3.5 inches. Very Good plus. Bier 734. N.p. unknown
1953réf. 171982N.p.: N.p. 1953. Three vintage reference photographs from the 1953 horror film. Two with the stamp of Stempel-Olenick Agency on the versos and all three with annotations in manuscript ink and pencil relating to actor John Dodsworth. Based on the 1945 novel by Maurice Sandoz. A Scotsman breaks off his engagement and returns to Scotland moving into his uncle's castle. His fiancée and her aunt follow him only to discover that the castle has caused him to rapidly age. The second 3-D film directed by William Cameron Menzies. 10 x 8 inches. Very Good plus moderately curled. Complete collation details available on request. N.p. unknown
1973réf. 171988Various cities: Nederland Film / British Leyland 1973. Vintage program for the 1973 Dutch film. Issued by British Leyland automotive company in collaboration with Nederland Film with a contest advertised at the rear of the program. Text in Dutch. Based on Jan Wolkers' 1969 novel. A gifted but poor sculptor marries a beautiful wealthy young woman but their relationship is tumultuous and soon sours. Director Paul Verhoeven's second feature film the screen debuts of both Rutger Hauer and van de Ven and the most successful release in the history of Dutch cinema. Set and shot on location in Noord-Holland and Rotterdam Netherlands. 6 x 9 inches. Seven pages. Very Good plus in side-stapled wrappers with last leaf partially detached from the binding. Nederland Film / British Leyland unknown
1972réf. 171980N.p.: N.p. 1972. Two vintage borderless reference photographs from the set of the 1972 film-one showing director Ingmar Bergman talking with actors Liv Ullmann and Ingrid Thulin between takes the other showing Bergman with cast and crew members in the projection room reviewing daily rushes. Both with the stamp of photographer Bo-Erik Gyberg on the verso. Included with the photographs is a nine-page copy of an English-language publicity article about Bergman and the film dated 1973 housed in an envelope with the label of Ernie Anderson Bergman's American talent agent with the Paul Kohner Agency affixed to the front. In her last days a woman dying of uterine cancer is moved to her childhood home where she is placed under the care of her emotionally distant sisters and distraught maid. Bergman's abstracted portrait of his mother with each of the women in the film representing an aspect of her personality. Shot on location at Taxinge-Nasby Castle in Mariefred Sweden. 7.25 x 9.5 inches. Lightly curled else Near Fine. Criterion Collection 101. Complete collation details available on request. N.p. unknown
1967réf. 170505Culver City CA: Columbia Pictures 1967. Vintage borderless studio still photograph from the 1967 film showing writer Truman Capote talking with director Richard Brooks and cinematographer Conrad Hall on location in Kansas. Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Capote's most famous book and remains one of the great meditations on violence in America. Nominated for four Academy Awards. 7.5 x 10 inches. About Fine. National Film Registry. Ebert II. Criterion Collection 781. Penzler 101. Spicer US. Columbia Pictures unknown
1974réf. 170507N.p.: N.p. 1974. Vintage reference photograph from the 1974 Italian film showing director Liliana Cavani and actor Charlotte Rampling on the set. Cavani's international breakthrough a deeply controversial film about a Holocaust survivor who renews her sadomasochistic sexual relationship with her Nazi captor after a chance encounter which threatens to expose his fellow former SS officers now living in secret in postwar Vienna. Shot on location in Vienna Austria and Rome Italy. 10 x 8 inches. Near Fine. Criterion Collection 59. Grant Italy. N.p. unknown
1972réf. 171995N.p.: N.p. 1972. Vintage borderless double weight photograph of cast and crew members of the 1972 film including director Ingmar Bergman and all principal cast raising their glasses in a toast. In her last days a woman dying of uterine cancer is moved to her childhood home where she is placed under the care of her emotionally distant sisters and distraught maid. Bergman's abstracted portrait of his mother with each of the women in the film representing an aspect of her personality. Shot on location at Taxinge-Nasby Castle in Mariefred Sweden. 13.5 x 9.5 inches. Very Good plus with brief wear to the corners. Criterion Collection 101. Complete collation details available on request. N.p. unknown
1970réf. 151201N.p.: N.p. 1970. Draft script for an unproduced film. A lawyer investigates the wrongful detainment of his partner by the police who he suspects has been held due to his political activities during a recent social unrest. Screenwriter Michael Sarne is best known for his work as a director including "Joanna" 1968 and "Myra Breckinridge" 1970 and as an actor most notably in "Intimidade" 1975 and "Eastern Promises" 2007. Set in South America. Red untitled wrappers with a die-cut title window in the British style. Title page present undated with credits for screenwriter Michael Sarne. 96 leaves with last page of text numbered 94. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with two silver brads. N.p. unknown
1940réf. 148596Culver City CA: Universal City Studios 1940. Temporary Complete script from an unproduced film by screenwriter Walter Reisch. Annotation of date "4-19-40" in manuscript pencil on affixed MGM Label with "Property of Universal City Studios" stamp below label. Reisch worked in Germany's leading film company Ufa during the late 1920s and early 1930s alongside another Viennese writer Billy Wilder as a screenwriter assistant director and cameraman as well as lyricist for operatic films. Forced to join the mass exodus from Germany during the rise of Nazism he moved to London writing and directing the 1936 comedy "Men Are Not Gods" starring Miriam Hopkins which attracted attention from Louis B. Mayer. From 1938 to 1948 Reisch worked at MGM as a script doctor and screenwriter on such films as Ernst Lubitsch's "Ninotchka" 1939 starring Geta Garbo and George Cukor's "Gaslight" 1944 starring Ingrid Bergman. The ingenious but disheveled naval officer Lieutenant Andrew Milford arrives in Sinapore in the US Submarine "Phoebe" for the inauguration of a British Naval Base finding himself enamored with the city and of Sue owner of a waterfront bar and restaurant who his pal Jack is also fond of. A dramatic romantic comedy with musical numbers. Set in Singapore. Blue titled wrappers noted as TEMPORARY COMPLETE on the front wrapper rubber-stamped copy No. 27 and production No. 6910 dated 3/1/40 with credits for screenwriter Walter Reisch. Title page integral with first page dated 3-1-40 with credits for screenwriter Walter Reisch. 101 leaves with last page of text numbered 101. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Universal City Studios unknown
1972réf. 167513N.p.: N.p. 1972. Vintage oversize borderless color reference photograph from the 1972 French film showing actress Zouzou. The sixth and final film in Éric Rohmer's "Six Moral Tales" series about a married businessman whose harmless fantasies threaten to spill over into reality when he encounters an old flame at his office. Set and shot on location in Paris. 12 x 9.25 inches. Near Fine. Criterion Collection 348. N.p. unknown
1960réf. 150871Hollywood: Paramount Pictures 1960. Post-production Release Dialogue screenplay for the 1960 film. Laid in with the script is a single revision page. Based on Hans Ruesch's 1953 novel "Top of the World." An Inuit hunter kills a white missionary after misinterpreting the man's intentions and is pursued by police through the Arctic. Set and shot on location in the Canadian Arctic. Tall white titled wrappers dated AUGUST 26 1960. Title page integral with the front wrapper as issued. Mimeograph duplication rectos only. Pages Very Good plus overall with light dampstaining to the top edges bound with two staples. Olive Films 1349. Rosenbaum 1000. Paramount Pictures unknown
1970réf. 141153N.p.: N.p. 1970. Draft script for an unproduced television episode. Screenwriter Donald S. Sandford was a prolific writer for both television and film including for the programs "Dr. Kildare" "Bonanza" and "Midway." Orange titled wrappers stamped copy No. 35. Title page present with credit for screenwriter Donald S. Sanford. 42 leaves with last page of text numbered 40. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1968réf. 167502N.p.: N.p. 1968. Vintage reference photograph from the American release of the 1968 French film. American release information affixed to the verso. From the archive of film historian and author Joel Finler. A follow-up to director François Truffaut's 1959 film "The 400 Blows" continuing the story of Antoine Doinel who-now an adult-has been dishonorably discharged from the army. Set and shot on location in Paris. 10 x 8 inches. Near Fine. Criterion Collection 186. N.p. unknown
1967réf. 167511N.p.: N.p. 1967. Vintage reference photograph from the set of the 1967 French film showing Haydee Politoff and Patrick Bauchau preparing for a swim. Annotations in manuscript ink and pencil on the verso. From the archive of film historian and author Joel Finler. A love triangle develops between two best friends and the beautiful sexually open young woman who interrupts their vacation on the Riviera. The third film in Éric Rohmer's "Six Moral Tales" series made quickly and with very little budget due to delays in starting production of what was to be the next film in the series "My Night at Maud's" 1969. Shot on location in Cote d'Azur and Saint-Tropez France. 10 x 8 inches. About Near Fine. N.p. unknown
1965réf. 167499N.p.: N.p. 1965. Vintage reference photograph from the 1965 film showing actress Janine Magnan in her underwear. Annotations in manuscript ink and pencil on the verso. Five teenagers decide to leave school and study instead at a "school for criminals." Director Claude Lelouch's first commercial success. 10 x 8 inches. Very Good plus with light toning along three edges. N.p. unknown
1966réf. 167506London: Gala Film Distributors 1966. Vintage reference photograph from the UK release of the 1966 French film showing actors Catherine-Isabelle Duport and Marlène Jobert together in the bathroom. Mimeo snipe in English on the verso. A new relationship between a traditional young veteran and a beautiful pop star named Madeleine played by real-life ye-ye girl Chantal Goya becomes a menage-a-quatre when Madeleine's two roommates become involved. Set and shot on location in Paris. 10 x 8 inches. Near Fine. Criterion Collection 308. Rosenbaum 1000. Schrader 8. Vogel Film as a Subversive Art. Gala Film Distributors unknown
1967réf. 167505Los Angeles: Twentieth Century-Fox 1967. Vintage borderless reference photograph taken on the set of the 1967 film showing actress Candice Bergen touching up her makeup under the watchful eye of makeup artist Katia Stefanidou. Printed mimeo snipes affixed to the verso. A NATO plane carrying atomic weapons is forced to crash-land and abandon its cargo on a remote Greek island causing consternation and delight among the Greek locals who believe their island is being considered for a new resort development. Shot on location in Galaxidi Greece. 10 x 7.5 inches. Very Good plus. Twentieth Century-Fox unknown
1984réf. 171298N.p.: N.p. 1984. Draft script for Season 5 Episode 4 of the 1981-1987 television series. Originally aired October 25 1984 on NBC. Written by Mark Frost who went on to co-create "Twin Peaks" with David Lynch. Police procedural following officers in an understaffed precinct of an anonymous inner city patterned after Chicago with each episode taking place over the span of a single day. In this episode an officer's suicide is called into question when a sex worker he hired is also found dead. Brown generic manila wrappers with manuscript ink annotation on the front indicating the series and episode titles. Yellow titled internal wrappers rubber-stamped copy No. 4 and production No. 4405. Title page present dated July 16 1984 with credits for screenwriter Mark Frost. 64 leaves with last page of text numbered 61. Xerographic duplication rectos only. One page crease else Near Fine external wrapper Near Fine internal wrapper Near Fine bound with silver prong binding. N.p. unknown
2004réf. 171970Culver City CA: Columbia Pictures / Red Wagon Entertainment 2004. Revised Draft script for the 2005 film. Copy belonging to property master Emily Ferry with her annotations in manuscript ink throughout denoting scene changes. Based on the 1997 novel by Arthur Golden a historical drama about a Japanese girl who is sold by her impoverished family to an okiya where she trains to become a geisha. Nominated for six Academy Awards winning three including Best Cinematography. Self wrappers. Title page present dated September 4 2004 with credits for director Rob Marshall novelist Arthur Golden and screenwriters Robin Swicord Doug Wright Ron Bass and Akiva Goldsman. 132 leaves with last page of text numbered 131. Xerographic duplication rectos only. Pages Very Good title page present but detached from the binding with foxing to the first and last leaves and moderate creasing to the fore-edges bound with two gold brads. Columbia Pictures / Red Wagon Entertainment unknown
1971réf. 171973N.p.: N.p. 1971. Second Draft script for the 1972 film here under the working title "A Perfect Day for Raspberry Ripple." Single annotation in manuscript ink to page 53 circling the page number. Based on Rebecca Morris' 1967 short story "The Good Humor Man" about a young woman who must put her life back together after her husband a college professor leaves her for one of his students. A feminist-minded drama in the vein of "Alice Doesn't Live Here Anymore" and "An Unmarried Woman." Shot on location in San Francisco. Red titled wrappers. Title page present dated August 27 1971 noted as Second Draft with credits for Morris and screenwriter David Seltzer. 133 leaves with last page of text numbered 132. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with three gold brads. N.p. unknown
1983réf. 171974N.p.: N.p. 1983. Second Draft script for the 1983 film. Copy belonging to Supervising Property Master Emily Ferry with her name in manuscript ink on the title page. Internally duplicated copy made during shooting with copied hole punches. A dramatization of the early days of the US space program focusing on the Mercury Seven astronauts selected for the first American human flight into space. Based on the 1979 book by Tom Wolfe and basis for a documentary film and a television series both released in 2020. Nominated for eight Academy Awards winning four. Beige three-ring card binder with manuscript title label affixed to the front wrapper. Title page present undated noted as Second Draft with credits for Wolfe and screenwriter Philip Kaufman. 121 leaves with last page of text numbered 120. Early Xerographic duplication rectos only. Pages Very Good plus binder Very Good title page detached from the binding and lightly foxed. National Film Registry. Ebert II. N.p. unknown
1993réf. 171219N.p.: N.p. 1993. Final Draft script for Season 2 Episode 16 of the 1992-1995 television series. Originally aired January 24 1994 on CBS. With three photocopied production documents bound in the front of the script. Workplace sitcom taking place at a bar whose owner has a difficult relationship with a local columnist. In this episode the owner tries to prove to her columnist that women are discriminated against by salespeople. Winner of two Emmy Awards. Green titled wrappers noted as FINAL DRAFT on the front wrapper production No. 1215 dated December 16 1993 with credits for screenwriters Marc Flanagan and Stephen Nathan. Title page integral with front wrapper. 63 leaves with last page of text numbered 45. Xerographic duplication rectos only with yellow revision pages throughout dated 12/16/93. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
