11 065 résultats
1992réf. 171259Universal City: Universal City Studios 1992. Draft script for Season 2 Episode 17 of the ongoing television series. Originally aired March 3 1992 on NBC. This long-running police procedural follows criminal cases from investigation to trial. In this episode a teenage runaway accuses a nun at her halfway house of rape. Set in and shot on location in New York City. Pink titled self wrappers lacking rear wrapper noted as Rev. on the front wrapper production No. 67423 dated January 7 1992 with credits for screenwriter Rene Balcer. Title page integral with front wrapper. 68 leaves with last page of text numbered 65. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound with two gold brads. Universal City Studios unknown
1981réf. 170401N.p.: N.p. 1981. Draft script for the 1981 film. Copy belonging to uncredited producer Kelvyn H. Cullimore with his name and address in manuscript pencil on the title page and his ownership stamp to the title page and first page of text. In 1944 a young divorcée and single mother has an affair with a sailor on leave. Based on the 1979 novel by Sara Clark and William D. Wittliff. The directorial debut of Jack Fisk the husband of actress Sissy Spacek. Shot on location in Lockhart Maxwell Seguin and Corpus Christi Texas. White untitled front wrapper blue rear wrapper. Title page present with credit for screenwriter William D. Wittliff. 133 leaves with last page of text numbered 130. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good bound internally with three silver brads. N.p. unknown
2000réf. 171952Los Angeles: Twentieth Century-Fox 2000. Draft script for the 2000 comedy film. Two deadbeat stoners wake up from a long night of partying and embark on a journey to find their car whose cargo includes anniversary gifts for their girlfriends. Self wrappers. Title page present dated February 25 2000 with credit for screenwriter Philip Stark. 99 leaves with last page of text numbered 98. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. Twentieth Century-Fox unknown
réf. 171961Universal City: Medway Productions 1981. Draft script for the 1981 film. Dated June 3 1979 a full two years prior to its release. A well-loved homage to the serialized Saturday matinee films of the 1930s and 1940s "Raiders" is the first entry in the lauded Spielberg/Lucas high-adventure trilogy starring Harrison Ford as roguish archaeology professor Indiana Jones. Still one of the highest grossing films of all time. Winner of five Academy Awards and nominated for four others including Best Picture. Set in Peru Egypt Nepal and Washington DC shot on location in England France Tunisia California and Hawaii. Self wrappers. Title page present undated with credits for George Lucas and Lawrence Kasdan. 103 leaves with last page of text numbered 102. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. National Registry. Ebert II. Medway Productions unknown
1999réf. 171957N.p.: Rutland Weekend Television 1999. Second Draft script for an unproduced film. Based on the 1999 science fiction comedy novel by former "Monty Python" member Eric Idle published by Boxtree in the UK and Pantheon in the US about two comedians on the interplanetary comedy circuit and their robotic secretary. Self wrappers. Title page present undated noted as 2nd Draft with credit for Idle. 122 leaves with last page of text numbered 121. Xerographic duplication rectos only. Pages Very Good with silverfish damage to the first and last five leaves bound with two gold brads. Rutland Weekend Television unknown
1980réf. 170402N.p.: N.p. 1980. Draft script for an unproduced film. A bawdy military comedy starring Redd Foxx as an aging zany sergeant. Screenwriter Reginald H. Farmer is better known as an actor in comedy films including "Fast Times at Ridgemont High" 1982 "Car Wash" 1976 and "National Lampoon's Animal House" 1978. Blue pictorial titled wrappers. Title page present undated with credit for Farmer. 152 leaves with last page of text numbered 151. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown
1943réf. 166020Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1943. Vintage keybook set design photograph from the 1943 film showing the exterior of a nightclub advertising a one-night-only performance by Duke Ellington and his band. Property Department stamp and annotations in manuscript pencil on the verso. Based on the 1940 Broadway musical. A compulsive gambler killed in a nightclub shooting is visited by God and the Devil who agree to give him six months to atone for his earthly misdeeds and decide the fate of his eternal soul. A star-studded affair featuring jazz great Louis Armstrong as one of Satan's minions and a showcase musical number by Ellington and his orchestra. 10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1969réf. 166018Burbank CA: Warner Brothers 1969. Two vintage reference photographs from the 1969 film both showing director Gordon Parks on the set. One with a printed mimeo snipe affixed to the verso. Based on director Gordon Parks' semi-autobiographical 1963 novel. The first major studio production directed by an African American and one of few dramas of the period to focus exclusively on Black life in America depicting the life of a teenager in late 1920s Kansas who grows up quickly as he experiences events related to racial and economic injustice in his community. Set and shot on location in Kansas. 8 x 10 inches one with a wide bottom margin. Near Fine. National Film Registry. Warner Brothers unknown
1947réf. 170495Universal City: Universal-International 1947. Seven vintage studio still photographs from the American release of the classic 1947 British film noir. Four with provenance labels and stamps on the versos. Based on the 1945 novel by F.L. Green about an injured Nationalist revolutionary who goes on the run after a botched hold-up. A taut psychological noir featuring the work of noted cinematographer Robert Krasker who would go on to collaborate again with Carol Reed on the 1949 noir "The Third Man." Set in Belfast Northern Ireland shot on location in Belfast and London. 10 x 8 inches. Very Good to Very Good plus. Criterion Collection 754. Grant UK. Rosenbaum 1000. Selby UK Masterwork. Spicer UK. Universal-International unknown
1938réf. 165563Universal City: Universal Pictures 1938. Vintage reference photograph from the 1938 film showing actor Jimmy Savo consulting his script between takes. Printed mimeo snipe and credit stamp of photographer Ed Jones on the verso. Savo enjoyed a successful career as a stage performer on Broadway and the vaudeville circuit before turning to film in the late 1920s. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 8 x 10 inches. Near Fine. Universal Pictures unknown
1974réf. 148219Los Angeles: Twentieth Century-Fox 1974. Eight vintage color lobby cards from the 1974 film. One of the greatest and most garish rock musicals ever made imposing a wild psychedelic pop veneer on the "Phantom of the Opera" and Faust stories and updating them to the present-day of 1970s mega-record-label-dominated culture. Written and directed by De Palma at the beginning of his "classic" period of the 1970s and 1980s on the heels of "Sisters" 1973. Singer Paul Williams is unforgettably ambitiously nasty as Swan the head of an evil conglomerate that ruins the life of young Winslow William Finley with a teeth-clenching opening narration by Rod Serling. Twentieth Century-Fox bought the film for two million dollars the largest sum ever paid by the company for an independent film but failed to properly market it and the film did not reach a large audience. "Phantom" did please the critics however notably Pauline Kael who called the film "a new Guignol in a modern idiom out of the Guignol of the past." Shot on location in Beverly Hills California and Dallas Texas. 14 x 11 inches. Near Fine. Twentieth Century-Fox unknown
1984réf. 148189N.p.: Embassy Pictures 1984. Eight vintage lobby cards from the 1984 film. The film that invented the "rockumentary." Rob Reiner's debut now a timeless cult classic. Film director Mary DiBergi Reiner chronicles the American comeback tour of the aging heavy-metal band Spinal Tap. Selected for the National Film Registry in 2002. 14 x 11 inches. Near Fine. Ebert II. Criterion Collection 12. Embassy Pictures unknown
1969réf. 167512N.p.: N.p. 1969. Vintage borderless reference photograph from the 1969 film showing director Luchino Visconti as his cigarette ash dangles dangerously adjusting the bedding during a scene with actors Ingrid Thulin and Dirk Bogarde. A powerful corrupt industrialist family illustrates the transition of the German upper class from resentment to acceptance of the Nazi party. The first film in Visconti's German Trilogy followed by "Death in Venice" 1971 and "Ludwig" 1973. Shot on location in Germany Austria and Italy. 10 x 8 inches. About Fine. N.p. unknown
1937réf. 165558Universal City: Universal Pictures 1937. Vintage photograph of actor William Lundigan enjoying a cup of coffee between takes on the set of the 1937 film. Printed mimeo snipe provenance stamp and the stamp of photographer Ed Jones on the verso. A small town reporter ends up in jail after attempting to pressure a notorious gangster's girlfriend into an interview. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 8 x 10 inches. Neat pinholes at each corner else about Near Fine. Universal Pictures unknown
1973réf. 171988Various cities: Nederland Film / British Leyland 1973. Vintage program for the 1973 Dutch film. Issued by British Leyland automotive company in collaboration with Nederland Film with a contest advertised at the rear of the program. Text in Dutch. Based on Jan Wolkers' 1969 novel. A gifted but poor sculptor marries a beautiful wealthy young woman but their relationship is tumultuous and soon sours. Director Paul Verhoeven's second feature film the screen debuts of both Rutger Hauer and van de Ven and the most successful release in the history of Dutch cinema. Set and shot on location in Noord-Holland and Rotterdam Netherlands. 6 x 9 inches. Seven pages. Very Good plus in side-stapled wrappers with last leaf partially detached from the binding. Nederland Film / British Leyland unknown
1967réf. 170505Culver City CA: Columbia Pictures 1967. Vintage borderless studio still photograph from the 1967 film showing writer Truman Capote talking with director Richard Brooks and cinematographer Conrad Hall on location in Kansas. Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Capote's most famous book and remains one of the great meditations on violence in America. Nominated for four Academy Awards. 7.5 x 10 inches. About Fine. National Film Registry. Ebert II. Criterion Collection 781. Penzler 101. Spicer US. Columbia Pictures unknown
1974réf. 170507N.p.: N.p. 1974. Vintage reference photograph from the 1974 Italian film showing director Liliana Cavani and actor Charlotte Rampling on the set. Cavani's international breakthrough a deeply controversial film about a Holocaust survivor who renews her sadomasochistic sexual relationship with her Nazi captor after a chance encounter which threatens to expose his fellow former SS officers now living in secret in postwar Vienna. Shot on location in Vienna Austria and Rome Italy. 10 x 8 inches. Near Fine. Criterion Collection 59. Grant Italy. N.p. unknown
1972réf. 171995N.p.: N.p. 1972. Vintage borderless double weight photograph of cast and crew members of the 1972 film including director Ingmar Bergman and all principal cast raising their glasses in a toast. In her last days a woman dying of uterine cancer is moved to her childhood home where she is placed under the care of her emotionally distant sisters and distraught maid. Bergman's abstracted portrait of his mother with each of the women in the film representing an aspect of her personality. Shot on location at Taxinge-Nasby Castle in Mariefred Sweden. 13.5 x 9.5 inches. Very Good plus with brief wear to the corners. Criterion Collection 101. Complete collation details available on request. N.p. unknown
1970réf. 151201N.p.: N.p. 1970. Draft script for an unproduced film. A lawyer investigates the wrongful detainment of his partner by the police who he suspects has been held due to his political activities during a recent social unrest. Screenwriter Michael Sarne is best known for his work as a director including "Joanna" 1968 and "Myra Breckinridge" 1970 and as an actor most notably in "Intimidade" 1975 and "Eastern Promises" 2007. Set in South America. Red untitled wrappers with a die-cut title window in the British style. Title page present undated with credits for screenwriter Michael Sarne. 96 leaves with last page of text numbered 94. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with two silver brads. N.p. unknown
1940réf. 148596Culver City CA: Universal City Studios 1940. Temporary Complete script from an unproduced film by screenwriter Walter Reisch. Annotation of date "4-19-40" in manuscript pencil on affixed MGM Label with "Property of Universal City Studios" stamp below label. Reisch worked in Germany's leading film company Ufa during the late 1920s and early 1930s alongside another Viennese writer Billy Wilder as a screenwriter assistant director and cameraman as well as lyricist for operatic films. Forced to join the mass exodus from Germany during the rise of Nazism he moved to London writing and directing the 1936 comedy "Men Are Not Gods" starring Miriam Hopkins which attracted attention from Louis B. Mayer. From 1938 to 1948 Reisch worked at MGM as a script doctor and screenwriter on such films as Ernst Lubitsch's "Ninotchka" 1939 starring Geta Garbo and George Cukor's "Gaslight" 1944 starring Ingrid Bergman. The ingenious but disheveled naval officer Lieutenant Andrew Milford arrives in Sinapore in the US Submarine "Phoebe" for the inauguration of a British Naval Base finding himself enamored with the city and of Sue owner of a waterfront bar and restaurant who his pal Jack is also fond of. A dramatic romantic comedy with musical numbers. Set in Singapore. Blue titled wrappers noted as TEMPORARY COMPLETE on the front wrapper rubber-stamped copy No. 27 and production No. 6910 dated 3/1/40 with credits for screenwriter Walter Reisch. Title page integral with first page dated 3-1-40 with credits for screenwriter Walter Reisch. 101 leaves with last page of text numbered 101. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Universal City Studios unknown
1972réf. 167513N.p.: N.p. 1972. Vintage oversize borderless color reference photograph from the 1972 French film showing actress Zouzou. The sixth and final film in Éric Rohmer's "Six Moral Tales" series about a married businessman whose harmless fantasies threaten to spill over into reality when he encounters an old flame at his office. Set and shot on location in Paris. 12 x 9.25 inches. Near Fine. Criterion Collection 348. N.p. unknown
1960réf. 150871Hollywood: Paramount Pictures 1960. Post-production Release Dialogue screenplay for the 1960 film. Laid in with the script is a single revision page. Based on Hans Ruesch's 1953 novel "Top of the World." An Inuit hunter kills a white missionary after misinterpreting the man's intentions and is pursued by police through the Arctic. Set and shot on location in the Canadian Arctic. Tall white titled wrappers dated AUGUST 26 1960. Title page integral with the front wrapper as issued. Mimeograph duplication rectos only. Pages Very Good plus overall with light dampstaining to the top edges bound with two staples. Olive Films 1349. Rosenbaum 1000. Paramount Pictures unknown
1968réf. 167502N.p.: N.p. 1968. Vintage reference photograph from the American release of the 1968 French film. American release information affixed to the verso. From the archive of film historian and author Joel Finler. A follow-up to director François Truffaut's 1959 film "The 400 Blows" continuing the story of Antoine Doinel who-now an adult-has been dishonorably discharged from the army. Set and shot on location in Paris. 10 x 8 inches. Near Fine. Criterion Collection 186. N.p. unknown
1967réf. 167511N.p.: N.p. 1967. Vintage reference photograph from the set of the 1967 French film showing Haydee Politoff and Patrick Bauchau preparing for a swim. Annotations in manuscript ink and pencil on the verso. From the archive of film historian and author Joel Finler. A love triangle develops between two best friends and the beautiful sexually open young woman who interrupts their vacation on the Riviera. The third film in Éric Rohmer's "Six Moral Tales" series made quickly and with very little budget due to delays in starting production of what was to be the next film in the series "My Night at Maud's" 1969. Shot on location in Cote d'Azur and Saint-Tropez France. 10 x 8 inches. About Near Fine. N.p. unknown
1965réf. 167499N.p.: N.p. 1965. Vintage reference photograph from the 1965 film showing actress Janine Magnan in her underwear. Annotations in manuscript ink and pencil on the verso. Five teenagers decide to leave school and study instead at a "school for criminals." Director Claude Lelouch's first commercial success. 10 x 8 inches. Very Good plus with light toning along three edges. N.p. unknown
